Popularity: 3 (history)
| Director: | Garth Davis | 
|---|---|
| Writer: | Philippa Goslett, Helen Edmundson | 
| Staring: | 
| In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus. | |
| Release Date: | Mar 15, 2018 | 
|---|---|
| Director: | Garth Davis | 
| Writer: | Philippa Goslett, Helen Edmundson | 
| Genres: | Drama | 
| Keywords | christianity, bible, jerusalem, mary magdalene, 1st century, jesus christ, christian film | 
| Production Companies | Porchlight Films, Film4 Productions, See-Saw Films, FilmNation Entertainment, Focus Features, Lotus Production | 
| Box Office | 
              
                Revenue: $11,710,110
                Budget: $20,000,000  | 
      
| Updates | 
          Updated: Aug 10, 2025 Entered: Apr 13, 2024  | 
      
| Name | Character | 
|---|---|
| Rooney Mara | Mary Magdalene | 
| Joaquin Phoenix | Jesus | 
| Chiwetel Ejiofor | Peter | 
| Ariane Labed | Rachel | 
| Ryan Corr | Joseph | 
| Tahar Rahim | Judas | 
| Hadas Yaron | Sarah | 
| Charles Babalola | Andrew | 
| Shira Haas | Leah | 
| Uri Gavriel | Philip | 
| Theo Theodoridis | Lazarus | 
| Michael Moshonov | Matthew | 
| Tawfeek Barhom | James | 
| Sarah-Sofie Boussnina | Martha | 
| Lubna Azabal | Susannah | 
| Zohar Shtrauss | John | 
| Lior Raz | Magdala Community Leader | 
| Jacopo Olmo Antinori | Magdala Man | 
| Roy Assaf | Temple Priest | 
| Denis Ménochet | Daniel | 
| David Schofield | Thomas | 
| Tchéky Karyo | Elisha | 
| Tsahi Halevi | Ephraim | 
| Francesco Scianna | |
| Giorgio Caputo | |
| Giovanni Cirfiera | |
| Giacomo Fadda | 
| Name | Job | 
|---|---|
| Jessica Woodland | Assistant Production Coordinator | 
| Hannah Walter | Costume Supervisor | 
| Franco Maria Salamon | Stunt Coordinator | 
| William O'Toole | Production Accountant | 
| Jacqueline Bhavnani | Key Makeup Artist, Key Hair Stylist | 
| Maria Papoutsis | First Assistant Editor | 
| Jamie Mills | Gaffer | 
| Grant Butler | Third Assistant Director | 
| Jemma Burns | Music Supervisor | 
| Sophia Knight | Makeup Artist | 
| Bernard Newton | Special Effects Supervisor | 
| Armando Vici | Construction Foreman | 
| Phil Jones | First Assistant Director | 
| Massimiliano Catasta | Stunts | 
| Glen W. Johnson | Set Decoration | 
| Chris Goodes | Sound Re-Recording Mixer | 
| Michele Modafferi | Property Master | 
| Glenn Newnham | Dialogue Editor | 
| Denise Stocker | Makeup Artist | 
| Marese Langan | Hair Designer, Makeup Designer | 
| Susan Howard | Makeup Artist | 
| Rupert Lloyd-Parry | Key Grip | 
| Jake Marcuson | Focus Puller | 
| Evan McHugh | Music Editor | 
| James Ashton | Sound Editor | 
| Sunny Wilding | First Assistant Camera | 
| Cecile Tournesac | Music Editor | 
| Silvia Colafranceschi | Assistant Art Director | 
| Nazha Kajja | Production Coordinator | 
| Cass Marks | Production Manager | 
| Philippa Goslett | Writer | 
| Guy Strachan | Script Supervisor | 
| Stefano Rucco | Video Assist Operator | 
| Alessandro Manni | Unit Manager | 
| George Bird | Lighting Technician | 
| Daniel Le | First Assistant Editor | 
| Filippo Colli | Transportation Captain | 
| Francesca Cingolani | Unit Production Manager | 
| Jason Wells | Electrician | 
| Adam Hughes | Production Coordinator | 
| Barbara Adducci | Art Department Coordinator | 
| Marilena La Ferrara | Production Accountant | 
| Sinéad Kidao | Assistant Costume Designer | 
| Jonathan Olley | Still Photographer | 
| Lilia Trapani | Casting | 
| Hannah Storm Miles | Standby Painter | 
| Emanuele Ercolani | Stunts | 
| Edoardo Petti | Second Assistant Director | 
| Jessie Frost | Casting Associate | 
| Federico Ciommo | Leadman | 
| Alexandre de Franceschi | Editor | 
| Andrew Neil | ADR Editor | 
| Orin Beaton | Boom Operator | 
| Mark Willsher | Music Editor | 
| Timeri Duplat | Music Editor | 
| David Menke | Music Editor | 
| Patrizio Lauria | Assistant Property Master | 
| Garth Davis | Director | 
| Helen Edmundson | Writer | 
| Ute Leonhardt | Line Producer | 
| Jina Jay | Casting | 
| Fiona Crombie | Production Design | 
| Danilo Capuzi | Stunts | 
| Jacques Ballard | Underwater Director of Photography | 
| Andrew 'A.J.' Johnson | Steadicam Operator | 
| Jóhann Jóhannsson | Original Music Composer | 
| Hildur Guðnadóttir | Original Music Composer | 
| Greig Fraser | Director of Photography | 
| Robert Mackenzie | Sound Designer, Supervising Sound Editor | 
| Lee Sharp | Boom Operator | 
| Tóti Guðnason | Musician | 
| Jacqueline Durran | Costume Design | 
| Andrei Jdanov | Stunt Double | 
| Stefano Domenighini | Stunts | 
| Name | Title | 
|---|---|
| Iain Canning | Producer | 
| Emile Sherman | Producer | 
| Liz Watts | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 32 | 46 | 23 | 
| 2024 | 5 | 37 | 57 | 25 | 
| 2024 | 6 | 27 | 47 | 18 | 
| 2024 | 7 | 29 | 48 | 19 | 
| 2024 | 8 | 25 | 35 | 18 | 
| 2024 | 9 | 23 | 37 | 18 | 
| 2024 | 10 | 25 | 69 | 13 | 
| 2024 | 11 | 21 | 35 | 14 | 
| 2024 | 12 | 21 | 28 | 15 | 
| 2025 | 1 | 23 | 41 | 16 | 
| 2025 | 2 | 17 | 28 | 3 | 
| 2025 | 3 | 7 | 21 | 2 | 
| 2025 | 4 | 5 | 11 | 2 | 
| 2025 | 5 | 3 | 8 | 2 | 
| 2025 | 6 | 3 | 5 | 2 | 
| 2025 | 7 | 2 | 2 | 2 | 
| 2025 | 8 | 2 | 3 | 2 | 
| 2025 | 9 | 3 | 3 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
| 2025 | 11 | 3 | 3 | 3 | 
Trending Position
Viewed this film at the theater this past weekend. From previous reviews we had read, we were truly expecting a great film. When the film finished we were left with "a that's it" attitude. At best a mediocre film. The sound for the film was terrible, hardly audible in parts. Scenes did not seem t ... o flow. The actors were not a distraction, but they left us with the feeling that this was just another movie they are getting paid for. Did not go to the movie for a religious perspective. Open minded to any possible correction to beliefs assumed through the years. It was amazing that I later found out that Mary Magdalene was considered a prostitute, and that it was not until 2016 that the Catholic Church changed her status to Apostle of Apostles. This did not come out in the film.