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After the Dark Poster

After the Dark

Smart. Talented. Beautiful. Stranded.
2013 | 107m | English

(24307 votes)

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Popularity: 1 (history)

Director: John Huddles
Writer: John Huddles
Staring:
Details

At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse.
Release Date: Jul 06, 2013
Director: John Huddles
Writer: John Huddles
Genres: Fantasy, Science Fiction, Drama, Thriller
Keywords philosophy, experiment, bunker, indonesia, survival, teacher, apocalypse, high school student, trolley problem
Production Companies An Olive Branch Productions, SCTV
Box Office Revenue: $1,770,376
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
James D'Arcy Eric Zimit
Sophie Lowe Petra
Rhys Wakefield James
Bonnie Wright Georgina
Daryl Sabara Chips
Abhi Sinha Kavi
Freddie Stroma Jack
Katie Findlay Bonnie
George Blagden Andy
Jacob Artist Parker
Erin Moriarty Vivian
Maia Mitchell Beatrice
Philippa Coulthard Poppie
Toby Sebastian Russell
Hope Olaidé Wilson Omosedé
Melissa Le-Vu Plum
Darius Homayoun Toby
Chanelle Bianca Ho Mitzi
Taser Hassan Nelson
Natasha Gott Yoshiko
Asger Mariager Young James (Age 7)
James Moriarty Young James (Age 12)
Chamroeun Bustraan Young James (Age 16)
Julia Hodges Best Friend on Tower
Katherine Robertson Best Friend on Tower
Kory Brown Student on Trolley Tracks
Jack Hooker Student on Trolley Tracks
Piper Hinson Student on Trolley Tracks
Melissa Kaskel Student on Trolley Tracks
Michael Rougeau Student on Trolley Tracks
Endang Pratiwi Street Vendor (voice)
Cinta Laura Kiehl Utami
Name Job
Anne McCarthy Casting
Paula Fairfield Sound Designer, Supervising Sound Editor
Dondy Adrian Assistant Art Director
Jonathan Davis Original Music Composer
John Huddles Director, Writer
Ade Rahman Boom Operator
J. Stanley Johnston Sound Re-Recording Mixer
Shani Gyde Costume Design
T. Moty D. Setyanto Art Direction
Oksana Sokol Script Supervisor
Paul L. Nanlohy Special Effects Coordinator
Natalia de la Garza Compositing Supervisor, Visual Effects Supervisor
Kellie Roy Casting
Rolf John Keppler Makeup Department Head
Peter Stott Camera Operator
Mark L. Mangino Dialogue Editor
Jonathan Ozoh Stunt Coordinator
Charlie Iturriaga Visual Effects Supervisor
Marco Augusto Comba Sound Re-Recording Mixer
Rully Suteja Costume Assistant
Mulyadi Electrician
Adam Howarth Special Effects Supervisor
Gary Coppola Sound Re-Recording Mixer
Abdul Manaf Location Manager
William Yeh Editor
John Attard Visual Effects Supervisor
Imam Dharmawan Santoso Property Master
Ross Perkin Set Designer
Jeffrey A. Pitts Sound Effects Editor
John Radel Director of Photography
Maciek Malish Foley
Sofa Mahendra Costume Assistant
Widya Rusnaeni Makeup & Hair
Emerson Moore Additional Editor
Muhammad Syarifudin Set Dresser
Yulian Syahramadhan Graphic Designer
Raffaele Apuzzo Visual Effects Coordinator
Paolo Li Causi CG Artist
Handri Sujarwo Clapper Loader
Sebastian Perez-Burchard Digital Intermediate Editor
Anita Sandrayanti Production Coordinator
Donald Baldie Additional Editorial Assistant
Lee Chee Kiong Construction Manager
Rino Chaniago Makeup & Hair Assistant
Giuseppe Moro Matte Painter
Ernesto Paganoni Lead Animator
Vina Rasiane Makeup & Hair Assistant
Sherwood Jones Assistant Editor
Nicholas O'Toole Original Music Composer
Robin L. D'Arcy Visual Effects Producer
Ikbal Wahyudin Boom Operator
Angela Halim Art Department Production Assistant
Solekhan Electrician
Johansyah Key Grip
Max Ruggio Visual Effects Technical Director
Taylor Mahony Digital Intermediate Editor
Francesco Dell'Anna Digital Compositor
Alan Pao Digital Intermediate Producer
Galih Suhanda Costume Assistant
Enrique Sandoval Castro Matte Painter
Nardi Basuki Production Accountant
Bambang Purnomo First Assistant Camera
Andy Howard First Assistant Director
Mayumi Roshika Haryoto Storyboard Artist
Diana Kertamihardja Costume Standby
Zac Murphy Gaffer
Andrea Marotti Visual Effects Producer
Iming Tailor
Gilberto Arpioni Compositor
Habib Bolqiah Second Assistant Camera
Ade Rusman Set Dresser
Abdullah Makeup & Hair Assistant
Mario Raini Compositor
Damian Drago Title Designer
Sonia Moggi Matte Painter
Syamsul Hadi Still Photographer
Andrea Trovato CGI Supervisor
Pipin Supinah Makeup & Hair Assistant
Kim Quiroz Visual Effects Coordinator
Lluis Barcelo CG Supervisor
Emma Gunawan Travel Coordinator
Michael Eaves Digital Intermediate Colorist
David Ingram Production Design
Name Title
George Zakk Producer
Cybill Lui Producer
John Huddles Producer
Organization Category Person
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Popularity History


