Popularity: 1 (history)
Director: | Eric D. Howell |
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Writer: | Silvio Raffo, Andrew Shaw |
Staring: |
Verena is a nurse who arrives at an old mansion in Italy to help a young boy who has fallen silent since the sudden passing of his mother. | |
Release Date: | Apr 28, 2017 |
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Director: | Eric D. Howell |
Writer: | Silvio Raffo, Andrew Shaw |
Genres: | Drama, Romance, Mystery, Thriller |
Keywords | italy, playing piano, sculptor, quarry, old mansion, 1950s, father son relationship |
Production Companies | Zanuck Independent, Producer Capital Fund, Code 39 Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Emilia Clarke | Verena |
Marton Csokas | Klaus |
Caterina Murino | Malvina |
Remo Girone | Alessio |
Lisa Gastoni | Lilia |
Edward Dring | Jakob |
Duccio Camerini | Doctor |
Nicole Cadeddu | Carlotta |
Antonella Britti | Carlotta's Mother |
Giampiero Judica | Carlotta's Father |
Kate Linder | La Vecchia |
Name | Job |
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Silvio Raffo | Novel |
Clayton Condit | Editor |
Cynthia Sleiter | Set Decoration |
Marco Valerio Pugini | Line Producer |
Melissa Mazzocco | Makeup Artist |
Fabiomassimo Dell'Orco | Production Manager |
Roy Bava | First Assistant Director |
David Stephan | Storyboard |
Vincenzo Nardi | Boom Operator |
Pasquale Di Viccaro | Visual Effects Supervisor |
Chris Rainey | Visual Effects |
Franco Maria Salamon | Stunt Coordinator |
Philippe Antonello | Still Photographer |
Marco Sacerdoti | Camera Operator |
Francesco Zaccaria | Gaffer |
Cody Lee Brown | First Assistant Editor |
Enrico Latella | Location Manager |
Gustavo Borner | Scoring Mixer |
Mona Bernal | Production Coordinator |
Lilia Trapani | Casting |
Anna Lombardi | Costume Design |
Tamara Marini | Art Direction |
Carla Vicenzino | Makeup Designer |
Carl N. Jacobs | Post Production Supervisor |
Luca John Rosati | Third Assistant Director |
Sandro Piccarozzi | Set Decoration |
Tom Hambleton | Sound Editor |
Virginia Cefaly | Visual Effects Producer |
Jesse Pelkey | Visual Effects |
Catia Pasqualoni | Stunts |
Alessandro Brambilla | Steadicam Operator |
Francisco Pintore | First Assistant Camera |
Martino Tagliaferri | First Assistant Camera |
Nick Gumm | Assistant Editor |
Daniele Di Biasio | Location Manager |
Álvaro Cadavid | Scoring Mixer |
Andrea Melchiorre | Production Accountant |
Peter Simonite | Director of Photography |
Eric D. Howell | Director |
Davide De Stefano | Production Design |
Drew Sondeland | Post-Production Manager |
Claudia Catini | Hair Designer |
Simona Batistelli | Production Manager |
Giuseppe Santoni | Unit Production Manager |
Alessia Silvetti | Second Assistant Director |
Stuart McCowan | Dialogue Editor |
Ben Watne | Visual Effects Supervisor |
Andrew Sagar | Digital Compositors |
Ryan Markley | Visual Effects |
Maurizio Benvenuto | Key Grip |
Steve Benvenuto | Grip |
Emiliano Bambusi | First Assistant Camera |
Marco Tosti | Casting Consultant |
Victoria Harms | Post Production Consulting |
Susie Bench | Orchestrator |
Christopher M. Foster | Music Editor |
Andrea Tolomei | Finance |
Michael Wandmacher | Original Music Composer |
Andrew Shaw | Screenplay |
Amy Lee | Musician |
Maurizio Argentieri | Sound Mixer |
David Farmer | Sound Effects Editor |
Gary Rizzo | Supervising ADR Editor |
Ute Leonhardt | Line Producer |
Name | Title |
---|---|
Michael Brickman | Executive Producer |
Scott Fischer | Executive Producer |
Jean Johnson | Executive Producer |
Mark Wheaton | Executive Producer |
Blair Hahn | Executive Producer |
Jason Lisenbee | Executive Producer |
Sandra Siegal | Executive Producer |
Dean Zanuck | Producer |
Bruce Johnson | Executive Producer |
Tannaz Anisi | Executive Producer |
Stefano Gallini-Durante | Producer |
Warren Ostergard | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 18 | 28 | 13 |
2024 | 5 | 19 | 28 | 14 |
2024 | 6 | 17 | 25 | 11 |
2024 | 7 | 22 | 43 | 13 |
2024 | 8 | 14 | 26 | 8 |
2024 | 9 | 10 | 16 | 7 |
2024 | 10 | 15 | 27 | 5 |
2024 | 11 | 13 | 32 | 7 |
2024 | 12 | 11 | 18 | 7 |
2025 | 1 | 11 | 16 | 8 |
2025 | 2 | 10 | 15 | 3 |
2025 | 3 | 4 | 11 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 1 |
Trending Position
**The transformation!!!** It is a little confusing. I don't think everybody who saw it understood at the first attempt. Otherwise, it would have not received such a low rating. The film failed to give the explanations in an understandable way. Only if you are good enough to figure it out everythi ... ng by yourself like by observing the characteristic behaviours, dialogues and scenes that including illusion/dreams, then it can be considered a good one. So, comparing to the book it was based on, I don't know if the book complicates its readers the same way. In the opening, a mother breathes her last before taking an oath from his not to speak a word till she returns. Very unusual scene, because she died by the side of her son and nobody else present, like her husband. Then a new nurse arrives to take care of him. She was confident that she can make him talk again, but later she begins to know more about the place and the people. Unexplainable things happen. Well, the film says it all, but it's hard for us to get the details. Following, a twist comes, then everything back to normal, like nothing ever happened. All the actors were okay. I particularly watched it for Emilia Clarke. I loved the location, the atmosphere. Not a typical seaside sunny Italian place, but shot at the misty medieval house. In the beginning I thought it was like another version of 'Miracle Worker'. In the midway, I thought of 'Hidden Face'. None were right. But I only got it when I googled about it after the watch and realised there was no dream sequences at all, especially coming to the climax part. All are real, and which is a twist. Maybe it need to be watched twice, particularly after googling about what part you did not get. So it was like 'Skeleton Key' meets 'Safe Haven'. I don't want to say anything further to spoil your watch if you're yet to see it. Just watch it and make your own opinion whether you liked it or not, but try to understand it first what happens at the end. Now I've changed my rating slightly, yet the film was so old fashioned. If it had came a couple of decades ago, would have considered a best one. There are people who love such film, even today, like maybe the old guys. So it is for the selected people. _5.5/10_