Popularity: 2 (history)
| Director: | Dylan Brown |
|---|---|
| Writer: | Robert Gordon, Josh Appelbaum, André Nemec |
| Staring: |
| A young girl named June with a big imagination makes an incredible discovery -- the amusement park of her dreams has come to life. Filled with the world's wildest rides operated by fun-loving animals, the excitement never ends. But when trouble hits, June and her misfit team of furry friends begin an unforgettable journey to save the park. | |
| Release Date: | Mar 13, 2019 |
|---|---|
| Director: | Dylan Brown |
| Writer: | Robert Gordon, Josh Appelbaum, André Nemec |
| Genres: | Animation, Family, Comedy, Fantasy, Adventure |
| Keywords | animals, amusement park, wonder, imagination |
| Production Companies | Paramount Pictures, Nickelodeon Movies, Ilion Animation Studios, Paramount Animation |
| Box Office |
Revenue: $119,559,110
Budget: $100,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Brianna Denski | June (voice) |
| Norbert Leo Butz | Peanut (voice) |
| Ken Hudson Campbell | Boomer (voice) |
| Mila Kunis | Greta (voice) |
| John Oliver | Steve (voice) |
| Kenan Thompson | Gus (voice) |
| Ken Jeong | Cooper (voice) |
| Jennifer Garner | June's Mom (voice) |
| Matthew Broderick | June's Dad (voice) |
| Sofia Mali | Young June (voice) |
| Oev Michael Urbas | Banky (voice) |
| Kevin Chamberlin | Uncle Tony (voice) |
| Kate McGregor-Stewart | Aunt Albertine (voice) |
| Kath Soucie | Bus Counselor Shannon (voice) |
| Lisa Foiles | Additional Voices |
| Name | Job |
|---|---|
| Edie Ichioka | Editor |
| Robert Gordon | Story |
| Helen Mingjue Chen | Art Direction |
| Juan García Gonzalez | Cinematography |
| Fred Warter | Production Design |
| Darren T. Holmes | Additional Editing |
| Christopher Appelhams | Storyboard Artist |
| Betsy Bauer | Visual Development |
| Peter Chan | Visual Development |
| David Colman | Storyboard Artist |
| Russ Edmonds | Story Artist |
| Dylan Brown | Director |
| Steven Price | Original Music Composer |
| Josh Appelbaum | Screenplay, Story |
| André Nemec | Screenplay, Story |
| Margery Simkin | Casting |
| Lou Romano | Art Direction |
| Mark Dindal | Story Artist |
| Alfonso Casado Diez | Production Assistant |
| Matteo Veglia | Production Assistant |
| Name | Title |
|---|---|
| Alonzo Ruvalcaba | Associate Producer |
| Ignacio Pérez Dolset | Producer |
| Alice Dewey | Co-Producer |
| Ben Rosenblatt | Co-Producer |
| Kendra Haaland | Producer |
| Geoffrey Stott | Associate Producer |
| Connie Nartonis Thompson | Associate Producer |
| Josh Appelbaum | Producer |
| André Nemec | Producer |
| Don Hahn | Executive Producer |
| Karen Rosenfelt | Executive Producer |
| Aaron Dem | Co-Producer |
| Lorien McKenna | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 49 | 24 |
| 2024 | 5 | 39 | 58 | 28 |
| 2024 | 6 | 29 | 40 | 18 |
| 2024 | 7 | 36 | 60 | 23 |
| 2024 | 8 | 29 | 42 | 20 |
| 2024 | 9 | 23 | 38 | 14 |
| 2024 | 10 | 25 | 47 | 13 |
| 2024 | 11 | 20 | 28 | 14 |
| 2024 | 12 | 19 | 27 | 14 |
| 2025 | 1 | 25 | 45 | 15 |
| 2025 | 2 | 18 | 33 | 4 |
| 2025 | 3 | 7 | 25 | 2 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 3 | 4 | 2 |
| 2025 | 6 | 2 | 3 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 3 |
| 2025 | 11 | 2 | 2 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 610 | 715 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 197 | 332 |
Really good watch, probably won't watch again, but can recommend. More movies need to take a page out of this book. I don't think we need to start with the "dead relative" trope, I'm not a fan of putting people in the fridge, and this makes me feel like I was supposed to feel like I did in "Up!" ... , but it's just not the same. My next biggest problem was looking at a pig and hearing Mila Kunis' voice: for whatever reason it was very distracting. So what I mean when I say more movies should copy this is the formula it uses. It quickly does some character development and world building for one universe that introduces the other, and the re-establishes the 2nd universe with more succinct character building, a show of adversity / antagonism, some light back story, and a quest to solve a mystery, drip feeding information to the audience. Honestly, if you're making a movie you can just start at the quest and the audience will catch up, especially if you have re-iterate the situation to other characters. It won't be as charming, but you can fit more movie in, and thus more cool, fun stuff. I love the "chim-pan-zombies", I think it was an excellent idea. This is one of those "the story if a parallel for real life" sort of things, so of course it's about a young person dealing with their emotions of a traumatic event, but I certainly found myself forgetting about it when they stopped actively reminding me what the movie was actually about. Great movie pick, good for the whole family, and while I acknowledge the movie isn't for me, there is a good chance it's for you.