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Interpol Poster

Interpol

This Is A Picture About DOPE!
1957 | 92m | English

(954 votes)

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Popularity: 0.7 (history)

Details

Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U.S. drug enforcement agent Charles Sturgis embarks on an investigation that takes him from New York to London, Lisbon, Rome, Naples and finally Athens in pursuit of McNally's shapely associate, Gina Broger.
Release Date: Apr 02, 1957
Director: John Gilling
Writer: John Paxton, A.J. Forrest
Genres: Crime, Drama
Keywords film noir, drug dealing, dea agent
Production Companies Columbia Pictures, Warwick Film Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 28, 2026
Entered: Apr 20, 2024
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Full Credits

Name Character
Victor Mature Charles Sturgis
Anita Ekberg Gina Broger
Trevor Howard Frank McNally
Bonar Colleano Amalio
Dorothy Alison Helen
André Morell Commissioner Breckner
Martin Benson Captain Varolli
Eric Pohlmann Etienne Fayala
Peter Illing Capt. Baris
Sydney Tafler Curtis
Lionel Murton Murphy
Danny Green Second Bartender
Alec Mango Salko
Sidney James Joe - First Bartender
Marne Maitland Guido Martinelli
Harold Kasket Kalish
Van Boolen Luggage Clerk
Brian Nissen Allison
Peter Elliott Badek
Charles Lloyd Pack English Tourist
Al Mulock Interrogator
Alfred Burke Vincent Cashling
Yana Singer
Maurice Browning Morphin Addict
Cyril Shaps Warden
Paul Stassino Customs Inspector
Gaylord Cavallaro Amalio's Brother
Brian Wilde Monk
Russell Waters Company Man
Richard Molinas Borgese
Wolfe Morris Morgue Attendant
Arnold Diamond Police Officer (uncredited)
Umberto Fiz Monello (uncredited)
Anthony John Child (uncredited)
Murray Kash Drug Courier at Docks (uncredited)
Betty McDowall Drug Addict (uncredited)
April Olrich Girl in Nightclub (uncredited)
Anthony Richmond Child (uncredited)
Alfredo Rizzo Abbata (uncredited)
Yvonne Romain Girl in Nightclub (uncredited)
Kevin Stoney Policeman (uncredited)
Hyma Beckley Airline Passenger (uncredited)
Paul Beradi Nightclub Patron (uncredited)
Jim Brady Man in Police Car (uncredited)
Pauline Chamberlain Woman at Bar (uncredited)
Paula Kyle Hooker in Alley (uncredited)
Michael Peake Thug Playing Cards (uncredited)
George Spence Nightclub Patron (uncredited)
Philip Stewart Nightclub Patron (uncredited)
Joe Wadham Italian Policeman (uncredited)
Name Job
John Paxton Screenplay
Richard Rodney Bennett Original Music Composer
Richard Best Editor
A.J. Forrest Story
Muir Mathieson Conductor
Cecil R. Foster Kemp Production Supervisor
Paul Sheriff Art Direction
Max Varnel Second Unit Director
Stanley Pavey Second Unit Director of Photography
Alec Gibb Assistant Director
Bluey Hill Assistant Director
Kay Rawlings Continuity
Olga Brook Continuity
Skeets Kelly Camera Operator
Harold Haysom Camera Operator
Maurice Fowler Assistant Art Director
Syd Cain Assistant Art Director
John Cabrera Location Manager
Norman Coggs Sound Recordist
Len Shilton Sound Recordist
Nora Roberts Casting
Roy Ashton Makeup Artist
Bill Griffiths Hairdresser
Don Saunders Sound Editor
John Gilling Director
Ted Moore Director of Photography
Elsa Fennell Wardrobe Supervisor
Barry Peters First Assistant Editor
Theo Richmond Unit Publicist
Name Title
Phil C. Samuel Associate Producer
Irving Allen Producer
Albert R. Broccoli Producer
Organization Category Person
Popularity Metrics

Popularity History


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2024 5 8 15 3
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Trending Position


Year Month High Avg
2025 1 646 674

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Reviews

Geronimo1967
6.0

This has got quite a field of recognisable talent, but the story is a bit thin. "Frank McNally" (Trevor Howard) is a ruthless drug dealer who makes a bit of a mockery of the efforts of Interpol to track him down. It's only when he kills the sister of US agent "Sturgis" (Victor Mature) that he finds ... a foe worthy of him. This fellow is much more determined, and quickly alights on the mule of the operation "Gina" (Anita Ekberg) trailing her all around Europe before finally honing in on his prey as “McNally” plots an huge job in New York. The format of the storyline takes a bit of a travelogue style and though that does give it some pace, it means we spend way too much time on planes, at airports and touring the sites rather than developing any characters of even a substantial plot. Neither Mature nor Howard really engage, Ekberg has practically no dialogue until the very end and the best effort comes from grifter Bonar Colleano's ("Amalio") who seems way more adept at tracking "McNally" than his policeman buddy. The ending is weak - it's more of a testament to the effectiveness of global policing and communications that it is to a thriller, and I felt the whole thing just lacked oomph.

Jul 21, 2025