Popularity: 10 (history)
| Director: | John Crowley |
|---|---|
| Writer: | Donna Tartt, Peter Straughan |
| Staring: |
| A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime. | |
| Release Date: | Sep 12, 2019 |
|---|---|
| Director: | John Crowley |
| Writer: | Donna Tartt, Peter Straughan |
| Genres: | Drama |
| Keywords | new york city, based on novel or book, museum, painting, art, bombing, teenage protagonist |
| Production Companies | Warner Bros. Pictures, Color Force, Amazon Studios |
| Box Office |
Revenue: $0
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ansel Elgort | Theodore Decker |
| Oakes Fegley | Young Theodore Decker |
| Nicole Kidman | Samantha Barbour |
| Jeffrey Wright | James 'Hobie' Hobart |
| Luke Wilson | Larry Decker |
| Sarah Paulson | Xandra |
| Willa Fitzgerald | Kitsey Barbour |
| Aneurin Barnard | Boris Pavlikovsky |
| Finn Wolfhard | Young Boris Pavlikovsky |
| Ashleigh Cummings | Pippa |
| Aimee Laurence | Young Pippa |
| Robert Joy | Welton 'Welty' Blackwell |
| Boyd Gaines | Mr. Barbour |
| Carly Connors | Young Kitsey Barbour |
| Luke Kleintank | Platt Barbour |
| Hailey Wist | Theo's Mother |
| Ryan Foust | Andrew 'Andy' Barbour |
| Jack DiFalco | Young Platt Barbour |
| Austin Weyant | Adult Toddy Barbour |
| Collin Shea Schirrmacher | Young Toddy Barbour |
| Nicky Torchia | Young Tom Cable |
| Denis O'Hare | Lucius Reeve |
| Peter Jacobson | Mr. Silver |
| Joey Slotnick | Dave |
| Gordon Winarick | Adult Tom Cable |
| Caroline Day | Em |
| Pamela Dunlap | Mrs. Vogel |
| Misha Osherovich | Shirley T |
| Aidan Kennedy | Middle School Student |
| Alton Fitzgerald White | Social Worker |
| Kevin D. McGee | Doorman |
| Hannah Kurczeski | Middle School Student |
| Matteo van der Grijn | Gyuri |
| Kevin Owen McDonald | Mr. Pavlikovsky |
| Nick Vorsselman | Boy on Street at Airport |
| Hank Rogerson | Vegas Teacher |
| Robert Turano | Detective #2 |
| Don Castro | Detective #1 |
| Rick Bolander | Paramedic |
| Vincent Tumeo | Bar Patron - Restaurant |
| Ben Hollandsworth | Race |
| Gerson Oratmangoen | Indonesian Man |
| Angela Covello | Female Social Worker |
| Dylan Boyd | Student |
| James Donahower | Mr. Beeman |
| Alma Cuervo | Store Owner |
| Name | Job |
|---|---|
| Donna Tartt | Novel |
| John Crowley | Director |
| Kelley Dixon | Editor |
| Erwin Godschalk | Line Producer |
| Deborah Jensen | Supervising Art Director |
| Mandy Lyons | Hair Department Head |
| Jamie Amadio | Hairstylist |
| Gina Leone | Key Hair Stylist |
| Joseph A. Alfieri Jr. | Construction Coordinator |
| Karla Muenze | Makeup Artist |
| Kyra Panchenko | Makeup Designer |
| Jackie Risotto | Makeup Artist |
| Yasmina Smith-Tyson | Makeup Artist |
| Kim Taylor | Makeup Artist |
| Erica Whelan | Makeup Artist |
| Blake Leyh | Sound Designer |
| Lawrence Zipf | Sound Designer |
| Parker Chehak | Visual Effects Producer |
| Perri B. Frank | Visual Effects Editor |
| Marc Goldfine | Visual Effects |
| Matthew T. Griffin | Visual Effects |
| Eric Lorenz | Visual Effects Editor |
| Shannen Miceli | Visual Effects |
| Aaron Raff | Visual Effects |
| Erin Sullivan | Visual Effects Editor |
| Rachel Ambelang | Visual Effects Editor |
| Grant Anderson | Visual Effects Editor |
| Paul Daniel | Visual Effects Editor |
| Mark DiStefano | Visual Effects Editor |
| Lesley Robson-Foster | Visual Effects Supervisor |
| Ruben Rodas | Visual Effects Supervisor |
| Peter Straughan | Screenplay |
