Welcome to Marwen
You can't put this hero in a box.
2018 | 116m | English
Popularity: 1 (history)
| Director: | Robert Zemeckis |
|---|---|
| Writer: | Robert Zemeckis, Caroline Thompson |
| Staring: |
| When a devastating attack shatters Mark Hogancamp and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town named Marwen where he can heal and be heroic. As he builds an astonishing art installation — a testament to the most powerful women he knows — through his fantasy world, he draws strength to triumph in the real one. | |
| Release Date: | Dec 21, 2018 |
|---|---|
| Director: | Robert Zemeckis |
| Writer: | Robert Zemeckis, Caroline Thompson |
| Genres: | Drama, Comedy |
| Keywords | coma, rehabilitation, based on true story, fictional war, mental illness, prototype, toy comes to life, toy soldier, toy designer, live action and animation, animatronic, delusions, semi-biographical, based on documentary |
| Production Companies | DreamWorks Pictures, Universal Pictures, dentsu, Fuji Television Network, ImageMovers, Perfect World Pictures |
| Box Office |
Revenue: $13,061,491
Budget: $39,000,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Steve Carell | Mark Hogancamp |
| Leslie Mann | Nicol |
| Merritt Wever | Roberta |
| Janelle Monáe | GI Julie |
| Diane Kruger | Deja Thoris |
| Falk Hentschel | Captain Topf / Louis |
| Eiza González | Caralala |
| Gwendoline Christie | Anna |
| Stefanie von Pfetten | Wendy |
| Leslie Zemeckis | Suzette |
| Siobhan Williams | Elsa |
| Neil Jackson | Kurt |
| Matt O'Leary | Lieutenant Benz / Carl |
| Eric Keenleyside | Larry / Friar |
| Veena Sood | Judge Martha J. Harter |
| Christie-Lee Britten | Marathon Runner |
| Matthew Kevin Anderson | Sean |
| Nikolai Witschl | Rudolph / Rudy |
| Matt Ellis | Man on TV |
| Conrad Coates | Darius Johnson |
| Samantha Hum | Therapy Tech |
| Jason Burkart | Tiny |
| Robert Mann | Bar Customer |
| Alexander Lowe | Werner / Vern |
| Sharon Crandall | Female Defence Lawyer |
| Patrick Roccas | Stefan / Stevie |
| Kate Gajdosik | TV Reporter |
| Clay St. Thomas | Bill Huff |
| Shaun Omaid | Court Bailiff |
| Brad Kelly | Ulster County Sheriff |
| Patrick Sabongui | Ulster County Sheriff |
| Fraser Aitcheson | Ulster County Sheriff |
| Jeff Sanca | Ulster County Sheriff |
| Natasha Denis | NY Court Security Officer |
| Sharon Crandall | Defence Lawyer |
| Gerald Paetz | Defence Lawyer |
| Jason Glass | Defence Lawyer |
| Trevor Jones | Ulster County Sheriff |
| Name | Job |
|---|---|
| C. Kim Miles | Director of Photography |
| Jeremiah O'Driscoll | Editor |
| Scot Boland | Casting |
| Stefan Dechant | Production Design |
| Chris Beach | Supervising Art Director |
| Adrienne Sol | Production Manager |
| Adam McCarthy | Executive In Charge Of Production |
| Lee Grumett | Second Unit First Assistant Director |
| Eddy Santos | Second Second Assistant Director |
| Chris Duesterdiek | Production Sound Mixer |
| Paul Benjamin | Special Effects Coordinator |
| Dennis Briest | Special Effects Technician |
| Lee Gramling | Software Engineer |
| Nico Sanghrajka | Rigging Supervisor |
| Terrance Tornberg | CG Supervisor |
| Nadim Zaidi | Matte Painter |
| Stu Cooke | Stunt Double |
| Bob Wilson | Senior Animator |
| Diana Grande | Animation |
| Bassem Hawili | Animation |
| Jonathan Gomez | Animation |
| Lucas Ridley | Animation |
| Khanh Q. Nguyen | Animation |
| Luisa Dalmagro | Costume Supervisor |
| Jeffrey Fayle | Costume Set Supervisor |
| Mariela Zapata | Costumer |
| Jane Victoria King | Location Scout |
| Jeff Mohs | Location Scout |
| Hans Dayal | Location Manager |
| Kelsey Fonda | Location Manager |
| Sarah El Bakkouri | Location Production Assistant |
| Rob Archibald | Assistant Location Manager |
| Mark Graham | Orchestrator |
| Crystal Hawkins | Production Accountant |
| Kimberly Buckham | Production Coordinator |
| Sandra Scott | Visual Effects Producer |
| Carin-Anne Strohmaier | Visual Effects Editor |
| Alison Learned Wolf | Visual Effects Editor |
| Hamish Purdy | Set Decoration |
| James Paradis | Special Effects Coordinator |
| Rosalina Da Silva | Key Makeup Artist |
| Megan Harkness | Makeup Artist |
| Rebekah Bak | Makeup Artist |
| Jessica Rain | Key Hair Stylist |
| Lala McQueen | Hairstylist |
| Bjørn Ole Schroeder | Supervising Sound Editor |
