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Terminator: Dark Fate Poster

Terminator: Dark Fate

Welcome to the day after judgement day
2019 | 128m | English

(207498 votes)

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Popularity: 7 (history)

Details

Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet.
Release Date: Oct 23, 2019
Director: Tim Miller
Writer: James Cameron, David S. Goyer, Charles H. Eglee, Justin Rhodes, Josh Friedman, Billy Ray
Genres: Adventure, Action, Science Fiction, Thriller
Keywords helicopter, cyborg, sequel, artificial intelligence (a.i.), time travel, mexico city, mexico, dystopia, plane crash
Production Companies Paramount Pictures, 20th Century Fox, Lightstorm Entertainment, TSG Entertainment, Tencent Pictures, Skydance Media
Box Office Revenue: $261,119,292
Budget: $185,000,000
Updates Updated: Jul 31, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Linda Hamilton Sarah Connor
Arnold Schwarzenegger T-800 / Carl
Mackenzie Davis Grace
Natalia Reyes Daniella "Dani" Ramos
Gabriel Luna Gabriel / REV-9
Diego Boneta Diego Ramos
Ferran Fernández Flacco
Tristán Ulloa Felipe Gandal
Stephanie Gil Young Grace (10yrs)
Tomás Álvarez Lucas / Floor Guard
Tom Hopper Hadrell
Alicia Borrachero Carl's Wife
Enrique Arce Dani Ramos's Father
Manuel Pacific Mateo
Fraser James Major Dean
Pedro Rudolphi Cholo
Diego Martínez Cesar Mateo
Kevin Medina Pepito
Steven Cree Rigby
Matt Devere US Border Riot & Locker Officer
Karen Gagnon AFB Operator
Neil Corbould BBQ Host Dad
Lorna Brown US Border - Agent Brenner
Stuart McQuarrie Craig - Factory Supervisor
José Cerós Dam Worker
Shadday López Diego's Friend at Workstation
Pedro Hernández Foreman Silvio
Mariah Nonnemacher BBQ Female Guest
Peter Schueller US Border Gate Officer
Jacques A. Nevils US Border Agent
Daniel Ibáñez Miguel
Mona Martínez Old Street Seller
Francis McBurney USAF Loader
Mikey Bharj ICE Medic
Samantha Coughlan ICE Medic
James Barriscale US Border X-Ray Officer
Alejandra Mayo Mexican Mum on Train
Angelica Andreu Bario Neighbor
Iria Calero Guatemalan Girl (10yrs)
Dan Stroiman Airman Graham / Tech
Tábata Cerezo Julia
Nicholas Wittman F-35 Pilot
Daniel Ortiz Pharmacist
Mark Hesketh Texas Ranger
Peter Ormond Texas Ranger
Joaquín Molla Detainee Axel
Alberto Da La Sinda Oldsmobile Driver
Mario de la Rosa Mexico City Cop
Zoltán Téglás US Border Desk Sergeant
Blair Jackson JP
Phillip Garcia Rusty
Tarnue Massaquoi Zack Hardy
Cleveland Berto T. Gill
Christine Horn Owens
Pete Ploszek Ackers
Mark Weiler Surgeon
Kacy Owens Maggie Curtis
Stephen Oyoung Technician Curtis
Anisha Gibbs Cohort
Anthony Oh Scavenger with Club
Josh Wood Pilot #2
Edward Furlong John Connor
Aaron Kunitz John Connor (voice)
Geneviève Doang Resistance Nurse
Georgia Simon Grace's Mother (voice)
Rochelle Neil C-5 Co-Pilot (uncredited)
Brett Azar T-800 (uncredited)
Jude Collie Young John Connor (uncredited)
Claudia Trujillo Maria
Name Job
John Warner Key Rigging Grip
Jan Philip Cramer Head of Animation
Michael S. Harbour Visual Effects Supervisor
Tim Miller Director
Ken Seng Director of Photography
James Cameron Characters, Story
David S. Goyer Story, Screenplay
Tom Holkenborg Original Music Composer
Ngila Dickson Costume Design
Tom Still Art Direction
Claire Fleming Art Direction
Mindy Marin Casting
Attila Korponai Electrician
Vincent Papaix Compositing Supervisor
Diego Casares Production Sound Mixer
Craig Henighan Sound Re-Recording Mixer, Supervising Sound Editor
Neil Corbould Special Effects Supervisor
Jason Chu Stunt Coordinator
Caitlin Dechelle Stunt Coordinator
Debbie Evans Stunt Coordinator, Stunt Double
Tim Garris Stunt Coordinator
Lance Gilbert Stunt Coordinator
Urs Inauen Stunt Coordinator
Cuco Usín Stunt Coordinator
Vanessa Zamarripa Stunt Coordinator
Stephen Brown Sound Recordist
Carolina Jiménez Layout
Ryan Watson Stunt Coordinator
Charles H. Eglee Story
Amy Johnston Stunts
