Popularity: 8 (history)
Director: | Denis Villeneuve |
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Writer: | Taylor Sheridan |
Staring: |
An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico. | |
Release Date: | Sep 17, 2015 |
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Director: | Denis Villeneuve |
Writer: | Taylor Sheridan |
Genres: | Action, Crime, Thriller |
Keywords | bomb, corruption, mexico, central intelligence agency (cia), assassin, smoking, texas, fbi, border, manipulation, cynicism, revenge, murder, mission, dirty cop, football (soccer), brutality, drugs, special forces, interrogation, desert, surveillance, night vision, death of daughter, moral dilemma, neo-noir, death of wife, mexican cartel, secret tunnel, violence, audacious, juárez, mexico |
Production Companies | Lionsgate, Thunder Road, Black Label Media |
Box Office |
Revenue: $84,997,446
Budget: $30,000,000 |
Updates |
Updated: Jun 07, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Emily Blunt | Kate Macer |
Benicio del Toro | Alejandro Gillick |
Josh Brolin | Matt Graver |
Victor Garber | Dave Jennings |
Jon Bernthal | Ted |
Daniel Kaluuya | Reggie Wayne |
Jeffrey Donovan | Steve Forsing |
Raoul Max Trujillo | Rafael |
Julio Cesar Cedillo | Fausto Alarcon |
Hank Rogerson | Phil Coopers |
Bernardo P. Saracino | Manuel Diaz |
Maximiliano Hernández | Silvio |
Kevin Wiggins | Burnett |
Edgar Arreola | Guillermo |
Kim Larrichio | Silvio's Wife |
Jesus Nevarez-Castillo | Eliseo |
Dylan Kenin | Delta Leader |
John Trejo | Delta #2 |
Marty Lindsey | SWAT Officer |
Alex Knight | Coroner (Phoenix) |
Rio Alexander | Phoenix Cop |
Eric Steinig | Air Force MP |
Michael-David Aragon | AIC Guard |
Vic Browder | US Marshal |
Boots Southerland | US Marshal Keith |
Adam Taylor | US Marshal Kevin |
David Garver | Bob Fisks |
Jesse Ramirez | Migrant #1 |
James Espinoza | Migrant #2 |
Arrazolo | Migrant #3 |
Tomas Martinez | Migrant #4 |
Alejandro Rodriguez | Migrant #5 |
Jorge Rocha Fuentez | Migrant #6 |
Johnny Palomarez Jr. | Migrant #7 |
Eb Lottimer | Bank Manager |
Matthew Tompkins | Jessie Garza |
Michael Sheets | Treasury Agent |
Sarah Minnich | Reggie's Dance Partner |
Matthew Page | Operator |
Lora Martinez-Cunningham | Jacinta |
Julian Ortega | Fausto's Son #1 |
Ian Posada | Fausto's Son #2 |
Antonio Leyba | Border Bandit #1 |
Frank Andrade | Border Bandit #2 |
Juan Carlos Morales | Border Bandit #3 |
Jesus Mayorga | Border Bandit #4 |
Joseph P. Santillanes | Homeland Security Officer |
Basil Iwanyk Sr. | DEA Agent (Motel Room) |
Ivan Allen | News Anchor |
John Burke | Chandler News Reporter |
Tait Fletcher | Soldier (uncredited) |
Cesar Miramontes | Immigrant (uncredited) |
Johnny Otto | SWAT Officer (uncredited) |
Eddie Perez | Border Bandit (uncredited) |
Kaelee Vigil | Immigrant Woman (uncredited) |
Rick Anglada | DEA Agent (uncredited) |
Name | Job |
---|---|
Dylan Goss | Helicopter Camera |
Roger Deakins | "A" Camera Operator, Director of Photography |
Joe Walker | Editor |
Francine Maisler | Casting |
Joseph S. DeBeasi | Music Editor |
Tom Ozanich | Sound Re-Recording Mixer, Sound Designer |
Alan Robert Murray | Supervising Sound Editor |
Donald Mowat | Makeup Department Head |
Jon Schumacher | Production Executive |
Stacy Perskie | Line Producer |
Patrice Vermette | Production Design |
Christopher Parker | Utility Stunts |
Alan D. Purwin | Pilot |
Mark Stefanich | Stunts |
Larry Nuñez | Stunts |
Stephen Oyoung | Stunts |
Tait Fletcher | Stunts |
Sean A. Rosales | Stunts |
Eddie Perez | Stunts |
Ed Duran | Stunts |
Geo Corvera | Stunts |
Trina Siopy | Stunts |
Kurly Tlapoyawa | Stunts |
Jermaine Washington | Stunts |
Donna Casey-Aira | Costumer |
Barbara Harris | ADR Voice Casting |
Denis Villeneuve | Director |
Keith Woulard | Stunt Coordinator |
Bjarne Sletteland | Art Direction |
Richard Foreman Jr. | Still Photographer |
Judi Townsend | Script Supervisor |
Jonathan Watkins | Music Supervisor |
Tara Finegan | Executive Music Producer |
Darren Blumenthal | Executive Music Producer |
John T. Reitz | Sound Re-Recording Mixer |
Roland N. Thai | Sound Effects Editor |
Bub Asman | Sound Effects Editor |
Jason King | Sound Effects Editor |
