Popularity: 12 (history)
Director: | Olivier Megaton |
---|---|
Writer: | Robert Mark Kamen, Luc Besson |
Staring: |
Name | Character |
---|---|
Liam Neeson | Bryan Mills |
Forest Whitaker | Inspector Frank Dotzler |
Maggie Grace | Kim Mills |
Dougray Scott | Stuart St. John |
Famke Janssen | Lenore St. John |
Sam Spruell | Oleg Malankov |
Don Harvey | Garcia |
Dylan Bruno | Smith |
Leland Orser | Sam Gilroy |
David Warshofsky | Bernie Harris |
Jon Gries | Mark Casey |
Andrew Howard | Maxim |
Jonny Weston | Jimy |
Andrew Borba | Clarence |
Judi Beecher | Claire |
Cedric Cirotteau | Maxim Partner #1 |
Catherine Dyer | NSA Woman |
Jimmy Palumbo | Cop Brooks |
Robert Pralgo | Cop Crime Scene #1 |
Tony Williams | Cop Crime Scene #2 |
Al Vicente | Cop Crime Scene #3 |
Alexander Wraith | Cop Utility Room |
Shelley Calene-Black | Cop Debriefing Room |
Adam J. Smith | Cop Technician Surveillance Van |
Jimmy Gonzales | Cop Lenore House #1 |
David Clark | Cop Malankov Garage #1 |
Michael Shikany | Clerk Convenience Store |
Robert Bryan Davis | Clerk Gas Station |
Nazareth Dairian | Clerk Toy Store |
Tony DeMil | Impound Technician |
Stefanie Kleine | Waitress Rancho Cafe |
Johnny Harvill | Customer Rancho Cafe |
Angie Dillard | Waitress Restaurant |
Wallace Langham | Mike |
Franck Neel | Stuart Bodyguard #2 |
Cédric Chevalme | Malankov Guard Elevator Garage #1 |
Anton Yakovlev | Malankov Guard Security Station #1 |
Ellen Ho | USC Girl #1 |
Haley Craft | USC Girl #2 |
Stephanie Honoré | USC Girl #3 |
Steve Coulter | USC Professor |
Mike Davies | Pilot Private Jet |
Jonathan Waite | Co-Pilot Private Jet |
Lauren Sivan | Reporter Crime Scene |
Cornelius Peter | Pastor Lenore Funeral |
Kevin Fry-Bowers | Bodyguard Many |
Katie Mary Garland | Bagel Clerk |
Al Sapienza | Johnson |
Chad Donella | Phillips |
Pete Thias | Malankov Guard Elevator Garage #2 |
Cedric Camus | Malankov Guard Security Station #2 |
Karim Ben Haddou | Malankov Guard Elevator Penthouse #1 |
Vincent Parisi | Malankov Guard Elevator Penthouse #2 |
Scott Thrun | Malankov Guard Elevator Penthouse #3 |
Laurent Desponds | Malankov Building Security |
Amanda Nima | Waitress #2 |
Alex Disdier | Steward Gulfstream |
Martin Vaughan Lewis | Controller Airport |
Abbey Ferrell | Kim's Friend (uncredited) |
Ashante P.T. Stokes | Detective (uncredited) |
Name | Job |
---|---|
Nicolas Migot | Assistant Art Director |
Richard Burden | Stunts |
Allan Graf | Stunts |
Annie Ellis | Stunts, Utility Stunts |
Tammie Baird | Stunts |
Danya Bateman | Stunts |
Brian Machleit | Stunts |
Marque Ohmes | Stunts |
Pete Turner | Stunts |
Craig Johnson | Stunts |
T. Ryan Mooney | Stunts |
Jessica Harbeck | Stunt Double, Stunts |
Mark Vanselow | Stunt Coordinator |
Olivier Megaton | Director |
Eric Kress | Director of Photography |
Nathaniel Méchaly | Original Music Composer |
John Papsidera | Casting |
Laurent Demianoff | Stunt Coordinator |
Ludovic Bernard | First Assistant Director |
Rodolphe Chabrier | Visual Effects Producer |
Alain Figlarz | Fight Choreographer |
Frédéric North | Pilot |
Alan D. Purwin | Pilot |
Pierre-François Créancier | Casting Associate |
Stephen Conroy | Stunts |
Robert Mark Kamen | Characters, Screenplay |
Antoine du Merle | Assistant Unit Manager |
Shauna Duggins | Stunt Double, Stunts |
Tim Gilbert | Stunts |
Olivier Bériot | Costume Designer |
Stéphane Bucher | Sound |
Vladimir Houbart | Stunts |
Jean-Benoit Guillon | Stunts |
Christophe Roblin | Stunts |
Oumar Diaoure | Stunts |
Vincent Gatinaud | Stunts |
Ibrahima Keita | Stunts |
Sebastien Vandenberghe | Stunts |
Cuco Usín | Stunts |
Dacio Caballero | Stunts |
John Medalin | Stunts |
Larry Rippenkroeger | Stunts |
Steve M. Davison | Stunts |
Doug Coleman | Stunts |
Jeremy Fry | Stunts |
Troy Faruk | Stunts |
Scott Wilder | Stunts |
Carl Ciarfalio | Stunts |
Tim A. Davison | Stunts |
Eliza Coleman | Stunts |
Bobby Jordan | Stunts |
Marcelle Coletti | Stunts |
Nick DeKay | Stunts |
Lonnie R. Smith Jr. | Stunts |
Mickey Giacomazzi | Stunts |
Philip J. Silvera | Stunts |
Manny Perry | Stunts |
Danny Wynands | Stunts |
John Casino | Stunts |
Frédéric Alhinho | Stunts |
Jérôme Gaspard | Stunts |
Ken Clark | Stunts |
Clay Cullen | Stunts |
Audrey Simonaud | Editor |
