Popularity: 2 (history)
Director: | Alejandro González Iñárritu |
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Writer: | Guillermo Arriaga |
Staring: |
Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives. | |
Release Date: | Sep 06, 2003 |
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Director: | Alejandro González Iñárritu |
Writer: | Guillermo Arriaga |
Genres: | Drama, Crime, Thriller |
Keywords | life and death, loss of loved one, transplantation, suicide attempt, new mexico, ex-detainee, sadness, rage and hate, widow, faith, car crash, multiple storylines |
Production Companies | This is that, Focus Features, Y Productions, Mediana Productions Filmgesellschaft |
Box Office |
Revenue: $60,427,839
Budget: $20,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
Rodrigo Prieto | Director of Photography |
Marlene Stewart | Costume Design |
Spiro Razatos | Stunt Coordinator |
Gilbert B. Combs | Stunts |
Xavier Grobet | Second Unit Director of Photography, Camera Operator |
Tyrel Ventura | Actor's Assistant |
Gustavo Santaolalla | Original Music Composer |
Stephen Mirrione | Editor |
Deborah Riley | Art Direction |
Guillermo Arriaga | Writer |
Robert Salerno | Unit Production Manager |
Peewee Piemonte | Stunts |
David M. Graves | Stunts |
Martín Hernández | Sound Designer, Supervising Sound Editor |
Damon Michael Gordon | Assistant Location Manager |
Sergio Díaz | Sound Editor |
Jack Gill | Stunts |
Francine Maisler | Casting |
James Alan Hensz | First Assistant Director |
Chris Durand | Stunts |
Alejandro González Iñárritu | Director |
Andy Gill | Stunts |
Day Permuy | Assistant Production Coordinator |
Tony Hernandez | Location Assistant |
Barbara Harris | ADR Voice Casting |
Brigitte Broch | Production Design |
Jolynn Nieto | Hairstylist |
Gloria Belz | Makeup Artist |
Tim Pedegana | Post Production Supervisor |
Michael E. Steele | First Assistant Director |
Chandra De Alessandro | Stunts |
Eva Z. Cabrera | Script Supervisor |
Lisa Guerriero | Second Assistant Camera |
David J. Thompson | Steadicam Operator |
Jonathan Fuh | Boom Operator |
Peter Walts | Best Boy Electric |
Lee McLemore | Rigging Grip |
Holly Davis | Key Costumer |
Phillip Howard | Set Costumer |
Brian Ufberg | Assistant Editor |
Cynthia Nibler | Property Master |
Gary Pilkinton | Special Effects Technician |
J. Elizabeth Ingram | Production Secretary |
Len Murach | Location Manager |
Melinka Thompson-Godoy | Location Coordinator |
Jeanette Agaronoff | Actor's Assistant |
Roland N. Thai | Sound Designer |
Michael Mullane | Sound Editor |
Vivian Baker | Prosthetic Makeup Artist, Key Makeup Artist |
Gail Rowell-Ryan | Hair Department Head |
Kenneth Roth | Second Assistant Director |
Diego Quemada-Díez | Camera Operator |
Jay Levy | First Assistant "A" Camera |
Michael Cruickshank | Camera Loader |
Paul Murphey | Video Assist Operator |
Andy Brokmeyer | Cableman |
Anthony 'Spike' Simms | Rigging Gaffer |
Riki Lin Sabusawa | Costume Supervisor |
Ira M. Hammons-Glass | Costumer |
Douglas Crise | Assistant Editor |
Anibal Kerpel | Music Editor |
Allison Gross | Assistant Property Master |
Steve Cainas | Production Coordinator |
Robyn Adams | Production Secretary |
Alex Blagg | Location Scout |
Annaliese Levy | Actor's Assistant |
Troy Borisy | Leadman |
Robert Getty | Sound Editor |
Jeffrey Wilhoit | Foley Artist |
Julio Carmona | ADR Recordist |
Brad Sherman | Sound Re-Recording Mixer |
Mary Sunshine | Production Accountant |
Jim Sheldon | Still Photographer |
Jerry Jackson | Transportation Coordinator |
Steve Bowen | Colorist |
Meg Everist | Set Decoration |
Laurel Van Dyke | Hairstylist |
Diane L. Sabatini | Production Supervisor |
Kiersten Pilar Miller | Second Assistant Director |
Thomas Betts | Set Designer |
Glenn Kaplan | First Assistant "B" Camera |
Mark Karavite | Steadicam Operator |
Robby Baumgartner | Gaffer |
Joseph Dianda | Key Grip |
Mark Peterson | Costume Supervisor |
Nancy Collini | Set Costumer |
Keith H. Sauter | Assistant Editor |
Lynn Fainchtein | Music Supervisor |
Thomas Kittle | Special Effects Technician |
Sarah Tackett | Location Casting |
Sato Masuzawa | Actor's Assistant |
Janey Bergam | Actor's Assistant |
Michael Hertlein | Sound Editor |
Christopher Sidor | Sound Recordist |
James Moriana | Foley Artist |
Jeffrey Schlatter | Construction Coordinator |
Jill Rosenblatt | First Assistant Accountant |
Merrick Morton | Still Photographer |
Tom Moore | Transportation Captain |
Hilda Saffari | Digital Intermediate Producer |
Nerses Gezalyan | Foley Mixer |
Ron Bedrosian | ADR Mixer |
Jon Taylor | Sound Re-Recording Mixer |
Thomas Michael Ryan | Construction Foreman |
Jennifer Hunt Pedevilla | Payroll Accountant |
Lucas Moore | Studio Teacher |
Paul Tanzillo Jr. | Negative Cutter |
Trevor Ward | Dolby Consultant |
Luisa Abel | Makeup Department Head |
Amy J. Kaufman | Executive In Charge Of Production |
José Antonio García | Sound Mixer |
Name | Title |
---|---|
Ted Hope | Executive Producer |
Alejandro González Iñárritu | Producer |
Robert Salerno | Producer |
Guillermo Arriaga | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Venice Film Festival | Best Supporting Actress | Melissa Leo | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 49 | 21 |
2024 | 5 | 29 | 50 | 21 |
2024 | 6 | 25 | 49 | 12 |
2024 | 7 | 24 | 37 | 14 |
2024 | 8 | 22 | 39 | 13 |
2024 | 9 | 17 | 30 | 11 |
2024 | 10 | 20 | 31 | 10 |
2024 | 11 | 19 | 32 | 12 |
2024 | 12 | 16 | 24 | 10 |
2025 | 1 | 21 | 47 | 12 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 4 | 9 | 2 |
2025 | 5 | 3 | 9 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 646 | 805 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 596 | 763 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 436 | 642 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 900 | 939 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 861 | 861 |
21 grams the movie was such a beautifully constructed story. It had the rawest of emotions that are intense. Some may find the content a bit heavy but I thought it was pure craft. The way the story unfolds into each other is fabulous. It’s a film about the basics of human nature. 21 grams i ... s the weight of your soul apparently once it leaves your body when you die.