Popularity: 2 (history)
Director: | Danny Boyle |
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Writer: | John Hodge, Irvine Welsh |
Staring: |
After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie. | |
Release Date: | Jan 27, 2017 |
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Director: | Danny Boyle |
Writer: | John Hodge, Irvine Welsh |
Genres: | Comedy, Drama, Crime |
Keywords | prison, scotland, based on novel or book, fight, drug addiction, blackmail, cocaine, nightclub, junkie, heroin, edinburgh, scotland, friendship, addiction, sequel, revenge, prison escape, extortion, theft, bar fight, social realism, council estate, bulgarian |
Production Companies | DNA Films, TriStar Pictures, Film4 Productions, Cloud Eight Films, Creative Scotland, Decibel Films, LStar Capital |
Box Office |
Revenue: $41,681,746
Budget: $18,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ewan McGregor | Renton |
Jonny Lee Miller | Simon |
Ewen Bremner | Spud |
Robert Carlyle | Begbie / Begbie's Father |
Anjela Nedyalkova | Veronika |
Shirley Henderson | Gail |
Kelly Macdonald | Diane |
Pauline Turner | June |
Scot Greenan | Frank Junior |
James Cosmo | Renton's Father |
Irvine Welsh | Mikey Forrester |
Logan Gillies | Simon (aged 9) |
Ben Skelton | Renton (aged 9) |
Aiden Haggarty | Spud (aged 9) |
Daniel Smith | Begbie (aged 9) |
Elijah Wolf | Tommy (aged 9) |
Steven Robertson | Stoddart |
John Kazek | Tom (Rehab Group) |
Charlie Hardie | Fergus (aged 9) |
Scott Aitken | Farmer |
Gordon Kennedy | Tulloch |
Tereza Dušková | Tourism Girl |
Elek Kish | Dozo |
Lewis Gribben | Dealer |
Dominic Maccoll | Dealer |
Calum Verrecchia | Dealer |
Simon Weir | Jailhouse |
Bradley Welsh | Doyle |
Katie Leung | Nurse |
Thierry Mabonga | Security Officer Wilson |
Atta Yaqub | Medical Student |
Christopher Douglas | Chris the Oracle |
James McElvar | Simon (aged 20) |
Connor McIndoe | Renton (aged 20) |
Bryan Quinn | Man in Music Video |
Ged Hanley | Social Club Band |
Neil Thomson | Social Club Band |
Margaret Davies | Social Club Singer |
Alex Jackson | Social Club Singer |
Tom Urie | Big Bear |
Phil Coppola | Boxing Instructor |
John Bell | Spud (aged 20) |
Kyle Fitzpatrick | Fergus |
Eileen Nicholas | Renton's Mother (archive footage) |
Michael Shaw | Tommy (aged 20) |
Kevin McKidd | Tommy (archive footage) |
Lauren Lamb | Baby Dawn (archive footage) |
Devon Lamb | Baby Dawn (archive footage) |
Amy Manson | Woman in Club |
Russell Dunsmore | Hard Guy Driver |
Nebli Basani | Hardman |
Edyta Szewczyk | Girl in Sauna |
Fiori Miari | Girl in Sauna |
Pauline Lynch | Lizzy |
Christopher Mullen | Begbie (aged 20) |
Hamish Haggerty | Young Renton |
Daniel Jackson | Young Begbie |
Svetlana Yancheva | Veronika's Mother |
Emil Bonev | Veronika's Son |
Blair Flucker | Club Patron (uncredited) |
Adam James Johnston | Club Patron (uncredited) |
Name | Job |
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Danny Boyle | Director |
John Hodge | Adaptation, Screenplay |
Glenn Freemantle | Supervising Sound Editor, Sound, Sound Designer |
Anthony Dod Mantle | Director of Photography |
Robert Hladik | Stunt Driver |
Erol Mehmet | Stunts |
Rob Pavey | Stunts |
Peter Burgis | Foley Artist |
Mark DeSimone | ADR Mixer |
Chris Navarro | ADR Mixer |
Jim Elliott | Armorer |
Dan Henderson | Second Assistant "A" Camera |
Jon Harris | Editor |
Adam Squires | Art Direction |
Véronique Melery | Set Decoration |
Stephen Noble | Costume Design |
Claire Campbell | Production Manager |
Brendan Houghton | Storyboard |
Katie Johnston | Painter |
Elo Soode | Conceptual Design, Concept Artist |
Colin Gregory | First Assistant Sound Editor |
Colin Nicolson | Production Sound Mixer |
Rebecca Farhall | Casting Associate |
Martin Auld | Driver |
Russell D. Equi | Transportation Captain |
Andy Finnie | Driver |
