Popularity: 7 (history)
Director: | Tim Miller |
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Writer: | James Cameron, David S. Goyer, Charles H. Eglee, Justin Rhodes, Josh Friedman, Billy Ray |
Staring: |
Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet. | |
Release Date: | Oct 23, 2019 |
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Director: | Tim Miller |
Writer: | James Cameron, David S. Goyer, Charles H. Eglee, Justin Rhodes, Josh Friedman, Billy Ray |
Genres: | Adventure, Action, Science Fiction, Thriller |
Keywords | helicopter, cyborg, sequel, artificial intelligence (a.i.), time travel, mexico city, mexico, dystopia, plane crash |
Production Companies | Paramount Pictures, 20th Century Fox, Lightstorm Entertainment, TSG Entertainment, Tencent Pictures, Skydance Media |
Box Office |
Revenue: $261,119,292
Budget: $185,000,000 |
Updates |
Updated: Jul 31, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Linda Hamilton | Sarah Connor |
Arnold Schwarzenegger | T-800 / Carl |
Mackenzie Davis | Grace |
Natalia Reyes | Daniella "Dani" Ramos |
Gabriel Luna | Gabriel / REV-9 |
Diego Boneta | Diego Ramos |
Ferran Fernández | Flacco |
Tristán Ulloa | Felipe Gandal |
Stephanie Gil | Young Grace (10yrs) |
Tomás Álvarez | Lucas / Floor Guard |
Tom Hopper | Hadrell |
Alicia Borrachero | Carl's Wife |
Enrique Arce | Dani Ramos's Father |
Manuel Pacific | Mateo |
Fraser James | Major Dean |
Pedro Rudolphi | Cholo |
Diego Martínez | Cesar Mateo |
Kevin Medina | Pepito |
Steven Cree | Rigby |
Matt Devere | US Border Riot & Locker Officer |
Karen Gagnon | AFB Operator |
Neil Corbould | BBQ Host Dad |
Lorna Brown | US Border - Agent Brenner |
Stuart McQuarrie | Craig - Factory Supervisor |
José Cerós | Dam Worker |
Shadday López | Diego's Friend at Workstation |
Pedro Hernández | Foreman Silvio |
Mariah Nonnemacher | BBQ Female Guest |
Peter Schueller | US Border Gate Officer |
Jacques A. Nevils | US Border Agent |
Daniel Ibáñez | Miguel |
Mona Martínez | Old Street Seller |
Francis McBurney | USAF Loader |
Mikey Bharj | ICE Medic |
Samantha Coughlan | ICE Medic |
James Barriscale | US Border X-Ray Officer |
Alejandra Mayo | Mexican Mum on Train |
Angelica Andreu | Bario Neighbor |
Iria Calero | Guatemalan Girl (10yrs) |
Dan Stroiman | Airman Graham / Tech |
Tábata Cerezo | Julia |
Nicholas Wittman | F-35 Pilot |
Daniel Ortiz | Pharmacist |
Mark Hesketh | Texas Ranger |
Peter Ormond | Texas Ranger |
Joaquín Molla | Detainee Axel |
Alberto Da La Sinda | Oldsmobile Driver |
Mario de la Rosa | Mexico City Cop |
Zoltán Téglás | US Border Desk Sergeant |
Blair Jackson | JP |
Phillip Garcia | Rusty |
Tarnue Massaquoi | Zack Hardy |
Cleveland Berto | T. Gill |
Christine Horn | Owens |
Pete Ploszek | Ackers |
Mark Weiler | Surgeon |
Kacy Owens | Maggie Curtis |
Stephen Oyoung | Technician Curtis |
Anisha Gibbs | Cohort |
Anthony Oh | Scavenger with Club |
Josh Wood | Pilot #2 |
Edward Furlong | John Connor |
Aaron Kunitz | John Connor (voice) |
Geneviève Doang | Resistance Nurse |
Georgia Simon | Grace's Mother (voice) |
Rochelle Neil | C-5 Co-Pilot (uncredited) |
Brett Azar | T-800 (uncredited) |
Jude Collie | Young John Connor (uncredited) |
Claudia Trujillo | Maria |
Name | Job |
---|---|
John Warner | Key Rigging Grip |
Jan Philip Cramer | Head of Animation |
Michael S. Harbour | Visual Effects Supervisor |
Tim Miller | Director |
Ken Seng | Director of Photography |
James Cameron | Characters, Story |
David S. Goyer | Story, Screenplay |
Tom Holkenborg | Original Music Composer |
Ngila Dickson | Costume Design |
Tom Still | Art Direction |
Claire Fleming | Art Direction |
Mindy Marin | Casting |
Attila Korponai | Electrician |
Vincent Papaix | Compositing Supervisor |
Diego Casares | Production Sound Mixer |
Craig Henighan | Sound Re-Recording Mixer, Supervising Sound Editor |
Neil Corbould | Special Effects Supervisor |
Jason Chu | Stunt Coordinator |
Caitlin Dechelle | Stunt Coordinator |