Matteo Veglia VFX Production Coordinator
Billy D. Lucas Stunt Double
Shauna Galligan Stunt Double
Julia Schunevitsch Stunt Double
Jimmy N. Roberts Stunt Coordinator
Amy Lynn Tuttle Stunts
George Hull Concept Artist
Justin Rhodes Story, Screenplay
Julian Clarke Editor
Lucinda Syson Casting
Sonja Klaus Production Design
Derek Vanderhorst Sound Designer
Damián Galán Álvarez Set Decoration
David Bryan Art Direction
Monica Alberte Art Direction
Luke Edwards Art Direction
Alejandro Fernández Art Direction
Stuart Frossell Art Direction
Francesc Masso Art Direction
Florian Müller Art Direction
David Jiménez Díaz Art Department Coordinator
Enci Bognar Graphic Designer
Geoff Leavitt Graphic Designer
Christopher Stanback Property Master
Mike Britton Set Decoration
Ana Martínez Fernández Set Decoration
Nimrod Hajdu Set Decoration
Ana Medina Set Decoration
Nuria Muni Set Decoration
Laura Musso Set Decoration
Ana Palazón Set Decoration Buyer
Zsolt Várhelyi Set Decoration
Éva Zöld Set Decorating Coordinator
Gyongyi Horvath Set Decorating Coordinator
Jill Salaver Set Decoration Buyer
Dawn Brown Set Designer
Pau Albin Set Dresser
Pedro Díaz Peinado Set Dresser
Danny Florian Set Dresser
Daniel Izar de la Fuente Set Dresser
Fante Zamora Set Dresser
Annamária Orosz Standby Art Director
Zoltán Virányi-Fontan Standby Art Director
Dan Milligan Storyboard Artist
Jared Purrington Storyboard Artist
Lucienne Suren Supervising Art Director
Adam Dale Aerial Director of Photography
Ben D. Griffith Jr. Best Boy Grip
Vilmos Keszler Best Boy Grip
Bruce Carothers Best Boy Grip
Máté Tollay Best Boy Grip
Attila Csoboth Camera Operator
Ádám Fillenz Camera Operator
Karina Silva Camera Operator
John Skotchdopole Camera Operator
László Bille Camera Operator
Virgil Tatu Camera Operator
Keith Dunkerley Camera Operator
Nándor Gulyás Camera Operator
Guillermo Moreno Garcia Camera Operator
Micky Froehlich Camera Operator
Gábor Balda Dolly Grip
Máté Bankhardt Dolly Grip
Tim Christie Dolly Grip
Daniel Pershing Dolly Grip
James D. Wickman Dolly Grip
Roman Bugovskiy Drone Operator
Adam Varadi Drone Pilot
Chisko Blanco Electrician
László Bánszki Electrician
Roberto Escudero Electrician
Gonzalo Fernández de la Vega Electrician
Gonzalo Mañana Electrician
Eduardo González Mon Electrician
Diego Perez Hurtado Electrician
Béla Rácz Electrician
Víctor Sarasa Electrician
Edgar Solé Electrician
Péter Orosz Electrician
Almási Gábor Electrician
Dávid Perlaki Electrician
József Tibor Pap Electrician
Pablo Suárez Fernández Electrician
József Kiss Electrician
Brian Bartolini Gaffer
Attila Bilik Gaffer
José Luis Rodríguez Gaffer
Guy Micheletti Key Grip
Attila Szücs Key Grip
Julio Fernández Santa Key Grip
Miguel Benavides Key Grip
Tom Howard Lighting Programmer
Krisztián Horváth Lighting Technician
Sergio Morilla Lighting Technician
John Clisham Epk Camera Operator
Alex Narváez Rigging Gaffer
King Lanaux Rigging Grip
John Curran Rigging Grip
Alan Downs Rigging Grip
Matt Hawkins Rigging Grip
James Hughes Rigging Grip
Felix Merinda Rigging Grip
Adam Murray Rigging Grip
Toby Plaskitt Russian Arm Operator
Bruce McCleery Second Unit Director of Photography
Christopher TJ McGuire Steadicam Operator
Kerry Brown Still Photographer
Mark Epstein Techno Crane Operator
Bogdan Iofciulescu Techno Crane Operator
Emil Kovács Video Assist Operator
Anna Daniel Assistant Makeup Artist
Cristina Patterson Contact Lens Designer
Michael White Hair Department Head
Kristin Arrigo Hairstylist
Francesco Alberico Key Hair Stylist
Jo Best Key Hair Stylist
Jessie Harrison Key Hair Stylist
Kornél Hidas Key Hairdresser
Isabel Auernheimer Makeup Artist
Szilvia Homolya Makeup Artist
Kate Biscoe Makeup Artist
Becky Cotton Makeup Artist
Jamie Kelman Makeup Artist
Michael Ornelaz Makeup Artist
Samantha Ward Makeup Artist
Brian Sipe Makeup Department Head
Montse Damas Makeup Artist
Rita Horváth Prosthetic Makeup Artist
Pedro Raúl de Diego Tattoo Designer
Susana Sánchez Makeup Supervisor
