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The Rebel Son

1938 | 88m | English

(40 votes)

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Popularity: 0.2 (history)

Details

During the 16th century the Cossacks and their Ukraine homeland is ruled by Poland. This is the story of the leader of the Cossacks and how his son was sent to study under the Poles to learn how to defeat them in battle. However, the son falls in love with the daughter of a Polish nobleman.
Release Date: Feb 02, 1938
Director: Alexis Granowsky, Albert de Courville, Adrian Brunel
Writer: Adrian Brunel, Nikolai Gogol
Genres:
Keywords
Production Companies London Films Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 19, 2026
Entered: May 03, 2024
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Full Credits

Name Character
Harry Baur Taras Bulba
Anthony Bushell Andrei Bulba
Frederick Culley Prince Zammitsky
Joe Cunningham Sachka
Charles Farrell Tovkatch
Joan Gardner Galka
Stafford Hilliard Stutterer
Roger Livesey Peter Bulba
Bernard Miles Polish Prisoner
Patricia Roc Marina
Ann Wemyss Selima
Name Job
Alexis Granowsky Director
Bernard Browne Director of Photography
Albert de Courville Director
Franz Planer Director of Photography
Adrian Brunel Screenplay, Director
Nikolai Gogol Original Story
Name Title
Organization Category Person
Popularity Metrics

Popularity History


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2024 4 1 2 1
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2025 12 0 0 0
2026 1 0 0 0
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Reviews

Geronimo1967
6.0

Now you do have to suspend belief a bit with this as neither Roger Livesey nor Anthony Bushell make for especially convincing Cossacks, but once the brothers “Peter” and “Andrew” (not “Andrei”) return from their educational sojourn to Kiev, the scene is swiftly set for a mixture of betrayal, rebelli ... on and romance. The Poles are in charge and it’s the prince “Zamnitsky” (Frederick Culley) who commands these unruly serfs, before his daughter “Marina” (Patricia Roc) attracts the attention of “Peter” who quickly forgets all his familial and tribal loyalties and soon has his father “Taras” (a positively exuberant Harry Baur) in conniptions that could induce a double hernia, if the dancing didn’t do that first! Despite the plentiful and unconvincingly plummy English characterisations on display - Bernard Miles as a Pole is a tough ask, I still quite enjoyed this decently paced adventure story. It manages to keep most of the slushy stuff under wraps as the story gathers pace with plenty of cannon and musket balls flying; some lively cultural stereotyping and quite a lot of decent action photography as the battle lines ebb and flow. Roc does fine as the smouldering princess without many lines, and if you just sit back and imagine the rousing score from Franz Waxman’s 1962 version accompanying this, then you will probably find it’s nowhere near as bad in the end as the start suggests it might be.

Nov 15, 2025