Debbie Evans | Stunt Coordinator, Stunt Double |
Tim Garris | Stunt Coordinator |
Lance Gilbert | Stunt Coordinator |
Urs Inauen | Stunt Coordinator |
Cuco Usín | Stunt Coordinator |
Vanessa Zamarripa | Stunt Coordinator |
Stephen Brown | Sound Recordist |
Carolina Jiménez | Layout |
Ryan Watson | Stunt Coordinator |
Charles H. Eglee | Story |
Amy Johnston | Stunts |
Matteo Veglia | VFX Production Coordinator |
Billy D. Lucas | Stunt Double |
Shauna Galligan | Stunt Double |
Julia Schunevitsch | Stunt Double |
Jimmy N. Roberts | Stunt Coordinator |
Amy Lynn Tuttle | Stunts |
George Hull | Concept Artist |
Justin Rhodes | Story, Screenplay |
Julian Clarke | Editor |
Lucinda Syson | Casting |
Sonja Klaus | Production Design |
Derek Vanderhorst | Sound Designer |
Damián Galán Álvarez | Set Decoration |
David Bryan | Art Direction |
Monica Alberte | Art Direction |
Luke Edwards | Art Direction |
Alejandro Fernández | Art Direction |
Stuart Frossell | Art Direction |
Francesc Masso | Art Direction |
Florian Müller | Art Direction |
David Jiménez Díaz | Art Department Coordinator |
Enci Bognar | Graphic Designer |
Geoff Leavitt | Graphic Designer |
Christopher Stanback | Property Master |
Mike Britton | Set Decoration |
Ana Martínez Fernández | Set Decoration |
Nimrod Hajdu | Set Decoration |
Ana Medina | Set Decoration |
Nuria Muni | Set Decoration |
Laura Musso | Set Decoration |
Ana Palazón | Set Decoration Buyer |
Zsolt Várhelyi | Set Decoration |
Éva Zöld | Set Decorating Coordinator |
Gyongyi Horvath | Set Decorating Coordinator |
Jill Salaver | Set Decoration Buyer |
Dawn Brown | Set Designer |
Pau Albin | Set Dresser |
Pedro Díaz Peinado | Set Dresser |
Danny Florian | Set Dresser |
Daniel Izar de la Fuente | Set Dresser |
Fante Zamora | Set Dresser |
Annamária Orosz | Standby Art Director |
Zoltán Virányi-Fontan | Standby Art Director |
Dan Milligan | Storyboard Artist |
Jared Purrington | Storyboard Artist |
Lucienne Suren | Supervising Art Director |
Adam Dale | Aerial Director of Photography |
Ben D. Griffith Jr. | Best Boy Grip |
Vilmos Keszler | Best Boy Grip |
Bruce Carothers | Best Boy Grip |
Máté Tollay | Best Boy Grip |
Attila Csoboth | Camera Operator |
Ádám Fillenz | Camera Operator |
Karina Silva | Camera Operator |
John Skotchdopole | Camera Operator |
László Bille | Camera Operator |
Virgil Tatu | Camera Operator |
Keith Dunkerley | Camera Operator |
Nándor Gulyás | Camera Operator |
Guillermo Moreno Garcia | Camera Operator |
Micky Froehlich | Camera Operator |
Gábor Balda | Dolly Grip |
Máté Bankhardt | Dolly Grip |
Tim Christie | Dolly Grip |
Daniel Pershing | Dolly Grip |
James D. Wickman | Dolly Grip |
Roman Bugovskiy | Drone Operator |
Adam Varadi | Drone Pilot |
Chisko Blanco | Electrician |
László Bánszki | Electrician |
Roberto Escudero | Electrician |
Gonzalo Fernández de la Vega | Electrician |
Gonzalo Mañana | Electrician |
Eduardo González Mon | Electrician |
Diego Perez Hurtado | Electrician |
Béla Rácz | Electrician |
Víctor Sarasa | Electrician |
Edgar Solé | Electrician |
Péter Orosz | Electrician |
Almási Gábor | Electrician |
Dávid Perlaki | Electrician |
József Tibor Pap | Electrician |
Pablo Suárez Fernández | Electrician |
József Kiss | Electrician |
Brian Bartolini | Gaffer |
Attila Bilik | Gaffer |
José Luis Rodríguez | Gaffer |
Guy Micheletti | Key Grip |
Attila Szücs | Key Grip |
Julio Fernández Santa | Key Grip |
Miguel Benavides | Key Grip |
Tom Howard | Lighting Programmer |
Krisztián Horváth | Lighting Technician |
Sergio Morilla | Lighting Technician |
John Clisham | Epk Camera Operator |
Alex Narváez | Rigging Gaffer |
King Lanaux | Rigging Grip |
John Curran | Rigging Grip |
Alan Downs | Rigging Grip |
Matt Hawkins | Rigging Grip |
James Hughes | Rigging Grip |
Felix Merinda | Rigging Grip |
Adam Murray | Rigging Grip |
Toby Plaskitt | Russian Arm Operator |
Bruce McCleery | Second Unit Director of Photography |
