John Gotti rises to the top of the New York underworld to become the boss of the Gambino crime family. His life takes a tumultuous turn as he faces tragedy, multiple trials and a prison sentence. | |
Release Date: | Jun 14, 2018 |
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Director: | Kevin Connolly |
Writer: | Leo Rossi, Lem Dobbs |
Genres: | Drama, Crime, Thriller, History |
Keywords | 1970s, loyalty, gangster, biography, betrayal, organized crime, godfather, crime syndicate, mob |
Production Companies | JTP Films, EFO Films, Highland Film Group, Fiore Films |
Box Office |
Revenue: $4,343,227
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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John Travolta | John Gotti |
Spencer Rocco Lofranco | John A. ‘'Junior' Gotti |
Kelly Preston | Victoria Gotti |
Pruitt Taylor Vince | Angelo Ruggiero |
William DeMeo | Sammy ‘The Bull’ Gravano |
Leo Rossi | Bobby Boriello |
Chris Kerson | Wilfred 'Willie Boy' Johnson |
Stacy Keach | Neil Dellacroce |
Ashley Drew Fisher | Vickie |
Jordan Trovillion | Angel |
Nik Pajic | Peter Gotti |
Chris Mulkey | Frank DeCicco |
Greg Procaccino | Jimmy Brown |
Donald John Volpenhein | Paul Castellano |
Andrew Fiscella | Anthony 'Gaspipe' Casso |
Megan Leonard | Kim |
Nico Bustamante | Frankie Gotti |
Carter Anderson | Peter |
Kealy Welage | Angel |
Sal Rendino | Vincent 'Chin' Gigante |
Tyler Jon Olson | Hydell |
Patrick Borriello | Johnny Ruggiero |
Luis Da Silva Jr. | Dr. Carmine |
Lydia Hull | Lady Prosecutor |
Robert Pavlovich | Jimmy Roselli - Singer |
Michael Woods | McBratney |
Jay Seals | Prosecutor |
Ashley Cusato | Nurse Snow |
Shea Buckner | Officer Tim |
Victor Gojcaj | Father Murphy |
Michael Cipiti | Carlo Gambino |
Joe Gelchion | Judge - 1997 |
Ruthy Froch | Barmaid |
Tony Luke Jr. | No Ears |
Nick Loren | Shooter #1 |
Anita Farmer Bergman | Courtroom Attendee (uncredited) |
Nick Stanner | Breezy (uncredited) |
Adam Hicks | Bailiff (uncredited) |
Brian 'Wolfman Black' Bowman | Prison Inmate (uncredited) |
Lea Hutton Beasmore | Juror (uncredited) |
Peter Gaudio | Mobster - Gotti's Crew (uncredited) |
Ken Strunk | Joseph 'Piney' Armone (uncredited) |
Michael Compton | Prison Guard Hanover (uncredited) |
Charles Poole | Detective Eppolito (uncredited) |
Chris Victor | Gotti Hitman (uncredited) |
James Siderits | Self-Conscious Juror (uncredited) |
Kyle Stefanski | Anthony (uncredited) |
Jim Gloyd | District Attorney (uncredited) |
John Merolla | Assassin (uncredited) |
Alec Usleaman | John A.'s Son (uncredited) |
Michael Lee Bailey | Cop / Party Crowd (uncredited) |
Bryan Kruse | Club Patron (uncredited) |
Robert Gerding | Judge (uncredited) |
John W. Harden | Courtroom Attendee (uncredited) |
John Newsom | Luchese Family Hitman (uncredited) |
Tonya Roberts | Italian Mom (uncredited) |
Kathlene Ashcraft | Extended Family (uncredited) |
Chase Dunnette | Cadet (uncredited) |
Ming Wang | 1984 Juror (uncredited) |
Hickory Taylor | Russian Mobster (uncredited) |
Derek Polen | Juror (uncredited) |
John E. Brownlee | 1990s Bailiff (uncredited) |
Name | Job |
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Leo Rossi | Screenplay |
Todd Antonio Somodevilla | Camera Operator |
Pitbull | Original Music Composer |
Jacob Bunton | Music |
Gary Archer | Prosthetics |
Gia Grosso | Set Decoration |
Jeff Castelluccio | First Assistant Editor, Assistant Editor |
Mike Burns | Music Supervisor |
Alexander Eckert | Production Coordinator |
Michael Barrett | Director of Photography |
Patricio M. Farrell | Production Design |
