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Taken 3 Poster

Taken 3

It ends here
2014 | 109m | English

(212093 votes)

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Popularity: 12 (history)

Details

Ex-government operative Bryan Mills finds his life is shattered when he's falsely accused of a murder that hits close to home. As he's pursued by a savvy police inspector, Mills employs his particular set of skills to track the real killer and exact his unique brand of justice.
Release Date: Dec 16, 2014
Director: Olivier Megaton
Writer: Robert Mark Kamen, Luc Besson
Genres: Action, Thriller
Keywords california, escape, funeral, gas station, detective, bodyguard, suspicion of murder, golf, penthouse apartment, morgue, car crash, sequel, confusion, murder, fugitive, on the run, shootout, police chase, explosion, foot chase, anger, group of friends, death of mother, surveillance camera, murder investigation, failing marriage, ex-husband ex-wife relationship, police surveillance, wanted man, police inspector, framed for murder, protective father, gps, money problems, elevator, prime suspect, college student, rich husband, ex special forces, ex-cia agent, unhappy marriage, unplanned pregnancy, spetsnaz, secret hideout, innocent suspect, lost money, father daughter relationship, army veteran, associates, secret investigation, homicide investigation, russian, deep sadness, enemy, evasion, mystery, tense, honorable, stepfather stepdaughter relationship, death of ex, spy tech, outsmart, special skills, owe money to criminals
Production Companies 20th Century Fox, M6 Films, EuropaCorp, TSG Entertainment, Meñakoz Films
Box Office Revenue: $325,800,000
Budget: $48,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Liam Neeson Bryan Mills
Forest Whitaker Inspector Frank Dotzler
Maggie Grace Kim Mills
Dougray Scott Stuart St. John
Famke Janssen Lenore St. John
Sam Spruell Oleg Malankov
Don Harvey Garcia
Dylan Bruno Smith
Leland Orser Sam Gilroy
David Warshofsky Bernie Harris
Jon Gries Mark Casey
Andrew Howard Maxim
Jonny Weston Jimy
Andrew Borba Clarence
Judi Beecher Claire
Cedric Cirotteau Maxim Partner #1
Catherine Dyer NSA Woman
Jimmy Palumbo Cop Brooks
Robert Pralgo Cop Crime Scene #1
Tony Williams Cop Crime Scene #2
Al Vicente Cop Crime Scene #3
Alexander Wraith Cop Utility Room
Shelley Calene-Black Cop Debriefing Room
Adam J. Smith Cop Technician Surveillance Van
Jimmy Gonzales Cop Lenore House #1
David Clark Cop Malankov Garage #1
Michael Shikany Clerk Convenience Store
Robert Bryan Davis Clerk Gas Station
Nazareth Dairian Clerk Toy Store
Tony DeMil Impound Technician
Stefanie Kleine Waitress Rancho Cafe
Johnny Harvill Customer Rancho Cafe
Angie Dillard Waitress Restaurant
Wallace Langham Mike
Franck Neel Stuart Bodyguard #2
Cédric Chevalme Malankov Guard Elevator Garage #1
Anton Yakovlev Malankov Guard Security Station #1
Ellen Ho USC Girl #1
Haley Craft USC Girl #2
Stephanie Honoré USC Girl #3
Steve Coulter USC Professor
Mike Davies Pilot Private Jet
Jonathan Waite Co-Pilot Private Jet
Lauren Sivan Reporter Crime Scene
Cornelius Peter Pastor Lenore Funeral
Kevin Fry-Bowers Bodyguard Many
Katie Mary Garland Bagel Clerk
Al Sapienza Johnson
Chad Donella Phillips
Pete Thias Malankov Guard Elevator Garage #2
Cedric Camus Malankov Guard Security Station #2
Karim Ben Haddou Malankov Guard Elevator Penthouse #1
Vincent Parisi Malankov Guard Elevator Penthouse #2