Christopher TJ McGuire | Steadicam Operator |
Kerry Brown | Still Photographer |
Mark Epstein | Techno Crane Operator |
Bogdan Iofciulescu | Techno Crane Operator |
Emil Kovács | Video Assist Operator |
Anna Daniel | Assistant Makeup Artist |
Cristina Patterson | Contact Lens Designer |
Michael White | Hair Department Head |
Kristin Arrigo | Hairstylist |
Francesco Alberico | Key Hair Stylist |
Jo Best | Key Hair Stylist |
Jessie Harrison | Key Hair Stylist |
Kornél Hidas | Key Hairdresser |
Isabel Auernheimer | Makeup Artist |
Szilvia Homolya | Makeup Artist |
Kate Biscoe | Makeup Artist |
Becky Cotton | Makeup Artist |
Jamie Kelman | Makeup Artist |
Michael Ornelaz | Makeup Artist |
Samantha Ward | Makeup Artist |
Brian Sipe | Makeup Department Head |
Montse Damas | Makeup Artist |
Rita Horváth | Prosthetic Makeup Artist |
Pedro Raúl de Diego | Tattoo Designer |
Susana Sánchez | Makeup Supervisor |
Lee Grumett | First Assistant Director |
Paula Casarin | Script Supervisor |
Martina Vazzoler | Script Supervisor |
Libby Dempster | Assistant Costume Designer |
Amelia Bianchi | Costume Assistant |
María Checa | Costume Assistant |
Belen Hernandez Sanchez | Costume Assistant |
Rebeca Sola | Costume Assistant |
Csaba Toth | Costume Coordinator |
Rachael Webb-Crozier | Costume Supervisor |
David Craig | Costume Supervisor |
Zoltán Horváth | Costumer |
Carolina Sapina | Costumer |
Wendy J. Greiner | Key Costumer |
Nora Gondocs | Set Costumer |
Marina Marit | Set Costumer |
Erik Spangler | Set Costumer |
Angel Concepcion | Wardrobe Supervisor |
Georgia Simon | ADR Voice Casting |
Georgia Fleury Reynolds | Casting Assistant |
Kara Lipson | Casting Associate |
Natasha Vincent | Casting Associate |
Andrés Cuenca | Casting Associate |
Eliseo Ruiz | Casting Consultant |
Marton Dancz | Extras Casting |
Zsolt Ferenc Maier | Extras Casting |
Zsuzsa Tóth | Extras Casting |
Veronika Varjasi | Extras Casting |
Rou Diaz Prieto | Extras Casting Assistant |
Alex C Rivera | Extras Casting Assistant |
Alejandro Alvarez | Extras Casting Assistant |
Anabel Vázquez | Extras Casting Assistant |
Yaël Moreno | Extras Casting Coordinator |
Matt Anderson | 3D Artist |
Vendula Gresova | 3D Artist |
Hasan Bajramovic | 3D Artist |
Petr Hepner | 3D Artist |
Miroslav Kolárík | 3D Artist |
Mike Beaulieu | Animation Supervisor |
Scott Benza | Animation Supervisor |
Nicholas Tripodi | Animation Supervisor |
Eric Petey | Animation Supervisor |
James Hollingworth | Animation Technical Director |
Bridgette Perrers | Animation Technical Director |
Sergej Eichmann | CG Supervisor |
Mathias Lautour | CG Supervisor |
Ebrahim Jahromi | CG Supervisor |
Avi Goodman | CG Supervisor |
Nathan Ortiz | CG Supervisor |
Mathew Praveen | CG Supervisor |
Daisuke Nagae | CG Supervisor |
Martin Cicmanec | Compositing Supervisor |
Ilia Goncharov | Compositing Supervisor |
Michael Melchiorre | Compositing Supervisor |
Henrique Moser | Compositing Supervisor |
Dominic Hellier | Compositing Supervisor |
Aleksandra Sienkiewicz | Compositing Supervisor |
Ben Warner | Compositing Supervisor |
Amer Alameddine | Creature Technical Director |
Randall Bahnsen | Creature Technical Director |
Ben Sledge | Creature Technical Director |
Gary Wu | Creature Technical Director |
Gem Ronn Cadiz | Creature Technical Director |
Geordie Martinez | Creature Technical Director |
Greg Teegarden | Digital Effects Supervisor |
Bill Bridges | Lead Animator |
Alfonso Sicilia | Lead Animator |
Dalmas Rémy | Lighting Supervisor |
Drew Wood-Davies | Lighting Supervisor |
Julian Gregory | Matchmove Supervisor |
Evan Fraser | Matchmove Supervisor |
Magnus Skagerlund | Modelling Supervisor |
Margaux Durand-Rival | Pre-Visualization Supervisor |
Gallois-Montbrun Volcy | Pre-Visualization Supervisor |
George Antzoulides | Pre-Visualization Supervisor |
Kenneth Meyer | Senior Animator |
Scott Dace | Senior Animator |
Michael Gilbert | VFX Editor |
Matt Hallen | VFX Supervisor |
Glenn Melenhorst | VFX Supervisor |
