Popularity: 7 (history)
Director: | Patrick Hughes |
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Writer: | Tom O'Connor |
Staring: |
The world’s top bodyguard gets a new client, a hitman who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time. | |
Release Date: | Aug 16, 2017 |
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Director: | Patrick Hughes |
Writer: | Tom O'Connor |
Genres: | Comedy, Action, Crime, Thriller |
Keywords | england, assassin, hitman, bodyguard, court, travel, on the run, criminal, killer, courtroom, opposites attract, buddy comedy, aftercreditsstinger, testify |
Production Companies | Davis Films, Summit Entertainment, Millennium Media, Lionsgate, Tom de Mol Productions, Campbell Grobman Films, TIK Films, Nu Boyana Film Studios, East Light Media, Cristal Pictures |
Box Office |
Revenue: $176,586,701
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Patrick Hughes | Director |
Tom O'Connor | Writer |
Aidan Brindle | Stunt Double |
Mariana Stansheva | Casting |
Russell De Rozario | Production Design |
Atli Örvarsson | Original Music Composer |
Alan Stewart | Second Unit Director of Photography |
Jack English | Still Photographer |
Matt Curtis | Title Designer |
Dessy Slavova | Stunt Double |
Cali Nelle | Stunt Double |
Chuck Borden | Stunts |
Greg Powell | Stunt Coordinator |
Mark Birmingham | Line Producer |
Elaine Grainger | Casting |
Valentin Dimitrov | Line Producer |
Claire Nia Richards | Set Decoration |
Orlin Grozdanov | Set Decoration |
Jules O'Loughlin | Director of Photography |
Stephanie Collie | Costume Design |
Adam Dale | Aerial Director of Photography |
Shawn White | Gaffer |
Tony Hayes | Rigging Gaffer |
Jasper Leeman | Russian Arm Operator |
Georgi Petrov Yakimov | Costume Supervisor |
Ellen Crawshaw | Assistant Costume Designer |
Georgi Petkov | Key Grip |
Neven Mihailova | Camera Operator |
Lucia Foster Found | Aerial Coordinator |
Lizzie Pritchard | Script Supervisor |
Ben Rothwell | Armory Coordinator |
Georgi Raykov | Steadicam Operator |
Nadya Dobrikova | Set Costumer |
Dirk Buchmann | Property Master |
Paul Oatway | Property Master |
Tom Ralphs | Armorer |
Ian Bird | Key Grip |
Vyarka Sirkova | Key Costumer |
Jan Rutgers | Art Direction |
Tim Blake | Supervising Art Director |
Louise Lannen | Assistant Art Director |
Fleur Enderberg | Costume Supervisor |
Katherine McCormack | Unit Publicist |
Ivo Peitchev | Camera Operator |
Dani Rose | Drone Operator |
Anna Gelinova | Costume Supervisor |
Beth Lewis | Costume Supervisor |
Didi Tzvetkova | Set Costumer |
Arta Tozzi | Art Direction |
Erik Van Wouden | Gaffer |
Charles Bodycomb | Armorer |
Anna Hadzhieva | Art Department Coordinator |
Rebecca Milton | Art Direction |
Katie Money | Art Direction |
Ivan Ranghelov | Supervising Art Director |
Rolf Dekens | Camera Operator |
Hristo Idakiev | Gaffer |
John Connon | Key Grip |
Kiril Valchanov | Camera Operator |
Anna Filipova | Set Costumer |
Faujja Singh | Armorer |
Paula Loos | Art Direction |
Lorenzo Senatore | Second Unit Director of Photography |
Stefania Velichkova | Script Supervisor |
Jack Stew | Foley |
Nikolay Pachov | Visual Effects Editor |
Ivo Jivkov | Special Effects Supervisor |
Elena Zhekova | Special Effects Coordinator |
John Warhurst | Music Editor |
Kevin Penney | Foley Editor |
Otto Rodd | Digital Intermediate |
Ben-Roy Turner | Digital Intermediate |
Timothy Siddall | ADR Editor, Dialogue Editor |
Tez Palmer | Special Effects Coordinator |
Rachael Speke | Hairstylist |
Selena Arizanovic | Music Supervisor |
Ben Meechan | Sound Designer |
Iveta Tsvetkova | Visual Effects Coordinator |
Jacqueline Hoogendijk | Key Hair Stylist |
Yuliya Manolova | Visual Effects Coordinator |
Daniel Ivanov | Visual Effects Editor |
Desislava Lazarova | Visual Effects Editor |
Sally Crouch | Hairstylist |
Vanya Benelinova | Visual Effects Coordinator |
Georgi Garnevski | Visual Effects Coordinator |
Sue Harding | Foley |
Dafydd Archard | Sound Re-Recording Mixer |
Dominic Gibbs | Supervising Sound Editor |
Alex Fenn | First Assistant Editor |
Veselina Georgieva | Visual Effects Supervisor |
Sam Conway | Special Effects Supervisor |
Jason Swanscott | Foley |
Kiril Georgiev | Visual Effects Coordinator |
Danail Hadzhiyski | Visual Effects Producer |
Luke Gentry | Sound Effects Editor |
Fae Hammond | Makeup Department Head |
Nick Peshunoff | Visual Effects Coordinator |
Tim Cavagin | Sound Re-Recording Mixer |
Justin M. Davey | Sound Re-Recording Mixer |
Sil Stranders | Sound Recordist |
Isabel Zippert | Digital Intermediate |
Rick Wiessenhaan | Special Effects Supervisor |
Borislav Dimitrov | Animation |
Kristina Sakizli | Second Unit Director |
Kiante Elam | Stunt Double |
Robert Eleveld | Stunts |
Amy Stares | Stunt Coordinator |
Adam Brashaw | Stunt Double |
Venice Smith | Stunt Double |
Ivo Vuchkov | Stunt Driver |
Ana McKillop | Special Effects Technician |
Jack Longmate | Special Effects Technician |
Joe Watts | Stunts |
Kevin Day | Standby Property Master |
Jake Roberts | Editor |
Name | Title |
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Christa Campbell | Executive Producer |
David Ellison | Producer |
Boaz Davidson | Executive Producer |
William Paul Clark | Co-Producer |
Les Weldon | Producer |
Tom de Mol | Executive Producer |
Marcel de Block | Co-Executive Producer |
Jason Bloom | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 57 | 72 | 45 |
