Popularity: 6 (history)
Director: | Rob Reiner |
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Writer: | Bruce A. Evans, Stephen King, Raynold Gideon |
Staring: |
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives. | |
Release Date: | Aug 08, 1986 |
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Director: | Rob Reiner |
Writer: | Bruce A. Evans, Stephen King, Raynold Gideon |
Genres: | Drama, Crime |
Keywords | friendship, affectation, oregon, usa, story within the story, pie eating, 1950s, familiar, based on novel or book, leech, bullying, road trip, coming of age, railroad track, flipping coin, campfire story, told in flashback, kids, boys, coin toss |
Production Companies | Columbia Pictures, Act III Productions |
Box Office |
Revenue: $52,300,000
Budget: $8,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Wil Wheaton | Gordie Lachance |
River Phoenix | Chris Chambers |
Corey Feldman | Teddy Duchamp |
Jerry O'Connell | Vern Tessio |
Kiefer Sutherland | Ace Merrill |
Casey Siemaszko | Billy Tessio |
Gary Riley | Charlie Hogan |
Bradley Gregg | Eyeball Chambers |
Jason Oliver | Vince Desjardins |
Marshall Bell | Mr. Lachance |
Frances Lee McCain | Mrs. Lachance |
Bruce Kirby | Mr. Quidacioluo |
William Bronder | Milo Pressman |
Scott Beach | Mayor Grundy |
Richard Dreyfuss | The Writer |
John Cusack | Denny Lachance |
Madeleine Swift | Waitress |
Geanette Bobst | Mayor's Wife |
Art Burke | Principal Wiggins |
Matt Williams | Bob Cormier |
Andy Lindberg | Lardass Hogan |
Dick Durock | Bill Travis |
O.B. Babbs | Lardass Heckler #1 |
Charlie Owens | Lardass Heckler #2 |
Kenneth Hodges | Donelley Twin |
John Hodges | Donelley Twin |
Susan Thorpe | Fat Lady |
Korey Scott Pollard | Moke |
Rick Elliott | Jack Mudgett |
Kent W. Luttrell | Ray Brower |
Chance Quinn | Gordon's Son |
Jason Naylor | His Friend |
Name | Job |
---|---|
Bruce A. Evans | Screenplay |
Stephen King | Novel |
Jack Nitzsche | Original Music Composer |
Janet Hirshenson | Casting |
Rob Reiner | Director |
Thomas Del Ruth | Director of Photography |
Jane Jenkins | Casting |
Craig Denault | Camera Operator |
Rick Barker | Stunt Coordinator, Stunts |
Wylie Stateman | Supervising Sound Editor |
Amy Vincent | Assistant Sound Editor |
Alicia Stevenson | Foley Artist |
Robert Leighton | Editor |
J. Dennis Washington | Production Design |
Richard D. Kent | Set Decoration |
Terry Lynn Allen | Sound Editor |
Lorna Anderson | Sound Editor |
Steve Nicolaides | Production Manager |
Irby Smith | First Assistant Director |
Jim Behnke | Second Assistant Director |
Raynold Gideon | Screenplay |
Carol D. Bonnefil | Additional Second Assistant Director |
Sue Moore | Costume Supervisor |
Gary B. Kibbe | Camera Operator |
Buzz Feitshans IV | Assistant Camera |
Michael G. Riba | Assistant Camera |
Jon L. Kunkel | Assistant Camera |
Christopher Ishii | Assistant Camera |
Brenda Meyers-Ballard | Leadman |
Danny Buck | Gaffer |
Sherman Fulton | Electrician |
Gerald A. King | Best Boy Grip |
David L. Merrill | Dolly Grip |
Antonio V. Garrido | Grip |
Jack Glenn | Grip |
Russell Goble | Property Master |
Faye Brenner | Script Supervisor |
Robert Eber | Sound Mixer |
Douglas B. Arnold | Boom Operator |
Cheri Ruff | Hairstylist |
Monty Westmore | Makeup Artist |
Adam Weiss | Assistant Editor |
Mallory Gottlieb | Assistant Editor |
Lon Bender | Supervising Sound Editor |
Randy Kelley | Sound Editor |
Dan M. Rich | Sound Editor |
Joe Gilbert | Assistant Sound Editor |
Stan Gilbert | ADR Editor |
Dan O'Connell | Foley Artist |
Rick Ash | Foley Artist |
Jeff Carson | Music Editor |
Celest Ray | Music Supervisor |
John T. Reitz | Sound Re-Recording Mixer |
David E. Campbell | Sound Re-Recording Mixer |
Gregg Rudloff | Sound Re-Recording Mixer |
K. Lenna Katich | Production Accountant |
Elizabeth Galloway | Production Coordinator |
Peter Benoit | Unit Publicist |
Bruce Birmelin | Still Photographer |
Tim Roslan | Transportation Coordinator |
Rick Mercier | Transportation Captain |
Helen Mercier | Transportation Co-Captain |
Jerry Brutsche | Stunts |
Jack Carpenter | Stunts |
Brian R. Carson | Stunts |
Doc D. Charbonneau | Stunts |
Gary Cox | Stunts |
Sherry Peterson | Stunts |
Rick Seaman | Stunts |
Monty L. Simons | Stunts |
Henry Millar | Special Effects |
Tom Ajar | Projection |
Michael Hirshenson | Casting Associate |
Darrell Huntsman | Greensman |
Donah Bassett | Negative Cutter |
Harvey Keith | Stunts |
Spencer Howard | Production Assistant |
Terry Haggar | Color Timer |
Richard L. Thompson | Special Effects |
Jeffrey Stott | Production Supervisor |
Name | Title |
---|---|
Bruce A. Evans | Producer |
Raynold Gideon | Producer |
Andrew Scheinman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 110 | 263 | 68 |
2024 | 5 | 326 | 419 | 244 |
2024 | 6 | 222 | 341 | 68 |
2024 | 7 | 72 | 125 | 36 |
2024 | 8 | 45 | 78 | 29 |
2024 | 9 | 32 | 50 | 24 |
2024 | 10 | 56 | 134 | 21 |
2024 | 11 | 37 | 56 | 25 |
2024 | 12 | 31 | 36 | 21 |
2025 | 1 | 35 | 51 | 28 |
2025 | 2 | 29 | 45 | 7 |
2025 | 3 | 14 | 46 | 2 |
2025 | 4 | 8 | 11 | 5 |
2025 | 5 | 11 | 49 | 5 |
2025 | 6 | 17 | 60 | 4 |
2025 | 7 | 6 | 7 | 4 |