Zack Mazerolle | Visual Effects Editor |
Neil Mayo | Visual Effects Editor |
Katrina Taylor | Visual Effects Editor |
Chloe Feodoroff | Visual Effects Coordinator |
Lane Howard | Visual Effects Coordinator |
Katya Lebedev | Visual Effects Coordinator |
Llewellyn Littlemore | Visual Effects Coordinator |
Victoria Liu | Visual Effects Coordinator |
Rebecca j Smith | Visual Effects Coordinator |
Sina Sultani | Visual Effects Coordinator |
Yegor Tesler | Visual Effects Coordinator |
Hailie Yang | Visual Effects Coordinator |
Audrey Deschênes | Visual Effects Coordinator |
Catherine Lecavalier | Visual Effects Coordinator |
Martine Losier | Visual Effects Coordinator |
Marc St-Gelais | Visual Effects Coordinator |
Lesly Cazares | Visual Effects Coordinator |
Jacquelyn Racine | Visual Effects Coordinator |
Juliette Lemaire | Visual Effects Coordinator |
Neha Samant | Visual Effects Coordinator |
Melanie Weldon | Production Coordinator, Visual Effects Coordinator |
Elijah Watson | Visual Effects Coordinator |
Lisa Beroud | Visual Effects Producer |
Thomas Boland | Visual Effects Producer |
Lenka Líkařová | Visual Effects Producer |
Samantha Finkler Brainerd | Visual Effects Producer |
Daniel Booty | Visual Effects Producer |
David Fox | Visual Effects Producer |
Matthew Dravitzki | Visual Effects Producer |
Laura Bonde Pedersen | Visual Effects Production Assistant |
Daniel Stift | Visual Effects Production Assistant |
Kane Stewart | Visual Effects Production Manager |
Jody Wilson | Visual Effects Production Manager |
Pasquale Antonelli | Visual Effects Production Manager |
Viktor Müller | Visual Effects Supervisor |
Dan Akers | Visual Effects Supervisor |
Jamie Hallett | Visual Effects Supervisor |
Jay Barton | Visual Effects Supervisor |
Alex Wang | Visual Effects Supervisor |
Jake Maymudes | Visual Effects Supervisor |
Harry Mukhopadhyay | Visual Effects Supervisor |
Joseph Scarr | Visual Effects Supervisor |
Arek Komorowski | Visual Effects Supervisor |
Marco Maldonado | Visual Effects Supervisor |
François-Côme Du Boistesselin | Visual Effects Supervisor |
Julie Feiner | ADR Editor |
David Betancourt | ADR Mixer |
Ignacio Arrojo | ADR Recordist |
David Lucarelli | ADR Recordist |
Marta Meseguer | ADR Recordist |
Ben Greaves | Boom Operator |
Peter Schulteisz | Boom Operator |
James Wright | Dolby Consultant |
Skip Longfellow | First Assistant Sound Editor |
Steve Baine | Foley Artist |
Peter Persaud | Foley Mixer |
Mac Ruth | Production Sound Mixer |
Lee Gilmore | Sound Designer |
David Grimaldi | Sound Designer |
Jack Whittaker | Sound Designer |
Samuel R. Green | Sound Engineer |
János Csáki Jr. | Sound Mixer |
Tim Gomillion | Sound Recordist |
Tamás Bohács | Sound Recordist |
Jim Brookshire | Supervising Dialogue Editor |
Aaron Cox | Special Effects Supervisor |
Pau Costa | Special Effects Supervisor |
Faye Green | Special Effects Coordinator |
Csaba László Eröss | Special Effects Coordinator |
Regis Harrington | Stunt Coordinator |
Seon Rogers | Stunt Coordinator |
Matthew G. Carson | Additional Editor |
Jeff Bauer | Assistant Editor |
Gary Lam | Assistant Editor |
Brian Zwiener | Assistant Editor |
Nick Nassif | Color Assistant |
Anna Stalter | Colorist |
Cassandra Howland | Digital Intermediate |
Tim Stipan | Digital Intermediate Colorist |
Carl S.G. Moore | Digital Intermediate Producer |
Jason Schmid | Music Editor |
Dániel Tóth | Location Manager |
Steven Moth | Aerial Coordinator |
Péter Szántó | Armorer |
Kinga Trimmel | Production Accountant |
Kolos Trimmel | Production Accountant |
Enric Llopis | Production Accountant |
Anna Boglarka Botka | Production Coordinator |
Kathleen Keller | Production Coordinator |
Laura Zsofia Kotz | Production Coordinator |
Uxue Sáenz | Production Coordinator |
Mario Parra Barba | Production Secretary |
Joss Skottowe | Supervising Armorer |
Beverly Cole | Travel Coordinator |
Amanda Brand | Unit Publicist |
Amanda Boyd | Writers' Assistant |
