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Seven Guns to Mesa Poster

Seven Guns to Mesa

1958 | 69m | English

(41 votes)

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Popularity: 0.1 (history)

Details

A band of outlaws, led by "Papa" Clellan, hold up in a ghost town as they plan an attack on a wagon train loaded with gold. The unexpected arrival of a stagecoach forces the gang to hold the passengers and driver as hostages. The later arrival of a wanderer, John Trey, sets in motion events not in "Papa" Clellan's original plan.
Release Date: Mar 16, 1958
Director: Edward Dein
Writer: Mildred Dein, Myles Wilder, Edward Dein
Genres: Action, Romance, Thriller, Western
Keywords gold, hostage, stagecoach
Production Companies Allied Artists Pictures, William F. Broidy Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 02, 2026
Entered: Apr 28, 2024
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Full Credits

Name Character
Charles Quinlivan John Trey
Lola Albright Julie Westcott
James Griffith Papa Clellan
Jay Adler Ben Avery
John Cliff Simmons
Burt Nelson Bear
John Frederick Brown
Charles Keane Marsh
Jack Carr Sam Denton
Don Sullivan Louis Middleton
Rush Williams Duncan
Reed Howes Stage Driver
Mauritz Hugo Lt. Franklin
Name Job
Mildred Dein Screenplay
Myles Wilder Story, Screenplay
Edward Dein Director, Screenplay
Leith Stevens Music
Name Title
William F. Broidy Producer
Organization Category Person
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Reviews

Geronimo1967
5.0

Well the town of Mesa might have had 643 living in it at some point but by the time this disparate group of stagecoach travellers arrive, there isn’t a soul to be seen. Even the saloon is all liquored out! Except, they quickly discover that “Papa” (James Griffith) and his gang are holed up awaiting ... a gold shipment which they plan to divert. Things don’t look great for the passengers as he doesn’t really want any witnesses, but then the lone rider “Trey” (Charles Quinlivan) shows up and you just know that he is going to put a spoke in things. He’s a cool customer, though, is old “Trey” and is swiftly playing the thugs against each other whilst trying, increasingly shirtless, to protect the damsel in distress that is “Julie” (Lola Albright). The rest of this plays out pretty much as expected, but I did think that Griffith turned in a decent enough effort as the baddie whilst the others very much went through the motions. There’s a paucity of real action until the end where, again, you don’t need the tea leaves to see the conclusion and the dialogue, well really, the less said about that the better. Standard afternoon drive-in fodder - no better nor no worse.

Sep 10, 2025