Popularity: 3 (history)
Director: | Andy Serkis |
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Writer: | Callie Kloves, Rudyard Kipling |
Staring: |
A human child raised by wolves, must face off against a menacing tiger named Shere Khan, as well as his own origins. | |
Release Date: | Nov 25, 2018 |
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Director: | Andy Serkis |
Writer: | Callie Kloves, Rudyard Kipling |
Genres: | Adventure, Drama |
Keywords | hunter, based on novel or book, wolf, tiger, bear, coming of age, jungle, anthropomorphism, python, live action remake |
Production Companies | Warner Bros. Pictures, The Imaginarium |
Box Office |
Revenue: $0
Budget: $175,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Steven Lawrence | Art Direction |
Raffaella Giovannetti | Set Decoration |
Nana Fischer | Makeup Designer |
Wendy Alport | First Assistant Director |
Samantha Atkinson | Art Department Assistant |
Noémie Cauvin | Conceptual Illustrator |
John Greaves | Storyboard |
Andries Joubert | Carpenter |
Sebastian Meyer | Creature Design |
Roberto Oliveri | Set Dresser |
Nick Slater | Carpenter |
Tracy Wilson | Storyboard Designer |
Jérémie Abrial | Modeling |
Andrew Barry | Compositors |
Nicholas Hurst | Digital Compositors |
Rob Menzer | Sculptor |
Johan van Huyssteen | Compositors |
Raphaelle Weisz | Visual Effects Coordinator |
Annette Wullems | Visual Effects Producer |
Callie Kloves | Screenplay |
Jason Knox-Johnston | Supervising Art Director |
Anneke Botha | Set Decoration |
Harry Bardak | CG Supervisor |
Grant Hulley | Stunt Coordinator |
Kevin Fraser | Key Grip |
Ken Hodgson | Grip, Rigging Grip |
Lesley Manuel | Rigging Gaffer |
David Rist | Dolly Grip |
Kayn Garcia | Lead Animator |
Michele Pluck | Set Costumer |
Eileen de Klerk | Assistant Editor |
Lewis Morison | Music Editor |
Karen Ellison | Studio Teachers |
Andrew G. Johnson | Production Office Assistant |
Zoe Midgley | Motion Capture Artist |
David Orpheus | Set Production Assistant |
Jeremiah O'Driscoll | Editor |
Andy Walker | CG Supervisor |
Niv Adiri | Sound Designer |
Lilly Blazewicz | Foley Editor |
Glen Gathard | Foley Mixer |
James Wichall | Dialogue Editor |
Zoe Freed | Foley Artist |
Matthew Gray | Art Direction |
Clarice Gill | Makeup Artist |
Lee Grumett | First Assistant Director |
David Balfour | Property Master |
Callum Davison | Set Dresser |
Andrew Guyett | Scenic Artist |
Adam Maher | Scenic Artist |
Graham Mitchell | Carpenter |
Wolfgang Osterholzer | Carpenter |
Anthony Michael Viviers | Carpenter |
Thomas Wingrove | Conceptual Illustrator |
Sam Ashford-Rowe | Visual Effects Coordinator |
Christophe Dehaene | Digital Compositors |
Massimo Meo | Visual Effects Coordinator |
Jon Veal | Modeling |
Caroline Whitehill | Visual Effects Coordinator |
Liz Barlow | Prosthetic Makeup Artist |
Sara Desmond | Production Manager |
Jo Tew | Second Assistant Director |
Sophie Bridgman | Assistant Art Director |
Steve Furneaux | Carpenter |
Axel Hoebel | Set Dresser |
Meike Maher | Construction Coordinator |
Kan Muftic | Conceptual Illustrator |
Aisha Saeed | Art Department Coordinator |
Laurence Wells | Property Master |
Kevin Maloney | Boom Operator |
Nigel Denton-Howes | Visual Effects Supervisor |
Rory Jones | Visual Effects Coordinator |
George Murphy | Visual Effects Supervisor |
Alejandro Villabon | Digital Compositors |
Luke Wilding | Modeling |
Ashraf Benjamin | Lighting Technician |
Michael-Daniel-King | Lighting Technician |
Brent Sauls | Electrician |
Hennadii Prykhodko | Lead Animator |
Zureta Schulz | Costume Supervisor |
Thora Woodward | Assistant Editor |
Cécile Bouquet | Researcher |
Ed Lancaster | Grip |
Shaun O'Dell | Second Unit Director of Photography |
Terry Williams | Grip |
Nanw Rowlands | Casting Associate |
Laura Smith | Assistant Costume Designer |
Morten Nielsen | Location Manager |
Paula Casarin | Script Supervisor |
Gavin Fulcher | Sculptor |
Stacy Mann | Unit Publicist |
Christopher Mullen | Assistant Production Coordinator |
Nitin Sawhney | Original Music Composer |
Alex Márquez | Editor |
Tom Hannibal | Visual Effects Assistant Editor |
Dillon Bennett | Sound Effects Editor |
Doug Cooper | Sound Re-Recording Mixer |
Eilam Hoffman | Sound Effects Editor |