Lee Grumett First Assistant Director
Paula Casarin Script Supervisor
Martina Vazzoler Script Supervisor
Libby Dempster Assistant Costume Designer
Amelia Bianchi Costume Assistant
María Checa Costume Assistant
Belen Hernandez Sanchez Costume Assistant
Rebeca Sola Costume Assistant
Csaba Toth Costume Coordinator
Rachael Webb-Crozier Costume Supervisor
David Craig Costume Supervisor
Zoltán Horváth Costumer
Carolina Sapina Costumer
Wendy J. Greiner Key Costumer
Nora Gondocs Set Costumer
Marina Marit Set Costumer
Erik Spangler Set Costumer
Angel Concepcion Wardrobe Supervisor
Georgia Simon ADR Voice Casting
Georgia Fleury Reynolds Casting Assistant
Kara Lipson Casting Associate
Natasha Vincent Casting Associate
Andrés Cuenca Casting Associate
Eliseo Ruiz Casting Consultant
Marton Dancz Extras Casting
Zsolt Ferenc Maier Extras Casting
Zsuzsa Tóth Extras Casting
Veronika Varjasi Extras Casting
Rou Diaz Prieto Extras Casting Assistant
Alex C Rivera Extras Casting Assistant
Alejandro Alvarez Extras Casting Assistant
Anabel Vázquez Extras Casting Assistant
Yaël Moreno Extras Casting Coordinator
Matt Anderson 3D Artist
Vendula Gresova 3D Artist
Hasan Bajramovic 3D Artist
Petr Hepner 3D Artist
Miroslav Kolárík 3D Artist
Mike Beaulieu Animation Supervisor
Scott Benza Animation Supervisor
Nicholas Tripodi Animation Supervisor
Eric Petey Animation Supervisor
James Hollingworth Animation Technical Director
Bridgette Perrers Animation Technical Director
Sergej Eichmann CG Supervisor
Mathias Lautour CG Supervisor
Ebrahim Jahromi CG Supervisor
Avi Goodman CG Supervisor
Nathan Ortiz CG Supervisor
Mathew Praveen CG Supervisor
Daisuke Nagae CG Supervisor
Martin Cicmanec Compositing Supervisor
Ilia Goncharov Compositing Supervisor
Michael Melchiorre Compositing Supervisor
Henrique Moser Compositing Supervisor
Dominic Hellier Compositing Supervisor
Aleksandra Sienkiewicz Compositing Supervisor
Ben Warner Compositing Supervisor
Amer Alameddine Creature Technical Director
Randall Bahnsen Creature Technical Director
Ben Sledge Creature Technical Director
Gary Wu Creature Technical Director
Gem Ronn Cadiz Creature Technical Director
Geordie Martinez Creature Technical Director
Greg Teegarden Digital Effects Supervisor
Bill Bridges Lead Animator
Alfonso Sicilia Lead Animator
Dalmas Rémy Lighting Supervisor
Drew Wood-Davies Lighting Supervisor
Julian Gregory Matchmove Supervisor
Evan Fraser Matchmove Supervisor
Magnus Skagerlund Modelling Supervisor
Margaux Durand-Rival Pre-Visualization Supervisor
Gallois-Montbrun Volcy Pre-Visualization Supervisor
George Antzoulides Pre-Visualization Supervisor
Kenneth Meyer Senior Animator
Scott Dace Senior Animator
Michael Gilbert VFX Editor
Matt Hallen VFX Supervisor
Glenn Melenhorst VFX Supervisor
Zack Mazerolle Visual Effects Editor
Neil Mayo Visual Effects Editor
Katrina Taylor Visual Effects Editor
Chloe Feodoroff Visual Effects Coordinator
Lane Howard Visual Effects Coordinator
Katya Lebedev Visual Effects Coordinator
Llewellyn Littlemore Visual Effects Coordinator
Victoria Liu Visual Effects Coordinator
Rebecca j Smith Visual Effects Coordinator
Sina Sultani Visual Effects Coordinator
Yegor Tesler Visual Effects Coordinator
Hailie Yang Visual Effects Coordinator
Audrey Deschênes Visual Effects Coordinator
Catherine Lecavalier Visual Effects Coordinator
Martine Losier Visual Effects Coordinator
Marc St-Gelais Visual Effects Coordinator
Lesly Cazares Visual Effects Coordinator
Jacquelyn Racine Visual Effects Coordinator
Juliette Lemaire Visual Effects Coordinator
Neha Samant Visual Effects Coordinator
Melanie Weldon Production Coordinator, Visual Effects Coordinator
Elijah Watson Visual Effects Coordinator
Lisa Beroud Visual Effects Producer
Thomas Boland Visual Effects Producer
Lenka Líkařová Visual Effects Producer
Samantha Finkler Brainerd Visual Effects Producer
Daniel Booty Visual Effects Producer
David Fox Visual Effects Producer
