Popularity: 1 (history)
| Director: | Kevin Tenney |
|---|---|
| Writer: | Joe Augustyn |
| Staring: |
| When partygoers at a deserted funeral home decide to have a séance on Halloween night, they awaken something evil with a thirst for blood. | |
| Release Date: | Oct 14, 1988 |
|---|---|
| Director: | Kevin Tenney |
| Writer: | Joe Augustyn |
| Genres: | Comedy, Horror |
| Keywords | mass murder, halloween, abandoned house, halloween party, possession, demon, celebration |
| Production Companies | Blue Rider Pictures, Meridian Productions, Republic Pictures, Skouras Pictures, Paragon Arts International |
| Box Office |
Revenue: $3,109,904
Budget: $1,200,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Cathy Podewell | Judy |
| Alvin Alexis | Rodger |
| Amelia Kinkade | Angela |
| Linnea Quigley | Suzanne |
| Hal Havins | Stooge |
| Billy Gallo | Sal |
| Lance Fenton | Jay |
| Jill Terashita | Frannie |
| Allison Barron | Helen |
| Philip Tanzini | Max |
| Harold Ayer | Old Man |
| Marie Denn | Old Man's Wife |
| Karen Ericson | Mrs. Cassidy / Judy's Mother |
| Donnie Jeffcoat | Billy |
| James W. Quinn | Clerk #1 / Demon Voices |
| Clark Jarrett | Clerk #2 |
| Kevin Tenney | Customer in Convenience Store |
| Frank Welker | Demon Angela Voice (Uncredited) |
| Name | Job |
|---|---|
| Kevin Tenney | Director |
| Paul E. Short | Stunts |
| Daniel Duncan | Editor |
| Lee Alan McConnell | Second Assistant Director |
| Bill Oliver | Sound Re-Recording Mixer |
| Jon Conrad Pochron | Stunts |
| Joe Augustyn | Writer |
| Dennis Michael Tenney | Original Music Composer |
| Tedra Gabriel | Casting |
| Kelly Schroeder | First Assistant Director |
| John Stewart | Stunts, Stunt Coordinator |
| Ken Aichele | Art Direction |
| David Lewis | Director of Photography |
| Sally Nicholaou Hamilton | Set Decoration |
| Rick Ash | Sound Re-Recording Mixer |
| Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Lynn Salvatori | Stunts |
| Azusa Ohno | Gaffer |
| Bob Brown | Stunts |
| Bo Harwood | Sound Mixer |
| Marian Green | Stunts |
| Janet Lee Orcutt | Stunts |
| Amelia Kinkade | Choreographer |
| Kathy Zielinski | Title Designer |
| David M. Max | Second Second Assistant Director |
| Edward T. Parmalee | Location Manager |
| Holly-Elizabeth Crawford | Production Manager |
| Robert Pollard | Boom Operator |
| Steve Reinhardt | Best Boy Electrician |
| Troy Steinmetz | Electrician |
| Bob Craig | Electrician |
| George Palmer | Key Grip |
| Tom Keefer | Best Boy Grip |
| Oliver Whipple III | Grip |
| Rick Sutherland | Grip |
| Edward Giovanni | First Assistant Camera |
| Giles Dunning | Second Assistant Camera |
| Robert Lucas | Property Master |
| Pamela Hawthorne | Set Dresser |
| John Krajewski | Scenic Artist |
| Karen Reynolds | Scenic Artist |
| Chris Jensen | Carpenter |
| John Henry | Carpenter |
| Donna Reynolds | Costumer |
| Jan Rawton | Costume Assistant |
| Sharon McGunigle | Wardrobe Assistant |
| Cynthia Dale Scott | Wardrobe Assistant |
| Antoinette Ponzo | Key Makeup Artist |
| Melanie Verkins | Assistant Makeup Artist |
| Nenette Saldana | Hairstylist |
| Susan Rocco | Script Supervisor |
| Joan C. Morisaki | Associate Editor |
| Myron Murakami | First Assistant Editor |
| Victor Anderson | Transportation Captain |
| David Falicki | Set Medic, Craft Service |
| Abbie Joseph | Production Secretary |
| Linda Karabin | Production Secretary |
| Dorothy L. Warner | Production Secretary |
| Neil J. Silverstein | Production Accountant |
| Susannah Cobb | Production Assistant |
| Ira Crouser | Production Assistant |
| Lauren A. Hartigan | Production Assistant |
| Eddie Salmon | Production Assistant |
| Jim Schneeweis | Production Assistant |
| Tom Waisanen | Production Assistant |
| Susan Hartman | Producer's Assistant |
| Jim Heath | Still Photographer |
| Kim Thomas | Still Photographer |
| Roger George | Pyrotechnician |
| Robert Stromberg | Matte Painter |
| David Durand | Conceptual Illustrator |
| Christopher Gary | Catering |
| Fred Tucker | Catering |
| Brian Courcier | Dialogue Editor |
| Warren Grisham | ADR Mixer |
| Louis Creveling | Sound Effects Editor |
| Angela Robinson | Sound Effects Editor |
| Zane D. Bruce | Foley Artist |
| Robert Friedman | Foley Artist |
| Brian Davis | Stunts |
| Humberto de la Torre | Driver |
| Name | Title |
|---|---|
| Joe Augustyn | Producer |
| Michael Josten | Associate Producer |
| Doug Yerkes | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 18 | 10 |
| 2024 | 5 | 15 | 21 | 10 |
| 2024 | 6 | 14 | 24 | 7 |
| 2024 | 7 | 14 | 26 | 8 |
| 2024 | 8 | 11 | 16 | 7 |
| 2024 | 9 | 12 | 22 | 8 |
| 2024 | 10 | 16 | 30 | 9 |
| 2024 | 11 | 12 | 21 | 8 |
| 2024 | 12 | 10 | 14 | 6 |
| 2025 | 1 | 11 | 20 | 9 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 509 | 703 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 459 | 673 |
Hell yes _Night of the Demons_. Shoulda made fifty of these bloody things. The opening credits is always a highlight. So much stupid 80s schlocky fun to be had in this franchise, and never more so than in this, the original. _Final rating:★★★ - I liked it. Would personally recommend you give it a ... go._
"Night of the Demons" is a less than prestigious production and it seems to take much of its inspiration from films such as "The Evil Dead" (1981) with a small group of young people becoming trapped in a less than hospitable abandoned house where unspeakable evil dwells. There are admittedly some im ... pressive make-up effects, but overall there is a listless quality to the whole proceedings and the mediocre shocks and scares just do not provide the sort of exciting pay-off they are obviously designed to produce. The lengthy chase sequences through the many dusty and shadowy hallways of Hull house are hampered by a strangely pedestrian pace and any genuine excitement is noticeably absent in this routine genre film which is much too easy to forget.