Maciej Kuciara | Concept Artist |
Gilbert Juarez III | Compositor |
Francisco Torres | Stunts |
Ricardo Ferrari | Location Scout |
Lei Zhang | VFX Editor |
Freddy Bouciegues | Stunt Coordinator |
Dhamarata 'G' Dhiensuwana | Key Rigging Grip |
Dennis Liddiard | Key Makeup Artist |
Bill Corso | Makeup Designer |
Eric Barba | Visual Effects Supervisor |
Jeff White | Visual Effects Supervisor |
Andy Nelson | Sound Re-Recording Mixer |
Josh Friedman | Story |
Glen Winchester | Special Effects Coordinator |
Natalie Leggett | Musician |
Francesco Giugliano | Visual Effects Technical Director |
M. Marcos Gonzalez | Set Dressing Buyer |
Julian Caldow | Production Illustrator |
Julian Nix | Graphic Designer |
Julian Borbidge | Special Effects Coordinator |
Julian Dimsey | Head of Animation |
Julian Körrenz | Compositing Lead |
Miguel Ángel Magariño | Property Graphic Designer |
Miguel Ángel Luque | Stunts |
Guillaume Babin | Visual Effects Assistant Editor |
Gale Anne Hurd | Characters |
Billy Ray | Screenplay |
Liz Bernard | Animation Supervisor |
Zdeněk Hrazdíra | CG Artist |
Sheldon Stopsack | Visual Effects Supervisor |
David Seager | Visual Effects Supervisor |
Maxime Luère | Visual Effects Supervisor |
Lee Orloff | Sound Mixer |
Mike Massa | Stunt Coordinator |
Zsolt Molnár | Location Manager |
Viktória Bauer | Stunts |
Danko Jordanov | Stunt Double |
Name | Title |
---|---|
James Cameron | Producer |
David Ellison | Producer |
Dana Goldberg | Executive Producer |
Bonnie Curtis | Executive Producer |
John J. Kelly | Executive Producer |
Julie Lynn | Executive Producer |
Don Granger | Executive Producer |
Edward Cheng | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 73 | 129 | 47 |
2024 | 5 | 148 | 163 | 105 |
2024 | 6 | 110 | 161 | 54 |
2024 | 7 | 74 | 115 | 44 |
2024 | 8 | 62 | 91 | 45 |
2024 | 9 | 54 | 77 | 38 |
2024 | 10 | 59 | 128 | 44 |
2024 | 11 | 68 | 178 | 39 |
2024 | 12 | 51 | 68 | 39 |
2025 | 1 | 53 | 85 | 43 |
2025 | 2 | 47 | 78 | 9 |
2025 | 3 | 18 | 61 | 3 |
2025 | 4 | 9 | 12 | 6 |
2025 | 5 | 8 | 10 | 7 |
2025 | 6 | 8 | 10 | 7 |
2025 | 7 | 7 | 10 | 6 |
2025 | 8 | 7 | 12 | 6 |
2025 | 9 | 8 | 14 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 414 | 766 |
Year | Month | High | Avg |
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2025 | 8 | 776 | 910 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 231 | 794 |
Year | Month | High | Avg |
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2025 | 6 | 406 | 649 |
Year | Month | High | Avg |
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2025 | 5 | 489 | 738 |
Year | Month | High | Avg |
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2025 | 4 | 341 | 674 |
Year | Month | High | Avg |
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2025 | 3 | 282 | 657 |
Year | Month | High | Avg |
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2025 | 2 | 181 | 645 |
Year | Month | High | Avg |
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2025 | 1 | 336 | 707 |
Year | Month | High | Avg |
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2024 | 12 | 177 | 729 |
Year | Month | High | Avg |
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2024 | 11 | 246 | 711 |
Year | Month | High | Avg |
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2024 | 10 | 552 | 804 |
Year | Month | High | Avg |
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2024 | 9 | 680 | 806 |
Year | Month | High | Avg |
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2024 | 8 | 360 | 716 |
Leaving ‘Terminator: Dark Fate’, I never felt like they managed to save the franchise, nor overwhelmingly glad this movie exists. It’s an adequate addition in a messy franchise that never reaches the heights of the first two films but is just above the three films before it, and because of this a lo ... t of people will like it much more than they should. It’s not the ‘Halloween’ or even the ‘X-Men: Days of Future Past’ of the 'Terminator' franchise; it’s a fine follow up, and sadly nothing more. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-terminator-dark-fate-say-hasta-la-vista-you-wont-want-to-be-back