Nicolas Trembasiewicz | Editor |
Sébastien Inizan | Production Design |
Nanci Roberts | Art Direction |
Bill Myer | Makeup Artist |
Lauren Lebow | Art Department Coordinator |
Walt Mikolwski | Construction Coordinator |
Bob Moore Jr. | Set Costumer |
Gary Duncan | Picture Car Coordinator |
Frédérique Arguello | Hairstylist |
Anne Gibourg | Dialogue Editor |
Lorenzo Donati | Steadicam Operator |
Linda Lindsay Edwards | Set Costumer |
Todd Kleitsch | Makeup Artist |
Lorie Arms | Property Master |
Brenda Salivia | Set Costumer |
Myke Michaels | Makeup Department Head |
Frédéric Dubois | Sound, Supervising Sound Editor |
Chloé Rudolf | Script Supervisor |
Stéphane Robert | Makeup Artist |
Tristan Girault | Property Master |
Elia P. Popov | Special Effects Coordinator |
Carl Bartels | Camera Operator |
Tarina Van Den Driessche | Camera Operator |
Lori Stilson | Costume Supervisor |
Patricia McAlhany Glasser | Hairstylist |
Daniel C. McFadden | Still Photographer |
Peri Richards | Set Costumer |
Akrivi Fili | First Assistant Editor |
Jessica Ann Grit | Art Department Coordinator |
Mohan Valmy | Gaffer |
Devon Lombardi | Art Department Coordinator |
Dean Humphreys | Sound Re-Recording Mixer, Sound |
Jean-Louis Autret | Visual Effects Supervisor |
Marco Graziaplena | Additional Photography |
David Menke | Music Editor |
John A. Brubaker | Transportation Coordinator |
Brian McManus | Makeup Artist |
Dustin Fletcher | Set Costumer |
Barbara Dally | Hairstylist |
Katia Boutin | ADR & Dubbing |
Terri De Haan | Costume Supervisor |
Scott Wheeler | Makeup Artist |
Clémence Stoloff | ADR & Dubbing |
Simon Descamps | Visual Effects Producer |
Sam Urdank | Still Photographer |
Dominique Moisan | Assistant Art Director |
Duke Tomasick | Construction Coordinator |
Dennis McCarthy | Picture Car Coordinator |
Julie Mons | Assistant Art Director |
Roger Arpajou | Still Photographer |
Kim Rollins Dometrovich | Set Costumer |
Martinus Van Lunen | Construction Coordinator |
Diane H. Newman | Script Supervisor |
Nina Paskowitz | Hairstylist |
Sophie Chatin | First Assistant Editor |
Miracole Burns | Key Costumer |
Christophe Maratier | Armorer |
Capucine Courau | Sound Effects Editor |
Pierrot Colonna | Camera Operator |
Natasha Hatch | Art Direction |
Stéphane Linet | Armorer |
Yoann Copinet | VFX Editor |
Heather Neeld | Production Coordinator |
Jennifer Giragos | Makeup Artist |
Ketty Gonzalez | Hairstylist |
Chris Napolitano | Chief Lighting Technician |
Julien Champroux | VFX Editor |
Luc Poullain | Pilot |
Jérémy Babinet | Foley Editor |
Louise Parker | Production Coordinator |
Linda Spheeris | Set Decoration |
Keith Mentze | Dolly Grip |
James Swanson | Aerial Director of Photography |
Marylin Fitoussi | Wardrobe Supervisor |
Pierre O' Halloran | Camera Operator |
German Valle | Best Boy Electric |
Christophe Couzon | Art Direction |
Jérôme Rabu | Boom Operator |
Robert Bullock Jr. | Propmaker |
Robin Citrin | Location Manager |
Kai Thorup | Location Manager |
Guillaume Battistelli | Sound Editor |
Mathieu Poudevigne | Electrician |
Deanna Brigidi | Casting Associate |
Benjamin Tessier | Electrician |
Vincent Le Borgne | Electrician |
Jerardo Gomez | Electrician |
Jean-Philippe Labille | Electrician |
Joel Kirton | Electrician |
Lucas Schwartz | Electrician |
Karelle Ciana | Assistant Unit Manager |
Lidia Martínez Arnaiz | Production Assistant |
Trent Dempsey | Second Assistant Director |
Frank R. Gardner | Unit Production Manager |
Jason Pinardo | Production Supervisor |
Jérémy Fernandez | Assistant Unit Manager |
Marie Rolindes | Second Assistant Director |
Henri Deneubourg | Production Manager |
Carlos Ruiz Boceta | Unit Production Manager |
Cristina Freitas | Third Assistant Director |
Sarah Bonnet | Assistant Unit Manager |
Matt McKinnon | Second Second Assistant Director |
Sandie Louit | Assistant Director |
Pierre Accolas | Assistant Unit Manager |
Winter Goury du Roslan | Third Assistant Director |
Louise Albon | Assistant Script |
Kevin Frilet | Second Assistant Director |
Bri Hervey | Second Second Assistant Director |
Jean-Marc Gullino | Unit Manager |
Jason Pomerantz | Production Director |
Guillaume Parent | Post Production Supervisor |
David Julienne | Stunts |
Christian Bergner | Stunts |
