Popularity: 2 (history)
Director: | Lili Fini Zanuck |
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Writer: | Peter Dexter, Kim Wozencraft |
Staring: |
Undercover cop Jim Raynor (Jason Patric) is a seasoned veteran. His partner, Kristen Cates (Jennifer Jason Leigh), is lacking in experience, but he thinks she's tough enough to work his next case with him: a deep cover assignment to bring down the notoriously hard-to-capture drug lord Gaines (Gregg Allman). While their relationship turns romantic during the assignment, they also turn into junkies, and will have to battle their own addictions if they want to bring down Gaines once and for all. | |
Release Date: | Dec 22, 1991 |
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Director: | Lili Fini Zanuck |
Writer: | Peter Dexter, Kim Wozencraft |
Genres: | Drama, Crime |
Keywords | heroin, cocaine, addiction, undercover cop, narcotics cop, suspenseful, texas, cold turkey, love, drugs, frantic, paranoia, investigation, assignment, theft, dealer |
Production Companies | Metro-Goldwyn-Mayer, The Zanuck Company |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jason Patric | Jim Raynor |
Jennifer Jason Leigh | Kristen Cates |
Sam Elliott | Dodd |
Max Perlich | Walker |
Gregg Allman | Gaines |
William Sadler | Monroe |
Tony Frank | Nettle |
Special K. McCray | Willie Red |
Dennis Letts | Senior District Attorney |
Dennis Burkley | Motorcycle Guy |
Glenn Wilson | Motorcycle Guy |
Jimmy Ray Pickens | Man in Disco (as Jimmy Pickens) |
Barbara Lasater | Yellow Rose Bartender |
Toni Pilgreen | Driller's Waitress |
Merrill Connally | Defense Attorney |
Brandon Smith | Cop |
Connie Cooper | |
Cynthia Dale Scott | |
Ron Kern | |
Thomas Rosales Jr. | |
Suzanne Savoy | |
Freddy Joe Odiorne | |
Jerry King | |
Blue Deckert | |
Marilyn Brett | |
Kevin Kinkade | |
Don Kruizinga | |
Erich Lane | |
Kris McGaha | |
Dru Mouser | |
Prebble Q. Ramswell | |
Eric Skoy |
Name | Job |
---|---|
Sandina Bailo-Lape | Foley Editor |
Colleen Atwood | Costume Design |
Gary Rydstrom | Sound Re-Recording Mixer, Sound Designer |
Paul Sylbert | Production Design |
Eric Clapton | Original Music Composer |
Shari Rhodes | Casting |
Katterli Frauenfelder | First Assistant Director |
Cynthia Streit | Production Coordinator |
Steven Ramirez | First Assistant Editor |
Richard Hymns | Supervising Sound Editor |
Michael Silvers | Dialogue Editor |
Christopher Boyes | Foley Recordist |
John Roesch | Foley Artist |
Lili Fini Zanuck | Director |
Peter Dexter | Screenplay |
Kenneth MacMillan | Director of Photography |
Mark Warner | Editor |
Becky Mancuso-Winding | Music Supervisor |
Tim Sexton | Music Supervisor |
Kim Wozencraft | Book |
Gary Daigler | Unit Production Manager |
Martha Elcan | Second Assistant Director |
Don Reddy | Camera Operator |
Philip Leonard | Set Decoration |
Gregory Lundsgaard | Steadicam Operator |
Gary Jay | First Assistant Camera |
John Sheeren | Second Assistant Camera |
Fred L. McLane | Second Assistant Camera |
Jeanette D'Ambrosio-Sylbert | Assistant Production Design |
Bruce Birmelin | Still Photographer |
Lorey Sebastian | Still Photographer |
Hank Garfield | Sound Mixer |
Raul A. Bruce | Boom Operator |
Al McGuire | Cableman |
Cate Hardman | Script Supervisor |
David Davenport | Set Costumer, Wardrobe Supervisor |
Jeanne Caliendo | Additional Second Assistant Director |
Eric Wall | Additional Second Assistant Director |
Kathryn Bird | Set Costumer |
Michael Hancock | Makeup Artist |
Lizbeth Williamson | Makeup Artist |
Susan Germaine | Hairstylist |
Steven M. Levine | Property Master |
Bobby Huber | Key Grip |
Peter Clarson | Chief Lighting Technician |
Andy Ryan | Best Boy Electric |
Steve Graves | Best Boy Grip |
Jeff 'Moose' Howery | Dolly Grip |
Sheri Galloway | Assistant Editor |
Jeff Carson | Music Editor |
Gary Summers | Sound Re-Recording Mixer |
Sara Bolder | Dialogue Editor |
Scott Chandler | Assistant Sound Designer |
Ken Fischer | Sound Effects Editor |
Robert Grahamjones | Assistant Sound Editor |
J.R. Grubbs | Assistant Sound Editor |
Donna Jaffe | Assistant Sound Editor |
Vanessa James | Assistant Sound Editor |
Adam Kopald | Assistant Sound Editor |
Marnie Moore | Foley Artist |
Kevin Rose-Williams | Assistant Sound Editor |
Dennie Thorpe | Foley Artist |
Maia Veres | Assistant Sound Editor |
John T. Van Vliet | Visual Effects Supervisor |
Ed Cherney | Score Engineer |
Glen Sanford | Additional Second Assistant Director |
Dennis Sands | Sound Re-Recording Mixer |
Name | Title |
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Richard D. Zanuck | Producer |
Gary Daigler | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 26 | 10 |
2024 | 5 | 19 | 42 | 11 |
2024 | 6 | 15 | 29 | 7 |
2024 | 7 | 17 | 30 | 8 |
2024 | 8 | 16 | 35 | 11 |
2024 | 9 | 15 | 21 | 10 |
2024 | 10 | 14 | 28 | 9 |
2024 | 11 | 13 | 34 | 8 |
2024 | 12 | 14 | 28 | 9 |
2025 | 1 | 13 | 25 | 8 |
2025 | 2 | 8 | 11 | 3 |
2025 | 3 | 5 | 11 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 3 | 1 |
Trending Position
I'm going deeper underground! Rush is directed by Lili Fini Zanuck and adapted to screenplay by Peter Dexter from the Kim Wozencraft novel. It stars Jason Patric, Jennifer Jason Leigh, Sam Elliott, Max Perlich and Gregg Allman. Music is by Eric Clapton and cinematography by Kenneth MacMillan. ... Two undercover narcotic cops get on a downward spiral that they may not return from... Set and filmed in Texas, Rush is a hot, sweaty and claustrophobic neo- noir. It maybe doesn't have the classic visual tics of yesteryear, but it has photographic style to burn - with Clapton's score suitably melancholic, which in turn is something that sits perfectly with the perpetual sense of doom that pervades the pic. Corruption and addiction lead the way, all while love tries its hardest to break on through to the other side, but we are on a bus to noirville, and noirville is an unforgiving place... Patric and Leigh are damn fine actors if given the right material to work with, and they carry this with aplomb. Sadly, Allman is a weak villain, maybe because he looks like a Rick Wakeman clone?! While under using Sam Elliott is just a plain waste. However, this deserves its place on neo-noir lists. It is deliberate in pacing, therefore asking for you to buy into the thematics at work, to let them itch your skin, but to do so has rewards, for in true noir style it doesn't chicken out once the end credits have rolled. 7.5/10