Popularity: 1 (history)
Director: | John Huddles |
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Writer: | John Huddles |
Staring: |
At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse. | |
Release Date: | Jul 06, 2013 |
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Director: | John Huddles |
Writer: | John Huddles |
Genres: | Fantasy, Science Fiction, Drama, Thriller |
Keywords | philosophy, experiment, bunker, indonesia, survival, teacher, apocalypse, high school student, trolley problem |
Production Companies | An Olive Branch Productions, SCTV |
Box Office |
Revenue: $1,770,376
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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James D'Arcy | Eric Zimit |
Sophie Lowe | Petra |
Rhys Wakefield | James |
Bonnie Wright | Georgina |
Daryl Sabara | Chips |
Abhi Sinha | Kavi |
Freddie Stroma | Jack |
Katie Findlay | Bonnie |
George Blagden | Andy |
Jacob Artist | Parker |
Erin Moriarty | Vivian |
Maia Mitchell | Beatrice |
Philippa Coulthard | Poppie |
Toby Sebastian | Russell |
Hope Olaidé Wilson | Omosedé |
Melissa Le-Vu | Plum |
Darius Homayoun | Toby |
Chanelle Bianca Ho | Mitzi |
Taser Hassan | Nelson |
Natasha Gott | Yoshiko |
Asger Mariager | Young James (Age 7) |
James Moriarty | Young James (Age 12) |
Chamroeun Bustraan | Young James (Age 16) |
Julia Hodges | Best Friend on Tower |
Katherine Robertson | Best Friend on Tower |
Kory Brown | Student on Trolley Tracks |
Jack Hooker | Student on Trolley Tracks |
Piper Hinson | Student on Trolley Tracks |
Melissa Kaskel | Student on Trolley Tracks |
Michael Rougeau | Student on Trolley Tracks |
Endang Pratiwi | Street Vendor (voice) |
Cinta Laura Kiehl | Utami |
Name | Job |
---|---|
Anne McCarthy | Casting |
Paula Fairfield | Sound Designer, Supervising Sound Editor |
Dondy Adrian | Assistant Art Director |
Jonathan Davis | Original Music Composer |
John Huddles | Director, Writer |
Ade Rahman | Boom Operator |
J. Stanley Johnston | Sound Re-Recording Mixer |
Shani Gyde | Costume Design |
T. Moty D. Setyanto | Art Direction |
Oksana Sokol | Script Supervisor |
Paul L. Nanlohy | Special Effects Coordinator |
Natalia de la Garza | Compositing Supervisor, Visual Effects Supervisor |
Kellie Roy | Casting |
Rolf John Keppler | Makeup Department Head |
Peter Stott | Camera Operator |
Mark L. Mangino | Dialogue Editor |
Jonathan Ozoh | Stunt Coordinator |
Charlie Iturriaga | Visual Effects Supervisor |
Marco Augusto Comba | Sound Re-Recording Mixer |
Rully Suteja | Costume Assistant |
Mulyadi | Electrician |
Adam Howarth | Special Effects Supervisor |
Gary Coppola | Sound Re-Recording Mixer |
Abdul Manaf | Location Manager |
William Yeh | Editor |
John Attard | Visual Effects Supervisor |
Imam Dharmawan Santoso | Property Master |
Ross Perkin | Set Designer |
Jeffrey A. Pitts | Sound Effects Editor |
John Radel | Director of Photography |
Maciek Malish | Foley |
Sofa Mahendra | Costume Assistant |
Widya Rusnaeni | Makeup & Hair |
Emerson Moore | Additional Editor |
Muhammad Syarifudin | Set Dresser |
Yulian Syahramadhan | Graphic Designer |
Raffaele Apuzzo | Visual Effects Coordinator |
Paolo Li Causi | CG Artist |
Handri Sujarwo | Clapper Loader |
Sebastian Perez-Burchard | Digital Intermediate Editor |
Anita Sandrayanti | Production Coordinator |
Donald Baldie | Additional Editorial Assistant |
Lee Chee Kiong | Construction Manager |
Rino Chaniago | Makeup & Hair Assistant |
Giuseppe Moro | Matte Painter |
Ernesto Paganoni | Lead Animator |
Vina Rasiane | Makeup & Hair Assistant |
Sherwood Jones | Assistant Editor |
Nicholas O'Toole | Original Music Composer |
Robin L. D'Arcy | Visual Effects Producer |
Ikbal Wahyudin | Boom Operator |
Angela Halim | Art Department Production Assistant |
Solekhan | Electrician |
Johansyah | Key Grip |
Max Ruggio | Visual Effects Technical Director |
Taylor Mahony | Digital Intermediate Editor |
Francesco Dell'Anna | Digital Compositor |
Alan Pao | Digital Intermediate Producer |
Galih Suhanda | Costume Assistant |
Enrique Sandoval Castro | Matte Painter |
Nardi Basuki | Production Accountant |
Bambang Purnomo | First Assistant Camera |
Andy Howard | First Assistant Director |
Mayumi Roshika Haryoto | Storyboard Artist |
Diana Kertamihardja | Costume Standby |
Zac Murphy | Gaffer |
Andrea Marotti | Visual Effects Producer |
Iming | Tailor |
Gilberto Arpioni | Compositor |
Habib Bolqiah | Second Assistant Camera |
Ade Rusman | Set Dresser |
Abdullah | Makeup & Hair Assistant |
Mario Raini | Compositor |
Damian Drago | Title Designer |
Sonia Moggi | Matte Painter |
Syamsul Hadi | Still Photographer |
Andrea Trovato | CGI Supervisor |
Pipin Supinah | Makeup & Hair Assistant |
Kim Quiroz | Visual Effects Coordinator |
Lluis Barcelo | CG Supervisor |
Emma Gunawan | Travel Coordinator |
