Popularity: 2 (history)
Director: | Tomm Moore, Ross Stewart |
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Writer: | Will Collins, Tomm Moore, Ross Stewart |
Staring: |
In a time of superstition and magic, when wolves are seen as demonic and nature an evil to be tamed, a young apprentice hunter comes to Ireland with her father to wipe out the last pack. But when she saves a wild native girl, their friendship leads her to discover the world of the Wolfwalkers and transform her into the very thing her father is tasked to destroy. | |
Release Date: | Oct 26, 2020 |
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Director: | Tomm Moore, Ross Stewart |
Writer: | Will Collins, Tomm Moore, Ross Stewart |
Genres: | Animation, Family, Fantasy, Adventure |
Keywords | shapeshifting, wolf, magic, wolf's lair, fairy tale, feral child, forest, friendship, woods, female protagonist, ireland, family, folklore, werewolf child, curious, calm, healer, reflective, wolves, irish folklore, hand drawn animation, father daughter relationship, mother daughter relationship, serene, fantasy, 1600s, enchanted forest, admiring, adoring, comforting, compassionate, enchant, excited, gentle |
Production Companies | Canal+, Haut et Court, Fís Éireann/Screen Ireland, RTÉ, OCS, Film Fund Luxembourg, Melusine Productions, Cartoon Saloon, GKIDS, Folivari, Pôle Image Magelis |
Box Office |
Revenue: $1,310,720
Budget: $12,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Honor Kneafsey | Robyn Goodfellowe (voice) |
Eva Whittaker | Mebh Óg MacTíre (voice) |
Sean Bean | Robyn's Father, Bill Goodfellowe (voice) |
Simon McBurney | Lord Protector (voice) |
Tommy Tiernan | Sean Óg (voice) |
Maria Doyle Kennedy | Mebh's Mother, Moll MacTíre (voice) |
Jon Kenny | Stringy Woodcutter, Ned (voice) |
John Morton | Stumpy Woodcutter (voice) |
Nora Twomey | Head Housekeeper, Bridget (voice) |
Oliver McGrath | Street Children Ringleader, Padraig (voice) |
Paul Young | Sheep Farmer (voice) |
Niamh Moyles | Fishmonger (voice) |
Ben Andrews | Soldier (voice) |
Jerome Burelbach | Soldier (voice) |
Vince Drews | Soldier (voice) |
Seamus Greene | Soldier / Additional Voices (voice) |
Gilbert Johnston | Soldier (voice) |
Luke Mandie | Soldier (voice) |
Ian Sanderson | Soldier (voice) |
Jack Caldwell | Street Child (voice) |
Eoin Cleary | Street Child (voice) |
Marguerita Hanlon | Street Child (voice) |
Jacob Holden | Street Child (voice) |
Clare Keating | Street Child (voice) |
Orla Keating | Street Child (voice) |
Caolán Lulias | Street Child (voice) |
Patrick McGrath | Street Child (voice) |
Daisy Moran | Street Child (voice) |
Dylan Muldowney | Street Child (voice) |
Mark O'Connell | Street Child (voice) |
Róisín O'Shea | Street Child (voice) |
Philip Brennan | Additional Voices (voice) |
Jim Carroll | Additional Voices (voice) |
Richie Cody | Additional Voices (voice) |
Brendan Corcoran | Additional Voices (voice) |
Michael Culleton | Additional Voices (voice) |
Sarah Doyle | Additional Voices (voice) |
Amy Dunne | Additional Voices (voice) |
Gilly Fogg | Additional Voices (voice) |
Jennifer Hughes | Additional Voices (voice) |
Michael McGrath | Additional Voices (voice) |
Ken McGuire | Additional Voices (voice) |
Desirée Meade | Additional Voices (voice) |
Graham Mills | Additional Voices (voice) |
Aoibhin Murphy | Additional Voices (voice) |
Mags Murphy | Additional Voices (voice) |
Aaron O'Dea | Additional Voices (voice) |
Cara O'Doherty | Additional Voices (voice) |
Aoife O’Neill | Additional Voices (voice) |
Jacqueline Purcell | Additional Voices (voice) |
Muireann Ryan | Additional Voices (voice) |
Alan Slattery | Additional Voices (voice) |
David Thompson | Additional Voices (voice) |
Eleanor Walsh | Additional Voices (voice) |
Name | Job |
---|---|
Maria Pareja | Production Design, Art Direction |