Olivia Miles | Costume Design |
Lisa Russey | Set Costumer |
William B. Steakley | Line Producer |
Karri Farris | Makeup Department Head |
Christopher Fulton | Hair Department Head |
Rachel Lisa | Makeup Artist |
Björn Rehbein | Makeup Artist, Makeup Department Head |
Erica Stewart | Key Makeup Artist |
James Carter | Special Effects |
Keith Richner | Visual Effects |
John Merolla | Stunts |
Nick Stanner | Stunts |
Jared Briley | Second Assistant Director |
Alexandra Vivas | Production Supervisor |
Marlene Eckhardt | Prop Maker |
Brenden Meers | Set Dresser |
Uldarico Sarmiento | Set Designer |
Jeffrey Lange | Sound Effects |
Marlowe Taylor | Sound Mixer, Sound Recordist |
Jon Cooper | First Assistant Camera |
Jon Haney | Gaffer |
David Leite | Key Grip |
Matthew Pearce | Camera Operator, Steadicam Operator |
Jim Flynn | Editor |
Dins W. W. Danielsen | Art Direction |
Caroline Sinclair | Casting |
Lisa Smedley | Costumer, Set Costumer |
Ashley Flannery | Makeup Artist |
Lindsay Gelfand | Special Effects Coordinator |
Michael Marino | Prosthetic Makeup Artist |
Anne Taylor | Makeup Artist |
Chad Ball | Special Effects |
Richard Avalon | First Assistant Camera |
SB Weathersby | Third Assistant Director |
James Klotsas | Property Master |
Scott Nifong | Property Master |
Ryan Tudor | Set Dresser |
Scott Osowski | Boom Operator |
J.R. Campbell | Camera Operator |
Brian Douglas | Still Photographer |
David Leb | First Assistant Camera |
Colleen Mleziva | First Assistant Camera |
Tori Roloson | Grip |
Mike Teeters | Lighting Technician |
Ryan Livingston | Location Manager |
Brian Cantaldi | Production Accountant |
Anastasia Eliopoulos | Production Office Assistant |
Shari Sontag | Production Accountant |
Jodi Byrne | Makeup Artist |
Michael Fontaine | Prosthetic Makeup Artist |
Kathrine Gordon | Hair Department Head |
Scott H. Reeder | Hairstylist |
Anna Richardson | Makeup Artist |
Wes Perry | Special Effects |
Andrew J. McKenzie | Digital Effects Supervisor |
Garrik Palumbo | Stunts |
Jeremy Phoenix | First Assistant Director |
Alex Foreman | Third Assistant Director |
Jonathan Galanis | Executive In Charge Of Production |
Gabby Leithsceal | Set Dresser |
Jed Pendergrass | Assistant Property Master |
Robert Dehn | Sound |
Dante Cardone | Gaffer |
Brad Grimmett | Camera Operator |
Matthew Legner | Grip |
Patrick James Ryan | Grip |
Nicholas Deroo | Location Manager |
Jonathan Urband | Location Scout |
Ashley Collinsworth | Production Office Assistant |
Jerry Lambert | Post Production Consulting |
Joe Sorzano | Production Office Assistant |
Jorge Gómez | Music |
Carmen Ramundo | Costumer, Costume Design |
Maxine Gervais | Senior Colorist |
Ashley Waldron | Music Consultant |
Nik Edgerton | Transportation Coordinator |
Chris Hilsabeck | Location Scout |
Susan J. Bonno-Buckner | Production Accountant |
Nick DiRosa | Script Supervisor |
Ian D. Navran | Production Coordinator |
Sean Dunn | Digital Compositors |
Mathew Kent Lee | Costumer |
Rachel Stringfellow | Costume Supervisor |
Richard Glasser | Music Supervisor |
Chris Tergesen | Music Editor |
Betsy Hodges | Picture Car Coordinator |
Kiely Cronin | Assistant Camera |
Erik Kaufmann | Digital Intermediate Editor |
Randy Miller | Electrician |
Jonathan Monk | Second Assistant Camera |
Bayley Sweitzer | Second Unit Director of Photography, Second Assistant Camera |
Liam Johnson | Assistant Editor |
Matteo Perin | Costume Design |
Edward Walson | Music Supervisor |
Oren Yaacoby | Music Editor |
Inyoung Choi | Gaffer |
Scott Miller | Cinematography |
Patrick M. Allen | Digital Intermediate Producer |
