Popularity: 2 (history)
| Director: | John Crowley | 
|---|---|
| Writer: | Donna Tartt, Peter Straughan | 
| Staring: | 
| A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime. | |
| Release Date: | Sep 12, 2019 | 
|---|---|
| Director: | John Crowley | 
| Writer: | Donna Tartt, Peter Straughan | 
| Genres: | Drama | 
| Keywords | new york city, based on novel or book, museum, painting, art, bombing, teenage protagonist | 
| Production Companies | Warner Bros. Pictures, Color Force, Amazon Studios | 
| Box Office | 
              
                Revenue: $0
                Budget: $40,000,000  | 
      
| Updates | 
          Updated: Feb 01, 2025 Entered: Apr 13, 2024  | 
      
| Name | Character | 
|---|---|
| Ansel Elgort | Theodore Decker | 
| Oakes Fegley | Young Theodore Decker | 
| Nicole Kidman | Samantha Barbour | 
| Jeffrey Wright | James 'Hobie' Hobart | 
| Luke Wilson | Larry Decker | 
| Sarah Paulson | Xandra | 
| Willa Fitzgerald | Kitsey Barbour | 
| Aneurin Barnard | Boris Pavlikovsky | 
| Finn Wolfhard | Young Boris Pavlikovsky | 
| Ashleigh Cummings | Pippa | 
| Aimee Laurence | Young Pippa | 
| Robert Joy | Welton 'Welty' Blackwell | 
| Boyd Gaines | Mr. Barbour | 
| Carly Connors | Young Kitsey Barbour | 
| Luke Kleintank | Platt Barbour | 
| Hailey Wist | Theo's Mother | 
| Ryan Foust | Andrew 'Andy' Barbour | 
| Jack DiFalco | Young Platt Barbour | 
| Austin Weyant | Adult Toddy Barbour | 
| Collin Shea Schirrmacher | Young Toddy Barbour | 
| Nicky Torchia | Young Tom Cable | 
| Denis O'Hare | Lucius Reeve | 
| Peter Jacobson | Mr. Silver | 
| Joey Slotnick | Dave | 
| Gordon Winarick | Adult Tom Cable | 
| Caroline Day | Em | 
| Pamela Dunlap | Mrs. Vogel | 
| Misha Osherovich | Shirley T | 
| Aidan Kennedy | Middle School Student | 
| Alton Fitzgerald White | Social Worker | 
| Kevin D. McGee | Doorman | 
| Hannah Kurczeski | Middle School Student | 
| Matteo van der Grijn | Gyuri | 
| Kevin Owen McDonald | Mr. Pavlikovsky | 
| Nick Vorsselman | Boy on Street at Airport | 
| Hank Rogerson | Vegas Teacher | 
| Robert Turano | Detective #2 | 
| Don Castro | Detective #1 | 
| Rick Bolander | Paramedic | 
| Vincent Tumeo | Bar Patron - Restaurant | 
| Ben Hollandsworth | Race | 
| Gerson Oratmangoen | Indonesian Man | 
| Angela Covello | Female Social Worker | 
| Dylan Boyd | Student | 
| James Donahower | Mr. Beeman | 
| Alma Cuervo | Store Owner | 
| Name | Job | 
|---|---|
| Donna Tartt | Novel | 
| John Crowley | Director | 
| Kelley Dixon | Editor | 
| Erwin Godschalk | Line Producer | 
| Deborah Jensen | Supervising Art Director | 
| Mandy Lyons | Hair Department Head | 
| Jamie Amadio | Hairstylist | 
| Gina Leone | Key Hair Stylist | 
| Joseph A. Alfieri Jr. | Construction Coordinator | 
| Karla Muenze | Makeup Artist | 
| Kyra Panchenko | Makeup Designer | 
| Jackie Risotto | Makeup Artist | 
| Yasmina Smith-Tyson | Makeup Artist | 
| Kim Taylor | Makeup Artist | 
| Erica Whelan | Makeup Artist | 
| Blake Leyh | Sound Designer | 
| Lawrence Zipf | Sound Designer | 
| Parker Chehak | Visual Effects Producer | 
| Perri B. Frank | Visual Effects Editor | 
| Marc Goldfine | Visual Effects | 
| Matthew T. Griffin | Visual Effects | 
| Eric Lorenz | Visual Effects Editor | 
| Shannen Miceli | Visual Effects | 
| Aaron Raff | Visual Effects | 
| Erin Sullivan | Visual Effects Editor | 
| Rachel Ambelang | Visual Effects Editor | 
| Grant Anderson | Visual Effects Editor | 
| Paul Daniel | Visual Effects Editor | 
| Mark DiStefano | Visual Effects Editor | 
| Lesley Robson-Foster | Visual Effects Supervisor | 