| Jeff Carson | Music Editor |
| Liz Marston | Sound Re-Recording Assistant |
| Robert Zemeckis | Story, Screenplay, Director |
| Caroline Thompson | Screenplay |
| Alan Silvestri | Original Music Composer |
| Victoria Burrows | Casting |
| Randy Thom | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
| Kevin Baillie | Visual Effects Supervisor |
| Fraser Aitcheson | Stunts |
| Marny Eng | Stunt Coordinator |
| Nilo Ghajar | Stunts |
| Robert Zen Humpage | Stunts |
| Chris Webb | Stunts |
| Erik Solky | Stunt Double |
| Conner Dwelly | Production Assistant |
| Bill Corso | Makeup Designer |
| Ve Neill | Makeup Department Head |
| Anne Morgan | Hair Department Head |
| Josh Gold | Sound Effects Editor |
| Michael Semanick | Sound Re-Recording Mixer |
| Lilia Collar | Digital Compositor |
| Daryl Hartwell | Camera Operator |
| Glenn Burton | Pre-Visualization Coordinator |
| Jose Julian Karam Lopez | Digital Compositor |
| Jillian Stein | Visual Effects Coordinator |
| Andrea Biklian | Negative Cutter |
| Julian Chapdelaine | Grip |
| Joanna Johnston | Costume Design |
| Jeremy Bowker | Sound Designer |
| Dennis Sands | Sound Re-Recording Mixer, Scoring Mixer |
| Leff Lefferts | Sound Re-Recording Mixer |
| Patrick Allen | Visual Effects Coordinator |
| Name | Title |
|---|---|
| Jacqueline Levine | Executive Producer |
| Cherylanne Martin | Producer |
| Derek Hogue | Associate Producer |
| Jeff Malmberg | Executive Producer |
| Steve Starkey | Producer |
| Robert Zemeckis | Producer |
| Jack Rapke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 32 | 15 |
| 2024 | 5 | 26 | 46 | 14 |
| 2024 | 6 | 20 | 39 | 11 |
| 2024 | 7 | 28 | 55 | 13 |
| 2024 | 8 | 18 | 30 | 11 |
| 2024 | 9 | 12 | 17 | 9 |
| 2024 | 10 | 18 | 33 | 10 |
| 2024 | 11 | 15 | 23 | 9 |
| 2024 | 12 | 15 | 27 | 8 |
| 2025 | 1 | 15 | 32 | 9 |
| 2025 | 2 | 11 | 15 | 3 |
| 2025 | 3 | 5 | 19 | 1 |
| 2025 | 4 | 3 | 7 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 3 | 5 | 1 |
| 2025 | 12 | 3 | 5 | 1 |
| 2026 | 1 | 1 | 2 | 1 |
| 2026 | 2 | 1 | 1 | 1 |
Trending Position
Hi everybody. I'm Danny. Why am I introducing myself? Well, this is my first TMDB (spoilers, so be cautious if you even care) review, and I thought I'd dedicate it to one of my new underrated gems. Keep in mind I'm saying all of this as a casual moviegoer/streaming viewer/physical media collector/sh ... lingadinga who watched this on Netflix after being very curious to watch it on my lil ImageMovers/Zemeckis binge I've been doing. Now, I'd definitely understand if someone explained to me why this movie is objectively bad. I have open ears and am ready to hear someone else's opinion, while also having the requirement that the other person doesn't say I'm wrong for liking this just because it's a "bad movie". Because, for me, this is a really good movie, and arguably the best of Zemeckis' mocap endeavors. I haven't seen Marwencol, the documentary that it's based on (and probably will have to dig in search of it), but I'd say this is trying its best to be respectful to the story of Mark Hogencamp and Marwencol. It's just that Zemeckis wanted to tell it in his own, flashy, sometimes mocap-y way. And for me, it's not all that bad. I also found the screenplay harmless. As for the acting, Steve Carell is surprisingly great as Mark, and I kinda connected to a few of the elements presented about him, mainly the "I am alone" aspect. I also liked the secondary characters, especially Nicol and Roberta. I kinda felt Kurt was a bit underdeveloped, but I also feel like what we do see of him leaves you with enough of a negative impact that you buy Hogie's terrified reaction to seeing a Nazi version of him. And honestly, my favorite aspect of this movie is the fact that Mark doesn't "get the girl" at the end, just going to Sushi with Roberta. I felt like that was an ideal way to close the film while also sending a hopeful message to anyone who, sometimes or always, feel like no one would romantically love them, therefore, feel alone. Overall, I'd genuinely recommend this to people. I really liked it and I think other people would too. I would grade it based on the things I said, but I think my 90% score on the top of this page says it all. Oh yeah, this is my favorite of Zemeckis' mocap films, as well. Have a good one, y'all!