Popularity: 2 (history)
| Director: | King Vidor | 
|---|---|
| Writer: | Frances Marion, R. Gore Brown, Lynn Starling | 
| Staring: | 
| A London barrister's marriage is under strain after his affair with a shopgirl who is out to have him. The story is told in flashback. | |
| Release Date: | Dec 24, 1932 | 
|---|---|
| Director: | King Vidor | 
| Writer: | Frances Marion, R. Gore Brown, Lynn Starling | 
| Genres: | Drama, Romance | 
| Keywords | extramarital affair, pre-code | 
| Production Companies | Howard Productions, Samuel Goldwyn Productions | 
| Box Office | 
              
                Revenue: $0
                Budget: $0  | 
      
| Updates | 
          Updated: Aug 03, 2024 Entered: Apr 26, 2024  | 
      
| Name | Character | 
|---|---|
| Ronald Colman | James Warlock | 
| Kay Francis | Clemency Warlock | 
| Phyllis Barry | Doris Emily Lea | 
| Henry Stephenson | John Tring | 
| Viva Tattersall | Milly Miles | 
| Florine McKinney | Garla | 
| Clarissa Selwynne | Onslow | 
| Paul Porcasi | Joseph the Maitre D' | 
| George Kirby | Mr. Boots | 
| Donald Stuart | Henry | 
| Wilson Benge | Jim's Valet Merton | 
| Halliwell Hobbes | Coroner at Inquest (uncredited) | 
| Erville Alderson | Jason | 
| Blanche Friderici | Concerned Mother in Courtroom (uncredited) | 
| Charlie Hall | Courtroom Spectator (uncredited) | 
| Colin Kenny | Officer at Inquest | 
| Rafael Alcayde | Mario | 
| Name | Job | 
|---|---|
| King Vidor | Director | 
| Alfred Newman | Original Music Composer, Music Director | 
| Frances Marion | Screenplay, Adaptation | 
| Frank Maher | Sound Recordist | 
| Sherry Shourds | Assistant Director | 
| H.M. Harwood | Theatre Play | 
| R. Gore Brown | Novel | 
| Hugh Bennett | Editor | 
| Ray June | Director of Photography | 
| Milo Anderson | Costume Design | 
| Lynn Starling | Screenplay, Adaptation | 
| Richard Day | Art Direction | 
| Name | Title | 
|---|---|
| Samuel Goldwyn | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 4 | 11 | 1 | 
| 2024 | 5 | 7 | 11 | 4 | 
| 2024 | 6 | 5 | 18 | 1 | 
| 2024 | 7 | 5 | 12 | 1 | 
| 2024 | 8 | 4 | 15 | 1 | 
| 2024 | 9 | 4 | 9 | 1 | 
| 2024 | 10 | 4 | 8 | 1 | 
| 2024 | 11 | 2 | 4 | 1 | 
| 2024 | 12 | 2 | 4 | 1 | 
| 2025 | 1 | 3 | 10 | 1 | 
| 2025 | 2 | 2 | 5 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 1 | 2 | 1 | 
| 2025 | 11 | 2 | 2 | 2 | 
Trending Position
I think what makes this rather unremarkable early talkie stand out is the role of the usually benevolent Henry Stephenson as "John Tring". This time his mellifluous, fireside tones have a distinctly disreputable quality and his character is positively sleazy! Ronald Colman ("Jim Warlock") is an happ ... ily married barrister who has a fling with Phyllis Barry ("Doris"). She pursues him and soon he has fallen in love, just as his wife (Kay Francis) returns from Italy where she had been trying to save her sister from a bad relationship. Told by way of a retrospective, King Vidor elicits a good effort from Colman, and the narrative that deals with adultery, tragedy and ambition is delivered in a gentle, but effective fashion - for 1932, anyway. Kay Francis features sparingly, but still manages to own the screen when she appears, and though his behaviour is despicable - it is quite difficult to loathe "Warlock" entirely. Sadly, however, it plods - the pace is rambling and the focus too blurred; the subject matter could have delivered more punch. As it is, it's watchable, but perhaps all just a bit too nice.