| Ruben Rodas | Visual Effects Supervisor | 
| Peter Straughan | Screenplay | 
| Roger Deakins | Director of Photography | 
| K.K. Barrett | Production Design | 
| Ellen Chenoweth | Casting | 
| Rena DeAngelo | Set Decoration | 
| Kasia Walicka Maimone | Costume Design | 
| Trevor Gureckis | Original Music Composer | 
| Skip Lievsay | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Evelyne Noraz | Makeup Department Head | 
| Samantha MacIvor | Stunts | 
| G.A. Aguilar | Stunt Coordinator | 
| Al Goto | Stunt Coordinator | 
| Jodi Michelle Pynn | Stunts | 
| Maceo Bishop | Second Unit Director of Photography, Steadicam Operator | 
| Blaise Corrigan | Stunts | 
| Izzi Galindo | Hair Supervisor | 
| Name | Title | 
|---|---|
| Maarten Swart | Associate Producer | 
| Mari-Jo Winkler | Executive Producer | 
| Margaret Chernin | Co-Producer | 
| Kevin McCormick | Executive Producer | 
| Nina Jacobson | Producer | 
| Brad Simpson | Producer | 
| Sue Kroll | Executive Producer | 
| Courtenay Valenti | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 27 | 39 | 18 | 
| 2024 | 5 | 33 | 52 | 21 | 
| 2024 | 6 | 30 | 58 | 19 | 
| 2024 | 7 | 30 | 59 | 19 | 
| 2024 | 8 | 30 | 50 | 15 | 
| 2024 | 9 | 18 | 28 | 12 | 
| 2024 | 10 | 23 | 37 | 12 | 
| 2024 | 11 | 18 | 31 | 10 | 
| 2024 | 12 | 19 | 39 | 13 | 
| 2025 | 1 | 22 | 40 | 12 | 
| 2025 | 2 | 14 | 23 | 3 | 
| 2025 | 3 | 6 | 18 | 1 | 
| 2025 | 4 | 4 | 9 | 1 | 
| 2025 | 5 | 3 | 11 | 1 | 
| 2025 | 6 | 3 | 5 | 2 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 3 | 7 | 1 | 
| 2025 | 9 | 4 | 5 | 2 | 
| 2025 | 10 | 4 | 5 | 3 | 
| 2025 | 11 | 2 | 2 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 699 | 775 | 
This movie apparently had a firestorm of mixed reviews and comparisons to the Pulitzer Prize winnings book swirling around it - and I missed it all. Thankfully. I enjoyed the movie, though it wouldn’t make a list of my favorites. It is told by jumping forward and backward in time, which allows f ... ilmmakers to withhold key or dramatic details of the plot as long as possible. This seemed stunning and revolutionary way back when I watched Pulp Fiction, but now of course a lot of movies play with event sequencing. (I suppose one of the foreshadowing of this technique was Citizen Kane, like, what the hell does Rosebud mean?) So I am comfortable knowing that some things may take a while to make sense. This movie is all over the place: geographically and plot-wise, but I was fine with it. Sometimes I like a movie that dares me to pay attention. Given the hysterical nature of some of the negative reviews, I feel I might want to read the novel, but I understand it is rather long, and so is my reading list! I would say that if you aren’t a person who hates movies made from your favorite books, give this one a watch - just let it wash over you. My final comment is: I really like the Boris character, who drops into the action a couple of times. Where is his movie? Hmm, maybe he shows up more in the book. Sigh, okay, it goes onto my reading list.
I really don't see why this got quite such a kicking from the critics. Ansel Elgort, Jeffrey Wright and Nicole Kidman put a good effort into a tale that hinges on the impact of one single, tragic, moment in time and of the subsequent consequences. The characters visibly evolve throughout the film an ... d it flows in an interesting and absorbing fashion. It is a wee bit too long and perhaps some more judicious pruning of the original - rather lengthy - book might have been in order. That said, the screenplay does hold true to the book in all the essentials and really this is well worth a watch.