Popularity: 3 (history)
Director: | Alfred Hitchcock |
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Writer: | Samuel A. Taylor, Alec Coppel, Pierre Boileau, Thomas Narcejac |
Staring: |
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. | |
Release Date: | May 28, 1958 |
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Director: | Alfred Hitchcock |
Writer: | Samuel A. Taylor, Alec Coppel, Pierre Boileau, Thomas Narcejac |
Genres: | Romance, Mystery, Thriller |
Keywords | san francisco, california, detective, suicide attempt, sense of guilt, bachelor, obsession, love of one's life, vertigo, museum, necklace, insurance fraud, plan, painting, film noir, golden gate bridge, psychological thriller, rescue from drowning, neo-noir, fear of heights, color film noir, awestruck |
Production Companies | Paramount Pictures, Alfred J. Hitchcock Productions |
Box Office |
Revenue: $7,808,900
Budget: $2,479,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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James Stewart | Det. John 'Scottie' Ferguson |
Kim Novak | Madeleine Elster / Judy Barton |
Barbara Bel Geddes | Marjorie 'Midge' Wood |
Tom Helmore | Gavin Elster |
Henry Jones | Coroner |
Raymond Bailey | Scottie's Doctor |
Ellen Corby | Manager of McKittrick Hotel |
Konstantin Shayne | Pop Leibel |
Lee Patrick | Car Owner Mistaken for Madeleine |
Bess Flowers | Diner at Ernie's (uncredited) |
Alfred Hitchcock | Man Walking Past Elster's Office (uncredited) |
David Ahdar | Priest (uncredited) |
Sara Taft | Nun (uncredited) |
Ezelle Poule | Older mistaken identity (uncredited) |
John Benson | Salesman (uncredited) |
Paul Bryar | Capt. Hansen (uncredited) |
Steve Conte | Burglar (uncredited) |
Fred Graham | Policeman on Rooftop (uncredited) |
Forbes Murray | Diner at Ernie's (uncredited) |
Raoul Freeman | Diner at Ernie's (uncredited) |
Name | Job |
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Hal Pereira | Art Direction |
George Tomasini | Editor |
Winston H. Leverett | Sound Recordist |
Nellie Manley | Hair Supervisor |
Daniel McCauley | Assistant Director |
Muir Mathieson | Conductor |
Frank R. McKelvy | Set Decoration |
Harold Lewis | Sound Recordist |
Samuel A. Taylor | Screenplay |
Alec Coppel | Screenplay |
Farciot Edouart | Visual Effects |
John P. Fulton | Visual Effects |
W. Wallace Kelley | Visual Effects |
Bernard Herrmann | Original Music Composer |
Robert Burks | Director of Photography |
Henry Bumstead | Art Direction |
Edith Head | Costume Design |
Pierre Boileau | Novel |
Thomas Narcejac | Novel |
Sam Comer | Set Decoration |
Saul Bass | Title Designer |
Wally Westmore | Makeup Supervisor |
Alfred Hitchcock | Director |
Name | Title |
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Herbert Coleman | Associate Producer |
Alfred Hitchcock | Producer |
Organization | Category | Person | |
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BAFTA Awards | Best Actor | Tyrone James Stewart | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 59 | 106 | 32 |
2024 | 5 | 88 | 112 | 63 |
2024 | 6 | 61 | 96 | 40 |
2024 | 7 | 51 | 68 | 30 |
2024 | 8 | 42 | 81 | 25 |
2024 | 9 | 35 | 49 | 24 |
2024 | 10 | 37 | 80 | 19 |
2024 | 11 | 32 | 47 | 22 |
2024 | 12 | 32 | 52 | 25 |
2025 | 1 | 43 | 73 | 30 |
2025 | 2 | 27 | 58 | 4 |
2025 | 3 | 11 | 30 | 3 |
2025 | 4 | 7 | 12 | 4 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 4 | 5 | 4 |
2025 | 8 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 622 | 793 |
All I know, this film wasn’t so successful at first and this probably because the audience didn’t expect a film so dark and claustrophobic. Vertigo was so strange already from the beginning because of its surreal and nightmarish atmosphere. I bow to Hitchcock in his creativity in visualizing Jimmy S ... tewart’s acrophobia by implementing one of the oldest cinematography techniques, using zoom lens as it zooms in while the object moves away, emphasizing his terrified feeling and insecurity whenever he’s at a particular height due to a chronic vertigo he suffers. As always, the film director’s cameo appearance has always been fascinating since we know it’s his habit therefore we will usually let our eyes wander throughout the film, trying to spot him. In conclusion, this timeless thriller remains a classic gem despite the emergence of new modern films. The great visual effects also seem timeless when compared to digital effects. I hope my review doesn’t give you vertigo = )
I will never understand the universal adoration for Vertigo. Blindly inherited wisdom is the only explanation. How anyone could prefer this to North by Northwest or Rear Window is beyond me. An exceptionally made, exceptionally boring movie ...
A tense, dizzying thriller from the Master. Plot in a nutshell: A retired detective suffering from acrophobia takes the case of an old college chum's wife, who may be possessed by the spirit of her great-grandmother who committed suicide many years previous. But of course, a much darker, and mor ... e down-to-earth, secret lies beneath the surface. Comments: James Stewart is the perfect anti-hero in this: clever and brave, but also disturbed, unhinged, and at times possessive. He does a stellar job with a difficult role. In the supporting role of Stewart's faithful friend "Midge" is Barbara Bel Geddes, and she does a delightful job. According to one source I've read, after Vertigo flopped upon release, Hitchcock blamed Stewart, claiming he (Stewart) was too old and people no longer wanted to see him, hence the film's lack of success. When Hitchcock went on to do North By Northwest, Stewart reportedly begged Hitchcock for the lead role, but Hitchcock refused, giving the lead to Cary Grant, who was actually four years older than Stewart. But according to a biography of Cary Grant written by Pamela Trescott, the reason Hitchcock wanted Grant instead was simply because they worked well together and had wanted to do another collaboration after the success of To Catch a Thief. In short, that the lead role for North By Northwest had been intended for Cary Grant, and no one else, right from the beginning. All that aside, Vertigo has established a high reputation as a masterpiece of film, and rightly so. It's also beautifully photographed, and the entire film has a soft, haunting, dreamy quality to it that's utterly captivating.
Not one of my favorites from Hitchcock, and certainly dower, but still visually striking and two amazing performances from James Stewart and Kim Novak. This is only the second time seeing this, guessing the last time was maybe 10 years ago or so, not entirely sure when I'll revisit it. **3.75/5** ...
Perhaps it’s due to my dislike for the overrated “North By Northwest”, but as of now this is my favourite Hitchcock. ...