Popularity: 5 (history)
Director: | Pitof |
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Writer: | John Rogers, John Brancato, Theresa Rebeck, Michael Ferris |
Staring: |
Liquidated after discovering a corporate conspiracy, mild-mannered graphic artist Patience Phillips washes up on an island, where she's resurrected and endowed with the prowess of a cat — and she's eager to use her new skills... as a vigilante. Before you can say "cat and mouse", handsome gumshoe Tom Lone is on her tail, fascinated by both of her personas. | |
Release Date: | Jul 22, 2004 |
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Director: | Pitof |
Writer: | John Rogers, John Brancato, Theresa Rebeck, Michael Ferris |
Genres: | Fantasy, Action, Crime |
Keywords | vigilante, superhero, based on comic, female protagonist, evil corporation, urban setting, masked vigilante, super villain, masked superhero |
Production Companies | Village Roadshow Pictures, Warner Bros. Pictures, Di Novi Pictures, Frantic Films, Maple Shade Films, Catwoman Films |
Box Office |
Revenue: $82,102,379
Budget: $100,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Chad Sayn | Stunts |
Mike Crestejo | Stunts |
Curt Bonn | Stunts |
Claude Bouchard | Stunts |
Guy Bews | Stunts |
Aaron Au | Stunts |
Shawn Beaton | Stunts |
Trevor Addie | Stunts |
Minerva Adams | Stunts |
Yves Cameron | Stunts |
Kirk Caouette | Fight Choreographer |
Michael T. Brady | Stunts |
Kimberly Chiang | Stunts |
Mark Chadwick | Stunts |
Dean Choe | Stunts |
Larry Lam | Stunts |
Don Lew | Stunts |
Brian Lydiatt | Stunts |
Reg Milne | Stunts |
Cotton Mather | Stunts |
Mike Mitchell | Stunts |
Stephanie Moseley | Stunts |
Gerald Paetz | Stunts |
Leah Wagner | Stunts |
Mike Vézina | Stunts |
Deb Macatumpag | Stunts |
Boni Yanagisawa | Stunts |
Heath Stevenson | Stunts |
Angela Uyeda | Stunts |
Kimani Ray Smith | Stunts |
Darryl Quon | Stunts |
Shawn Robinson | Stunts |
Carrick O'Quinn | Stunts |
Kit Mallet | Stunts |
David Jacox | Stunts |
Ken Kirzinger | Stunts |
Tara Howie | Stunts |
Dave Hospes | Stunts |
Mike Gunther | Fight Choreographer |
Duane Dickinson | Stunts |
Corbin Fox | Stunts |
Chad Wiebe | Visual Effects |
Brad Loree | Stunts |
Jacob Rupp | Stunt Coordinator |
Pitof | Director |
Thierry Arbogast | Director of Photography |
Sylvie Landra | Editor |
John Rogers | Screenplay |
Bob Kane | Characters |
John Brancato | Story |
Klaus Badelt | Original Music Composer, Music Producer |
John Papsidera | Casting |
James Bamford | Stunts |
J.J. Makaro | Stunts |
Doane Gregory | Still Photographer |
Richard Hymns | Supervising Sound Editor |
Addison Teague | Sound Effects Editor |
Beau Borders | Sound Effects Editor |
Christien Tinsley | Prosthetic Supervisor |
Tom Holkenborg | Additional Music |
Steve M. Davison | Stunt Coordinator, Second Unit Director |
Ravi D. Mehta | Executive In Charge Of Production |
Christopher Boyes | Sound Designer |
Craig Barron | Visual Effects Supervisor |
Shepherd Frankel | Supervising Art Director |
Rikki Gagne | Stunts |
Garson Yu | Title Designer |
Catherine Kretz | Second Assistant Director |
Gwendolyn Yates Whittle | ADR Supervisor |
Blake Neely | Conductor |
Kristie Sills | Second Assistant Director |
Kevin Black | Key Grip |
Micah Kelpin | Second Assistant Production Coordinator |
Kasia Adamik | Storyboard Artist |
Doug Chapman | Stunts |
Tim Gilbert | Stunts |
Jennifer Caputo | Stunts |
Kylie Furneaux | Stunts |
Corry Glass | Stunts |
Rick Pearce | Stunts |
Crystal Dalman | Stunts |
Danny Wynands | Stunts |
Ashlea Earl | Stunts |
Laura Lee Connery | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Bridgett Riley | Stunts |
Garvin Cross | Stunts |
Aurora Bergere | Makeup Effects |
Zarah Chun | Craft Service |
Theresa Rebeck | Story |
Michael Ferris | Story |
Carol Lavallee | Set Decoration |
Lisa K. Sessions | Set Decoration |
Angus Strathie | Costume Design |
Cristina Weigmann | Script Supervisor |
Rob Young | Production Sound Mixer |
David E. Campbell | Sound Re-Recording Mixer |
Gregg Rudloff | Sound Re-Recording Mixer |
John T. Reitz | Sound Re-Recording Mixer |
J.R. Grubbs | Sound Effects Editor |
Sharon Thompson | Art Department Coordinator |
Dan Bronson | Costume Supervisor |
Peter Ochotta | Art Department Assistant |
Dan Hermansen | Art Direction |
Don MacAulay | Art Direction |