Scott Thrun Malankov Guard Elevator Penthouse #3
Laurent Desponds Malankov Building Security
Amanda Nima Waitress #2
Alex Disdier Steward Gulfstream
Martin Vaughan Lewis Controller Airport
Abbey Ferrell Kim's Friend (uncredited)
Ashante P.T. Stokes Detective (uncredited)
Name Job
Nicolas Migot Assistant Art Director
Richard Burden Stunts
Allan Graf Stunts
Annie Ellis Stunts, Utility Stunts
Tammie Baird Stunts
Danya Bateman Stunts
Brian Machleit Stunts
Marque Ohmes Stunts
Pete Turner Stunts
Craig Johnson Stunts
T. Ryan Mooney Stunts
Jessica Harbeck Stunt Double, Stunts
Mark Vanselow Stunt Coordinator
Olivier Megaton Director
Eric Kress Director of Photography
Nathaniel Méchaly Original Music Composer
John Papsidera Casting
Laurent Demianoff Stunt Coordinator
Ludovic Bernard First Assistant Director
Rodolphe Chabrier Visual Effects Producer
Alain Figlarz Fight Choreographer
Frédéric North Pilot
Alan D. Purwin Pilot
Pierre-François Créancier Casting Associate
Stephen Conroy Stunts
Robert Mark Kamen Characters, Screenplay
Antoine du Merle Assistant Unit Manager
Shauna Duggins Stunt Double, Stunts
Tim Gilbert Stunts
Olivier Bériot Costume Designer
Stéphane Bucher Sound
Vladimir Houbart Stunts
Jean-Benoit Guillon Stunts
Christophe Roblin Stunts
Oumar Diaoure Stunts
Vincent Gatinaud Stunts
Ibrahima Keita Stunts
Sebastien Vandenberghe Stunts
Cuco Usín Stunts
Dacio Caballero Stunts
John Medalin Stunts
Larry Rippenkroeger Stunts
Steve M. Davison Stunts
Doug Coleman Stunts
Jeremy Fry Stunts
Troy Faruk Stunts
Scott Wilder Stunts
Carl Ciarfalio Stunts
Tim A. Davison Stunts
Eliza Coleman Stunts
Bobby Jordan Stunts
Marcelle Coletti Stunts
Nick DeKay Stunts
Lonnie R. Smith Jr. Stunts
Mickey Giacomazzi Stunts
Philip J. Silvera Stunts
Manny Perry Stunts
Danny Wynands Stunts
John Casino Stunts
Frédéric Alhinho Stunts
Jérôme Gaspard Stunts
Ken Clark Stunts
Clay Cullen Stunts
Audrey Simonaud Editor
Nicolas Trembasiewicz Editor
Sébastien Inizan Production Design
Nanci Roberts Art Direction
Bill Myer Makeup Artist
Lauren Lebow Art Department Coordinator
Walt Mikolwski Construction Coordinator
Bob Moore Jr. Set Costumer
Gary Duncan Picture Car Coordinator
Frédérique Arguello Hairstylist
Anne Gibourg Dialogue Editor
Lorenzo Donati Steadicam Operator
Linda Lindsay Edwards Set Costumer
Todd Kleitsch Makeup Artist
Lorie Arms Property Master
Brenda Salivia Set Costumer
Myke Michaels Makeup Department Head
Frédéric Dubois Sound, Supervising Sound Editor
Chloé Rudolf Script Supervisor
Stéphane Robert Makeup Artist
Tristan Girault Property Master
Elia P. Popov Special Effects Coordinator
Carl Bartels Camera Operator
Tarina Van Den Driessche Camera Operator
Lori Stilson Costume Supervisor
Patricia McAlhany Glasser Hairstylist
Daniel C. McFadden Still Photographer
Peri Richards Set Costumer
Akrivi Fili First Assistant Editor
Jessica Ann Grit Art Department Coordinator
Mohan Valmy Gaffer
Devon Lombardi Art Department Coordinator
Dean Humphreys Sound Re-Recording Mixer, Sound
Jean-Louis Autret Visual Effects Supervisor
Marco Graziaplena Additional Photography
David Menke Music Editor
John A. Brubaker Transportation Coordinator
Brian McManus Makeup Artist
Dustin Fletcher Set Costumer
Barbara Dally Hairstylist
Katia Boutin ADR & Dubbing
Terri De Haan Costume Supervisor
Scott Wheeler Makeup Artist
Clémence Stoloff ADR & Dubbing
Simon Descamps Visual Effects Producer
Sam Urdank Still Photographer
