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Wolfwalkers

Be fierce. Be wild. Be free.
2020 | 103m | English

(42572 votes)

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Popularity: 2 (history)

Details

In a time of superstition and magic, when wolves are seen as demonic and nature an evil to be tamed, a young apprentice hunter comes to Ireland with her father to wipe out the last pack. But when she saves a wild native girl, their friendship leads her to discover the world of the Wolfwalkers and transform her into the very thing her father is tasked to destroy.
Release Date: Oct 26, 2020
Director: Tomm Moore, Ross Stewart
Writer: Will Collins, Tomm Moore, Ross Stewart
Genres: Animation, Family, Fantasy, Adventure
Keywords shapeshifting, wolf, magic, wolf's lair, fairy tale, feral child, forest, friendship, woods, female protagonist, ireland, family, folklore, werewolf child, curious, calm, healer, reflective, wolves, irish folklore, hand drawn animation, father daughter relationship, mother daughter relationship, serene, fantasy, 1600s, enchanted forest, admiring, adoring, comforting, compassionate, enchant, excited, gentle
Production Companies Canal+, Haut et Court, Fís Éireann/Screen Ireland, RTÉ, OCS, Film Fund Luxembourg, Melusine Productions, Cartoon Saloon, GKIDS, Folivari, Pôle Image Magelis
Box Office Revenue: $1,310,720
Budget: $12,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Honor Kneafsey Robyn Goodfellowe (voice)
Eva Whittaker Mebh Óg MacTíre (voice)
Sean Bean Robyn's Father, Bill Goodfellowe (voice)
Simon McBurney Lord Protector (voice)
Tommy Tiernan Sean Óg (voice)
Maria Doyle Kennedy Mebh's Mother, Moll MacTíre (voice)
Jon Kenny Stringy Woodcutter, Ned (voice)
John Morton Stumpy Woodcutter (voice)
Nora Twomey Head Housekeeper, Bridget (voice)
Oliver McGrath Street Children Ringleader, Padraig (voice)
Paul Young Sheep Farmer (voice)
Niamh Moyles Fishmonger (voice)
Ben Andrews Soldier (voice)
Jerome Burelbach Soldier (voice)
Vince Drews Soldier (voice)
Seamus Greene Soldier / Additional Voices (voice)
Gilbert Johnston Soldier (voice)
Luke Mandie Soldier (voice)
Ian Sanderson Soldier (voice)
Jack Caldwell Street Child (voice)
Eoin Cleary Street Child (voice)
Marguerita Hanlon Street Child (voice)
Jacob Holden Street Child (voice)
Clare Keating Street Child (voice)
Orla Keating Street Child (voice)
Caolán Lulias Street Child (voice)
Patrick McGrath Street Child (voice)
Daisy Moran Street Child (voice)
Dylan Muldowney Street Child (voice)
Mark O'Connell Street Child (voice)
Róisín O'Shea Street Child (voice)
Philip Brennan Additional Voices (voice)
Jim Carroll Additional Voices (voice)
Richie Cody Additional Voices (voice)
Brendan Corcoran Additional Voices (voice)
Michael Culleton Additional Voices (voice)
Sarah Doyle Additional Voices (voice)
Amy Dunne Additional Voices (voice)
Gilly Fogg Additional Voices (voice)
Jennifer Hughes Additional Voices (voice)
Michael McGrath Additional Voices (voice)
Ken McGuire Additional Voices (voice)
Desirée Meade Additional Voices (voice)
Graham Mills Additional Voices (voice)
Aoibhin Murphy Additional Voices (voice)
Mags Murphy Additional Voices (voice)
Aaron O'Dea Additional Voices (voice)
Cara O'Doherty Additional Voices (voice)
Aoife O’Neill Additional Voices (voice)
Jacqueline Purcell Additional Voices (voice)
Muireann Ryan Additional Voices (voice)
Alan Slattery Additional Voices (voice)
David Thompson Additional Voices (voice)
Eleanor Walsh Additional Voices (voice)
Name Job
Maria Pareja Production Design, Art Direction
Mark Mullery Assistant Director
Katja Schumann Line Producer
Mathilde Vachet Animation
Fabian Erlinghäuser Animation
Louise Kiely Casting
Giovanna Ferrari Storyboard Artist
Danas Bereznickas Key Animation
Tomislav Findrik Animation, Key Animation
Lucie Julliat Animation
Basil Malek Animation
Stéphanie Pavoine Animation
