Popularity: 0.6 (history)
Director: | Pete Travis |
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Writer: | Patrick Neate |
Staring: |
In the teeming, multicultural metropolis of modern-day London, a seemingly straightforward missing-person case launches a down-at-heel private eye into a dangerous world of religious fanaticism and political intrigue. | |
Release Date: | Sep 12, 2016 |
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Director: | Pete Travis |
Writer: | Patrick Neate |
Genres: | Drama, Crime, Thriller |
Keywords | london, england, based on novel or book, religious fundamentalism, political intrigue , missing person, private eye |
Production Companies | Icon Productions, BBC Film, MEDIA Programme of the European Union, UK Film Council, NDF International, Sixteen Films, Fel-UK |
Box Office |
Revenue: $0
Budget: $3,892,200 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Riz Ahmed | Tommy Akhtar |
Cush Jumbo | Melody |
James Floyd | Lovely |
Billie Piper | Shelley |
Roshan Seth | Farzad Akhtar |
Hannah Rae | Young Shelley / Emma |
Antonio Aakeel | Young Lovely |
Reiss Kershi | Young Tommy |
Vincent Regan | Tall Man / Schaeffer |
Danny Webb | DS Cal Donnely |
Ram John Holder | Trinidad Pete |
Damson Idris | Hakim |
Branko Tomović | Big John |
George Sargeant | Stuart |
Alexander Siddig | Al-Dabaran |
Rizwan Shebani | Osman |
Barry Aird | Jerry Quinn |
Myriam Acharki | Mrs Elbaz |
Mohammad Amiri | Avid Elbaz |
Amanda Andres | Natasha |
Grace Calder | Cokey |
Jake Fairbrother | Tunde |
Harry Lawtey | Charlie Benson |
Deepak Verma | Asif Ansari |
Pablo Raybould | Brian |
Liv Hansen | American Woman |
Gino Picciano | Diamond Dealer |
Benjamin Leefar | Spook |
Nad Abdoolakhan | Night Club DJ |
Keith Ackerman | VIP Club Guest |
El Anthony | Cafe Proprietor |
Leila Elbahy | Club Goer |
Charlotte Blake | Jones |
Name | Job |
---|---|
Pete Travis | Director |
Patrick Neate | Novel, Writer |
David Charap | Editor |
Víctor Molero | Production Design |
Tim Stevenson | Art Direction |
Neesh Ruben | Set Decoration |
Claire Anderson | Costume Design |
Felix Wiedemann | Director of Photography |
Celestia Fox | Casting |
Jemma Skidmore | Art Department Assistant |
Howard Watkins | Title Designer |
Chris Georgas | Gaffer |
Paul Driver | Visual Effects Producer |
Tim Barter | Visual Effects Supervisor |
Garie Kan | Boom Operator |
Sophia Knight | Makeup Artist |
Nicole Stafford | Makeup Designer |
Ben Brazier | Dialogue Editor |
Ruth Barrett | Original Music Composer |
Heather Storr | Script Supervisor |
Claire Freeman | Music Supervisor |
Rebecca Duncan | Assistant Costume Designer |
Sally McCleery | Casting Associate |
Liam Iandoli | Second Unit Director of Photography, Camera Operator |
Joss Barratt | Still Photographer |
David Agha-Rafei | First Assistant Camera |
Pietro Dalmasso | Foley Editor |
Rob Hughes | Sound Re-Recording Mixer |
Kirsty Mcqueen | Makeup Artist |
Ray Marston | Wigmaker |
Abigail McKenzie | Digital Intermediate |
Rowena Wilkinson | Foley Artist |
Sue Harding | Foley Artist |
Eimhear McMahon | Line Producer |
Jacqueline Rathore | Makeup & Hair |
Dan Bentham | Post Production Supervisor |
Sekani Doram | Third Assistant Director |
Alexander Holt | Second Assistant Director |
Lance Roehrig | First Assistant Director |
Marc Bee | Carpenter |
Paul Bowring | Construction Manager |
Alexa Galea | Graphic Designer |
Sam Moulsdale | Graphic Designer |
Stuart Bruce | Sound Mixer |
Oliver Hallam | Camera Trainee |
Sebastian Marczewski | Second Assistant "B" Camera |
Harry Wheeler | Second Assistant "A" Camera |
Milla Wilcock | Extras Casting |
Gez Morris | First Assistant Editor |
Matthew Troughton | Colorist |
Perry Cumber | Unit Manager |
Louise Jones | Dialect Coach |
Elias Millward | Production Coordinator |
Freya Pinsent | Production Accountant |
Kevin Brazier | Sound Designer |
James Canavan | Electrician |
Ben Essex | Stunts |
Name | Title |
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Ado Yoshizaki Cassuto | Producer |
Michiyo Yoshizaki | Executive Producer |
Marc Samuelson | Executive Producer |
Joe Oppenheimer | Executive Producer |
Charles Auty | Executive Producer |
Peter Hampden | Executive Producer |
Norman Merry | Executive Producer |
Fumio Nagase | Executive Producer |
Christine Langan | Executive Producer |
Natascha Wharton | Executive Producer |
Rebecca O'Brien | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 15 | 6 |
2024 | 5 | 11 | 18 | 5 |
2024 | 6 | 9 | 17 | 5 |
2024 | 7 | 12 | 27 | 6 |
2024 | 8 | 8 | 21 | 5 |
2024 | 9 | 6 | 9 | 3 |
2024 | 10 | 6 | 14 | 3 |
2024 | 11 | 8 | 15 | 4 |
2024 | 12 | 7 | 14 | 4 |
2025 | 1 | 7 | 13 | 4 |
2025 | 2 | 6 | 8 | 2 |
2025 | 3 | 4 | 6 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
I found myself far more interested in the romantic subplot's flashback **sub**-subplot than the actual core plot of the private investigator story. But that one tiny little part of the movie is only explored so far as it needs to so that it may service the movie at large. And the movie at large, I'm ... afraid I cannot give a passing grade to, as much as I would have liked to for Riz Ahmed and Billie Piper. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._