Renée April | Costume Design |
Cassidy Zachary | Assistant Costume Designer |
Aura Sperling Pierce | Set Costumer |
Ron Licari | Armorer |
Bela Trutz | Steadicam Operator |
Marie A. Kohl | Casting Associate |
Melissa Kostenbauder | Casting Associate |
John McAlary | Casting Associate |
Javier Marcheselli | First Assistant Editor |
Jennifer Bell | Hair Department Head |
Megan Daum | Key Hair Stylist |
Corey Welk | Makeup Artist |
Alanna Levy | Art Department Coordinator |
Mario Fraser | Animation |
Elaine Phaneuf | Animation |
Jean-Francois Lafleur | Visual Effects Coordinator |
Sandra Germain | Visual Effects Producer |
Alexandre Lafortune | Visual Effects Supervisor |
Louis Morin | Visual Effects Supervisor |
Jean-Pierre Boies | Visual Effects Supervisor |
Luis Montemayor | Visual Effects Supervisor |
Paul D. Kelly | Supervising Art Director |
Jan Pascale | Set Decoration |
Karen Davis | Second Assistant Director |
Sam Hudecki | Storyboard Artist |
Matthew E. Taylor | Dialogue Editor |
Kevin Murray | Assistant Sound Editor |
Susan McNamara | Unit Production Manager |
John H. Starke | Unit Production Manager |
Donald Sparks | First Assistant Director |
Andy Harris | First Assistant "A" Camera |
Liza Bambenek | Second Assistant "A" Camera |
Nolan Rudi | Additional Second Assistant Camera |
Giovanni Carranza | Camera Loader |
Kate Kelly | Production Coordinator |
Katherine Knox | Assistant Production Coordinator |
David Noble | Stunts |
Nico Woulard | Stunts |
Lucas Leggio | Stunts |
Michael Hansen | Stunts |
Carly Stucky | Stunts |
Cannon Smith | Stunts |
Gerald T. Bennett | Stunts |
Gino Woulard | Stunts |
Douglas Christian | Stunts |
Jay Torrez | Stunts |
Victor Winters-Junco | Stunts |
Chris Donaldson | Stunts |
Damien Bray | Stunts |
Keenen Bray | Stunts |
Nate Harris | Stunts |
Jessie Leigh | Stunts |
Joey Paz | Stunts |
Ruben Rivera Laguna | Stunts |
Matthew Lee Christmas | Stunts |
Derek Jensen | Assistant Art Director |
Ricardo Guillermo | Set Designer |
Aaron Morrison | Graphic Designer |
Joshua Story | Art Department Assistant |
Brent Rice | Leadman |
Edward McLoughlin | Set Decoration Buyer |
James Duddy | Set Dresser |
Lance Cheatham | Set Dresser |
Piero Spadaro | Set Dresser |
Keith Walters | Property Master |
John C. Cameron | Assistant Property Master |
Chris Napolitano | Chief Lighting Technician |
Michael J. Schwartz | Best Boy Electric |
Kevin J. Lang | Rigging Gaffer |
Mitch Lillain | Key Grip |
Paul Candrilli | Best Boy Grip |
Quinn Grove | Best Boy Grip |
Charley Gilleran | Key Rigging Grip |
Bruce Hamme | Dolly Grip |
Jeff Bettis | Grip |
Lea E. Miller | Grip |
Sean Wright | Grip |
Tobin Espeset | Grip |
Mike Lucero | Rigging Grip |
Dave Midthunder | Rigging Grip |
Jeffrey Lamm | Rigging Grip |
Justin P. Boyes | Rigging Grip |
Matthew P. Debevec | Rigging Grip |
Tim Naylor | Rigging Grip |
John Bonnin | Libra Head Technician |
William Sarokin | Sound Mixer |
Jason Patrick Collins | Boom Operator |
Andrejs Prokopenko | Utility Sound |
Frank Eyers | Video Assist Operator |
Camille Argus | Costume Supervisor |
Jennifer Gingery | Key Set Costumer |
Liz Pecos | Key Costumer |
Christine Farnand | Costumer |
Rachel Bris | Costumer |
Red Rose Connerty | Costumer |
Claire Sandrin | Set Costumer |
Wynema Chavez | Ager/Dyer |
Bonnie Masoner | Makeup Artist |
Carmen L. Jones | Hairstylist |
Kevin Landry | Production Controller |
Rip Russell | First Assistant Accountant |
Jacob Uher | Payroll Accountant |
Jerry Lee | Post Production Accountant |
Elizabeth Gabel | Extras Casting |
Stan Blackwell | Special Effects Supervisor |
Jai James | Second Second Assistant Director |
Stephanie Tull | Second Second Assistant Director |
Ann Shimabukuro | Additional Second Assistant Director |
Wolf Schneider | Unit Publicist |
Patrick A. Reynolds Jr. | Transportation Coordinator |
Bill Holmquist | Construction Coordinator |
Virginia Hopkins | Charge Scenic Artist |
Terry Kempf | Construction Foreman |
Taylor Zea | Producer's Assistant |
Yoni Liebling | Producer's Assistant |
Alan Shaterian | Actor's Assistant |
Brad Arensman | Post Production Supervisor |
Curt Schulkey | Supervising Dialogue Editor, Supervising ADR Editor |
Christopher Flick | Foley Supervisor |