Matthew Dravitzki Visual Effects Producer
Laura Bonde Pedersen Visual Effects Production Assistant
Daniel Stift Visual Effects Production Assistant
Kane Stewart Visual Effects Production Manager
Jody Wilson Visual Effects Production Manager
Pasquale Antonelli Visual Effects Production Manager
Viktor Müller Visual Effects Supervisor
Dan Akers Visual Effects Supervisor
Jamie Hallett Visual Effects Supervisor
Jay Barton Visual Effects Supervisor
Alex Wang Visual Effects Supervisor
Jake Maymudes Visual Effects Supervisor
Harry Mukhopadhyay Visual Effects Supervisor
Joseph Scarr Visual Effects Supervisor
Arek Komorowski Visual Effects Supervisor
Marco Maldonado Visual Effects Supervisor
François-Côme Du Boistesselin Visual Effects Supervisor
Julie Feiner ADR Editor
David Betancourt ADR Mixer
Ignacio Arrojo ADR Recordist
David Lucarelli ADR Recordist
Marta Meseguer ADR Recordist
Ben Greaves Boom Operator
Peter Schulteisz Boom Operator
James Wright Dolby Consultant
Skip Longfellow First Assistant Sound Editor
Steve Baine Foley Artist
Peter Persaud Foley Mixer
Mac Ruth Production Sound Mixer
Lee Gilmore Sound Designer
David Grimaldi Sound Designer
Jack Whittaker Sound Designer
Samuel R. Green Sound Engineer
János Csáki Jr. Sound Mixer
Tim Gomillion Sound Recordist
Tamás Bohács Sound Recordist
Jim Brookshire Supervising Dialogue Editor
Aaron Cox Special Effects Supervisor
Pau Costa Special Effects Supervisor
Faye Green Special Effects Coordinator
Csaba László Eröss Special Effects Coordinator
Regis Harrington Stunt Coordinator
Seon Rogers Stunt Coordinator
Matthew G. Carson Additional Editor
Jeff Bauer Assistant Editor
Gary Lam Assistant Editor
Brian Zwiener Assistant Editor
Nick Nassif Color Assistant
Anna Stalter Colorist
Cassandra Howland Digital Intermediate
Tim Stipan Digital Intermediate Colorist
Carl S.G. Moore Digital Intermediate Producer
Jason Schmid Music Editor
Dániel Tóth Location Manager
Steven Moth Aerial Coordinator
Péter Szántó Armorer
Kinga Trimmel Production Accountant
Kolos Trimmel Production Accountant
Enric Llopis Production Accountant
Anna Boglarka Botka Production Coordinator
Kathleen Keller Production Coordinator
Laura Zsofia Kotz Production Coordinator
Uxue Sáenz Production Coordinator
Mario Parra Barba Production Secretary
Joss Skottowe Supervising Armorer
Beverly Cole Travel Coordinator
Amanda Brand Unit Publicist
Amanda Boyd Writers' Assistant
Maciej Kuciara Concept Artist
Gilbert Juarez III Compositor
Francisco Torres Stunts
Ricardo Ferrari Location Scout
Lei Zhang VFX Editor
Freddy Bouciegues Stunt Coordinator
Dhamarata 'G' Dhiensuwana Key Rigging Grip
Dennis Liddiard Key Makeup Artist
Bill Corso Makeup Designer
Eric Barba Visual Effects Supervisor
Jeff White Visual Effects Supervisor
Andy Nelson Sound Re-Recording Mixer
Josh Friedman Story
Glen Winchester Special Effects Coordinator
Natalie Leggett Musician
Francesco Giugliano Visual Effects Technical Director
M. Marcos Gonzalez Set Dressing Buyer
Julian Caldow Production Illustrator
Julian Nix Graphic Designer
Julian Borbidge Special Effects Coordinator
Julian Dimsey Head of Animation
Julian Körrenz Compositing Lead
Miguel Ángel Magariño Property Graphic Designer
Miguel Ángel Luque Stunts
Guillaume Babin Visual Effects Assistant Editor
Gale Anne Hurd Characters
Billy Ray Screenplay
Liz Bernard Animation Supervisor
Zdeněk Hrazdíra CG Artist
Sheldon Stopsack Visual Effects Supervisor
David Seager Visual Effects Supervisor
Maxime Luère Visual Effects Supervisor
Lee Orloff Sound Mixer
Mike Massa Stunt Coordinator
Zsolt Molnár Location Manager
Viktória Bauer Stunts
Danko Jordanov Stunt Double
Name Title
James Cameron Producer
David Ellison Producer
Dana Goldberg Executive Producer
Bonnie Curtis Executive Producer
John J. Kelly Executive Producer
Julie Lynn Executive Producer
Don Granger Executive Producer
Edward Cheng Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