Frank Varela | Art Direction |
Mira Caveno | Assistant Art Director |
Charles Leitrants | Construction Coordinator |
Freddy Waff | Leadman |
Mark Gamache | Location Scout |
Derek Bobroff | Painter |
Warren Flanagan | Production Illustrator |
Brent Gloeckler | Sculptor |
Chris Beach | Set Designer |
Todd McMullen | Additional Camera |
John Clothier | Camera Operator |
Cam North | First Assistant Camera |
David Crone | Steadicam Operator |
Courtney Daniel | Assistant Costume Designer |
James D. Brown | Hairstylist |
Thom MacIntyre | Key Hair Stylist |
Petra Bergholz | Seamstress |
Patti Bishop | Set Costumer |
Stacey Butterworth | Wigmaker |
Derek Del Puppo | Carpenter |
Sebastien Dostie | CG Supervisor |
Debra Brown | Choreographer |
Julie Adams | Dialect Coach |
Dave Miller | Driver |
Sean Wimmer | Post Production Supervisor |
Terence Chase | Security |
Ahmed Saker | Set Medic |
Ann Shimabukuro | Set Production Assistant |
Brian W. Smith | Software Engineer |
Greg Curtis | Special Effects Coordinator |
Barbara Alexandre | Stand In |
David Holm | Transportation Captain |
Jeff Budnick | Transportation Co-Captain |
Scott Irvine | Transportation Coordinator |
Joe Everett | Unit Publicist |
David Kurvers | Video Assist Operator |
Elaine C. Andrianos | Visual Effects Editor |
Jean-Francois Morissette | Layout |
Carolle Alain | First Assistant Editor |
Ryan French | Electrician |
Brian Bartolini | Gaffer |
Jesse Andrewartha | Lighting Artist |
Dana Arnold | Rigging Gaffer |
Rod Haney | Rigging Grip |
Errin Lally | Casting Associate |
Daniel R. Chavez | Executive In Charge Of Post Production |
Ann Goobie | Location Manager |
Chris Furia | Production Accountant |
Dave Massicotte | Production Coordinator |
Nicolas Stern | Production Supervisor |
Jon Lavender | Boom Operator |
Daryl B. Kell | Music Editor |
Dawn Solér | Music Supervisor |
Andre Fenley | Sound Editor |
Tom Gibbons | Animation Supervisor |
Jared Barber | Digital Compositors |
Vicki Wong | I/O Manager |
Nathan Abbot | I/O Supervisor |
Blaine Lougheed | Visual Effects |
Chris Anderson | Visual Effects Coordinator |
Paloma Añoveros | Visual Effects Producer |
Dee Selby | Sound Design Assistant |
Jeffrey Biggers | Score Engineer |
Richard Kidd | Visual Effects Art Director |
Enfys Dickinson | Creative Producer |
Shawn Wallbridge | Systems Administrators & Support |
Greg Abbas | Researcher |
Janeen Elliott | Sequence Leads |
Andrew Pearce | Software Team Lead |
Gary Roberts | Motion Capture Artist |
Brian Epp | Assistant Property Master |
Michael Bethune | Set Dresser |
Jayne Dancose | Key Makeup Artist |
Steve Danton | First Assistant Director |
Malcolm Fife | Foley Editor |
Darek Gogol | Conceptual Illustrator |
Hans Bjerno | Aerial Director of Photography |
Robert L. O'Hara | Dolly Grip |
Dan Brodhead | Grip |
Sandra J. Blackie | Costume Coordinator |
Carlos Rosario | Costume Illustrator |
Gracie Atherton | Makeup Artist |
Boone Narr | Animal Coordinator |
Jason Crosby | Marine Coordinator |
Misha Bukowski | Third Assistant Director |
Mo Henry | Negative Cutter |
David Tickell | Chief Lighting Technician |
Janet Glowa | Assistant Production Coordinator |
J. McKenzie Moore | Casting Assistant |
Marilyn McCoppen | ADR Editor |
George Doering | Musician |
Chris Paizis | Matchmove Supervisor |
Justin Graham | Roto Supervisor |
Bruce Fowler | Orchestrator |
Mark Johnston | Sound Recordist |
Ewa Sztompke | Dialogue Editor |
Tyler Patton | Property Master |
Stewart Bethune | Unit Production Manager |
Dennie Thorpe | Foley Artist |
Jana Vance | Foley Artist |
Ellen Heuer | Foley Artist |
George Peterson Jr. | Foley Recordist |
E. Larry Oatfield | Foley Editor |
Thomas J. O'Connell | ADR Mixer |
Roger Morris | ADR Mixer |
Naomi Bakstad | Assistant Makeup Artist |
Marnie Ander | Costumer |
Susan E. Walter | Second Second Assistant Director |
John G. Anderson | Construction Buyer |
Claudio Palavecino | On Set Props |
Ken Wells | Paint Coordinator |
Files Wicken | Set Buyer |
Anthea Mallinson | Textile Artist |
Frank Rinella | Foley Mixer |
Andy Bishop | Sound Assistant |
Douglas W. Beard | Special Effects Assistant |
Ryan Arndt | Special Effects Technician |
Kim Floyd | Stunt Double |
Michael Cox | Best Boy Grip |
Álex Martínez | Second Assistant Camera |
James McKenzie Moore | Casting Assistant |