2024 | 5 | 85 | 97 | 68 |
2024 | 6 | 69 | 93 | 39 |
2024 | 7 | 55 | 94 | 37 |
2024 | 8 | 42 | 63 | 26 |
2024 | 9 | 46 | 127 | 27 |
2024 | 10 | 50 | 106 | 31 |
2024 | 11 | 42 | 108 | 24 |
2024 | 12 | 43 | 75 | 27 |
2025 | 1 | 42 | 54 | 31 |
2025 | 2 | 33 | 51 | 7 |
2025 | 3 | 16 | 54 | 3 |
2025 | 4 | 8 | 11 | 5 |
2025 | 5 | 9 | 13 | 7 |
2025 | 6 | 6 | 8 | 4 |
2025 | 7 | 9 | 11 | 6 |
2025 | 8 | 8 | 9 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 592 | 791 |
Year | Month | High | Avg |
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2025 | 7 | 406 | 766 |
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2025 | 6 | 384 | 781 |
Year | Month | High | Avg |
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2025 | 5 | 574 | 789 |
Year | Month | High | Avg |
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2025 | 4 | 496 | 750 |
Year | Month | High | Avg |
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2025 | 3 | 375 | 700 |
Year | Month | High | Avg |
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2025 | 2 | 526 | 738 |
Year | Month | High | Avg |
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2025 | 1 | 277 | 734 |
Year | Month | High | Avg |
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2024 | 12 | 411 | 725 |
Year | Month | High | Avg |
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2024 | 11 | 612 | 812 |
Year | Month | High | Avg |
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2024 | 10 | 492 | 693 |
Year | Month | High | Avg |
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2024 | 9 | 851 | 883 |
Year | Month | High | Avg |
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2024 | 8 | 948 | 967 |
For professional Bodyguard Michael Bryce (Ryan Reynolds), life is good. As an elite member of his craft, he is well paid and lives a very good life keeping high-profile targets safe the world over. When things unexpectedly take a turn we find Michael two years on having hit the skids and struggling ... to claw his way back to prominence in the new film “The Hitman’s Bodyguard”. Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence. That is with the exception of one Darius Kincaid (Samuel L. Jackson). Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom. Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off. Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels. Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another. Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way. Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural. The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam. While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer. If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film. 4 stars out of 5.
_The Hitman's Bodyguard_ is getting absolutely flensed by the critics, including several of whom I personally value the opinion of very highly. But when it comes to _The Hitman's Bodyguard_, I gotta flat out disagree. It's not out here changing lives for the better, and it's hardly gonna ride out th ... e year on a palanquin of Oscar nominations, but I had a seriously enjoyable time with The Hitman's Bodyguard. Jackson and Reynolds worked. The leads and their respective romantic entanglements worked. Most of all, director Patrick Hughes worked his ass of to blend comedy, action and romance and have it pay off. This isn't Hughes' best work though, if you want to see that, check out 2010's _Red Hill_. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**Once upon a time two sworn enemies teamed up!** Maybe the critics are right, but like usual, I don't have to agree with them. This is a nice film, not a great film as a few people lauding. It is entertaining. All the stunts were good, comedies were good enough, but the basic plot itself a clich ... e. Yes, anybody aged 20+ would surely have seen many similar storied films. It's just in another time with another cast and crew. They had promoted it so well. So the result was incredible. But in reality JUST one time watchable film with not expecting serious laughs. Initially I thought it could be this year's 'The Nice Guys', and they are about to repeat the same magic of Crowe and Gosling duo. But it was different. Too hard hitting, just what Tarantino fans would like to have. Besides, their guy, Samuel L. Jackson is here. Both the leads were good. That does not mean they have saved the film. That's an assumption of fanboys. Luck could be another factor! It was about a hitman in capture decides to give an important testimony in the International Criminal Court against a powerful man. So now the bad guys are after him in his every move from England to Holland. A demoted bodyguard takes the job to safely get him to his destination. Their journey begins where they are going to encounter a series of obstacles and they finally make it where a major twist comes in before the end. As I said, this is no special, except the way they have presented on the screen makes the difference. But again, not all films are lucky in that criteria as this one. It is like one in a 20-25 films. So if your objective is timepass, then this will do just fine. There could be a sequel, probably prequel seems a nice idea. But I'm not sure whether I want it or not. I'll just be happy if they do! _7/10_
a ...
Good old-school entertainment, so much so that I thought it was from earlier 2000s rather than 2017. ...