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2024 5 148 163 105
2024 6 110 161 54
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Reviews

maketheSWITCH
6.0

Leaving ‘Terminator: Dark Fate’, I never felt like they managed to save the franchise, nor overwhelmingly glad this movie exists. It’s an adequate addition in a messy franchise that never reaches the heights of the first two films but is just above the three films before it, and because of this a lo ... t of people will like it much more than they should. It’s not the ‘Halloween’ or even the ‘X-Men: Days of Future Past’ of the 'Terminator' franchise; it’s a fine follow up, and sadly nothing more. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-terminator-dark-fate-say-hasta-la-vista-you-wont-want-to-be-back

Jun 23, 2021
msbreviews
5.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) When it comes to the Terminator franchise, I share the same opinion as most people. The 1984’s original became a cult classic, and it’s one of the most influential sci-fi/action films of all-time. Terminator 2: Judgment Day is ... one of the (very) few sequels to such a beloved movie that actually improves on its predecessor, standing as the number one film of the saga, quality- and entertainment-wise. James Cameron left the franchise, and suddenly it all went down the sewer. While Terminator 3: Rise of the Machines is still tolerable, Salvation is absolutely terrible, and the reboot, Genisys, failed to change the saga’s history compellingly. So, obviously, even with the return of Cameron to the production team, my expectations were moderately low. That said, Dark Fate is the best Terminator installment since T2 … which is not saying much. The last two flicks have great casts (from Christian Bale to Emilia Clarke), but their scripts are baffling bad. This time around, the cast has amazing chemistry, and their characters have better dialogue, but it comes at a cost. The last three movies possess stories that are not as captivating or entertaining (or even rational) as the first two films. Dark Fate has a much better screenplay, but again it comes at a cost. What cost is this? Basically, it repeats the exact same bits as The Terminator. An extremely thin line exists between paying homage to a movie and blatantly copying it. Tim Miller’s team of screenwriters walk that line, stumbling to both sides several times along the way. Some scenes are indeed wonderful nods to the saga’s first two installments, but a lot of other moments (too many, to be honest) are pretty much a copy-paste version of a significant plot point or character development arc from one of those films. In case you’re wondering, this is the reason behind some of the “hate” from both critics and fans all over the world. Nowadays, people are harsher with this sort of homages, and the previously mentioned line is getting thinner and thinner. Another reason for the divisive opinions is the opening sequence. Don’t worry, I won’t spoil. They simply make a sudden and surprising narrative decision that takes some of T2’s emotional impact, at least without first clarifying why they made such a call. Therefore, I gave the movie a chance to develop its idea, but it doesn’t. It just goes with it, and it never returns to this initial moment. Having this in mind, I understand if people instantly decided to hate the film based on just that very first scene…. Because it really doesn’t have any justification besides “well, we need a story”. Dark Fate’s screenplay is emotionally resonant, and it’s also packed with (mostly) well-directed action sequences, but it resembles the 1984’s original plot too much. There’s even a direct line from Sarah Connor saying that a particular character is the equivalent of her son, John. This unnecessary and lazy exposition is surprisingly not as used as I expected it to be, but when it occurs, it’s like they chose the lamest, silliest, worse possible moments to place it. However, I can’t deny I actually had fun with the movie. With a much better script than the last films, the cast was able to not only shine in a few scenes, but their incredible chemistry allowed for outstanding moments. Seeing Linda Hamilton portray Sarah Connor once again is a delight to my eyes, and Arnold Schwarzenegger is an