I, Madman
Lose Yourself in a Good Book.
1989 | 89m | English
Popularity: 1.0 (history)
| Director: | Tibor Takács |
|---|---|
| Writer: | David Chaskin |
| Staring: |
| A bookshop clerk starts seeing the disfigured killer from her favorite 1950s pulp novels come to life and start killing people around her. | |
| Release Date: | Apr 07, 1989 |
|---|---|
| Director: | Tibor Takács |
| Writer: | David Chaskin |
| Genres: | Horror, Thriller |
| Keywords | obsession, murder, doctor, book store, deformed, christmas horror, book comes to life, horror novel |
| Production Companies | Trans World Entertainment, Sarliu/Diamant |
| Box Office |
Revenue: $151,203
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 15, 2024 |
| Name | Character |
|---|---|
| Jenny Wright | Virginia |
| Clayton Rohner | Richard |
| Randall William Cook | Dr. Alan Kessler |
| Stephanie Hodge | Mona |
| Michelle Jordan | Colette |
| Vance Valencia | Sgt. Navarro |
| Mary Baldwin | Librarian |
| Raf Nazario | Lyle |
| Bob Frank | Hotel Manager |
| Bruce Wagner | Pianist |
| Kevin Best | Black Actor |
| Steven Memel | Lenny |
| Vincent Lucchesi | Lt. Garber |
| Murray Rubin | Sidney Zeit |
| Tom Badal | Composite Artist |
| Roger La Page | Acting Teacher |
| Nelson Welch | Elderly Customer |
| James Quincey Hendrick | Bus Driver |
| Jeff Yesko | Patrolman |
| Mary Pat Gleason | Policewoman |
| David P. Lewis | Officer |
| Christopher Kriesa | Sarge |
| Marty Levy | Detective Fisk |
| Stan Roth | Forensic Expert |
| Name | Job |
|---|---|
| Tibor Takács | Director |
| David Chaskin | Screenplay |
| Michael Hoenig | Music |
| Bryan England | Director of Photography |
| Marcus Manton | Editor |
| Tori Nourafchan | Art Direction |
| Christine Bonnem | Location Manager |
| Judy Saunders | Script Supervisor |
| Frank Bertolino | Property Master |
| David A. Koneff | Set Decoration |
| Robert Janiger | Sound Mixer |
| Stephen Rocha | Gaffer |
| Duane Journey | Key Grip |
| Caris Palm | First Assistant Camera |
| Gregory Irwin | First Assistant Camera |
| Jerod Lazan | Second Assistant Camera |
| Bill Myer | Key Makeup Artist |
| Sandra van Duyne | Assistant Hairstylist |
| Frank Ceglia | Special Effects |
| Sylvia Vega-Vasquez | Wardrobe Master |
| Rory Flynn | Still Photographer |
| Richard Holiday | Extras Casting |
| Wally Crowder | Stunt Coordinator |
| Randy Bishop | Stunt Coordinator |
| Fima Noveck | Post Production Supervisor |
| Ariel Nachmann | First Assistant Editor |
| Corinne Villa | Assistant Editor |
| William Wistrom | Supervising Sound Editor |
| Keith Bilderbeck | Sound Editor |
| Jon Johnson | Sound Editor |
| Mace Matiosian | Sound Editor |
| Miguel Rivera | Sound Editor |
| Barbara Issak | Sound Editor |
| Wilson Dyer | Sound Editor |
| William H. Angarola | Sound Editor |
| Ron Fish | Sound Effects |
| Leigh French | ADR Coordinator |
| Richard Whitfield | Music Editor |
| Bob Hunka | Music Supervisor |
| Chris Haire | Sound Re-Recording Mixer |
| Doug Davey | Sound Re-Recording Mixer |
| Richard L. Morrison | Sound Re-Recording Mixer |
| Ed Mitchell | Casting |
| Robert Litvak | Casting |
| Randall William Cook | Visual Effects |
| Bob Manning | Unit Production Manager |
| Roger La Page | First Assistant Director |
| Steve Cohen | Second Assistant Director |
| Ron Wilson | Production Design |
| Matthew C. Jacobs | Production Design |
| Name | Title |
|---|---|
| Patti Meade | Associate Producer |
| Rafael Eisenman | Producer |
| Moshe Diamant | Executive Producer |
| Paul Mason | Executive Producer |
| Helen Szabo | Executive Producer |
| Eduard Sarlui | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 20 | 6 |
| 2024 | 5 | 13 | 17 | 7 |
| 2024 | 6 | 11 | 28 | 6 |
| 2024 | 7 | 12 | 20 | 7 |
| 2024 | 8 | 9 | 16 | 6 |
| 2024 | 9 | 14 | 33 | 8 |
| 2024 | 10 | 21 | 40 | 10 |
| 2024 | 11 | 11 | 22 | 7 |
| 2024 | 12 | 8 | 15 | 5 |
| 2025 | 1 | 9 | 15 | 6 |
| 2025 | 2 | 9 | 16 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 2 | 8 | 0 |
| 2025 | 12 | 0 | 1 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 823 | 912 |
**_An infatuated Frankenstein-like killer is loose in the City of Angels_** A secondhand book store clerk & aspiring actress (Jenny Wright) becomes aware that what she sees in her imagination while reading books by a weird pulp author is coming to life in the form of a madman who murders people f ... or body parts. Clayton Rohner plays her detective beau and Stephanie Hodge the owner of the book shop. Shot in November, 1987, but not released until 1989, “I, Madman” mixes elements of the Frankenstein story with the popular slasher genre along with the milieu of an attractive bookworm in downtown Los Angeles. In short, don’t expect a formulaic or one-dimensional slasher. Also, while the titular madman is grotesque and his slayings are shocking, don’t expect grim seriousness. The artistic proceedings are decidedly cartoonish, which is to be anticipated with the colorful pulp fiction angle. The remake of "Maniac" (2012) was obviously inspired by it, just grimmer and more arty. Jenny Wright is a highlight as the protagonist. She was a rising star in the 80s with “Near Dark” (1987) to her credit, but “I, Madman” was her last major role, although she had a memorable part in “Young Guns II” (1990). Her career fell apart shortly after due to substance abuse, but she thankfully overcame eventually, although she lost interest in acting. Michelle Fozounmayeh is notable in a bit part. The film runs 1 hour, 29 minutes, and was shot in Los Angeles. GRADE: B-
I'm a bit shocked that this doesn't have a cult following, but it is yet another example why Tubi is my favorite of the streaming services. I can just subsist off of what Tubi has to offer and have most of my entertainment needs met. It's low budget as all get out, but what it lacks in budget it ... makes up for in atmosphere. You really get sucked into it on that... and a bit on the lack of budget too, the snippets you get of the book while our protagonist is reading it are just off enough, just staged enough to work as someone's imagination. And despite the budget you have little details, cop cars parking outside the window of a police station, little moans coming form the adult theater on the street, etc, that let you know there is more thought behind each scene than your average B-Movie. The acting is fair to middling. It has just enough camp to fit the budget, none of it seems to take itself too seriously they are all aware of what sort of movie they are making, what genre it's going to fill, and approach it accordingly. It's never too much camp to loose you and never too serious to seem out of place. It walks that line. The idea isn't new, book and reality merging, but it's not so overdone that you've seen it a thousand times so even decades on it still feels fresh enough to enjoy. This is a movie that is screaming for a cult following, but, unfortunately, doesn't have one yet. Hopefully Tubi will change that and it will get the following it deserves.