Ian Tapp | Sound Re-Recording Mixer |
Kate Fernandez | Production Office Assistant |
Laura Moloney | Set Production Assistant |
David Zealey | Production Coordinator |
Byron Tofas | Compositing Artist |
Viktor Petrov | Director of Previsualization |
Ben Barker | Sound Designer |
Peter Gleaves | ADR Mixer |
Sam Walsh | Foley Mixer |
Suzi Battersby | Prosthetics |
Andy Serkis | Director |
Rudyard Kipling | Novel |
Michael Seresin | Director of Photography |
Lucy Bevan | Casting |
Gary Freeman | Production Design |
Tom Still | Art Direction |
Alexandra Byrne | Costume Design |
Josh Jefferies | Motion Capture Artist |
Andy Wareham | Stunts |
Mark Mottram | Stunt Coordinator |
David Appleby | Still Photographer |
Pixie Le Knot | Motion Capture Artist |
Mark Sanger | Editor |
Peter Burgis | Foley Artist |
Mark DeSimone | ADR Mixer |
Glenn Freemantle | Sound Designer |
Chris Lyons | Special Effects Makeup Artist |
Dan Grace | Costume Supervisor |
Lew Lewington-Pearce | Visual Effects Coordinator |
Name | Title |
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Jonathan Cavendish | Producer |
Steve Kloves | Producer |
Nikki Penny | Executive Producer |
Andy Serkis | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 46 | 28 |
2024 | 5 | 45 | 84 | 24 |
2024 | 6 | 34 | 50 | 22 |
2024 | 7 | 40 | 58 | 24 |
2024 | 8 | 31 | 46 | 24 |
2024 | 9 | 31 | 41 | 24 |
2024 | 10 | 31 | 51 | 20 |
2024 | 11 | 32 | 56 | 21 |
2024 | 12 | 30 | 39 | 24 |
2025 | 1 | 31 | 53 | 24 |
2025 | 2 | 23 | 35 | 4 |
2025 | 3 | 9 | 26 | 1 |
2025 | 4 | 6 | 9 | 3 |
2025 | 5 | 4 | 10 | 3 |
2025 | 6 | 4 | 8 | 3 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 3 | 3 |
Trending Position
Two live-action _Jungle Book_ adaptations in as many (and a half) years. The general consensus seems to be that the Disney version is great, and this one is not. Personally, I'm not huge on either of them. But I can see strength in the argument that the other one is at least **better**. _Final ra ... ting:★★ - Had some things that appeal to me, but a poor finished product._
Good watch, probably won't watch again, and can recommend if you're just looking for another version of "The Jungle Book". I will say they definitely had the budget for a decent production value, and while Mowgli is almost the only person in the movie, I can definitely say that Rohan Chand is a g ... reat child actor, and everyone should be watching him going forward. Someone was upset that Disney had "The Jungle Book" made as a family friendly, charming movie, and when Netflix was giving away jobs, he jumped in and said, "It's time for the Nolan treatment!" and made a grittier more nuanced than intuitive version. This version goes much too far into the politics of the Jungle, and does some really strange re-casts of the characters. Baloo is almost a pirate captain, or an old military commander (because you remember how when the English conquered India, the Indian fought back on bear calvary, right?), and Louie is replaced with a friendly Kaa (still in charge of "the monkey people"), and they specifically go into who is in the pack and who isn't and what laws are being broken. They even added a new character just to put them in the FRIDGE: I really thought we were done with that trope (it's probably a cliche now). The action is almost all flippant, it doesn't amount to much and it's all shot a little funny to me. They also added a Gaston / Clayton character as an antagonist so there are alleged twists on how both must be handled. The dialogue is mostly fine, but this is LONG, about 1 hr 45 mins, but feels like 2 hrs 30 min. The story arcs feel more like a run on sentence: looking back I can identify an establishing Act, a climatic Act, and something in the middle that must have been the 2nd act, where all the strife happens, but the weight definitely isn't equal amongst the 3. There is also no graduating: the fable aspect is long gone, there is not "leveling", Mowgli is the same punk kid as when the movie started, he's just stupid enough to challenge a tiger in open terrain (yes, there's more to that, but it wouldn't matter). I even like the movie, but this version takes out what little I found special from the Disney versions and replaces it with Batman levels of inner conflict over his identity.