awesome badass with hilarious lines. These two are phenomenal! Nevertheless, Mackenzie Davis steals the show as the enhanced soldier, Grace, especially regarding the action scenes. I don’t think Natalia Reyes offered what her character needed since she’s the protagonist, after all, but she’s able to stand her ground. I did enjoy Gabriel Luna take on the Terminator Rev-9, but I wish he had a little bit of more screentime besides the action. Tim Miller brings his talented directing chops from Deadpool and applies his action techniques to deliver a lot of entertaining sequences. The VFX team provides with some impeccable CGI, but there are a couple of shots concerning a few speed bursts that should have received better treatment. All in all, Terminator: Dark Fate is the best Terminator installment since Judgment Day, but it still doesn’t even reach the latter’s heels. It boasts a fantastic cast, with Linda Hamilton and Arnold Schwarzenegger returning to their respective iconic roles, but Mackenzie Davis outshines both with some badass moments and great acting. Natalia Reyes, as the protagonist, is disappointingly fine. Despite the action being well-directed and the screenplay being well-written, it all comes at the cost of essentially replicating the 1984 original’s plot. Some homages are notable, but it’s so identical story-wise that it takes away any sort of surprise, severely lacking creativity. In addition to this, it makes a narrative decision in the opening sequence that removes some of T2’s emotional impact, damaging the saga’s best movie and one of the greatest sci-fi/action films of all-time. I don’t exactly recommend it, but if you’re a fan of the franchise, go see it but with moderate expectations. Rating: C

Jun 23, 2021
JPV852
7.0

Pretty good (second) reboot for this long-running franchise with some decent action, respectable enough visual effects (some parts looked off, though) and I did genuinely liked the two new cast members while Linda Hamilton and Arnold Schwarzenegger were fine. That being said, it's also pretty cle ... ar this is not a franchise that needed to have gone beyond the two movies (and I might give leniency to "The Sara Connor Chronicles"). The saving grace is that on the technical front, it was an entertaining popcorn flick but like Genysis (which I also liked tbh), not really sure when I would revisit. **3.5/5**

Jun 23, 2021
MatthewL.Brady
4.0

"For John." 'Dark Fate' was meh. I mean it's basically the Force Awakens of the franchise just more cash grab. Like...how many times can they keep alternating T1 & T2, and yet it's astounding that it never ruins the legacy of the series. Despite all that, it's the third best in the series. At ... least this movie knows that Terminator is not for kids! I had some engagement in the movie, even through the reason being that it follows a familiar plot line. Linda Hamilton and Arnold Schwarzenegger are both the stand outs. Hamilton playing a cranky bad-ass and Arnold playing an involved machine that has a life of his own. Mackenzie Davis was surprisingly not as annoying as I thought she will be just from the marketing alone. Her character was straight forward in terms of motivation and can take damage. Tim Miller really knows how to direct action scenes effectively and in this movie he delivers some grand action set pieces. However, after seeing the movie a few days ago, only a small selection stick to memory. Gabriel Luna did a decent job playing the new advance Terminator. They took the "Robert Patrick" approach with picking an ordinary looking guy and making him into the biggest threat of humanity. Although it was a bit hard for me to feel threaten by him as throughout the movie he seemed easily out match by pretty much everyone. I didn't really buy into Dani played by Natalia Reyes as the main "saviour of the future", mainly because of her stiff acting and everytime she holds a gun it's twice her size. The visual effects at times looked pretty OK, but the rest looked really bad. It really doesn't help when there's close ups on the effects where you can see the fakeness. At times the movie was a little too dark and I don't mean in tone, just whenever it's night time. Overall rating: Not as great as T1 & T2, but nothing will without James Cameron magic touch.