Frédéric Plumey Digital Compositor
Roberto Rosi Animation
Laurent Kircher Animation
Uriel Mimran Key Animation
Kim Kelly Animation, Compositing Artist
Vir Prieto Animation
Marina Tisljar Animation
Emmanuel Delétang Music Producer
Paula Poveda-Urrutia Thanks
Thibaut Ruby Line Producer
Darren T. Holmes Editor
Elliot Cowan Concept Artist
Arina Korczynski Storyboard Artist, Concept Artist
Iker Maidagan Storyboard Artist
Félix Davin Dialogue Editor, Sound Editor
Sébastien Marquilly Supervising Sound Editor
Geoff King Lead Animator
Adrien Calle Animation
Sandra Norup Andersen Animation, Character Designer
Léo Weiss Layout Supervisor
Denis Figueiredo Key Animation
Régine Waleffe Key Animation
Anne-Lyse Haddak Dialogue Editor
Walter Giampaglia Animation
Alessandra Sorrentino Animation, Senior Animator
Gilles Rudziak Key Animation
Emmanuel Asquier-Brassart Animation
Reg Isaac Animation, Key Animation
Will Collins Screenplay
Martin Quaden Production Manager
Guillaume Bissières Animation, Key Animation
Diane Coat Animation
Svend Andreas Rothmann Bonde Animation Supervisor
Donal Mangan Animation
Benoit Pirenne Compositing Lead
Nicole Storck Production Coordinator, Visual Effects
Beth Witchalls Animation
Owen Peters Assistant Editor
Deyan Pavlov Conductor
Richie Cody Editor
Ciarán Duffy Concept Artist
Guillaume Lorin Storyboard Artist
Friedrich Schaper Concept Artist
Damien Welsch Compositing Supervisor
Fionnuala O'Shea Casting Assistant
Maxime Lefevre Mixing Engineer
Darragh Byrne Editor
Lily Bernard Concept Artist
Alice Dieudonné Concept Artist
Leena Lecklin Visual Effects
Anita Gaughan Animation
Andrzej Radka Animation, Character Designer
Allan Michaut Key Animation
Tom Findrik Key Animation
Jamie Merry Key Animation
Federico Pirovano Character Designer
David McDermott Animation
Tatiana Mazzei Animation
Alan Slattery Additional Editing
Pénélope Camus Key Animation
Janos Szabo Key Animation
Marianne Le Moigne Key Animation
Maria Madelaire Forná Character Designer
Eimhin McNamara Animation
Jean-Baptiste Vendamme Animation
Kairen Waloch Additional Casting
Anna FitzSimons Production Coordinator
Michael Culleton Assistant Accountant
Agnieszka Heinicke Assistant Accountant
Nicolas Debray Animation Supervisor
Daniel Pinheiro Lima Animation
Christine Seznec Sound Supervisor
Charly Katrin Mårtensson Production Assistant
Colette Macauley Assistant Accountant
Fabien Renelli Production Manager
Judith Enault Production Manager
Léo Vincent Music Editor
Baptiste Boucher Sound Editor
Steven McClurg Production Coordinator
Joanna Mularz Production Accountant
Ciara Davis Assistant Accountant
Aurélien Antezac Production Coordinator
Estelle Leguérinel Production Coordinator
Florian Fabre Foley Artist
Axel Steichen Sound Editor
Tomm Moore Story, Animation, Production Design, Character Designer, Art Direction, Director
Ross Stewart Story, Production Design, Director, Art Direction
Bruno Coulais Orchestrator, Original Music Composer
Louise Bagnall Storyboard Artist
Eva-Jane Gaffney Casting
Aaron Blaise Concept Artist
Almu Redondo Background Designer, Visual Development
Fabien Devillers Sound Re-Recording Mixer
James Baxter Animation
Alexandre Fleurant Sound Editor
Name Title
Fabien Renelli Executive Producer
Damien Brunner Executive Producer
Yang Ying Executive Producer
Eric Beckman Executive Producer
Gerry Shirren Executive Producer
Didier Brunner Executive Producer
David Jesteadt Executive Producer
Zhang Shuo Executive Producer
Celine Haddad Executive Producer
Paul Young Producer
Nora Twomey Producer
Tomm Moore Producer
Stéphan Roelants Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 35 50 23
2024 5 41 62 29
2024 6 34 67 21
2024 7 31 48 20
2024 8 31 60 19
2024 9 20 31 16
2024 10 25 41 14
2024 11 26 58 15
2024 12 22 38 15
2025 1 26 35 17
2025 2 18 32 4
2025 3 7 24 2
2025 4 4 5 3
2025 5 3 4 2
2025 6 3 4 2
2025 7 3 4 2
2025 8 2 2 2