Stuart W. Fraser | Driver |
Neil Cairns | Production Accountant |
Amy MacIlraith | Transportation Coordinator |
Sylvia Parker | Script Supervisor |
Lee Gren | Tattoo Designer |
Kamen Glover | Makeup Artist, Hairstylist |
Heather Manson | Makeup Artist, Hairstylist |
Ivana Primorac | Hair Designer |
Thomas Neivelt | Gaffer |
Jaap Buitendijk | Still Photographer |
Graeme Hunter | Still Photographer |
Niv Adiri | Sound Re-Recording Mixer, Sound Designer |
Ben Barker | Sound Designer |
Danny Freemantle | Sound Effects Editor |
Chey Anich | Stunt Double |
Lee Moulton-Davies | Stunt Double |
Julian Spencer | Fight Choreographer, Stunt Coordinator |
Scott Hunter | Camera Trainee |
Mark Appleby | ADR Mixer |
Linda Brenon | Foley Editor |
Zoe Freed | Foley Artist |
Glen Gathard | Foley Mixer |
James Wichall | Dialogue Editor |
Jemma Riley-Tolch | Foley Editor |
Emilie O'Connor | Dialogue Editor |
Nathaniel De'Lineadeus | Special Effects Makeup Artist |
Sarah Weatherburn | Wigmaker |
Christopher Wyatt | Art Direction |
Patrick Rolfe | Production Design |
Orlin Grozdanov | Set Decoration |
Rachael Fleming | Costume Design |
John Gorman | Property Master |
David Gilchrist | First Assistant Director |
Janice Macrae | Set Decoration Buyer |
Arwel Evans | Standby Art Director |
Lorna Houlihan | Assistant Art Director |
Emer O'Sullivan | Scenic Artist |
Zoe Wight | Scenic Artist |
Alice Walker | Art Department Assistant |
Natalie Astridge | Assistant Set Decoration |
Alastair Rae | "B" Camera Operator, Steadicam Operator |
John Watters | First Assistant "A" Camera |
Derrick Peters | First Assistant "B" Camera |
Chris Maxwell | Second Assistant "B" Camera |
Thomas Bryan | Camera Trainee |
Dan Carling | Digital Imaging Technician |
Sean Walker | Video Assist Operator |
Garry Fraser | Second Unit Director |
Zoe Liang | Second Unit First Assistant Director |
Harry Boyd | Second Unit First Assistant Director |
Michael Queen | Second Assistant Director |
Katharine K.K. Kennedy | Crowd Assistant Director |
Alex McKay | Third Assistant Director |
Irvine Welsh | Novel |
Gail Stevens | Casting |
Mark Tildesley | Production Design |
Chris Lyons | Special Effects Makeup Artist, Facial Setup Artist |
Rick Smith | Original Music Composer |
Priya Bhakta | Additional Construction |
Jon Hollis | Title Designer, Visual Effects |
Name | Title |
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Danny Boyle | Producer |
Christian Colson | Producer |
Bernard Bellew | Producer |
Andrew Macdonald | Producer |
Allon Reich | Executive Producer |
Irvine Welsh | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 32 | 56 | 19 |
2024 | 5 | 37 | 79 | 25 |
2024 | 6 | 29 | 46 | 19 |
2024 | 7 | 28 | 55 | 14 |
2024 | 8 | 25 | 51 | 14 |
2024 | 9 | 25 | 34 | 13 |
2024 | 10 | 20 | 40 | 14 |
2024 | 11 | 19 | 32 | 12 |
2024 | 12 | 20 | 37 | 14 |
2025 | 1 | 22 | 46 | 14 |
2025 | 2 | 14 | 23 | 4 |
2025 | 3 | 7 | 19 | 1 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 2 | 3 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 613 | 613 |
Year | Month | High | Avg |
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2025 | 7 | 452 | 682 |
Year | Month | High | Avg |
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2025 | 6 | 670 | 698 |
Year | Month | High | Avg |
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2025 | 5 | 610 | 756 |
Year | Month | High | Avg |
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2025 | 1 | 958 | 964 |
Year | Month | High | Avg |
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2024 | 11 | 572 | 743 |