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) When it comes to the Terminator franchise, I share the same opinion as most people. The 1984’s original became a cult classic, and it’s one of the most influential sci-fi/action films of all-time. Terminator 2: Judgment Day is ... one of the (very) few sequels to such a beloved movie that actually improves on its predecessor, standing as the number one film of the saga, quality- and entertainment-wise. James Cameron left the franchise, and suddenly it all went down the sewer. While Terminator 3: Rise of the Machines is still tolerable, Salvation is absolutely terrible, and the reboot, Genisys, failed to change the saga’s history compellingly. So, obviously, even with the return of Cameron to the production team, my expectations were moderately low. That said, Dark Fate is the best Terminator installment since T2 … which is not saying much. The last two flicks have great casts (from Christian Bale to Emilia Clarke), but their scripts are baffling bad. This time around, the cast has amazing chemistry, and their characters have better dialogue, but it comes at a cost. The last three movies possess stories that are not as captivating or entertaining (or even rational) as the first two films. Dark Fate has a much better screenplay, but again it comes at a cost. What cost is this? Basically, it repeats the exact same bits as The Terminator. An extremely thin line exists between paying homage to a movie and blatantly copying it. Tim Miller’s team of screenwriters walk that line, stumbling to both sides several times along the way. Some scenes are indeed wonderful nods to the saga’s first two installments, but a lot of other moments (too many, to be honest) are pretty much a copy-paste version of a significant plot point or character development arc from one of those films. In case you’re wondering, this is the reason behind some of the “hate” from both critics and fans all over the world. Nowadays, people are harsher with this sort of homages, and the previously mentioned line is getting thinner and thinner. Another reason for the divisive opinions is the opening sequence. Don’t worry, I won’t spoil. They simply make a sudden and surprising narrative decision that takes some of T2’s emotional impact, at least without first clarifying why they made such a call. Therefore, I gave the movie a chance to develop its idea, but it doesn’t. It just goes with it, and it never returns to this initial moment. Having this in mind, I understand if people instantly decided to hate the film based on just that very first scene…. Because it really doesn’t have any justification besides “well, we need a story”. Dark Fate’s screenplay is emotionally resonant, and it’s also packed with (mostly) well-directed action sequences, but it resembles the 1984’s original plot too much. There’s even a direct line from Sarah Connor saying that a particular character is the equivalent of her son, John. This unnecessary and lazy exposition is surprisingly not as used as I expected it to be, but when it occurs, it’s like they chose the lamest, silliest, worse possible moments to place it. However, I can’t deny I actually had fun with the movie. With a much better script than the last films, the cast was able to not only shine in a few scenes, but their incredible chemistry allowed for outstanding moments. Seeing Linda Hamilton portray Sarah Connor once again is a delight to my eyes, and Arnold Schwarzenegger is an awesome badass with hilarious lines. These two are phenomenal! Nevertheless, Mackenzie Davis steals the show as the enhanced soldier, Grace, especially regarding the action scenes. I don’t think Natalia Reyes offered what her character needed since she’s the protagonist, after all, but