The Gay Parisian
1942 | 20m | English
Popularity: 0.6 (history)
| Director: | Jean Negulesco |
|---|---|
| Writer: | |
| Staring: |
| The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel). | |
| Release Date: | Jan 10, 1942 |
|---|---|
| Director: | Jean Negulesco |
| Writer: | |
| Genres: | |
| Keywords | ballet |
| Production Companies | Warner Bros. Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 19, 2026 Entered: Apr 30, 2024 |
| Name | Character |
|---|---|
| Léonide Massine | The Peruvian |
| Milada Mladova | The Glove Seller |
| Frederic Franklin | The Baron |
| Nathalie Krassovska | The Flower Girl |
| Andre Eglevsky | Tortoni |
| Igor Youskevitch | Officer |
| James Starbuck | Dancer |
| Lubov Roudenko | Can-Can Dancer |
| Casimir Kokitch | Dancer |
| Cyd Charisse | Dancer (uncredited) |
| Marc Platt | Dancer (uncredited) |
| George Zoritch | Dancer (uncredited) |
| Name | Job |
|---|---|
| Jean Negulesco | Director |
| Everett Dodd | Editor |
| Charles Novi | Art Direction |
| Barbara Karinska | Costume Design |
| Charles David Forrest | Sound |
| Efrem Kurtz | Music Director |
| Sol Hurok | Music Arranger |
| Vincenzo Celli | Choreographer |
| Ernest Haller | Director of Photography |
| Natalie Kalmus | Colorist |
| Léonide Massine | Choreographer |
| Name | Title |
|---|---|
| Gordon Hollingshead | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 4 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 3 | 10 | 1 |
| 2024 | 7 | 3 | 7 | 0 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 3 | 12 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 0 | 1 | 0 |
| 2025 | 11 | 2 | 4 | 0 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 1 | 5 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
This is a vividly colourful excerpt from Offenbach’s ballet “Gaité Parisienne” performed by Monaco’s acclaimed Ballet Russe with quite a few of it’s more memorable pieces of music providing a score for duets, fisticuffs and elegant dancing. Essentially, though, it is really just a showcase for some ... Technicolor sumptuousness. The one thing I do like about visiting a theatre is the static seat you sit on. The cast perform to you, en masse, whilst you remain in the same position - not from behind a railing, or a plant, or from thirty foot above the stage at the side. Jean Negulesco seems not to be bothered about that continuity as the camera flits about all over the stage and effectively destroys the overall look and flow of this high-costume drama. We are too often in the laps of the leading dancers and so don’t really get a sense of the company experience that makes ballet a team proposition. Even though it’s only a single act story, it’s nigh-on impossible to condense that into twenty minutes and this presentation really doesn’t do justice to much beyond the appealing visuals. Worth a watch, but a bit disappointing.