Kate Baird | Assistant Editor |
Jonathan Malden | Colorist |
Mark Dinicola | Digital Intermediate Colorist |
Tristan Daoussis | Assistant Location Manager |
Josh Pickens | Location Production Assistant |
Paul Jasper | Animal Coordinator |
Nancy A. Terriberry | Assistant Accountant |
Richard Boisvert | Assistant Chief Lighting Technician |
Malika R. Cohen | Assistant Production Coordinator |
Bruno Bittner | Chief Lighting Technician |
Eldon Hansen | Lighting Technician |
Matt McDonald | Compositing Supervisor |
Andrea Brown | Extras Casting |
Richard Castro | First Assistant Accountant |
Francois Garcia | Head of Production |
Vincent Dela Luna | Key Production Assistant |
Kevin McCloy | Key Rigging Grip |
Jason McKinnon | Lighting Artist |
Scott Brisbane | Matte Painter |
Irena Dargenio | Payroll Accountant |
Jim Filippone | Pilot |
Darren Robertson | Playback Coordinator |
Eric Desaulniers | Production Assistant |
Kyle Obley | Rotoscoping Artist |
Kirk Douglas | Special Effects |
David Mylrea | Stunts |
Bill Brzeski | Production Design |
Zoë Bell | Stunts |
Jon Null | ADR Editor |
William Ross | Conductor |
Name | Title |
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Bruce Berman | Executive Producer |
Alison Greenspan | Co-Producer |
Michael Uslan | Executive Producer |
Edward McDonnell | Producer |
Michael Fottrell | Executive Producer |
Robert Kirby | Executive Producer |
Benjamin Melniker | Executive Producer |
Marc Resteghini | Associate Producer |
Ed Jones | Associate Producer |
Denise Di Novi | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 39 | 86 | 23 |
2024 | 5 | 48 | 107 | 23 |
2024 | 6 | 32 | 50 | 21 |
2024 | 7 | 36 | 53 | 24 |
2024 | 8 | 37 | 59 | 24 |
2024 | 9 | 30 | 50 | 21 |
2024 | 10 | 30 | 49 | 21 |
2024 | 11 | 31 | 65 | 21 |
2024 | 12 | 27 | 31 | 18 |
2025 | 1 | 33 | 83 | 20 |
2025 | 2 | 19 | 26 | 4 |
2025 | 3 | 9 | 28 | 2 |
2025 | 4 | 4 | 6 | 3 |
2025 | 5 | 14 | 59 | 3 |
2025 | 6 | 15 | 50 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 6 | 11 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 695 | 695 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 239 | 711 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 636 | 797 |
Year | Month | High | Avg |
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2025 | 5 | 808 | 888 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 668 | 814 |
Year | Month | High | Avg |
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2025 | 3 | 397 | 755 |
Year | Month | High | Avg |
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2025 | 1 | 531 | 715 |
Year | Month | High | Avg |
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2024 | 12 | 694 | 820 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 801 | 912 |
**Catwoman shocks at every turn proving it can invent new ways to get worse. A true masterpiece of terrible nonsense.** Oh my… there does not exist a proper combination of words to describe the insane ridiculousness of this film. Catwoman is the most 2000s movie to ever 2000. The grunge soundtrac ... k, the leather costumes, corporate greed, the non-existent plot, and the spastic editing all explain this movie claiming 4 Razzies and three additional nominations. It’s hilariously bad at every level. The basketball scene is iconic for having dozens of cuts in a matter of seconds, almost causing motion sickness. Halle Berry tries her best, but nothing can salvage this wreck. Honestly, it’s worth watching to live in awe that this movie actually exists.
"Patience Philips" (Halle Berry) is an artist pretty much afraid of her own shadow who finds herself embroiled in a scheme by her cosmetics company employer with plans to distribute an unique anti-aging formula. Luckily for her, though, she also encounters Frances Conroy "Ophelia" and is soon in pos ... session of some amazing powers giving her a ninja-like athleticism, strength, and flexibility - just like, well, a cat! The story itself it pretty lame, Sharon Stone is "Laurel", the scheming boss and Hollywood's flirtation with the totally hopeless Benjamin Bratt "Tom Lone" was still in full tilt as we embark on a truly comic book exercise in expertly choreographed but totally sterile set-piece action sequences. Halle looks great, lithe, supple and I like to think she was in on the joke all along; for a joke this definitely is.