Matthew Iadarola | Additional Sound Re-Recording Mixer |
Bradford Bell | Sound Mix Technician |
Thomas J. O'Connell | ADR Mixer |
Ryan Young | ADR Recordist |
Dan O'Connell | Foley Artist |
John T. Cucci | Foley Artist |
James Ashwill | Foley Mixer |
John Guentner | Foley Mixer |
Richard Duarte | Foley Mixer |
Anthony Weeden | Conductor, Orchestrator |
Daniel Kresco | Scoring Mixer |
Yanick Bourgie | Matte Painter |
Mitch Paulson | Digital Colorist |
Robert E. Phillips | Digital Intermediate Producer |
Lisa Tutunjian | Digital Intermediate Editor |
Jared Meador | Driver |
Anthony Wamego | Driver |
Joshua Reynolds | Driver |
Mike Roybal | Driver |
Graham Elliott | Driver |
Joel Wright | Driver |
Eric Rivera | Transportation Captain |
Eric Calatayud | Second Second Assistant Director |
Kevin Black | Second Second Assistant Director |
Allan Padelford | Stunt Driver |
James Ellis Deakins | Production Consultant |
Jóhann Jóhannsson | Original Music Composer |
Taylor Sheridan | Writer |
Nick Brett | Stunts |
Mary Lukasiewicz | Editor |
Name | Title |
---|---|
Stacy Perskie | Executive Producer |
Basil Iwanyk | Producer |
Thad Luckinbill | Producer |
Edward McDonnell | Producer |
Emma McGill | Associate Producer |
Molly Smith | Producer |
Donald Sparks | Associate Producer |
Trent Luckinbill | Producer |
Ellen H. Schwartz | Executive Producer |
Organization | Category | Person | |
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Academy Awards | Best Supporting Actress | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 76 | 102 | 55 |
2024 | 5 | 80 | 177 | 54 |
2024 | 6 | 68 | 104 | 45 |
2024 | 7 | 69 | 107 | 45 |
2024 | 8 | 67 | 113 | 46 |
2024 | 9 | 55 | 101 | 41 |
2024 | 10 | 69 | 117 | 47 |
2024 | 11 | 78 | 148 | 49 |
2024 | 12 | 65 | 148 | 48 |
2025 | 1 | 66 | 97 | 51 |
2025 | 2 | 55 | 79 | 11 |
2025 | 3 | 19 | 78 | 3 |
2025 | 4 | 14 | 19 | 9 |
2025 | 5 | 12 | 16 | 9 |
2025 | 6 | 9 | 10 | 8 |
2025 | 7 | 8 | 10 | 7 |
2025 | 8 | 8 | 9 | 8 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 169 | 598 |
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2025 | 7 | 115 | 629 |
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2025 | 6 | 97 | 563 |
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2025 | 5 | 112 | 489 |
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2025 | 4 | 123 | 597 |
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2025 | 3 | 209 | 599 |
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2025 | 2 | 68 | 555 |
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2025 | 1 | 60 | 572 |
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2024 | 12 | 247 | 620 |
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2024 | 11 | 123 | 489 |
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2024 | 10 | 339 | 698 |
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2024 | 9 | 217 | 546 |
Year | Month | High | Avg |
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2024 | 8 | 337 | 579 |
> One of the finest movie about the raids on cartel gangs. This was really a great film. Fighting against the drug trafficking was the theme. The story of an FBI agent who was recruited to work in an elite force that no one knows its existence. Their's aim is to tackle the main source, instead to ... deal with its lower order. Something that impossible to do without international cooperation. Every raid is done in secretively, sometime if required at any cost in whatever effort to stop it. Like I said, this was an awesome movie, and good to see it after the documentary like 'Cartel Land'. The story is kind of hard to detail it out, because it was more an action movie than the talking. How a special force unit goes after the bad guys and stops them is the main plot. But the characters were so distinctive, every main roles had their own agenda for what they are doing and that's how the narration dominated with the high standards. The cast who played them were simply outstanding, including that starts with Emily Blunt, who is someone looks changed the attitude to play physically challenging roles after 'Edge of Tomorrow'. And then Josh Brolin and another one, an upcoming young British actor who I really don't know, but Benicio Del Toro was actually the show stealer. His part was unexpectedly great, totally raw and aggressive. Especially the his end scene, no one could have guessed it, but that's how the way it is. No doubt any top actors would have denied to perform that, anyway well shot with minimum violence, but the intention was very clear as fighting against the dark forces to cut off the head first. One of the best movie of the year, so definitely recommended if you're interested. 8½/10
