Hello Mary Lou: Prom Night II
You Can't Keep a Bad Girl Down!
1987 | 97m | English
Popularity: 3 (history)
| Director: | Bruce Pittman |
|---|---|
| Writer: | Ron Oliver |
| Staring: |
| When Hamilton High’s Prom Queen of 1957, Mary Lou Maloney is killed by her jilted boyfriend, she comes back for revenge thirty years later. | |
| Release Date: | Oct 16, 1987 |
|---|---|
| Director: | Bruce Pittman |
| Writer: | Ron Oliver |
| Genres: | Thriller, Horror, Fantasy |
| Keywords | cemetery, infidelity, exorcism, high school, possession, revenge, murder, locker room, prom, unfaithfulness, slasher, high school friends, super power, ghost, school principal, prom queen, canuxploitation |
| Production Companies | Alliance |
| Box Office |
Revenue: $2,683,519
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Lucinda Sill | Casting Director |
| David M. Robertson | First Assistant Director |
| Bill Caywood | Production Manager, Location Manager |
| John Verburgt | Location Manager |
| Cheryl Skoreyko-Par | Production Coordinator |
| Judy 'Lucky' Kemeny | Second Assistant Director |
| Madeleine Duff | Script Supervisor |
| Jane Simelzer | Post Production Coordinator |
| Suzanne Colvin-Goulding | Post Production Supervisor, Assistant Production Manager |
| Bette Chadwick | Casting |
| Lars Ekstrom | Production Sound Mixer |
| Daryl Powell | Boom Operator |
| John Spooner | Camera Operator |
| Glen Treilhard | Focus Puller |
| Richard Zyp | Clapper Loader |
| Jim Doyle | Special Effects |
| Dick Rude | Special Effects |
| William Guest | Special Effects |
| Paul Sokol | Special Effects |
| Gary Paller | Special Effects |
| Larry Lapointe | Special Effects |
| Nancy Howe | Makeup Artist, Special Effects Makeup Artist |
| Darwin Radke | Assistant Makeup Artist |
| Peter Thillaye | Sound Editor |
| Marta Nielsen Sternberg | Sound Editor |
| Anthony D'Andrea | First Assistant Editor |
| Alastair Gray | Assistant Editor |
| Allan Lee | Assistant Sound Editor |
| Anna Pafomow | Assistant Sound Editor |
| Peter McBurnie | Foley Artist |
| Calvin Greenwood | Assistant Foley Artist |
| Catherine Rankin | Negative Cutter |
| Tony Van den Akker | Sound Mixer |
| Marvin Berns | Sound Mixer |
| Mark Wood | Third Assistant Director |
| Scott Dobbie | Assistant Art Director |
| George Griffiths | Scenic Artist |
| Ken Hanis | Set Decoration |
| Mari Laughlen | Set Dresser |
| D. Brent Lane | Property Master |
| Ricky Molnar | Assistant Property Master |
| Maya Mani | Costume Designer |
| Jill Lakeman | Costume Assistant |
| Jill Cocannon | Costume Assistant |
| John Gole | Costume Assistant |
| Lorraine Price | Costume Assistant |
| Gail Kennedy | Makeup Artist |
| Rosemarie Diekmann | Hairstylist |
| Prudence Olenik | Makeup Artist |
| John White | Hairdresser |
| Rob Ballentine | Storyboard Artist |
| Andrea Rabinovitch | Choreographer |
| Jim Wallace | Gaffer |
| Dwayne McLean | Stunt Coordinator |
| Larry A. McLean | Stunts |
| Leslie Munro | Stunts |
| John Stoneham Jr. | Stunts |
| Anton Tyukodi | Stunts |
| Karen Walton | Stunts |
| Troy Anderson | Stunts |
| Brett A. Jones | Stunts |
| Myfanwy Meilen | Stunts |
| Rick Wincenty | Second Unit Director of Photography |
| David Perkins | Focus Puller |
| Leslie Hamm | Clapper Loader |
| Frank Siracusa | Second Unit First Assistant Director, Second Assistant Director |
| Shirley Inget | Set Decoration |
| Ed Ellis | Still Photographer |
| Steve Wright | First Assistant Director |
| Neil Kredentser | Location Manager |
| Barbara Bell | Production Coordinator |
| Leslie Druker | Continuity |
| Urmas Rosin | Production Sound Mixer |
| Christopher Leech | Boom Operator |
| Chris McMullin | Focus Puller |
| Tim Spencer | Second Assistant Camera |
| Linda Del Rosario | Assistant Art Director |
| Ian Greig | Set Dresser |
| Jeffrey Butler | Assistant Set Dresser |
| David Maltese | Property Master |
| Jamie Lee Holt | Assistant Property Master |
| Nancy Duggan | Wardrobe Coordinator |
| Joanne Massingham | Wardrobe Assistant |
| Roger Dalgliesh | Hairdresser |
| Robert Wertheimer | Production Manager |
| John Herzog | Director of Photography |
| Brenton Spencer | Additional Photography |
| Sandra Kybartas | Art Direction |
| Paul Zaza | Original Music Composer |
| Nick Rotundo | Editor |
| Ron Oliver | Screenplay |
| Bruce Pittman | Director |
| Name | Title |
|---|---|
| Ilana Frank | Associate Producer |
| Peter R. Simpson | Executive Producer |
| Peter Haley | Executive Producer |
| Ray Sager | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 19 | 9 |
| 2024 | 5 | 18 | 26 | 9 |
| 2024 | 6 | 14 | 29 | 6 |
| 2024 | 7 | 30 | 55 | 10 |
| 2024 | 8 | 19 | 48 | 9 |
| 2024 | 9 | 11 | 21 | 6 |
| 2024 | 10 | 13 | 25 | 6 |
| 2024 | 11 | 9 | 14 | 6 |
| 2024 | 12 | 9 | 15 | 6 |
| 2025 | 1 | 9 | 13 | 5 |
| 2025 | 2 | 7 | 10 | 3 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 4 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 1 | 3 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 1 | 4 | 0 |
| 2026 | 2 | 3 | 3 | 2 |
Trending Position
***More kinetic and imaginative than the dramatic original*** A hedonistic prom queen is accidentally killed on stage in 1957. When her spirit is inadvertently released thirty years later, she wreaks havoc on prom night seeking to be queen again, not to mention obtaining revenge. Michael Ironside ... plays the principal of the school, the man responsible for the girl’s death decades earlier. Sometimes subtitled “Hello Mary Lou,” “Prom Night II” (1987) is disconnected from the original 1980 film with Jamie Lee Curtis, although there are some trivial links. This one discards the disco dancing while upping the ante with the “Carrie” (1976) elements and mixing in components from the first two “A Nightmare on Elm Street” flicks (1984/1985), like the illusions and possession. The original was more of a coming-of-age drama/whodunit with a masked assailant appearing in the last act whereas this sequel is actually a little better in that it adds creative horror pizazz, which some might say makes it “cheesy.” In any case, Wendy Lyon stands out as the winsome protagonist who’s shown totally nude on a few occasions in the second half which ties-in with the possession angle. If you favor any of those other horror films noted above, “Prom Night II” is arguably on par, although I suppose “Carrie” is superior on a technical level. The movie runs 1 hour, 37 minutes and was shot in Edmonton, Alberta, with other stuff (post-production) done in Toronto. GRADE: B