The Corsican Brothers
ALEXANDER DUMAS' IMMORTAL CLASSIC
1941 | 111m | English
Popularity: 1 (history)
| Director: | Gregory Ratoff |
|---|---|
| Writer: | Alexandre Dumas, Howard Estabrook, George Bruce |
| Staring: |
| Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team. | |
| Release Date: | Nov 28, 1941 |
|---|---|
| Director: | Gregory Ratoff |
| Writer: | Alexandre Dumas, Howard Estabrook, George Bruce |
| Genres: | Adventure, Drama |
| Keywords | twin brother, sword fight, beautiful woman, brother against brother, doctor, bandit, vendetta, carrier pigeon, antidote, twins separated at birth, conjoined twins, identical twin, corsica, mental telepathy |
| Production Companies | United Artists, Edward Small Productions |
| Box Office |
Revenue: $1,300,000
Budget: $0 |
| Updates |
Updated: Jan 29, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Douglas Fairbanks Jr. | Lucien Franchi / Mario Franchi |
| Ruth Warrick | Countess Isabelle Gravini |
| Akim Tamiroff | Baron Colonna |
| J. Carrol Naish | Lorenzo |
| H.B. Warner | Dr. Enrico Paoli |
| John Emery | Tomasso |
| Henry Wilcoxon | Count Victor Franchi |
| Gloria Holden | Countess Franchi |
| Walter Kingsford | Monsieur Dupre |
| Nana Bryant | Madame Dupre |
| Pedro de Cordoba | Count Gravini |
| Veda Ann Borg | Maria |
| William Farnum | Priest |
| Sarah Padden | Nurse |
| Manart Kippen | Martelli |
| Ruth Robinson | Angela |
| Richard Alexander | Castle Guard (Uncredited) |
| Wilson Benge | The Baron's Butler (Uncredited) |
| Henry Brandon | Marquis de Raveneau (Uncredited) |
| Anthony Caruso | Baron's Henchman (Uncredited) |
| James Craven | Giovanni (Uncredited) |
| Sonia Darrin | Opera Spectator (Uncredited) |
| Ralph Dunn | Messenger, Arturo's Steward (Uncredited) |
| Eddie Foster | Messenger, Alberto's Steward (Uncredited) |
| Frank Hagney | Torture Cell Guard (Uncredited) |
| Isabel La Mal | Opera Spectator (Uncredited) |
| Paul McVey | Cousin Philip Franchi (Uncredited) |
| Milburn Morante | Guard (Uncredited) |
| Edgar Norton | Colonna's Barber (Uncredited) |
| Isabel Randolph | Countess Isabelle's Mother (Uncredited) |
| Frank Richards | Colonna's Henchman (Uncredited) |
| Count Stefenelli | Opera Spectator (Uncredited) |
| Charles Stevens | Shepherd (Uncredited) |
| William Tannen | One of Lucien's Men (Uncredited) |
| Rick Vallin | De Revenau's Friend at Opera (Uncredited) |
| Roland Varno | De Revenau's Friend at Opera (Uncredited) |
| Dorothy Vernon | Townswoman at Celebration (Uncredited) |
| Name | Job |
|---|---|
| Gregory Ratoff | Director |
| Alexandre Dumas | Novel |
| Dimitri Tiomkin | Original Music Composer |
| Walter Plunkett | Costume Design |
| Howard Estabrook | Adaptation |
| William F. Claxton | Editor |
| David Sharpe | Stunts |
| George Bruce | Adaptation, Screenplay |
| Earl Sitar | Sound |
| Harry Stradling Sr. | Director of Photography |
| Howard A. Anderson | Special Effects |
| Nicolai Remisoff | Production Design, Art Direction |
| Edward G. Boyle | Set Decoration |
| Don L. Cash | Makeup Artist |
| Max Golden | Production Manager |
| Sam Nelson | Assistant Director |
| Truman K. Wood | Sound Effects Editor |
| Grant Whytock | Producer's Assistant, Supervising Editor |
| Joseph Nussbaum | Orchestrator |
| Adolph Bolm | Choreographer |
| Ralph Faulkner | Fight Choreographer |
| Name | Title |
|---|---|
| Edward Small | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 10 | 3 |
| 2024 | 5 | 8 | 12 | 4 |
| 2024 | 6 | 5 | 11 | 1 |
| 2024 | 7 | 6 | 13 | 3 |
| 2024 | 8 | 5 | 12 | 2 |
| 2024 | 9 | 3 | 5 | 1 |
| 2024 | 10 | 4 | 9 | 1 |
| 2024 | 11 | 3 | 10 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 3 | 4 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 3 | 5 | 1 |
| 2025 | 12 | 1 | 2 | 0 |
| 2026 | 1 | 1 | 5 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
Alexander Dumas liked stories about separated twins so this time we find it is brothers “Mario” and “Lucien” (Douglas Fairbanks Jr.) who are born conjoined. The doctor manages to separate them but before they can do much more, violence at the hands of the cunning “Baron Colonna” (Akim Tamiroff) robs ... them of their parents and the boys are split up. “Mario” ends up being well brought up and used to the finer things in life whilst “Lucien” becomes a highwayman but both have a sensation that they are not alone! When they do finally meet, they begin to understand just how connected their spirits actually are and how easily they can feel each other’s pain - and they both determine to avenge their murdered parents. As a team they are chalk and cheese, and so must learn to trust each other - and that’s not made any easier as both of them fall for the “Countess Isabelle” (Ruth Warrick) who is also the object of the desires of their scheming nemesis. With love triangles all over the places and a solid dose of familial vengeance here, too, this is an ideal vehicle for Fairbanks to shine. Somehow, though, he just doesn’t. The photography that puts them both in the same shot regularly is natural but his reconciliation of the two differing characters doesn’t quite come off. Even at it’s most swashbuckling, there’s just a paucity of flare. Not for the first time in his career, it’s really Tamiroff who steals the show with an effort that could easily have inspired the nasty from the “Zorro” adventures from the late 1950s. The production looks great though and when there is action, it mixes the swordplay with a little humour and delivers a perfectly watchable adventure film that though it does disappoint, that’s maybe just because I had higher expectations of this actor in his element. It’s still worth watching.