Popularity: 2 (history)
| Director: | Roy Del Ruth |
|---|---|
| Writer: | Kubec Glasmon, John Bright |
| Staring: |
| Adventures of a cocky con man and his beautiful accomplice. | |
| Release Date: | Sep 16, 1931 |
|---|---|
| Director: | Roy Del Ruth |
| Writer: | Kubec Glasmon, John Bright |
| Genres: | Comedy, Drama, Romance, Crime |
| Keywords | hotel, pawnbroker, partnership, love, con artist, double cross, bellhop , pre-code, jewel theft, embezzlement, racketeer, chiseler, rip-off artist |
| Production Companies | Warner Bros. Pictures, The Vitaphone Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| James Cagney | Albert 'Bert' Harris |
| Joan Blondell | Anne Roberts |
| Louis Calhern | 'Dapper Dan' Barker |
| Noel Francis | Helen Wilson |
| Ray Milland | Joe Reynolds |
| Guy Kibbee | A. Rupert Johnson Jr. |
| Polly Walters | Peggy |
| William Burress | Colonel Bellock |
| Maude Eburne | Mrs. Snyder |
| Nat Pendleton | Hank aka Pete |
| Wade Boteler | Detective (uncredited) |
| Ray Cooke | Jimmy the Bellhop (uncredited) |
| Richard Cramer | Cabbie (uncredited) |
| Bill Elliott | Nightclub Patron (uncredited) |
| Peter Erkelenz | Kansas City Dutch (uncredited) |
| Dick Gordon | Nightclub Patron (uncredited) |
| Sherry Hall | Tobacco Counterman (uncredited) |
| Lew Harvey | Driver (uncredited) |
| Ben Hendricks Jr. | Tough Guy on Dance Floor (uncredited) |
| Charles Lane | Hotel Desk Clerk (uncredited) |
| Otto Lederer | Pawnbroker (uncredited) |
| Russell Hopton | Jerry (uncredited) |
| Carl M. Leviness | Nightclub Patron (uncredited) |
| Edward Martindel | Jeweler (uncredited) |
| Frank McLure | Nightclub Patron (uncredited) |
| Edward Morgan | Bellhop (uncredited) |
| Edmund Mortimer | Nightclub Patron (uncredited) |
| Walter Percival | Lee (uncredited) |
| Cliff Saum | Mike (uncredited) |
| Philip Sleeman | Conman (uncredited) |
| Lucille Ward | Prison Matron (uncredited) |
| Name | Job |
|---|---|
| Ernest Haller | Director of Photography |
| Roy Del Ruth | Director |
| Kubec Glasmon | Story |
| John Bright | Story |
| Sidney Hickox | Director of Photography |
| Ralph Dawson | Editor |
| Esdras Hartley | Art Direction |
| Earl Luick | Costume Designer |
| Name | Title |
|---|---|
| Darryl F. Zanuck | Executive Producer |
| Hal B. Wallis | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 14 | 3 |
| 2024 | 5 | 9 | 17 | 5 |
| 2024 | 6 | 9 | 31 | 2 |
| 2024 | 7 | 6 | 14 | 3 |
| 2024 | 8 | 6 | 14 | 3 |
| 2024 | 9 | 4 | 5 | 2 |
| 2024 | 10 | 4 | 9 | 2 |
| 2024 | 11 | 4 | 7 | 2 |
| 2024 | 12 | 3 | 6 | 2 |
| 2025 | 1 | 5 | 16 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 3 | 4 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 2 | 2 | 2 |
Trending Position
Back in the days before the Code, James Cagney is "Bert", a bit of a rakish bell-hop in the best hotel in a small town where he takes a shine to the would-be chamber-maid "Anne" (Joan Blondell). After some flirting shenanigans and quite a bit of face slapping, the two finally join forces on a scam t ... hat nets them each the fairly large sum of $2,500! That is enough to move to a better town, a better hotel, and a better scam - until they align with the unscrupulous "Barker" (Louis Calhern) and they find themselves with the task of getting even... Poor old "Bert" is a bit of a commitment-phobe, and so "Anne" falls for the kindly "Joe" (Ray Milland) but when he "borrows" his company's cash for a dodgy scheme, it falls to "Bert" to try and fix things - and, well things don't quite go to plan. This is a love story, peppered with some feisty performances, some engaging action scenarios and plenty of quick-witted dialogue as the chemistry between the young Cagney and Blondell gradually develops for an eighty minutes that moves along nicely. Milland features sparingly, but Calhern adds quite a bit of value as the suave but duplicitous focus for the pair's revenge. The production isn't perhaps the best - the continuity is ropey, but the story and characterisations are entertaining and the ending would pull at even the most cynical of heart-strings. Good fun!