Marc Bizet | Stunts |
Sébastien Labie | Stunts |
Yassin Draa | Stunts |
Lyne Doffagne | Stunts |
Boris Martinez | Stunts |
Harry Wowchuk | Stunts |
Merritt Yohnka | Stunts |
Tom Erickson | Stunts |
Webster Whinery | Stunts |
Juan Diego Montoya | Stunts |
James M. Halty | Stunts |
Donny Bailey | Stunts |
Terry Jackson | Stunts |
Greg Beickman | Stunts |
Malki Attar | Stunts |
Florian Beaumont | Stunts |
Christophe Dupuis | Stunts |
Franck Merenda | Stunts |
Ilya Nikitenko | Stunts |
Stéphane Orsolani | Stunts |
Brandy Rodríguez | Stunts |
César Solar | Stunts |
Jesus Lopez | Stunts |
Brian Collins | Stunts |
Kofi Elam | Stunts |
Loren Dennis | Stunts |
Jim Wilkey | Stunts |
Aren Farrington | Stunts |
Scott Loeser | Stunts |
Michaël Mandaville | Line Producer |
Luc Besson | Characters, Screenplay |
Stanton Barrett | Stunts |
Name | Title |
---|---|
Fernando Victoria de Lecea | Executive Producer |
Luc Besson | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 105 | 157 | 78 |
2024 | 5 | 126 | 189 | 84 |
2024 | 6 | 116 | 174 | 93 |
2024 | 7 | 121 | 207 | 77 |
2024 | 8 | 104 | 175 | 68 |
2024 | 9 | 82 | 140 | 57 |
2024 | 10 | 126 | 307 | 63 |
2024 | 11 | 131 | 268 | 69 |
2024 | 12 | 97 | 142 | 70 |
2025 | 1 | 104 | 164 | 76 |
2025 | 2 | 68 | 103 | 14 |
2025 | 3 | 22 | 79 | 5 |
2025 | 4 | 11 | 13 | 9 |
2025 | 5 | 11 | 12 | 9 |
2025 | 6 | 10 | 11 | 8 |
2025 | 7 | 11 | 16 | 8 |
2025 | 8 | 11 | 13 | 10 |
2025 | 9 | 12 | 14 | 10 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 568 | 790 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 398 | 630 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 360 | 634 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 319 | 782 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 820 | 881 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 272 | 692 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 762 | 887 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 398 | 696 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 679 | 729 |
Year | Month | High | Avg |
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2024 | 11 | 857 | 901 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 806 | 806 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 900 | 900 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 801 | 844 |
> Independently a fine movie rather being associated with TAKEN. Actually, it was not a bad movie, I really enjoyed it. But associated with 'Taken' and being the third film in the series was the setback. Because unlike the first two films, this one was somewhat detached from the original theme. E ... xcept the cast from the previous two, the story takes place in a completely different platform. From all the three films, the phone call between father and daughter was retained, but was not effective as the first one which became just a trademark of the series, that's all. The first half creates the puzzle and next half solves it. As expected, it was a typical structure in this trilogy, but the last quarter was turned into something like 'Mission Impossible'. In 'Taken' films, Bryan Mills (our lead guy) works alone, but he formed a team with a tech guy and others. That does not sound good, at least tried to be different from the original movie. It is a little disappointment for 'Taken' fans, but you will have a best shot if you see it as an independent one off movie. Yes could have made a better action flick if it was not linked to it. Hope it all ends here like they have said. As a trilogy, it failed, or maybe we can call it a 50-50. But the first one was a masterpiece, a trendsetting piece. 6.5/10