An stereotypical plot with, somehow, some interesting addition. The plot is not superb but the script is really good, Del Toro makes a good performance and, as alway, a great pleasure to watch any movie with Emily Blunt on it. Great performance. The directing is also really good and the soundt ... rack is remarkable, creating quite an atmosphere. Finally, the action scenes are very well done, with a sense of contempt. No fireworks here, just something that can be the closest to reality.
'Sicario' was a really good action film. The acting all around was very good (in particularly Emily Blunt). The set pieces were very well made. ★★★½ ...
Not since the opening farmhouse scene from _Inglourious Barsteds_ have I seen such masterful control of palpable tension. _Final rating: ★★★½ - I strongly recommend you make the time._ ...
Still a fantastic crime suspense-thriller featuring great performances but one better than Benicio Del Toro who should have gotten an Oscar nomination for that role, not to mention the direction from Denis Villeneuve. As always Roger Deakins's cinematography was brilliant. **4.75/5** ...
**A good kind of mystery** A security operation through which a large number of corpses are explored reveals that there is a cartel war rising on the horizon, but in a hidden way, and ends with the formation of a team to eliminate the cartel in Mexico and target the big heads. The film focuses ... on the points of view of 3 people in the direction of the case, the first is Kate, a beginner who follows the laws strictly and considers that the mission is a moral responsibility, the second is Alejandro as Benicio Del Toro, who is experienced with mysterious intentions, and the third is Silvio (asiliano Maxim Hernandez), the Mexican policeman on his mission own. All of these personalities have their own side, who pulls the other into his world, and who is the correct point of view among them. The film focuses on questions and personalities, not events, in order to reach the Mexican cartel. Each character has a special direction to reach the goal, and this makes their opposing ideas cause a sharp collision between order and chaos, and between formulas that allow bad action and the fine line between good and evil. The film's opposing characters gave the film a mystery and made us wonder what exactly is happening and why it is implemented in this way. Then we quickly get to know the characters, but they are opposite through their actions and reactions. With these details, the director and writer were able to communicate their point of view to the viewer, and it was three things: how and when does information reach the viewer How do they hide this information, how do they benefit from this concealment, and finally how is tension built. Are Kate right or Matt and Alejandro right? Those who made Kate a marginalized role, so why did they choose her from the beginning until she abused her reactions, as if they were deliberately provoking her? We see the words of Matt and Alejandro and their side conversations, as well as their planning and movements with the mission and Kate, and we do not know what is happening, but when the information reached us, it reached us without value, as if they were taking advantage of Kate's ignorance and her presence for goals, but she is in the first place These targets are unknown. These vague goals are considered a problem in the subtraction, because when the viewer is not aware of what is happening, the matter becomes blurry and the events are considered vague, but Kate, since she is the character, has the same problem as the viewer, so she became a source of strength and is the basis of the course of the movie. It was wonderful when you see a mystery of this kind.
