Menu
Adolescence Poster

Adolescence

1966 | 22m | French

(23 votes)

TMDb IMDb

Popularity: 0.4 (history)

Details

Adolescence is a 1966 French short documentary film directed by Marin Karmitz, about the teenage students of a famed ballet teacher. It was nominated for an Academy Award for Best Documentary Short.
Release Date: Jan 01, 1966
Director: Vladimir Forgency, Marin Karmitz
Writer: Vladimir Forgency, Agnès Van Parys
Genres:
Keywords
Production Companies
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 19, 2026
Entered: May 01, 2024
Starring

Trailers

No trailers available.

Extras

No extras available.

Backdrops

No backdrops available.

International Posters

No images available.

More Like This

No recommended movies found

Full Credits

Name Job
Vladimir Forgency Director, Writer
Agnès Van Parys Writer
Marin Karmitz Director
Name Title
Marin Karmitz Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 1 3 1
2024 5 2 6 1
2024 6 2 5 0
2024 7 1 3 0
2024 8 1 3 0
2024 9 1 3 1
2024 10 1 2 1
2024 11 1 1 1
2025 1 1 1 1
2025 3 2 2 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 2 3 1
2025 10 2 3 1
2025 11 1 3 0
2025 12 0 1 0
2026 1 1 4 0
2026 2 2 5 0

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
6.0

Maybe it was the dimly lit style of photography or perhaps the elderly, bescarfed, ballet coach who could readily have been called “Madame Suzatska”, but I thought that this had the look of a communist-era Eastern European documentary to it as we follow the teenage Sonia Petrovna as she starts on he ... r journey to physical maturity. It uses ballet lessons and some beautiful Chopin, amongst others, to illustrate the tensions of growing up, of passing and failing, of striving and of making choices that might last a lifetime all whilst unsure whether she preferred to just browse the department stores or play with her kitten. There’s some noises-off style of dialogue, but for the most part there is just natural audio complementing the music and our observations of Sonia at play and at work. It doesn’t really try to establish or develop any characterisation for the girl, and at times I did feel a bit creepy watching like a fly on the wall, but there is some skill to see here and our own experiences of being that age helps to fill in the gaps.

Jan 07, 2026