The rugged and feisty Liam Neeson (as on-screen alter ego ex-CIA operative Bryan Mills) is back in fighting form for a third and supposedly final go-around in ‘Taken 3′. This tired and tepid action-packed crime thriller is directed by French filmmaker Olivier Megaton (‘Taken 2’, ‘Transporter 3’) wit ... h screenwriting credits attributed to ‘Taken’ producer Luc Besson and Robert Mark Kamen. Clearly Neeson and company want to squeeze the remaining strained juices out of the ‘Taken’ film franchise as this movie series trilogy ends on an exhausting whimper. Uninspired, toothless and motoring on empty impishness, ‘Taken 3′ has run its kinetic course for the aging Neeson to aim, shoot and take down some serious repetitive butt-kicking numbers. After the last two energizing installments where flashy foreign locales were a major part of the appealing ‘Taken’ universe, ‘Taken 3′ is reduced to unraveling in the uneventful backyard of familiar Los Angeles that definitely lacks the exotic excitement and visual vitality that were previously showcased in posh landscapes such as Paris and Istanbul. In fact, star Neeson reportedly nixed the idea to partake in the ‘Taken 3′ production if there was another concept of kidnapping involved. Huh? Why avoid the element of kidnapping when in fact it was the soundly running gimmick that made the ‘Taken’ experience palpable and pulsating? Still, this is the least of ‘Taken 3’s bothersome problems as the movie delves in the manufactured mockery involving cliched car chases, sketchy gunplay and the inclusion of countless Russian mobsters parading about in obligatory fashion. Importantly, even Neeson seems quite disengaged as his robotic Bryan Mills goes through the motions trying to find some upside in the forced upbeat shenanigans that seem to trudge along scene after scene. The very first outing in ‘Taken’ took audiences by surprised as it featured a matured Neeson as an avenging former CIA human weapon Mills committed to his fatherly duties in manhandling the Albanian human traffickers that dared to abscond his teen daughter Kim (Maggie Grace). In ‘Taken 2′, the hostile adversaries want Mills’s head on a platter after he tore up their territory in his crusade to rescue his precious offspring from the opportunistic ruffians. Now Mills finds his neck on the line in the connection with his ex-wife Lenore’s (Famke Janssen) brutal murder. Look out LA…the harried Bryan Mills is out in survival mode. The question remains: whose blood will be spilled in the process? Prior to Lenore’s senseless demise, she had visited her ex-hubby Bryan and the feelings between the former spouses are still strong. Mills still carries an emotional torch for Lenore but he cannot act upon his affections for her. Poor Lenore is trapped in her current unhappy marriage with an insufferable moneybags misfit Stuart St. John (Dougray Scott). In the aftermath of Lenore’s death, the distraught and beleaguered Mills finds out the trouble that he is embroiled in so convincingly. As a result of his former lover’s slaughtering Bryan Mills is reeling with outrage. Yes, folks, it appears that Mills is on the run and must prove his innocence and bring to the forefront the murderers that butchered Lenore. Mills has on his mind the need to protect his exposed college-aged daughter Kim from potential harm as well. In the meanwhile, the LAPD lead investigator in Franck Doltzer (Oscar winner Forest Whitaker, ‘The King Of Scotland’) must track down the defiant Mills and make some sense out of the Lenore Mills St. John slaying. Mills proves to be elusive and crafty as usual while leaving behind his trademark trashing of battered bodies and bouncing bullets in the chaotic southern California streets. Seemingly, the catchy novelty act of a hulking middle-aged Neeson exploding at the seams in action-oriented fashion resonated with glorious forethought. After all, ‘Taken’ single-handily resurrected Neeson’s box office cred and made him a cinematic hipster to the young folks and his aged contemporaries alike. However, the third time is not the charm in revisiting the gun-toting ‘grandpa’. Sadly, ‘Taken 3′ is mindlessly played out as Neeson’s Mills or the handlers behind this hollow hedonistic actioner have dipped their toes in an empty well of ideas to conclude this three-part crime caper. Let’s face facts…we all were ‘Taken’ in by this pseudo punchy action yarn that no longer generates the destructive heat it once punctuated with carefree confidence. Taken 3 (2015) 29th Century Fox 1 hr. 49 mins. Starring: Liam Neeson, Forest Whitaker, Famke Jannssen, Maggie Grace and Dougray Scott Directed by: Olivier Megaton Rated: PG-13 Genre: Action and Adventure/Crime thriller/Mystery and Suspense Critic’s rating: ** stars (out of four stars)