Jun 23, 2021
Ruuz
5.0

Let it never be said that they aren't trying. Everybody's trying, even the cast, and there was a genuine question mark over the head of that one going in, but people have been trying to make a great _Terminator_ sequel for a very long time, and not a one of them has succeeded at the job since before ... I was even born, so maybe what we really need, is for the film industry to just stop trying for a little while. Not stop trying to make good movies, just stop trying to make Terminator movies. Like, at all. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Jun 23, 2021
Kamurai
8.0

Great watch, would watch again, and do recommend. First, time travel is the worst, but it's what allows the premise. I don't like divergent timelines, but it allows for some interesting scenarios, so when an android that never would have been created kills someone that would had stopped it fro ... m existing had it not been erased from existence, I'm a little interested. The other big difference, and I'm not really opposed, is that they turned this into a women's empowerment movie when it could have just been bad ass women on screen and it wouldn't have slapped the audience so hard. Plus there is a weird parallel there where they still need a "big strong man" to save them, but it's a machines, so the only man a woman really needs is a "machine"? I don't know, I really liked the movie, and I sure wouldn't change the cast, just maybe point it in a more linear direction than the "protect the womb" mislead they threw in to throw shade at the original. Linda Hamilton is just as bad ass as ever, and Arnold Schwarzenegger is really keeping up too. I love Mackenzie Davis in this: she plays a no-nonsense, dedicated soldier so well. Unfortunately Natalia Reyes just doesn't sell the character she's supposed to be to me, and Gabriel Luna doesn't quite pop for some reason. Granted the T-1000 has some surprise and charm to it that the REV-9 doesn't quite have just in the nature of it. I will say the REV-9 does bring a very specific flavor to the action, being 1, 1.5, or even 2 separate characters really has a lot of potential to it, and I do want to see a different story that does intelligence work with a similar concept, but the action this gives is pretty sweet. And that's where it is special, mostly in the nano-bot effects. Most of the rest of the action is pretty standard, but good, and Mackenzie Davis does such a great job playing up being super powered against such a crazy machine. I do how she joins the Marvel Universe. Fans of the Terminator franchise, androids, action should like this, though I'll admit it's not a return for formula, but it better than some of the other movies in the franchise.

Jun 23, 2021
snunes97
6.0

It has its fair share of time travel nonsense and weird timeline stuff, but it's still **so much better than Terminator Genisys**. The cast is pretty good and the action is great to watch. If this is the last Terminator movie, at least it ends on a decent note. ...

Jun 23, 2021
Geronimo1967
5.0

Terrible film... the use of CGI was very imaginative (if repetitive) but the acting was wooden and the storyline (?) was pathetic. Better than Hellboy 3 - but a damn close thing... ...

Mar 27, 2022
GenerationofSwine
1.0

So right away they kill off John in the most insulting way possible... making everything in 1-3 absolutely worthless. And then they replaced him with a 115lbs woman who is the new John Conner because... Woke. And the new terminator is a woman because woke. And the Terminators before this are ... bad because not woke. And politics politics politics politics. And I am sick of politics in my entertainment

Jan 11, 2023
Arcanum101
8.0

This is a great instalment of the whole Terminator franchise, produced by the only man who counts when it comes to The Terminator, James Cameron. After some more than disappointing additions to the movie lineup, this one is back to what we know, love and want. You can't reinvent the wheel so they do ... n't even try here, they've just re-chromed, polished and added some spinners to the original setup. Dark Fate is simply Judgement Day with modern movie magic and I have no problem with that. And Linda Hamilton as a salty old lady wielding all kinds of assault weapons as if she's almost bored with the whole thing is a treat.

Jun 16, 2023