Joey Morrissey | Electrician |
Megan Cafferty | Second Assistant Camera |
Joe Bou | Second Assistant Camera |
Dave Schwandner | Additional Camera |
Eric Ransbottom | Digital Imaging Technician |
T.S. Green | Electrician |
Thomas William Vincent | Electrician |
Alec Nickel | Second Assistant Camera |
Jason Stebbings | Graphic Designer |
Hilda Somarriba | Unit Publicist |
John Warrin | Sound Re-Recording Mixer |
Kevin Connolly | Director |
Lem Dobbs | Screenplay |
D. Lynn Meyers | Casting |
Trace Cheramie | Stunts |
Lex D. Geddings | Stunt Coordinator |
Carl Anthony Nespoli | Stunts |
Mary C. Rolfes | Unit Production Manager |
Name | Title |
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Marc Fiore | Executive Producer |
Stan Wertlieb | Executive Producer |
Edward Norton | Producer |
Scotty Atkins | Associate Producer |
Fay Devlin | Executive Producer |
Barry Brooker | Executive Producer |
Vince P. Maggio | Producer |
Maurice Fadida | Executive Producer |
Ted Fox | Executive Producer |
Peter Capozzi | Executive Producer |
Anson Downes | Executive Producer |
Michael Froch | Producer |
Timothy C. Sullivan | Co-Producer |
Rob Logozio | Executive Producer |
Steven Saxton | Executive Producer |
Thomas Fiore | Executive Producer |
Norton Herrick | Executive Producer |
Robert Jones | Executive Producer |
Ted Farnsworth | Executive Producer |
Mitch Lowe | Executive Producer |
Noel Ashman | Executive Producer |
Ryan S. Black | Co-Producer |
Lem Dobbs | Co-Producer |
Randall Emmett | Producer |
George Furla | Producer |
Mark Stewart | Executive Producer |
Kirk Shaw | Executive Producer |
Linda Favila | Executive Producer |
Wayne Marc Godfrey | Executive Producer |
Marty Ingels | Executive Producer |
Tarek Anthony Jabre | Executive Producer |
Corey Large | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 35 | 61 | 17 |
2024 | 5 | 56 | 88 | 44 |
2024 | 6 | 31 | 51 | 20 |
2024 | 7 | 21 | 41 | 10 |
2024 | 8 | 19 | 41 | 10 |
2024 | 9 | 13 | 19 | 9 |
2024 | 10 | 19 | 39 | 9 |
2024 | 11 | 15 | 30 | 8 |
2024 | 12 | 14 | 19 | 8 |
2025 | 1 | 18 | 33 | 9 |
2025 | 2 | 11 | 20 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
Based on the story as told by the younger John A. Gotti in his book, this tells the tale of his legendary father's gangland exploits as he worked his way up from New York's poverty row to head up the Gambino crime family and become one of the city's wealthiest and most influential citizens. The open ... ing scenario depicts the original John Gotti (John Travolta) doing a piece to camera about the delights of New York, and sadly that sets the tone for the rest of this rather weak biopic. The timelines are all over the place, and the historical nature of the man's life robs the film of any jeopardy. Travolta is nowhere near his best and though quite hunky, Spencer Lofranco (John Jnr.) looks like he accidentally strayed from the adjacent “Waltons" set next door. For a mobster movie, it is remarkably un-menacing, wordy and sterile with a distinct lack of oomph from a supporting cast that really just looked like they were there for the payday. This is really rather poor and tells us precious little about what made this man tick but might have done wonders for polo-neck sales.
It's kind of all over the place. Only occasionally are you sure what year it is, only occasionally do you become familiar with a character. Even his son Frankie s accident plays out like a footnote. And that's what this is, a lot of footnotes pushed together with no context to really strung them ... together. It's a mess.