2025 | 8 | 5 | 6 | 4 |
2025 | 9 | 5 | 6 | 3 |
Trending Position
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2025 | 9 | 307 | 776 |
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2025 | 8 | 715 | 838 |
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2025 | 7 | 344 | 672 |
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2025 | 6 | 191 | 629 |
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2025 | 5 | 183 | 633 |
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2025 | 4 | 280 | 630 |
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2025 | 3 | 155 | 754 |
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2025 | 1 | 385 | 662 |
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2024 | 12 | 548 | 773 |
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2024 | 11 | 416 | 789 |
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2024 | 10 | 765 | 840 |
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2024 | 9 | 522 | 783 |
Year | Month | High | Avg |
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2024 | 8 | 390 | 749 |
My all-time favourite movie! Like Gordie, I was a shy, sensitive boy, who was (and am) a writer, and I've been told by so many people I have a talent for it. Also, I've had many friends like Chris, being tough on the outside, while sweet on the inside, and I've known people like Vern, Teddy and Denn ... y too :) Beautiful music, acting and truth about growing up, as relevant today as it was in the 80s/50s :) <3
Ok everyone - this is a 80's kid about kids, but don't think it is like the others as it is a Stephen King adaptation. It isn't for kids - unless you want to traumatize them. Coming of age at a high price, what makes this a special one on that decade. A solid 8.2 out of 10.0 / A in my score. ...
**A good film about the value of friendship and companionship.** This is one of those films that becomes adorable not only because of what it shows and tells us, but also because of the affective memories it awakens in us, or even because of the messages it brings and which it explains in its nar ... rative. The value of friendships is a more than common theme in cinema, but perhaps this is one of the most paradigmatic and memorable films when the subject is precisely that. Very consistently based on a book by Stephen King, the plot is simple: four young friends get together to find the corpse of a boy who disappeared, and set off on a long journey on foot that will take them through a series of obstacles and difficulties, and that will test the friendship and unity of the group. The matter itself ends up being quite irrelevant, no one cares about the dead boy. What matters is the journey of the four boys and the way they overcome difficulties, forgetting their differences and what eventually separates them. Each of them has their own sad story: broken homes, families with little structure, domestic violence, dramatic family losses (a father, an older brother…). In short, none of them is a boy born with a silver spoon or into a well-positioned family. And the film explores this very well, with inspired dialogue and absolutely believable and well-conceived situations. Rob Reiner is a very effective director who knows very well what he wants. One of the points in which he shined most was in choosing the filming locations, designing the sets and reconstituting the period (the film takes place in the late 1950s, at the height of the post-war “American dream”): the director It really manages to transport us to the past and to magnificently designed and credible places. Another point he valued was the choice of actors for the four main characters. In addition to being a perfect fit in terms of age and physique, Corey Feldman, Jerry O’Connell, River Phoenix and Wil Wheaton are very talented and do their best with their characters and their material. Without the effort of these four young people, the film would not have the strength it has. On a technical level, the film stands out for its good cinematography, the sets, costumes and props that I mentioned above, the choice of period cars and an excellent soundtrack, featuring some iconic melodies of the time.
<em>'Stand by Me'</em> is undeniably an 80s flick - and a good one at that. The kid actors aren't actually all that great in terms of the performances that they give, though do have likeability and a beliveable friendship that make them worthy of watching across a road trip of sorts. Corey Feldma ... n is the only youngster onscreen that I thought that I previously knew of, though I now see that Jerry O'Connell (<em>'Kangaroo Jack'</em>, whatta film) appears - unrecognisable! The much more identifiable Kiefer Sutherland and John Cusack are in this too. As noted at the top, the cast are fine but work best as a collective. I was wondering all the way through if they were actually going to use the great Ben E. King track at some point, so you can imagine my happiness upon hearing those first few notes sneaking in at the conclusion. A fitting end, to a movie that my uncle has been recommending for a while - a generational favourite, evidently. I get it.