Dominique Moisan Assistant Art Director
Duke Tomasick Construction Coordinator
Dennis McCarthy Picture Car Coordinator
Julie Mons Assistant Art Director
Roger Arpajou Still Photographer
Kim Rollins Dometrovich Set Costumer
Martinus Van Lunen Construction Coordinator
Diane H. Newman Script Supervisor
Nina Paskowitz Hairstylist
Sophie Chatin First Assistant Editor
Miracole Burns Key Costumer
Christophe Maratier Armorer
Capucine Courau Sound Effects Editor
Pierrot Colonna Camera Operator
Natasha Hatch Art Direction
Stéphane Linet Armorer
Yoann Copinet VFX Editor
Heather Neeld Production Coordinator
Jennifer Giragos Makeup Artist
Ketty Gonzalez Hairstylist
Chris Napolitano Chief Lighting Technician
Julien Champroux VFX Editor
Luc Poullain Pilot
Jérémy Babinet Foley Editor
Louise Parker Production Coordinator
Linda Spheeris Set Decoration
Keith Mentze Dolly Grip
James Swanson Aerial Director of Photography
Marylin Fitoussi Wardrobe Supervisor
Pierre O' Halloran Camera Operator
German Valle Best Boy Electric
Christophe Couzon Art Direction
Jérôme Rabu Boom Operator
Robert Bullock Jr. Propmaker
Robin Citrin Location Manager
Kai Thorup Location Manager
Guillaume Battistelli Sound Editor
Mathieu Poudevigne Electrician
Deanna Brigidi Casting Associate
Benjamin Tessier Electrician
Vincent Le Borgne Electrician
Jerardo Gomez Electrician
Jean-Philippe Labille Electrician
Joel Kirton Electrician
Lucas Schwartz Electrician
Karelle Ciana Assistant Unit Manager
Lidia Martínez Arnaiz Production Assistant
Trent Dempsey Second Assistant Director
Frank R. Gardner Unit Production Manager
Jason Pinardo Production Supervisor
Jérémy Fernandez Assistant Unit Manager
Marie Rolindes Second Assistant Director
Henri Deneubourg Production Manager
Carlos Ruiz Boceta Unit Production Manager
Cristina Freitas Third Assistant Director
Sarah Bonnet Assistant Unit Manager
Matt McKinnon Second Second Assistant Director
Sandie Louit Assistant Director
Pierre Accolas Assistant Unit Manager
Winter Goury du Roslan Third Assistant Director
Louise Albon Assistant Script
Kevin Frilet Second Assistant Director
Bri Hervey Second Second Assistant Director
Jean-Marc Gullino Unit Manager
Jason Pomerantz Production Director
Guillaume Parent Post Production Supervisor
David Julienne Stunts
Christian Bergner Stunts
Marc Bizet Stunts
Sébastien Labie Stunts
Yassin Draa Stunts
Lyne Doffagne Stunts
Boris Martinez Stunts
Harry Wowchuk Stunts
Merritt Yohnka Stunts
Tom Erickson Stunts
Webster Whinery Stunts
Juan Diego Montoya Stunts
James M. Halty Stunts
Donny Bailey Stunts
Terry Jackson Stunts
Greg Beickman Stunts
Malki Attar Stunts
Florian Beaumont Stunts
Christophe Dupuis Stunts
Franck Merenda Stunts
Ilya Nikitenko Stunts
Stéphane Orsolani Stunts
Brandy Rodríguez Stunts
César Solar Stunts
Jesus Lopez Stunts
Brian Collins Stunts
Kofi Elam Stunts
Loren Dennis Stunts
Jim Wilkey Stunts
Aren Farrington Stunts
Scott Loeser Stunts
Michaël Mandaville Line Producer
Luc Besson Characters, Screenplay
Stanton Barrett Stunts
Name Title
Fernando Victoria de Lecea Executive Producer
Luc Besson Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 105 157 78
2024 5 126 189 84
2024 6 116 174 93
2024 7 121 207 77
2024 8 104 175 68
2024 9 82 140 57
2024 10 126 307 63
2024 11 131 268 69
2024 12 97 142 70
2025 1 104 164 76
2025 2 68 103 14
2025 3 22 79 5
2025 4 11 13 9
2025 5 11 12 9
2025 6 10 11 8
2025 7 11 16 8
2025 8 11 13 10
2025 9 12 14 10