| Roger Deakins | Director of Photography |
| K.K. Barrett | Production Design |
| Ellen Chenoweth | Casting |
| Rena DeAngelo | Set Decoration |
| Kasia Walicka Maimone | Costume Design |
| Trevor Gureckis | Original Music Composer |
| Skip Lievsay | Supervising Sound Editor, Sound Re-Recording Mixer |
| Evelyne Noraz | Makeup Department Head |
| Samantha MacIvor | Stunts |
| G.A. Aguilar | Stunt Coordinator |
| Al Goto | Stunt Coordinator |
| Jodi Michelle Pynn | Stunts |
| Maceo Bishop | Second Unit Director of Photography, Steadicam Operator |
| Blaise Corrigan | Stunts |
| Izzi Galindo | Hair Supervisor |
| Name | Title |
|---|---|
| Maarten Swart | Associate Producer |
| Mari-Jo Winkler | Executive Producer |
| Margaret Chernin | Co-Producer |
| Kevin McCormick | Executive Producer |
| Nina Jacobson | Producer |
| Brad Simpson | Producer |
| Sue Kroll | Executive Producer |
| Courtenay Valenti | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 39 | 18 |
| 2024 | 5 | 33 | 52 | 21 |
| 2024 | 6 | 30 | 58 | 19 |
| 2024 | 7 | 30 | 59 | 19 |
| 2024 | 8 | 30 | 50 | 15 |
| 2024 | 9 | 18 | 28 | 12 |
| 2024 | 10 | 23 | 37 | 12 |
| 2024 | 11 | 18 | 31 | 10 |
| 2024 | 12 | 19 | 39 | 13 |
| 2025 | 1 | 22 | 40 | 12 |
| 2025 | 2 | 14 | 23 | 3 |
| 2025 | 3 | 6 | 18 | 1 |
| 2025 | 4 | 4 | 9 | 1 |
| 2025 | 5 | 3 | 11 | 1 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 3 | 7 | 1 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
| 2025 | 11 | 7 | 11 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 699 | 775 |
This movie apparently had a firestorm of mixed reviews and comparisons to the Pulitzer Prize winnings book swirling around it - and I missed it all. Thankfully. I enjoyed the movie, though it wouldn’t make a list of my favorites. It is told by jumping forward and backward in time, which allows f ... ilmmakers to withhold key or dramatic details of the plot as long as possible. This seemed stunning and revolutionary way back when I watched Pulp Fiction, but now of course a lot of movies play with event sequencing. (I suppose one of the foreshadowing of this technique was Citizen Kane, like, what the hell does Rosebud mean?) So I am comfortable knowing that some things may take a while to make sense. This movie is all over the place: geographically and plot-wise, but I was fine with it. Sometimes I like a movie that dares me to pay attention. Given the hysterical nature of some of the negative reviews, I feel I might want to read the novel, but I understand it is rather long, and so is my reading list! I would say that if you aren’t a person who hates movies made from your favorite books, give this one a watch - just let it wash over you. My final comment is: I really like the Boris character, who drops into the action a couple of times. Where is his movie? Hmm, maybe he shows up more in the book. Sigh, okay, it goes onto my reading list.
I really don't see why this got quite such a kicking from the critics. Ansel Elgort, Jeffrey Wright and Nicole Kidman put a good effort into a tale that hinges on the impact of one single, tragic, moment in time and of the subsequent consequences. The characters visibly evolve throughout the film an ... d it flows in an interesting and absorbing fashion. It is a wee bit too long and perhaps some more judicious pruning of the original - rather lengthy - book might have been in order. That said, the screenplay does hold true to the book in all the essentials and really this is well worth a watch.