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Decision at Sundown

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1957 | 78m | English

(3819 votes)

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Popularity: 1 (history)

Details

A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
Release Date: Nov 10, 1957
Director: Budd Boetticher
Writer: Charles Lang, Vernon L. Fluharty
Genres: Western
Keywords sheriff
Production Companies Producers-Actors Corporation, Scott-Brown Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Randolph Scott Bart Allison
John Carroll Tate Kimbrough
Karen Steele Lucy Summerton
Valerie French Ruby James
Noah Beery Jr. Sam
John Archer Dr. John Storrow
Andrew Duggan Sheriff Swede Hansen
James Westerfield Otis, the Bartender
John Litel Charles Summerton
Ray Teal Morley Chase
Vaughn Taylor Mr. Baldwin
Richard Deacon Reverend Zaron
H.M. Wynant Spanish
Gordon Carveth Clerk
Bill Clark Morley's Henchman
Abel Fernandez Pete
Duke Fishman Barfly
Herman Hack Stage Passenger
Al Haskell Buggy Driver
Reed Howes Morley's Henchman
Ethan Laidlaw Townsman
Pierce Lyden Morley's Henchman
Philo McCullough Townsman
Frank Mills Townsman
Frank O'Connor Townsman in Church
Bob Reeves Townsman
Loretta Russell Townswoman
Bob Steele Irv
Name Job
Budd Boetticher Director
Charles Lang Screenplay
Vernon L. Fluharty Story
Heinz Roemheld Original Music Composer, Conductor
Burnett Guffey Director of Photography
Al Clark Editor
Robert Peterson Art Direction
Frank Tuttle Set Decoration
James Saper Assistant Camera
Andrew J. McIntyre Camera Operator
Lee Greenway Makeup Artist
Sam Nelson Assistant Director
John P. Livadary Recording Supervision
Jean G. Valentino Sound
John H. Newman Sound Editor
Henri Jaffa Other
David Breen Producer's Assistant
Name Title
Harry Joe Brown Producer
Randolph Scott Associate Producer
Organization Category Person
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Popularity History


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Reviews

talisencrw
8.0

This may not be as strong as other Scott/Boetticher Westerns, such as 'Buchanan Rides Alone' or 'The Tall T', but it's very strong, and would make a great double bill with 'High Noon'--another fine flick about someone being brave enough to stand against the tide of local cowardice, and get things do ... ne in cleaning up the town's garbage. This is very unique in that Scott's character, Bart Allison, is determined for revenge, three years in the making, for the bad guy seducing his wife (who ended up killing herself in disgrace). He seemed to think his wife had the moral fibre not to do that sort of thing willingly--unfortunately, the entire town, even his best friend, seems to know otherwise. A great look at the lengths some will go to right wrongs they come across in life. Allison's dismay at the community for allowing another wrong to happen, midway through the picture, is something that haunts and stays with you, long after the film concludes. I would have given this a higher rating, aside from an obvious, amateurish mistake that happens around ten minutes into the film, when one of the women talks, but an arm from one of the actors completely occludes her mouth, straight through her entire spiel. It's a minor thing, perhaps, but I'm very surprised no one caught it by the time it was released, especially a director of Boetticher's stature.

Jun 23, 2021
John Chard
7.0

They wont forget the day Bart Allison came to town. Bart Allison and Sam, his trusty companion, ride into Sundown looking for a guy named Tate Kimbrough. It appears that Kimbrough had a dalliance with Allison's wife some years earlier, an affair that led to the suicide of the erstwhile Mrs. Allis ... on. With revenge and hatred eating away at him, Allison will not rest until he gets his man, but his very being here in Sundown will be the catalyst for not only himself, but also every other resident of this dusky town. Randolph Scott (Bart Allison) and director Budd Boetticher made seven very interesting and intelligent Westerns together, each man seemingly using each one as a muse of sorts. This particular entry on their wonderful resumes is a fine testament to their winning formula, for Decision At Sundown offers up something different outside of your standard Western fare. The plot structure is for sure very basic, the man out for revenge, and the town in the grip of less than honourable men, but here our main protagonist really isn't thinking with his head. He is driven by rage and an affair of the heart, he in fact doesn't care if he lives or dies, just as long as he gets his man! Also of interest is the effect on the town of Sundown that Allison has, it certainly lent me to think about some so called supernatural Westerns that would surface later on down the line, whilst the ending here doesn't resort to any sort of cop out formula, it's poignant and begs for a further train of thought. Scott is first rate as Allison, grey hair personifying the wisdom that he has lost due to his blind thirst for revenge, he has a devilment glint that's evident in both of his eyes. Scott does an excellent line in rage and grief stricken acting, further cementing his reputation as a wonderful actor in the splendid Western filmic sphere. Backing Scott up is Noah Beery Jr (Sam) and John Archer as Dr. John Storrow, but of the rest of the cast I personally couldn't lend too much praise for, with the main negative of note being that the villains of the piece barely get out of grumpy only territory. John Carroll (Kimbrough) and Andrew Duggan as crooked Sheriff Swede Hansen really should have gone for a more twirling moustache type villainy than the underplayed ones that we actually get. But underplayed villains be damned, this is still a hugely enjoyable picture, and one that definitely holds up on a repeat viewing whilst solidifying the top end genre status of Boetticher and Scott as a pairing. 7/10

May 16, 2024
Wuchak
6.0

***Quaint town-bound Western soap opera with Randolph Scott*** Two ex-Confederates (Randolph Scott & Noah Beery Jr.) arrive in the town of Sundown on the wedding day of the town boss (John Carroll), whom the leader of the two (Scott) blames for someone’s death years earlier. Andrew Duggan plays ... the crooked sheriff. “Decision at Sundown” (1957) has the typical Western tropes: bold stranger, his amiable sidekick, the tyrannical town boss, his crooked sheriff, their hired guns, the good girl, the bad girl, and the quaint town setting filled with the typical characters (the barber, the doctor, the minister, etc.). All of these are routine for traditional Westerns. What sets “Decision at Sundown” apart are the interesting nuances of the protagonist and antagonist. The villain is the standard town kingpin with his bought sheriff & gunmen that overwhelm the town folk. The hero is the stock laconic outsider who rides in on a duty of vengeance. The modification is the character of the hero and villain. Bart Allison (Scott) is noble on the surface, but he’s a curious and flawed protagonist. He lacks insight to his wife's character. What happens to her while Bart is fighting the war is revealing and begs the question: What kind of husband was he? His legalism might attract respect superficially, but repel those closer. Tate Kimbrough (Carroll) is the ruthless town boss, but he has undeniable charisma and is a lady’s man. He has an open relationship with a courtesan, Ruby (Valerie French), while intending to wed the good girl, Lucy (Karen Steele). Moreover, he obviously has no qualms about having affairs with married ladies. Nevertheless, he’s likable, level-headed and robust. He loves and understands the fairer sex. He’s honest with them concerning his questionable morals, yet his charisma draws them regardless. The respectable Lucy concedes that she pursued him. It’s not hard seeing Errol Flynn or Clark Gable in this gig. These distinguishing elements make “Decision at Sundown” worthwhile, but they don’t remove the fact that it’s a town-bound Western soap opera that lacks the mesmerizing style of “Rio Bravo” (1959). The film runs 1 hour, 17 minutes, and was shot at Agoura, California. GRADE: C+/B-

Jun 23, 2021