A Time to Die
Mario (The Godfather) Puzo's Story of Revenge
1982 | 91m | English
Popularity: 0.4 (history)
| Director: | Matt Cimber, Joe Tornatore |
|---|---|
| Writer: | Matt Cimber, Mario Puzo, John F. Goff, Willy Russell |
| Staring: |
| A World War II vet sets out in 1948 to avenge the death of his wife at the hands of Nazis. His targets are four Germans, a Sicilian, and a Hungarian who committed the atrocities. He is aided by a CIA operative, who has another agenda. One of the targeted men is being groomed by the US to become the West German chancellor and is to be protected. Along the way, a third person joins the team. | |
| Release Date: | Mar 26, 1982 |
|---|---|
| Director: | Matt Cimber, Joe Tornatore |
| Writer: | Matt Cimber, Mario Puzo, John F. Goff, Willy Russell |
| Genres: | Crime, Drama |
| Keywords | nazi, manhunt |
| Production Companies | Carnation International Picture (CIP) |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2026 Entered: May 01, 2024 |
| Name | Character |
|---|---|
| Rex Harrison | Van Osten |
| Edward Albert | Micael Rogan |
| Rod Taylor | Jack Bailey |
| Raf Vallone | Genco Bari |
| Linn Stokke | Dora |
| Cor van Rijn | Vrost |
| Hubert Mittendorf | Lakatosh (as Herbert Mittendorf) |
| Tom van Beek | John Schmidt |
| Tim Beekman | Friesling brother |
| Rijk de Gooyer | SS Officer |
| Ferd Hugas | Friesling brother |
| Lucie Visser | Mrs. Rogan |
| Karl Braun | Buttler |
| Name | Job |
|---|---|
| Ennio Morricone | Original Music Composer |
| Matt Cimber | Director, Screenplay |
| Chris Howell | Stunts |
| Robert O. Ragland | Original Music Composer |
| Joe Tornatore | Director |
| Mario Puzo | Novel |
| John F. Goff | Screenplay |
| Willy Russell | Screenplay |
| Vic Armstrong | Stunt Double |
| Thomas F. Denove | Cinematography |
| Eduard van der Enden | Cinematography |
| Byron 'Buzz' Brandt | Editor |
| Edgar Burcksen | Editor |
| Fred A. Chulack | Editor |
| Margarete Van Dam | Casting Director |
| Frank Rosen | Art Direction |
| John G. Thompson | Art Direction |
| Robert Bos | Costume Designer |
| Ron Mitchell | Production Supervisor |
| Russ Tinsley | Post Production Supervisor |
| Michael Hilkene | Sound Editor |
| Christopher T. Welch | Sound Editor |
| Pearl Kempton | Extras Casting |
| Leo Thonhauser | Extras Casting |
| Marga Langeweg | Assistant Costume Designer |
| Fred Aronow | Music Editor |
| Donald W. Ernst | Music Editor |
| Arlon Ober | Music Supervisor |
| Henny Spijker | Script Supervisor |
| Mark S. Thomas | Script Supervisor |
| Terence Ford | Production Coordinator |
| Name | Title |
|---|
| Organization | Category | Person |
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Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 3 | 5 | 1 |
| 2024 | 6 | 3 | 8 | 1 |
| 2024 | 7 | 3 | 12 | 1 |
| 2024 | 8 | 3 | 5 | 1 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 5 | 20 | 1 |
| 2024 | 11 | 2 | 11 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 2 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 1 | 5 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
Luck isn’t with “Rogan” (Edward Albert Jnr) as he and his wife and four other resistance fighters are apprehended by the dregs of the Nazi regime under the command of “Von Osten” (Rex Harrison). Despite hours of torture, he reveals nothing and so all are shot as spies. Amazingly, he survives this po ... int-blank shooting and once the dust of the war has started to settle, he sets out to track down these murderers and take his revenge. This isn’t going to be easy as many have melted into the post-war background and two, “Bari” (Raf Vallone) and the aforementioned “Van Osten” are, for different reasons, going to prove virtually impossible to eradicate. Luckily, he alights upon “Bailey” (Rod Taylor) who has been tasked by the Americans with tracking down some of the surviving Wehrmacht and so perhaps he can help, and conveniently use “Rogan” as his instrument? It may have been based on a Mario Puzo book, but by the late 1970s the cast were already tired and past their sell-by dates. I thought Albert did an ok job here, as did Linn Stokke as the lady of the night “Dora” who has one hell of a survival instinct, but Vallone has little to get his teeth into and Harrison appears to have given this only one or two days of his time to film the few brief scenes he adorns as the story takes for eve to follow it’s join-the-dots format to an ending that lacks any sense of intrigue or jeopardy. It has the look of a television movie throughout and though it’s competently put together, it just lacks any sense of menace and the ease with which “Rogan” manages to carry out his task rather underwhelmed the whole premise of his challenge. Nobody’s finest work, sorry.