Great cast performances! <em>'Sicario'</em> has a lot going in its favour, for example the cinematography and the sound design, but it is those onscreen that elevate this release up for me. Emily Blunt is excellent, Josh Brolin is very good himself. Benicio del Toro is, though, the strongest perf ... ormer in my opinion, I thoroughly enjoyed watching him portray Alejandro. Elsewhere, neat to have Jon Bernthal involved, Daniel Kaluuya too. I will say that the film didn't totally enthrall me as much as I was anticipating/hoping it would, but that's not to take away from the fact that this is an entertaining movie and one that is definitely worth a watch. Looking forward to seeing what the sequels hold.
When a domestic mission goes quite spectacularly, if quite innovatively, wrong the enthusiastic but somewhat naive FBI agent "Kate" (Emily Blunt) is offered a chance to sign up for a team that's going to avenge things. It's to be run by "Graver" (Josh Brolin) and feature the strong, silent and enigm ... atic type that is "Alejandro" (Benicio Del Toro). She doesn't much like the look of him, indeed she finds the whole operation a bit dodgy but off to El Paso they go to try to stop the war against the increasingly well armed and successful drug cartels. Their objective is not to tinker with the mechanics of these operations, but to identify the kingpins and remove them from the board. What she (and we) soon realise is that this is one of those missions far more clandestine than it is lawful. Plenty of rules are stretched, ignored or just downright broken as their team must fight with the weapons of the enemy if they are to have any chance of tracking down their primary target - "Manuel Díaz" (Bernardo Saracino). What she also comes to realise quite quickly is that she is not fully briefed, indeed she is being drip fed information in a fashion that frequently drives her to want to throw in the towel. She prevails, though, and as the plot unravels we are all exposed to a ruthless, efficient and internecine network that is easily a match for it's theoretically better armed and informed pursuers. It's also at this stage that we appreciate that "Alejandro" does have his own agenda, and woe betides anyone who gets between him and his self-appointed task. Though Brolin is really neither here nor there here, this features a strong effort from Blunt as "Kate" comes to terms with some fairly profound challenges to her morals and principles. Del Toro doesn't have too much to say, but again he delivers well in his usual less-is-more style. Little dialogue just a menacing style of characterisation that you just know is only on her side until, well, he might not be. It hits the ground running and takes care to establish characters that are plausible, if not especially likeable, whilst showing us what might be as true an assessment of the war for control of the billion dollar narcotics industry as we'll have seen on a big screen.
Sicario is a slow-burning, intense thriller that delivers on tension but falls a bit short when it comes to depth. The story follows an idealistic FBI agent thrown into the brutal world of cartel warfare, where the lines between right and wrong blur fast. The setup is great, and the film builds tens ... ion well, but the lack of depth in the cartel, who are the driving force behind the protagonist’s struggles, makes it hard to fully invest in the stakes. While some might appreciate the detached, shadowy approach to the villains, it left me feeling disconnected from the mission itself. Denis Villeneuve’s direction is top-notch, making every scene feel deliberate and atmospheric. The cinematography, led by Roger Deakins, is absolutely stunning, using light, shadow, and vast landscapes to create a haunting visual experience. The action sequences are raw and realistic, with a standout border crossing scene that might be one of the best in modern thrillers. The script, while solid in terms of structure, doesn’t fully flesh out the antagonists, making the conflict feel one-sided. The performances carry the film, with Emily Blunt doing a great job portraying a character out of her depth, even if her arc feels frustrating at times. Benicio del Toro is the real standout, bringing a cold, quiet intensity that dominates every scene he’s in. Josh Brolin nails his role as the laid-back but ruthless government operative, adding just the right amount of charisma. The score, composed by Jóhann Jóhannsson, is heavy and ominous, perfectly complementing the film’s mood. Overall, Sicario is technically brilliant, but its lack of depth in key areas holds it back from being truly great, for me, at least.