Popularity: 1 (history)
Director: | Jonathan Teplitzky |
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Writer: | Alex von Tunzelmann |
Staring: |
A ticking-clock thriller following Winston Churchill in the 24 hours before D-Day. | |
Release Date: | May 25, 2017 |
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Director: | Jonathan Teplitzky |
Writer: | Alex von Tunzelmann |
Genres: | Drama, History |
Keywords | world war ii, biography, d-day, 1940s, winston churchill |
Production Companies | Tempo Productions, Head Gear Films, Lipsync Productions, Silver Reel, Metrol Technology, Salon Pictures, Embankment Films |
Box Office |
Revenue: $0
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Brian Cox | Winston Churchill |
Miranda Richardson | Clementine Churchill |
John Slattery | Dwight Eisenhower |
Julian Wadham | Bernard Montgomery |
Richard Durden | Jan Smuts |
Ella Purnell | Helen Garrett |
James Purefoy | King George VI |
Danny Webb | Alan Brooke |
Jonathan Aris | Mallory |
George Anton | Admiral Ramsay |
Steven Cree | Captain Stagg |
Peter Ormond | Briggs |
Angela Costello | Kay Summersby |
Kevin Findlay | Fanshawe |
Miro Teplitzky | Adjutant Howard |
Name | Job |
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Chris Gill | Editor |
Steve Pugh | Key Grip |
Barbara Sandberg | Graphic Designer |
Will Clements | Digital Imaging Technician |
Sally Crees | Costume Assistant |
Dicky Howett | Props |
Mark Rossi | Third Assistant Director |
Ben Goodall | Camera Trainee |
Anna Benbow | First Assistant "A" Camera |
Jerdan Taylor | Electrician |
Les Hinks | Second Assistant "B" Camera |
Phil Diamond | Sound Assistant |
Andy Quinn | Digital Compositor |
Tom Sainty | Assistant Editor |
Lizzie Newsham | Digital Intermediate |
Hugh O'Shea | Dialect Coach |
Katie Player | Production Coordinator |
Pippa Suren | Production Manager |
Ian Wilson | Supervising Sound Editor |
Paul Driver | Visual Effects Producer |
Michael Hopkins | Digital Intermediate Assistant |
Paula Jack | Dialect Coach |
Dayna Baptie | Production Secretary |
Andrew Chapman | Line Producer |
Adam Inglis | Colorist |
Maxine Stanley | Production Accountant |
Pete Murphy | Location Manager |
Lorne Balfe | Original Music Composer |
Scott Napier | Gaffer |
Rupert Hollier | Music Supervisor |
Natasha Cousins | Costume Supervisor |
Emily Newby | Assistant Costume Designer |
John Sturt | Rigging Gaffer |
Kate Leys | Script Editor |
Alex von Tunzelmann | Writer |
David Higgs | Director of Photography |
Gary Doig | Boom Operator |
Bartholomew Cariss | Costume Design |
Cate Hall | Hair Designer, Makeup Designer |
Neesh Ruben | Set Decoration |
Sheila Wickens | Visual Effects Supervisor |
Graeme Hunter | Still Photographer |
George Stone | Visual Effects Producer |
Andy Shelley | Supervising Sound Editor |
Chris Roope | Production Design |
John Casey | Property Master |
Martin Kelly | Assistant Art Director |
Alan Maxwell | Camera Operator |
Fiona Gavin | Supervising Art Director |
Catriona Johnstone | Makeup & Hair |
Claire Robinson | Casting Assistant |
Belinda Cumming | Visual Effects Coordinator |
Aina Sabaté-Giralt | Script Supervisor |
Chloe Waugh | Art Department Assistant |
Wendy Kemp Forbes | Makeup & Hair |
Emilie Yong | Makeup Supervisor, Hair Supervisor |
Tracey Warren | Second Assistant Director |
Fergus Cruickshank | Camera Trainee |
Mark Morley | Grip |
Thomas Barber | Second Assistant "A" Camera |
Simon Trundle | Foley Editor |
Luke Butler | Digital Compositor |
George Zwier | Visual Effects Supervisor |
James Clarke | Digital Intermediate |
Catherine Francis | First Assistant Accountant |
Rob Hughes | Sound Re-Recording Mixer |
Rebecca Lloyd | First Assistant Editor |
Kian McClure | Boom Operator |
Amy Wallace | Costume Assistant |
Nick Heckstall-Smith | First Assistant Director |
Simon Hayes | Epk Camera Operator |
Jaspreet Bal | First Assistant "B" Camera |
Jonny Mackenzie | Lighting Technician |
Paul Hanks | Foley Artist |
Jonathan Teplitzky | Director |
Dan Hubbard | Casting |
Gemma Sykes | Casting Associate |
Grant McPhee | Digital Imaging Technician |
Name | Title |
---|---|
Paul van Carter | Producer |
Claudia Bluemhuber | Producer |
Piers Tempest | Producer |
Nick Taussig | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 17 | 26 | 11 |
2024 | 5 | 18 | 35 | 12 |
2024 | 6 | 14 | 29 | 7 |
2024 | 7 | 15 | 28 | 7 |
2024 | 8 | 14 | 33 | 8 |
2024 | 9 | 12 | 22 | 7 |
2024 | 10 | 10 | 20 | 5 |
2024 | 11 | 9 | 15 | 6 |
2024 | 12 | 9 | 14 | 5 |
2025 | 1 | 11 | 20 | 7 |
2025 | 2 | 7 | 12 | 3 |
2025 | 3 | 5 | 12 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
I'm struggling to comprehend why the reviews for this biopic of Churchill are so polarised. Certainly Churchill had an history before either World War as a bit of an honest-to-goodness Imperialist; and like it or not these attitudes and patterns of behaviour (drinking; sulking; pomposity; rousing sp ... eechmaking etc.) all contributed to the man who was essential to the survival of Britain from the end of 1940. This portrayal does depict, albeit somewhat theatrically, the decline of his influence as the tide of the war began to change in the allies favour much as Britain's influence as a global world power was also on the wane. It's a drama - with good efforts from Miranda Richardson and Richard Durden (as the ever patient Gen. Jan Smuts) not an history lesson. Creative licence describing him and his flawed but dynamic personality was essential if we were ever to get anything like a sense of who he really was. If it's a documentary that's required - then you'll struggle to improve on Lucy Carter's "Churchill" from 2003.