Year Month Avg Max Min
2024 4 15 21 10
2024 5 18 25 14
2024 6 17 34 9
2024 7 20 39 11
2024 8 13 20 9
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2024 10 18 39 8
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2024 12 12 25 7
2025 1 13 21 9
2025 2 9 14 3
2025 3 5 17 1
2025 4 1 1 1
2025 5 1 1 1
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2025 8 1 1 0

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Reviews

tmdb28039023
1.0

I've watched a lot of dumb movies, but never had I seen one that defends the notion of 'ignorance is bliss' as zealously as After the Dark. Director John Huddles sets the action, such as it is, at an international school in Jakarta; specifically in Mr. Zimit's (James D'Arcy) class. Zimit's is ost ... ensibly a philosophy class, but it might as well be called 'Exposition 101'. “Do we feel like recapping some of our favorite thought experiments?,” Zimit asks rhetorically on the last day of school to his 20 students, some of whom proceed to do exactly that, also explaining what each experiment consists of. Now, a classroom is as good a place for an Info Dump as you’ll ever find, but this feels like something more appropriate for the first day of school, not the last; this unfortunate timing turns this into a transparent case of As You Know. Anyway, someone mentions the infinite monkey theorem: “if you put a monkey at a typewriter and let him bang away at it forever, he'll eventually, almost surely, completely randomly type out the entire play of Hamlet, word for word.” I'd make the obvious joke about how that’s the way this movie was written, except I'm convinced a monkey could do a much better job, and it wouldn't take forever either. All of this is just a preface to Zimit's own thought experiment, which is a mix of Survivor, Big Brother, and Dungeons & Dragons. Basically, there is a fallout shelter with a capacity of ten people and the class must decide which ten go in and which 11 — counting Zimit — are left out, based on the fictional professions that Zimit randomly assigns them. This exercise is done thrice, and the repetition only succeeds in highlighting how stupid the movie and its characters really are. For example, Zimit states about the shelter’s inhabitants that “They cannot share oxygen. Every cubic centimeter of breathable air here, once the outer door is sealed, comes from these compressed tanks. This place has been designed to hold 10 people for a year; one more person means death from hypoxia” (to save time, everyone pictures the exact same shelter). Additionally, the specifications established in the first exercise carry over into the second and third; e.g., the code to open the shelter door at the end of the year is always the same number. Despite this, the class decides that "we need a pregnancy as soon as possible ... produce a healthy baby during the course of the year of confinement" because "having children becomes the No. 1 job after the apocalypse." Guys, have you already forgotten that "one more person means death from hypoxia"? These characters are nowhere near as smart as Huddles would have us believe, especially James (Rhys Wakefield), boyfriend of Petra (Sophie Lowe); when it becomes apparent that she and Zimit are going to have to repopulate the planet by themselves, James reacts as if they are actually going to have sex (a reaction that makes no sense even within the simulation, considering he’s supposed o be gay in it). Fortunately for James, Petra likes them dumb, and to this preference is that we owe everything we see here; Zimit, with whom Petra has been cheating on James, believes "he's not smart enough for you." Thus, the whole thing is just a juvenile attempt to expose James’s lack of intelligence, which in turn doesn’t speak very highly of Zimit’s own cranial capacity. This Petra is something else, by the way; first she plays with Zimit's feelings, and then gets offended that he, philosophy professor and all, is still as human as the next guy and takes her stringing him along personal. From what we see of James, he wouldn't react much more maturely if he found out about Petra's duplicity, but she rationalizes keeping the truth from him thus: “Punishing [James] doesn't make sense because he doesn't know about us. I'm not sure he needs to know. Especially after how you behaved today.” How she has behaved, however, doesn’t trouble her in the least. All things considered, After the Dark's message is that “being smart isn't everything,” which is exactly what a fool would say. What else is there apart from intelligence? Physical beauty fades, and sense of humor can only take you so far. I, for one, would never date a person who thought this movie is any good at all.

Sep 03, 2022