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Night Editor Poster

Night Editor

In the middle of a kiss...Murder!
1946 | 68m | English

(1179 votes)

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Popularity: 1 (history)

Details

A daily news editor recalls a married detective and the deadly woman behind his downfall.
Release Date: Mar 29, 1946
Director: Henry Levin
Writer: Scott Littleton, Harold Jacob Smith
Genres: Drama, Crime
Keywords film noir, dirty cop, reporter
Production Companies Columbia Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024 (Update)
Entered: Apr 21, 2024
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Full Credits

Name Character
William Gargan Tony Cochrane
Janis Carter Jill Merrill
Jeff Donnell Martha Cochrane
Coulter Irwin Johnny
Charles D. Brown Crane Stewart
Paul E. Burns Ole Strom
Harry Shannon Capt. Lawrence
Frank Wilcox Douglas Loring
Robert Kellard 'Doc' Cochrane (as Robert Stevens)
Roy Gordon Benjamin Merrill (Uncredited)
Anthony Caruso Tusco (Uncredited)
Harry Tyler Bartender (Uncredited)
Johnny Calkins Boy (Uncredited)
Eddy Chandler Dickstein (Uncredited)
Michael Chapin Doc as a Boy (Uncredited)
Frank Dae Butler (Uncredited)
Jack Davis District Attorney Bill Halloran (Uncredited)
Vernon Dent Fat Man in Library (Uncredited)
Jack Frack Reporter (Uncredited)
Betty Hill Elaine Blanchard (Uncredited)
William Kahn Newsboy (Uncredited)
Edward Keane Police Chief Burns (Uncredited)
Robert Emmett Keane Max (Uncredited)
Donald Kerr Reporter (Uncredited)
Murray Leonard Proprietor (Uncredited)
Jimmy Lloyd Clerk (Uncredited)
Lou Lubin Necktie (Uncredited)
Cy Malis Man (Uncredited)
Herman Marks Man (Uncredited)
Charles Marsh Swanson (Uncredited)
Frank McLure Man (Uncredited)
Frank O'Connor Detective Andy (Uncredited)
Joe Palma Newsboy (Uncredited)
Ronnie Ralph Small Boy (Uncredited)
Wally Rose Photographer (Uncredited)
Larry Steers Mr. Graham, Bank Executive (Uncredited)
John Tyrrell Street Sweeper Driver (Uncredited)
Emmett Vogan J.M. Moppes, Coroner (Uncredited)
Charles Wagenheim Phillips (Uncredited)
Douglas Wood Bank Manager (Uncredited)
Name Job
Henry Levin Director
Scott Littleton Story
Burnett Guffey Director of Photography
Harold Jacob Smith Screenplay
Hal Burdick Radio Play
Richard Fantl Editor
Mario Castelnuovo-Tedesco Original Music Composer
Philip Tannura Director of Photography
Robert Peterson Art Direction
James Crowe Set Decoration
Ivan Volkman Assistant Director
Lambert E. Day Sound
Russell Malmgren Sound Re-Recording Mixer
Gert Andersen Additional Camera
Ned Scott Still Photographer
Mischa Bakaleinikoff Music Director
Edwin Wetzel Music
Vera Mikol Researcher
Name Title
Ted Richmond Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 10 1
2024 5 7 12 3
2024 6 5 17 1
2024 7 4 8 2
2024 8 4 11 2
2024 9 3 6 1
2024 10 3 10 1
2024 11 2 7 1
2024 12 2 4 1
2025 1 3 7 1
2025 2 2 3 1
2025 3 1 2 1
2025 4 1 2 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 3 0
2025 9 2 3 1

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Reviews

John Chard
7.0

You are worse than blood poisoning! Night Editor is directed by Henry Levin and adapted to screenplay by Hal Smith from the radio program of the same name - by Hal Burdick - and the short story, Inside Story, written by Scott Littleton. It stars William Gargan, Janis Carter, Jeff Donnell, Coulter ... Irwin and Charles D. Brown. Cinematography is by Burnett Guffey and Philip Tannura, and music is credited to Mischa Bakaleinikoff, though it's believed that Mario Castelnuovo-Tedesco did the work. "You are just no good for me. We both add up to zero" A raging "B" pic out of Columbia? Absolutely! This is something of a film noir lovers delight. There is no getting away from the fact it has one of those endings that has proved to be divisive, so how it stacks up for first time viewers now may make or break your opinion of it... Story finds copper Tony Cochrane (Gargan) having a love affair with viper like Jill Merrill (Carter), this in spite of the fact he has a gorgeous loving wife and a son who worships him. During one of the illicit couple's love trysts they witness a violent murder, and fearing scandal Cochrane fails to uphold the law. From such decisions does life often spiral out of control... Okies. So we got hot and sweaty scenes, flashbacks, wet streets lit by lamps, alleyways, barely lighted rooms - particularly the station offices - symbolic and metaphorical sequences (oh my those crashing waves), but it's the barbed dialogue, the blend of sex and violence, and a femme fatale of considerable greatness, that ultimately makes this soar. Personally I hate the ending, but as stated before, I do know noir lovers who find it cheeky and enjoyable. Yet even with my irritation at the finale - and of Carter's hair style (which pushes Phyllis Dietrichson for most unflattering look), there's just so much good here for noir lovers not to enjoy greatly. 7.5/10

May 16, 2024