Mark Mullery | Assistant Director |
Katja Schumann | Line Producer |
Mathilde Vachet | Animation |
Fabian Erlinghäuser | Animation |
Louise Kiely | Casting |
Giovanna Ferrari | Storyboard Artist |
Danas Bereznickas | Key Animation |
Tomislav Findrik | Animation, Key Animation |
Lucie Julliat | Animation |
Basil Malek | Animation |
Stéphanie Pavoine | Animation |
Frédéric Plumey | Digital Compositor |
Roberto Rosi | Animation |
Laurent Kircher | Animation |
Uriel Mimran | Key Animation |
Kim Kelly | Animation, Compositing Artist |
Vir Prieto | Animation |
Marina Tisljar | Animation |
Emmanuel Delétang | Music Producer |
Paula Poveda-Urrutia | Thanks |
Thibaut Ruby | Line Producer |
Darren T. Holmes | Editor |
Elliot Cowan | Concept Artist |
Arina Korczynski | Storyboard Artist, Concept Artist |
Iker Maidagan | Storyboard Artist |
Félix Davin | Dialogue Editor, Sound Editor |
Sébastien Marquilly | Supervising Sound Editor |
Geoff King | Lead Animator |
Adrien Calle | Animation |
Sandra Norup Andersen | Animation, Character Designer |
Léo Weiss | Layout Supervisor |
Denis Figueiredo | Key Animation |
Régine Waleffe | Key Animation |
Anne-Lyse Haddak | Dialogue Editor |
Walter Giampaglia | Animation |
Alessandra Sorrentino | Animation, Senior Animator |
Gilles Rudziak | Key Animation |
Emmanuel Asquier-Brassart | Animation |
Reg Isaac | Animation, Key Animation |
Will Collins | Screenplay |
Martin Quaden | Production Manager |
Guillaume Bissières | Animation, Key Animation |
Diane Coat | Animation |
Svend Andreas Rothmann Bonde | Animation Supervisor |
Donal Mangan | Animation |
Benoit Pirenne | Compositing Lead |
Nicole Storck | Production Coordinator, Visual Effects |
Beth Witchalls | Animation |
Owen Peters | Assistant Editor |
Deyan Pavlov | Conductor |
Richie Cody | Editor |
Ciarán Duffy | Concept Artist |
Guillaume Lorin | Storyboard Artist |
Friedrich Schaper | Concept Artist |
Damien Welsch | Compositing Supervisor |
Fionnuala O'Shea | Casting Assistant |
Maxime Lefevre | Mixing Engineer |
Darragh Byrne | Editor |
Lily Bernard | Concept Artist |
Alice Dieudonné | Concept Artist |
Leena Lecklin | Visual Effects |
Anita Gaughan | Animation |
Andrzej Radka | Animation, Character Designer |
Allan Michaut | Key Animation |
Tom Findrik | Key Animation |
Jamie Merry | Key Animation |
Federico Pirovano | Character Designer |
David McDermott | Animation |
Tatiana Mazzei | Animation |
Alan Slattery | Additional Editing |
Pénélope Camus | Key Animation |
Janos Szabo | Key Animation |
Marianne Le Moigne | Key Animation |
Maria Madelaire Forná | Character Designer |
Eimhin McNamara | Animation |
Jean-Baptiste Vendamme | Animation |
Kairen Waloch | Additional Casting |
Anna FitzSimons | Production Coordinator |
Michael Culleton | Assistant Accountant |
Agnieszka Heinicke | Assistant Accountant |
Nicolas Debray | Animation Supervisor |
Daniel Pinheiro Lima | Animation |
Christine Seznec | Sound Supervisor |
Charly Katrin Mårtensson | Production Assistant |
Colette Macauley | Assistant Accountant |
Fabien Renelli | Production Manager |
Judith Enault | Production Manager |
Léo Vincent | Music Editor |
Baptiste Boucher | Sound Editor |
Steven McClurg | Production Coordinator |
Joanna Mularz | Production Accountant |
Ciara Davis | Assistant Accountant |
Aurélien Antezac | Production Coordinator |
Estelle Leguérinel | Production Coordinator |
Florian Fabre | Foley Artist |
Axel Steichen | Sound Editor |
Tomm Moore | Story, Animation, Production Design, Character Designer, Art Direction, Director |
Ross Stewart | Story, Production Design, Director, Art Direction |
Bruno Coulais | Orchestrator, Original Music Composer |
Louise Bagnall | Storyboard Artist |
Eva-Jane Gaffney | Casting |
Aaron Blaise | Concept Artist |
Almu Redondo | Background Designer, Visual Development |
Fabien Devillers | Sound Re-Recording Mixer |
