Popularity: 0.2 (history)
Director: | John M. Stahl |
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Writer: | Nunnally Johnson |
Staring: |
An artist returning from years abroad takes the identity of his dead valet and gets married, but then there are complications. | |
Release Date: | Aug 24, 1943 |
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Director: | John M. Stahl |
Writer: | Nunnally Johnson |
Genres: | Comedy, Drama |
Keywords | based on novel or book, mistaken identity, drawing, assumed identity, 1900s, edward vii, artist, painter, valet, spinster, westminster abbey |
Production Companies | 20th Century Fox |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 26, 2024 |
Name | Character |
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Monty Woolley | Priam Farll |
Gracie Fields | Alice Chalice |
Laird Cregar | Clive Oxford |
Una O'Connor | Sarah Leek |
Alan Mowbray | Mr. Pennington |
Melville Cooper | Dr. Caswell |
Franklin Pangborn | Duncan Farll |
Ethel Griffies | Lady Vale |
Eric Blore | Henry Leek |
George Zucco | Mr. Crepitude |
Fritz Feld | Critic |
Whit Bissell | Harry Leek (uncredited) |
Harold Miller | Mourner / Juror (uncredited) |
Bess Flowers | Mourner (uncredited) |
Dorothy Lloyd | Parrot Voice Imitator (uncredited) |
Thomas Louden | Court Clerk (uncredited) |
Joe Gilbert | Spectator (uncredited) |
Herschel Graham | Juror (uncredited) |
Name | Job |
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Nunnally Johnson | Screenplay |
John M. Stahl | Director |
Lucien Ballard | Director of Photography |
James B. Clark | Editor |
James Basevi | Art Direction |
Thomas Little | Set Decoration |
Guy Pearce | Makeup Artist |
Roger Heman Sr. | Sound |
Emil Newman | Music Director |
Arnold Bennett | Theatre Play |
Cyril J. Mockridge | Original Music Composer |
J. Russell Spencer | Art Direction |
René Hubert | Costume Design |
E. Clayton Ward | Sound |
Fred Sersen | Visual Effects |
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Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 5 | 14 | 2 |
2024 | 5 | 7 | 12 | 3 |
2024 | 6 | 6 | 16 | 2 |
2024 | 7 | 4 | 10 | 2 |
2024 | 8 | 5 | 12 | 2 |
2024 | 9 | 4 | 7 | 2 |
2024 | 10 | 2 | 4 | 1 |
2024 | 11 | 2 | 8 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 2 | 7 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 1 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 0 | 0 | 0 |
Trending Position
Monty Woolley is on great form here as the celebrated artist "Priam Farll" (surely that's got to be an anagram of something?) who is mistakenly attributed dead (instead of his valet). Quite content, he basks in the lack of limelight and forges a new life for himself and new wife "Alice" (Gracie Fiel ... ds). Money starts to get a bit tight, though, and his wife tries to sell one of his lately painted works. The dealer immediately identifies this as a genuine "Farll" and collector "Lady Vale" (Ethel Griffies) is soon collecting them. Of course, it doesn't take long for someone to spot that one of the paintings contains a depiction that did not occur until after the artist was supposed to have died. Allegations of fraud and fakery abound, culminating in a court case that - much like with "Witness for the Prosecution" (1957) is entirely stolen by the charming contribution of Una O'Connor. As you'd expect of an adaption from an Arnold Bennett story, there is humour a-plenty in the script, and Woolley delivers consistently and well. It also takes a pretty potent punt at the somewhat pompous art-dealing community, and at collectors with way more money than sense, too. A small, tight cast of supporting old pros chip in well to make this well worth a watch.