Michael Eaves | Digital Intermediate Colorist |
David Ingram | Production Design |
Name | Title |
---|---|
George Zakk | Producer |
Cybill Lui | Producer |
John Huddles | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 21 | 10 |
2024 | 5 | 18 | 25 | 14 |
2024 | 6 | 17 | 34 | 9 |
2024 | 7 | 20 | 39 | 11 |
2024 | 8 | 13 | 20 | 9 |
2024 | 9 | 16 | 25 | 8 |
2024 | 10 | 18 | 39 | 8 |
2024 | 11 | 12 | 21 | 9 |
2024 | 12 | 12 | 25 | 7 |
2025 | 1 | 13 | 21 | 9 |
2025 | 2 | 9 | 14 | 3 |
2025 | 3 | 5 | 17 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
I've watched a lot of dumb movies, but never had I seen one that defends the notion of 'ignorance is bliss' as zealously as After the Dark. Director John Huddles sets the action, such as it is, at an international school in Jakarta; specifically in Mr. Zimit's (James D'Arcy) class. Zimit's is ost ... ensibly a philosophy class, but it might as well be called 'Exposition 101'. “Do we feel like recapping some of our favorite thought experiments?,” Zimit asks rhetorically on the last day of school to his 20 students, some of whom proceed to do exactly that, also explaining what each experiment consists of. Now, a classroom is as good a place for an Info Dump as you’ll ever find, but this feels like something more appropriate for the first day of school, not the last; this unfortunate timing turns this into a transparent case of As You Know. Anyway, someone mentions the infinite monkey theorem: “if you put a monkey at a typewriter and let him bang away at it forever, he'll eventually, almost surely, completely randomly type out the entire play of Hamlet, word for word.” I'd make the obvious joke about how that’s the way this movie was written, except I'm convinced a monkey could do a much better job, and it wouldn't take forever either. All of this is just a preface to Zimit's own thought experiment, which is a mix of Survivor, Big Brother, and Dungeons & Dragons. Basically, there is a fallout shelter with a capacity of ten people and the class must decide which ten go in and which 11 — counting Zimit — are left out, based on the fictional professions that Zimit randomly assigns them. This exercise is done thrice, and the repetition only succeeds in highlighting how stupid the movie and its characters really are. For example, Zimit states about the shelter’s inhabitants that “They cannot share oxygen. Every cubic centimeter of breathable air here, once the outer door is sealed, comes from these compressed tanks. This place has been designed to hold 10 people for a year; one more person means death from hypoxia” (to save time, everyone pictures the exact same shelter). Additionally, the specifications established in the first exercise carry over into the second and third; e.g., the code to open the shelter door at the end of the year is always the same number. Despite this, the class decides that "we need a pregnancy as soon as possible ... produce a healthy baby during the course of the year of confinement" because "having children becomes the No. 1 job after the apocalypse." Guys, have you already forgotten that "one more person means death from hypoxia"? These characters are nowhere near as smart as Huddles would have us believe, especially James (Rhys Wakefield), boyfriend of Petra (Sophie Lowe); when it becomes apparent that she and Zimit are going to have to repopulate the planet by themselves, James reacts as if they are actually going to have sex (a reaction that makes no sense even within the simulation, considering he’s supposed o be gay in it). Fortunately for James, Petra likes them dumb, and to this preference is that we owe everything we see here; Zimit, with whom Petra has been cheating on James, believes "he's not smart enough for you." Thus, the whole thing is just a juvenile attempt to expose James’s lack of intelligence, which in turn doesn’t speak very highly of Zimit’s own cranial capacity. This Petra is something else, by the way; first she plays with Zimit's feelings, and then gets offended that he, philosophy professor and all, is still as human as the next guy and takes her stringing him along personal. From what we see of James, he wouldn't react much more maturely if he found out about Petra's duplicity, but she rationalizes keeping the truth from him thus: “Punishing [James] doesn't make sense because he doesn't know about us. I'm not sure he needs to know. Especially after how you behaved today.” How she has behaved, however, doesn’t trouble her in the least. All things considered, After the Dark's message is that “being smart isn't everything,” which is exactly what a fool would say. What else is there apart from intelligence? Physical beauty fades, and sense of humor can only take you so far. I, for one, would never date a person who thought this movie is any good at all.