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Force of Evil Poster

Force of Evil

Sensational Story Of a Numbers King Whose Number Was Up!
1950 | 79m | English

(8167 votes)

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Popularity: 1 (history)

Details

Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.
Release Date: Aug 24, 1950
Director: Abraham Polonsky
Writer: Abraham Polonsky, Ira Wolfert
Genres: Drama, Crime
Keywords gangster, numbers racket, film noir, brother brother relationship, new york city, lawyer
Production Companies Metro-Goldwyn-Mayer, Enterprise Productions, Roberts Pictures Inc.
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 02, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
John Garfield Joe Morse
Thomas Gomez Leo Morse
Marie Windsor Edna Tucker
Howland Chamberlain Freddie Bauer
Roy Roberts Ben Tucker
Paul Fix Bill Ficco
Stanley Prager Wally
Barry Kelley Detective Egan
Paul McVey Hobe Wheelock
Beatrice Pearson Doris Lowry
Arthur O'Connell Link Hall (uncredited)
Georgia Backus Sylvia Morse (uncredited)
Margaret Bert Sorter (uncredited)
Estelle Etterre Secretary #4 (uncredited)
Sherry Hall Sorter (uncredited)
Paul Frees Elevator operator
Jack Overman Juice (uncredited)
Tim Ryan Johnson
Barbara Wooddell Mary (uncredited)
Raymond Largay Bunte (uncredited)
Beau Bridges Frankie Tucker (uncredited)
Allen Mathews Badgley (uncredited)
Georgia Backus Mrs. Sylvia Morse (uncredited)
Sid Tomack Two and Two (uncredited)
Bert Hanlon Cigar man (uncredited)
Bill Neff Law clerk (uncredited)
Eileen Coghlan Secretary (uncredited)
Dick Gordon Attorney (uncredited)
Name Job
Abraham Polonsky Screenplay, Director
Ira Wolfert Screenplay
David Raksin Music
George Barnes Director of Photography
Jack Baur Casting
Art Seid Editor
Richard Day Art Direction
Frank Webster Sound Engineer
Edward G. Boyle Set Decoration
Lillian Lashin Hairstylist
Gustaf Norin Makeup Supervisor
Rudolph Polk Music Director
Robert Aldrich Assistant Director
Name Title
Bob Roberts Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 24 9
2024 5 19 31 13
2024 6 12 19 6
2024 7 11 22 6
2024 8 11 25 7
2024 9 7 12 4
2024 10 10 15 6
2024 11 8 13 4
2024 12 8 13 5
2025 1 7 12 6
2025 2 6 8 3
2025 3 4 7 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 1 0

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Reviews

John Chard
8.0

Black sheep like to make everybody else look black. Force of Evil is directed by Abraham Polonsky, who also adapts the screenplay from the Ira Wolfert novel Tucker's People. It stars John Garfield, Thomas Gomez, Beatrice Pearson, Marie Windsor, Howard Chamberlain and Roy Roberts. Music is by Dav ... id Raksin and cinematography by George Barnes. Plot finds Garfield as lawyer Joe Morse, who works for powerful gangster Ben Tucker (Roberts). Tucker has a plan to control all of the numbers rackets in New York, something that with the fix on the numbers up and coming for the 4th July, will see all of the smaller number rackets go bust. This is a problem for Morse because his big brother Leo (Gomez), is one such operator, an honest good guy who did everything he could to ensure that Joe had a proper start in life. It has come to be regarded as an influential and important movie in the film noir pantheon. Big critics, big film makers and film noir aficionados, all have queued up to salute Polonsky's film. If it's worthy of such elegant praise will always be debatable, but film does have a uniqueness about it, using stylised dialogue passages and in opening up a corrupt and socially bankrupt can of worms for the cinema loving world, Polonsky has crafted a thematically potent 1940's crime picture. The exchanges between Garfield and love interest Pearson, have an almost poetic flow to them, this in a film that for most of its running time shows that badness can not be beaten, or at best that it can't be railed against or broken away from so easily. While the biblical tones, both allusions and allegorically speaking, also give the picture some added power. Though mostly talky in the main, it does burst into shocking violence for its final quarter, with a finale that contains distress segueing into the possibility of spiritual regeneration…or maybe that, too, will prove futile? Added to the biting narrative are great cast performances and evocative music scoring, and with skilled location photography adding authenticity, it's not hard to see why it has come to be so revered. Not as bleak as the title suggests, and veering a bit close to being too arty for its own good sometimes, but still a fine experience and it rewards more on further viewings. 8/10

May 16, 2024