**To face a revenge threat!** Okay the first film was good one. Then I thought it was unnecessary to make a sequel for it. But someone clarified that it was not made outside the novel to make money. It's indeed adapted from the sequel book of the original film's source. Though coming out 20 years ... later was the disadvantage. Except some praises it had received, particularly by its hardcore fans, it was average at the box office and I thought same as well. I did not like the story. It was just a random drag, not knowing what direction to head. That's until the third act, and once all the three main characters come together, so it gets interesting with something. Like surviving from from a revenge threat. It was the actors who saved the film. Otherwise, it is not even an average as I consider now. I don't think retaining the title was a good idea, but I think it was just for its fans. Or else, a new title name would have done a decent justice to what it had narrated. As I know, this is the director's first ever sequel and he's not getting better since his Oscar win, a decade ago. Especially the last two flicks, despite based on the very good subjects. Definitely no to the T3. Instead, I want another Oscar nod film from him. This would have been ever worse if somebody else would have made it. Yet, a watchable film, only if you had liked the first. So just think about it before going for it after seeing only positive words from a few people. _5/10_
OK...it may be bias, Trainspotting was one of my favorite movies, and one of the better, if frustrating, books I experienced in High School. And, I really want to avoid any hints towards the plot as....it might kill a lot of the humor for those that haven't seen it. So excuse the vagueness, but a ... fter watching it, you might see where its necessary from an entertainment not a twist standpoint. So...the bad: It is NOT "Porno" which breaks the heart because, well, "Porno" was absolutely hysterical, right down to why it had its title. That being said, the draw is the cast. Trainspotting was one of those "how the hell did they make this book into a coherent movie" movies and in many aspects "Porno" would have been easier, but would certainly still fit into that mold. So it's likely better that T2 didn't follow the book. Anyway, the joy is just seeing the crew back together again, the chemistry is still there, it's totally an ensemble cast and that was really the principal draw to the first film as well. I don't want to give away the plot, but the cast just works so well together, they know their characters and live them. And the characters are delightful to watch. I sort of feel that they could have thrown any script at them, and so long as the cast and characters stayed the same...the film would have been thoroughly entertaining. It doesn't hit as hard as the first film, but everyone has aged and it's still....brilliant. Really, you're watching it for the cast and characters, and it pays off in sheer entertainment.
A rather good sequel! <em>'T2 Trainspotting'</em> is exactly what I expected it to be. Turns out, it was also exactly what I wanted it to be. I thought it was great! I mentioned in my review of the original that I didn't like the characters, at all. Whilst that is indeed the case for that film, i ... n this follow-up it does a grand job at making you care for the main bunch more; well, aside from Franco but we don't talk about Franco. It probably is missing out on as much substance (pardon the pun), if only when compared to the 1996 flick, but evidently I'd argue it makes up for that with improved (harsh/wrong choice of word, perhaps) characterization. Even though I only watched the other movie for the first time a mere few hours prior, it was still cracking to see Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle back together in their respective roles - aged 'n all. I appreciate both films, albeit in different ways. This one I actually 'properly' enjoyed, whereas before it was more an appreciation of how effectively it was told. Terrific productions either way, really.