I was looking forward to this movie and I have to say that I was a wee bit disappointed. It is a decent enough action movie but the script leaves somewhat to be desired. A good chunk of the movie is quite good, actually it is very good, but there are some crucial scenes that, in my opinion, really d ... rags it down to a rather mediocre level. The plot is a fairly classical, not a very intelligent nor a very original, one. When trying to push the third sequel in a series Hollywood have a tendency to fall back on certain “trusted” elements. Like, make the hero haunted by the law and / or the government (no I do not consider the government to be the same as the law) or kill off some of the main (or at least likable) characters. In this movie they are doing both. I do not know why this always seems to be the standard solution because I certainly do not like it. Are the general movie going audience really falling for these, in my mind, cheap scripts? I guess they must be since this formula is repeated over and over again. Well, it is not for me to judge other peoples tastes and if I would have been a bean counter for the movie industry then it would really have been my duty to squeeze out as much money as possible regardless of whether I thought it would make a good movie or not, However, I am not. I am a consumer of movies and my personal opinion is that these plot elements are pretty cheap and not really to my liking. But then, that is just me. Anyway, the movie is not really bad. It is a decent enough action movie and, in general, I quite like the performance of Liam Neeson. He is the half-sad, silent and, most of all, ass-kicking hero that I like. He is pretty much what holds this movie together. Well, that was perhaps not entirely fair. Forrest Whitaker is doing a quite good job as well. Most of the other characters are mostly fillers. The main bad guy started off fairly good but he really never got the chance to shine and the ending scenes with the big confrontation was…well I would say pretty pathetic. This brings us to my man gripe with this movie. Up until this point Liam Neeson was really playing the big bad, and really skilled, killing machine. The way he, with the help of his friends, entered the bad guy’s stronghold was perhaps not very innovative (seen that, been there, and done that) but at least it was professional. After that however it turned into a bloody joke. Not only does our hero walk into a heavily defended stronghold carrying only a small pea shooter but every time he manages to liberate a decent weapon from the hopelessly incompetent bad guys he throws it away and, occasionally, picks up another pea shooter. What the f…? Then we have the fairly ridiculous big fight at the end where the bad guy runs around in his underwear. That was just embarrassing. Maybe I could have swallowed the underwear thing if it was not for the fact that Lieam Neeson suddenly lost all kind of professionalism. Apart from the pea shooter syndrome mentioned before he just gets himself wacked by this maniac until, in the last minute, he miraculously recovers and gets the upper hand. There were a few minor glimpses of intelligence in the whole scene but they were never really exploited. On the whole, if would say this was a fairly decent and enjoyable action movie but I was expecting more from it. If the last third of the movie would have matched the first two thirds then my rating would have been higher. Maybe Liam Neeson is not a big enough star, although I like him a lot, to pick his roles like he wants to but I would say that he should indeed be a bit more picky and read the scripts before signing on.
I can handle the 47 cuts and shakey cam poorly trying to hide the fact that Liam Neeson can't run. I can handle the inevitability of "More money means more explosions!" in franchises like these. I can even contort myself to handle the right-out-the-gate fridging of one of my favourite actresses that ... _Taken 3_ copped so much flak for. But what I cannot handle is how absolutely fucking dumb this movie gets in the second half. Every five minutes my roommate or I had to scream "WHAT!?" at the things that were happening on screen, and disparage the various idiotic and/or nonsense decisions that were being made. _Final rating:★½: - Boring/disappointing. Avoid where possible._