Trending Position


Year Month High Avg
2025 8 568 790
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2025 7 398 630
Year Month High Avg
2025 6 360 634
Year Month High Avg
2025 5 319 782
Year Month High Avg
2025 4 820 881
Year Month High Avg
2025 3 272 692
Year Month High Avg
2025 2 762 887
Year Month High Avg
2025 1 398 696
Year Month High Avg
2024 12 679 729
Year Month High Avg
2024 11 857 901
Year Month High Avg
2024 10 806 806
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2024 9 900 900
Year Month High Avg
2024 8 801 844

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Reviews

Rangan
7.0

> Independently a fine movie rather being associated with TAKEN. Actually, it was not a bad movie, I really enjoyed it. But associated with 'Taken' and being the third film in the series was the setback. Because unlike the first two films, this one was somewhat detached from the original theme. E ... xcept the cast from the previous two, the story takes place in a completely different platform. From all the three films, the phone call between father and daughter was retained, but was not effective as the first one which became just a trademark of the series, that's all. The first half creates the puzzle and next half solves it. As expected, it was a typical structure in this trilogy, but the last quarter was turned into something like 'Mission Impossible'. In 'Taken' films, Bryan Mills (our lead guy) works alone, but he formed a team with a tech guy and others. That does not sound good, at least tried to be different from the original movie. It is a little disappointment for 'Taken' fans, but you will have a best shot if you see it as an independent one off movie. Yes could have made a better action flick if it was not linked to it. Hope it all ends here like they have said. As a trilogy, it failed, or maybe we can call it a 50-50. But the first one was a masterpiece, a trendsetting piece. 6.5/10

May 16, 2024
Frank Ochieng
N/A

The rugged and feisty Liam Neeson (as on-screen alter ego ex-CIA operative Bryan Mills) is back in fighting form for a third and supposedly final go-around in ‘Taken 3′. This tired and tepid action-packed crime thriller is directed by French filmmaker Olivier Megaton (‘Taken 2’, ‘Transporter 3’) wit ... h screenwriting credits attributed to ‘Taken’ producer Luc Besson and Robert Mark Kamen. Clearly Neeson and company want to squeeze the remaining strained juices out of the ‘Taken’ film franchise as this movie series trilogy ends on an exhausting whimper. Uninspired, toothless and motoring on empty impishness, ‘Taken 3′ has run its kinetic course for the aging Neeson to aim, shoot and take down some serious repetitive butt-kicking numbers. After the last two energizing installments where flashy foreign locales were a major part of the appealing ‘Taken’ universe, ‘Taken 3′ is reduced to unraveling in the uneventful backyard of familiar Los Angeles that definitely lacks the exotic excitement and visual vitality that were previously showcased in posh landscapes such as Paris and Istanbul. In fact, star Neeson reportedly nixed the idea to partake in the ‘Taken 3′ production if there was another concept of kidnapping involved. Huh? Why avoid the element of kidnapping when in fact it was the soundly running gimmick that made the ‘Taken’ experience palpable and pulsating? Still, this is the least of ‘Taken 3’s bothersome problems as the movie delves in the manufactured mockery involving cliched car chases, sketchy gunplay and the inclusion of countless Russian mobsters parading about in obligatory fashion. Importantly, even Neeson seems quite disengaged as his robotic Bryan Mills goes through the motions trying to find some upside in the forced upbeat shenanigans that seem to trudge along scene after scene. The very first outing in ‘Taken’ took audiences by surprised as it featured a matured Neeson as an avenging former CIA human weapon Mills committed to his fatherly duties in manhandling the Albanian human traffickers that dared to abscond his teen daughter Kim (Maggie Grace). In ‘Taken 2′, the hostile adversaries want Mills’s head on a platter after he tore up their territory in his crusade to rescue his precious offspring from the opportunistic ruffians. Now Mills finds his neck on the line in the connection with his ex-wife Lenore’s (Famke Janssen) brutal murder. Look out LA…the harried Bryan Mills is out in survival mode. The question remains: whose blood will be spilled in the process? Prior to Lenore’s senseless demise, she had visited her ex-hubby Bryan and the feelings between the former spouses are still strong. Mills still carries an emotional torch for Lenore but he cannot act upon his affections for her. Poor Lenore is trapped in her current unhappy marriage with an insufferable moneybags misfit Stuart St. John (Dougray Scott). In the aftermath of Lenore’s death, the distraught and beleaguered Mills finds out the trouble that he is embroiled in so convincingly. As a result of his former lover’s slaughtering Bryan Mills is reeling with outrage. Yes, folks, it appears that Mills is on the run and must prove his innocence and bring to the forefront the murderers that butchered Lenore. Mills has on his mind the need to protect his exposed college-aged daughter Kim from potential harm as well. In the meanwhile, the LAPD lead investigator in Franck Doltzer (Oscar winner Forest Whitaker, ‘The King Of Scotland’) must track down the defiant Mills and make some sense out of the Lenore Mills St. John slaying. Mills proves to be elusive and crafty as usual while leaving behind his trademark trashing of battered bodies and bouncing bullets in the chaotic southern California streets. Seemingly, the catchy novelty act of a hulking middle-aged Neeson exploding at the seams in action-oriented fashion resonated with glorious forethought. After all, ‘Taken’ single-handily resurrected Neeson’s box office cred and made him a cinematic hipster to the young folks and his aged contemporaries alike. However, the third time is not the charm in revisiting the gun-toting ‘grandpa’. Sadly, ‘Taken 3′ is mindlessly played out as Neeson’s Mills or the handlers behind this hollow hedonistic actioner have dipped their toes in an empty well of ideas to conclude this three-part crime caper. Let’s face facts…we all were ‘Taken’ in by this pseudo punchy action yarn that no longer generates the destructive heat it once punctuated with carefree confidence. Taken 3 (2015) 29th Century Fox 1 hr. 49 mins. Starring: Liam Neeson, Forest Whitaker, Famke Jannssen, Maggie Grace and Dougray Scott Directed by: Olivier Megaton Rated: PG-13 Genre: Action and Adventure/Crime thriller/Mystery and Suspense Critic’s rating: ** stars (out of four stars)