she’s able to stand her ground. I did enjoy Gabriel Luna take on the Terminator Rev-9, but I wish he had a little bit of more screentime besides the action. Tim Miller brings his talented directing chops from Deadpool and applies his action techniques to deliver a lot of entertaining sequences. The VFX team provides with some impeccable CGI, but there are a couple of shots concerning a few speed bursts that should have received better treatment. All in all, Terminator: Dark Fate is the best Terminator installment since Judgment Day, but it still doesn’t even reach the latter’s heels. It boasts a fantastic cast, with Linda Hamilton and Arnold Schwarzenegger returning to their respective iconic roles, but Mackenzie Davis outshines both with some badass moments and great acting. Natalia Reyes, as the protagonist, is disappointingly fine. Despite the action being well-directed and the screenplay being well-written, it all comes at the cost of essentially replicating the 1984 original’s plot. Some homages are notable, but it’s so identical story-wise that it takes away any sort of surprise, severely lacking creativity. In addition to this, it makes a narrative decision in the opening sequence that removes some of T2’s emotional impact, damaging the saga’s best movie and one of the greatest sci-fi/action films of all-time. I don’t exactly recommend it, but if you’re a fan of the franchise, go see it but with moderate expectations. Rating: C
Pretty good (second) reboot for this long-running franchise with some decent action, respectable enough visual effects (some parts looked off, though) and I did genuinely liked the two new cast members while Linda Hamilton and Arnold Schwarzenegger were fine. That being said, it's also pretty cle ... ar this is not a franchise that needed to have gone beyond the two movies (and I might give leniency to "The Sara Connor Chronicles"). The saving grace is that on the technical front, it was an entertaining popcorn flick but like Genysis (which I also liked tbh), not really sure when I would revisit. **3.5/5**
"For John." 'Dark Fate' was meh. I mean it's basically the Force Awakens of the franchise just more cash grab. Like...how many times can they keep alternating T1 & T2, and yet it's astounding that it never ruins the legacy of the series. Despite all that, it's the third best in the series. At ... least this movie knows that Terminator is not for kids! I had some engagement in the movie, even through the reason being that it follows a familiar plot line. Linda Hamilton and Arnold Schwarzenegger are both the stand outs. Hamilton playing a cranky bad-ass and Arnold playing an involved machine that has a life of his own. Mackenzie Davis was surprisingly not as annoying as I thought she will be just from the marketing alone. Her character was straight forward in terms of motivation and can take damage. Tim Miller really knows how to direct action scenes effectively and in this movie he delivers some grand action set pieces. However, after seeing the movie a few days ago, only a small selection stick to memory. Gabriel Luna did a decent job playing the new advance Terminator. They took the "Robert Patrick" approach with picking an ordinary looking guy and making him into the biggest threat of humanity. Although it was a bit hard for me to feel threaten by him as throughout the movie he seemed easily out match by pretty much everyone. I didn't really buy into Dani played by Natalia Reyes as the main "saviour of the future", mainly because of her stiff acting and everytime she holds a gun it's twice her size. The visual effects at times looked pretty OK, but the rest looked really bad. It really doesn't help when there's close ups on the effects where you can see the fakeness. At times the movie was a little too dark and I don't mean in tone, just whenever it's night time. Overall rating: Not as great as T1 & T2, but nothing will without James Cameron magic touch.