James Baxter | Animation |
Alexandre Fleurant | Sound Editor |
Name | Title |
---|---|
Fabien Renelli | Executive Producer |
Damien Brunner | Executive Producer |
Yang Ying | Executive Producer |
Eric Beckman | Executive Producer |
Gerry Shirren | Executive Producer |
Didier Brunner | Executive Producer |
David Jesteadt | Executive Producer |
Zhang Shuo | Executive Producer |
Celine Haddad | Executive Producer |
Paul Young | Producer |
Nora Twomey | Producer |
Tomm Moore | Producer |
Stéphan Roelants | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 50 | 23 |
2024 | 5 | 41 | 62 | 29 |
2024 | 6 | 34 | 67 | 21 |
2024 | 7 | 31 | 48 | 20 |
2024 | 8 | 31 | 60 | 19 |
2024 | 9 | 20 | 31 | 16 |
2024 | 10 | 25 | 41 | 14 |
2024 | 11 | 26 | 58 | 15 |
2024 | 12 | 22 | 38 | 15 |
2025 | 1 | 26 | 35 | 17 |
2025 | 2 | 18 | 32 | 4 |
2025 | 3 | 7 | 24 | 2 |
2025 | 4 | 4 | 5 | 3 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 596 | 734 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 537 | 742 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 709 | 827 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 759 | 855 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 807 | 807 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I've always been a tremendous fan of animation. If there's one comment I deeply despise is the "animated films are for children". This preconceived notion is extremely dated, and honestly, quite chil ... dish. I don't even think it works within a teenage banter anymore since anime keeps growing exponentially around the world, and animated movies are reaching more and more people as time goes by. The whole "you watch cartoons, you're a baby" bullying statement to make friends laugh about someone is now decades-old. However, I still feel a bit of pity for people who believe animation can't have the same emotional impact than live-action, especially when a major studio like Pixar is known for making the most grown-up of adults cry like an infant. In addition to this, some viewers think that the latter studio owned by Disney is the only company making decent animated flicks when they've been losing ground to other unbelievably talented people. One of my favorite animated films of all-time is Kubo and the Two Strings, a stop-motion animation work from Laika, the studio that also created Missing Link and Coraline. Cartoon Saloon is emerging as an awards-contender studio, by releasing movies such as Song of the Sea, The Breadwinner, and now Wolfwalkers. The main difference between this last company and the others is the style of animation: the "old" 2D animation that 90s kids like me grew up with. That's precisely where I'm starting this review. Wolfwalkers' 2D animation proves once again that this style will never become "dated" or "less than" the current 3D design. Don't be mistaken, I love both styles! I'm not part of the whole 2D vs 3D discourse simply because I firmly believe both have their own benefits and limitations. 2D animation brings a sense of uniqueness and artistry to any story due to the distinct drawing from many skilled artists, but it's more limited than 3D when it comes to creating an immersive atmosphere and its respective world. However, the latter is becoming stagnated in its design structure since almost every 3D animated flick visually feels and looks the same. So, there's no good or bad, right or wrong, better or worse when it comes to animation. I can offer dozens of examples of exceptional, gorgeous-looking, utterly superb animated flicks from both styles, as well as awful, corporate-like films that I try my hardest to forget (looking at you, The Emoji Movie). Fortunately, Wolfwalkers belongs to the first group. Tomm Moore and Ross Stewart direct an emotionally heartwarming tale with seamless execution of every single