May 16, 2024
Dark Jedi
6.0

I was looking forward to this movie and I have to say that I was a wee bit disappointed. It is a decent enough action movie but the script leaves somewhat to be desired. A good chunk of the movie is quite good, actually it is very good, but there are some crucial scenes that, in my opinion, really d ... rags it down to a rather mediocre level. The plot is a fairly classical, not a very intelligent nor a very original, one. When trying to push the third sequel in a series Hollywood have a tendency to fall back on certain “trusted” elements. Like, make the hero haunted by the law and / or the government (no I do not consider the government to be the same as the law) or kill off some of the main (or at least likable) characters. In this movie they are doing both. I do not know why this always seems to be the standard solution because I certainly do not like it. Are the general movie going audience really falling for these, in my mind, cheap scripts? I guess they must be since this formula is repeated over and over again. Well, it is not for me to judge other peoples tastes and if I would have been a bean counter for the movie industry then it would really have been my duty to squeeze out as much money as possible regardless of whether I thought it would make a good movie or not, However, I am not. I am a consumer of movies and my personal opinion is that these plot elements are pretty cheap and not really to my liking. But then, that is just me. Anyway, the movie is not really bad. It is a decent enough action movie and, in general, I quite like the performance of Liam Neeson. He is the half-sad, silent and, most of all, ass-kicking hero that I like. He is pretty much what holds this movie together. Well, that was perhaps not entirely fair. Forrest Whitaker is doing a quite good job as well. Most of the other characters are mostly fillers. The main bad guy started off fairly good but he really never got the chance to shine and the ending scenes with the big confrontation was…well I would say pretty pathetic. This brings us to my man gripe with this movie. Up until this point Liam Neeson was really playing the big bad, and really skilled, killing machine. The way he, with the help of his friends, entered the bad guy’s stronghold was perhaps not very innovative (seen that, been there, and done that) but at least it was professional. After that however it turned into a bloody joke. Not only does our hero walk into a heavily defended stronghold carrying only a small pea shooter but every time he manages to liberate a decent weapon from the hopelessly incompetent bad guys he throws it away and, occasionally, picks up another pea shooter. What the f…? Then we have the fairly ridiculous big fight at the end where the bad guy runs around in his underwear. That was just embarrassing. Maybe I could have swallowed the underwear thing if it was not for the fact that Lieam Neeson suddenly lost all kind of professionalism. Apart from the pea shooter syndrome mentioned before he just gets himself wacked by this maniac until, in the last minute, he miraculously recovers and gets the upper hand. There were a few minor glimpses of intelligence in the whole scene but they were never really exploited. On the whole, if would say this was a fairly decent and enjoyable action movie but I was expecting more from it. If the last third of the movie would have matched the first two thirds then my rating would have been higher. Maybe Liam Neeson is not a big enough star, although I like him a lot, to pick his roles like he wants to but I would say that he should indeed be a bit more picky and read the scripts before signing on.

May 16, 2024
Ruuz
3.0

I can handle the 47 cuts and shakey cam poorly trying to hide the fact that Liam Neeson can't run. I can handle the inevitability of "More money means more explosions!" in franchises like these. I can even contort myself to handle the right-out-the-gate fridging of one of my favourite actresses that ... _Taken 3_ copped so much flak for. But what I cannot handle is how absolutely fucking dumb this movie gets in the second half. Every five minutes my roommate or I had to scream "WHAT!?" at the things that were happening on screen, and disparage the various idiotic and/or nonsense decisions that were being made. _Final rating:★½: - Boring/disappointing. Avoid where possible._

Jun 23, 2021