Let it never be said that they aren't trying. Everybody's trying, even the cast, and there was a genuine question mark over the head of that one going in, but people have been trying to make a great _Terminator_ sequel for a very long time, and not a one of them has succeeded at the job since before ... I was even born, so maybe what we really need, is for the film industry to just stop trying for a little while. Not stop trying to make good movies, just stop trying to make Terminator movies. Like, at all. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Great watch, would watch again, and do recommend. First, time travel is the worst, but it's what allows the premise. I don't like divergent timelines, but it allows for some interesting scenarios, so when an android that never would have been created kills someone that would had stopped it fro ... m existing had it not been erased from existence, I'm a little interested. The other big difference, and I'm not really opposed, is that they turned this into a women's empowerment movie when it could have just been bad ass women on screen and it wouldn't have slapped the audience so hard. Plus there is a weird parallel there where they still need a "big strong man" to save them, but it's a machines, so the only man a woman really needs is a "machine"? I don't know, I really liked the movie, and I sure wouldn't change the cast, just maybe point it in a more linear direction than the "protect the womb" mislead they threw in to throw shade at the original. Linda Hamilton is just as bad ass as ever, and Arnold Schwarzenegger is really keeping up too. I love Mackenzie Davis in this: she plays a no-nonsense, dedicated soldier so well. Unfortunately Natalia Reyes just doesn't sell the character she's supposed to be to me, and Gabriel Luna doesn't quite pop for some reason. Granted the T-1000 has some surprise and charm to it that the REV-9 doesn't quite have just in the nature of it. I will say the REV-9 does bring a very specific flavor to the action, being 1, 1.5, or even 2 separate characters really has a lot of potential to it, and I do want to see a different story that does intelligence work with a similar concept, but the action this gives is pretty sweet. And that's where it is special, mostly in the nano-bot effects. Most of the rest of the action is pretty standard, but good, and Mackenzie Davis does such a great job playing up being super powered against such a crazy machine. I do how she joins the Marvel Universe. Fans of the Terminator franchise, androids, action should like this, though I'll admit it's not a return for formula, but it better than some of the other movies in the franchise.
It has its fair share of time travel nonsense and weird timeline stuff, but it's still **so much better than Terminator Genisys**. The cast is pretty good and the action is great to watch. If this is the last Terminator movie, at least it ends on a decent note. ...
Terrible film... the use of CGI was very imaginative (if repetitive) but the acting was wooden and the storyline (?) was pathetic. Better than Hellboy 3 - but a damn close thing... ...
So right away they kill off John in the most insulting way possible... making everything in 1-3 absolutely worthless. And then they replaced him with a 115lbs woman who is the new John Conner because... Woke. And the new terminator is a woman because woke. And the Terminators before this are ... bad because not woke. And politics politics politics politics. And I am sick of politics in my entertainment
This is a great instalment of the whole Terminator franchise, produced by the only man who counts when it comes to The Terminator, James Cameron. After some more than disappointing additions to the movie lineup, this one is back to what we know, love and want. You can't reinvent the wheel so they do ... n't even try here, they've just re-chromed, polished and added some spinners to the original setup. Dark Fate is simply Judgement Day with modern movie magic and I have no problem with that. And Linda Hamilton as a salty old lady wielding all kinds of assault weapons as if she's almost bored with the whole thing is a treat.