aspect. Will Collins' screenplay isn't particularly new or innovative though. It follows a somewhat generic, predictable story with key plot points that any viewer with minimum viewing experience will see coming from miles away. However, it's a formula that, if executed properly, still delivers a rich, passionate, captivating narrative, which will always please both children and adults. Just from the premise, it's pretty clear that the message of the movie is inspired by cliches such as "don't judge people by their cover" or "our wants can steal someone else's needs", and it even approaches racial discrimination since the film deals with two different populations. Obviously, having in mind one of these "societies" is a pack of wolves, there's also a message towards deforestation and excessive animal hunting, leading thousands of species to their eventual extinction. All of these themes are handled brilliantly, and it never feels preachy. It doesn't matter how unsurprising the story ends up being when I feel as absorbed by the characters and the animation as I did. Honor Kneafsey and Eva Whittaker, as Robyn Goodfellowe and Mebh Óg MacTíre respectively, display phenomenal voice work, which is then elevated by the stunning, expressive, award-worthy animation. Sean Bean is also terrific as Bill Goodfellowe, Robyn's father, who basically possesses the character arc that goes through the significant change of acknowledging, understanding, and accepting an entirely different culture and its people (in this case, animals). Every character is incredibly well-written as are all dialogues, surrounded by a Celtic-inspired atmosphere, myths, and obviously, music. Bruno Coulais and folk group Kíla developed the movie's original score, and it's undoubtedly one of my favorite soundtracks of 2020, including one of my favorite original songs ("Running with the Wolves") in one of my favorite musical sequences of the year. "Favorite" is definitely the right one-word description of how I feel about Wolfwalkers. It's one of those films I can't really point out a single flaw. Massive praise to the drawing artists who designed such a fantastic 2D world. Their work is often unappreciated and underrated (besides being underpaid), so I want to offer Cartoon Saloon my biggest thank you, and keep making excellent cinema. I have no doubts: Wolfwalkers is, by far and so far, the best animated feature-film I've seen all year. I know the big gun from Pixar is coming up (Soul), but it will have to be an absolutely perfect movie to surpass Tomm Moore and Ross Stewart's beautifully heartwarming Celtic-inspired tale. Cartoon Saloon continues to prove that 2D animation is still capable of delivering emotionally compelling stories through gorgeous-looking, unique, artistic drawings. Despite Will Collins's generic narrative and cliche messages, every single detail is executed perfectly, without a single flaw to point out. Outstanding voice work from Honor Kneafsey and Eva Whittaker as the well-written, captivating protagonists. However, it's Bruno Coulais and Kíla's original score that melts my heart and sends chills down my spine every time I listen to it. One of my favorite films of the year, I'd be extremely surprised with myself if it doesn't end on my Top10. Watch it with your family. It's worth it. Rating: A
With its multi-layered metaphysical storytelling and rich animation, 'Wolfwalkers' is basically the only reason to acknowledge Apple TV+ at the moment. It also reaffirms that Cartoon Saloon makes animated films that culturally literate adults can watch without needing a pint-sized companion as prete ... xt. After watching it, you'll see why the studio is destined to become just as legendary as Laika and Ghibli. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-wolfwalkers-a-gorgeously-animated-irish-fable