Trending Position


Year Month High Avg
2025 6 596 734
Year Month High Avg
2025 5 537 742
Year Month High Avg
2025 4 709 827
Year Month High Avg
2025 3 759 855
Year Month High Avg
2025 1 807 807

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Reviews

msbreviews
9.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I've always been a tremendous fan of animation. If there's one comment I deeply despise is the "animated films are for children". This preconceived notion is extremely dated, and honestly, quite chil ... dish. I don't even think it works within a teenage banter anymore since anime keeps growing exponentially around the world, and animated movies are reaching more and more people as time goes by. The whole "you watch cartoons, you're a baby" bullying statement to make friends laugh about someone is now decades-old. However, I still feel a bit of pity for people who believe animation can't have the same emotional impact than live-action, especially when a major studio like Pixar is known for making the most grown-up of adults cry like an infant. In addition to this, some viewers think that the latter studio owned by Disney is the only company making decent animated flicks when they've been losing ground to other unbelievably talented people. One of my favorite animated films of all-time is Kubo and the Two Strings, a stop-motion animation work from Laika, the studio that also created Missing Link and Coraline. Cartoon Saloon is emerging as an awards-contender studio, by releasing movies such as Song of the Sea, The Breadwinner, and now Wolfwalkers. The main difference between this last company and the others is the style of animation: the "old" 2D animation that 90s kids like me grew up with. That's precisely where I'm starting this review. Wolfwalkers' 2D animation proves once again that this style will never become "dated" or "less than" the current 3D design. Don't be mistaken, I love both styles! I'm not part of the whole 2D vs 3D discourse simply because I firmly believe both have their own benefits and limitations. 2D animation brings a sense of uniqueness and artistry to any story due to the distinct drawing from many skilled artists, but it's more limited than 3D when it comes to creating an immersive atmosphere and its respective world. However, the latter is becoming stagnated in its design structure since almost every 3D animated flick visually feels and looks the same. So, there's no good or bad, right or wrong, better or worse when it comes to animation. I can offer dozens of examples of exceptional, gorgeous-looking, utterly superb animated flicks from both styles, as well as awful, corporate-like films that I try my hardest to forget (looking at you, The Emoji Movie). Fortunately, Wolfwalkers belongs to the first group. Tomm Moore and Ross Stewart direct an emotionally heartwarming tale with seamless execution of every single aspect. Will Collins' screenplay isn't particularly new or innovative though. It follows a somewhat generic, predictable story with key plot points that any viewer with minimum viewing experience will see coming from miles away. However, it's a formula that, if executed properly, still delivers a rich, passionate, captivating narrative, which will always please both children and adults. Just from the premise, it's pretty clear that the message of the movie is inspired by cliches such as "don't judge people by their cover" or "our wants can steal someone else's needs", and it even approaches racial discrimination since the film deals with two different populations. Obviously, having in mind one of these "societies" is a pack of wolves, there's also a message towards deforestation and excessive animal hunting, leading thousands of species to their eventual extinction. All of these themes are handled brilliantly, and it never feels preachy. It doesn't matter how unsurprising the story ends up being when I feel as absorbed by the characters and the animation as I did. Honor Kneafsey and Eva Whittaker, as Robyn Goodfellowe and Mebh Óg MacTíre respectively, display phenomenal voice work, which is then elevated by the stunning, expressive, award-worthy animation. Sean Bean is also terrific as Bill Goodfellowe, Robyn's father, who basically possesses the character arc that goes through the significant change of acknowledging, understanding, and accepting an entirely different culture and its people (in this case, animals). Every character is incredibly well-written as are all dialogues, surrounded by a Celtic-inspired atmosphere, myths, and obviously, music. Bruno Coulais and folk group Kíla developed the movie's original score, and it's undoubtedly one of my favorite soundtracks of 2020, including one of my favorite original songs ("Running with the Wolves") in one of my favorite musical sequences of the year. "Favorite" is definitely the right one-word description of how I feel about Wolfwalkers. It's one of those films I can't really point out a single flaw. Massive praise to the drawing artists who designed such a fantastic 2D world. Their work is often unappreciated and underrated (besides being underpaid), so I want to offer Cartoon Saloon my biggest thank you, and keep making excellent cinema. I have no doubts: Wolfwalkers is, by far and so far, the best animated feature-film I've seen all year. I know the big gun from Pixar is coming up (Soul), but it will have to be an absolutely perfect movie to surpass Tomm Moore and Ross Stewart's beautifully heartwarming Celtic-inspired tale. Cartoon Saloon continues to prove that 2D animation is still capable of delivering emotionally compelling stories through gorgeous-looking, unique, artistic drawings. Despite Will Collins's generic narrative and cliche messages, every single detail is executed perfectly, without a single flaw to point out. Outstanding voice work from Honor Kneafsey and Eva Whittaker as the well-written, captivating protagonists. However, it's Bruno Coulais and Kíla's original score that melts my heart and sends chills down my spine every time I listen to it. One of my favorite films of the year, I'd be extremely surprised with myself if it doesn't end on my Top10. Watch it with your family. It's worth it. Rating: A

Jun 23, 2021
maketheSWITCH
9.0

With its multi-layered metaphysical storytelling and rich animation, 'Wolfwalkers' is basically the only reason to acknowledge Apple TV+ at the moment. It also reaffirms that Cartoon Saloon makes animated films that culturally literate adults can watch without needing a pint-sized companion as prete ... xt. After watching it, you'll see why the studio is destined to become just as legendary as Laika and Ghibli. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-wolfwalkers-a-gorgeously-animated-irish-fable

Jun 23, 2021