Popularity: 1 (history)
Director: | Henry King |
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Writer: | Talbot Jennings, Helga Moray, William A. Bacher, Frank Fenton, Michael Blankfort |
Staring: |
When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised land is South Africa and make their way there. Once there, they discover the hardships that are the reality of the homesteader experience. | |
Release Date: | Mar 01, 1955 |
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Director: | Henry King |
Writer: | Talbot Jennings, Helga Moray, William A. Bacher, Frank Fenton, Michael Blankfort |
Genres: | Adventure, Drama, Romance |
Keywords | famine, hostage, storm, south africa, ireland |
Production Companies | 20th Century Fox |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tyrone Power | Paul Van Riebeck |
Susan Hayward | Katie O'Neill |
Richard Egan | Kurt Hout |
John Justin | Shawn Kildare |
Agnes Moorehead | Aggie (Kildare's governess) |
Rita Moreno | Julia |
Hope Emerson | Maria DeGroot |
Brad Dexter | Lt. Christian |
Henry O'Neill | Squire O'Neill |
Paul Thompson | Tschaka |
Kem Dibbs | Outlaw |
Name | Job |
---|---|
Henry King | Director |
Barbara McLean | Editor |
Renié | Costume Design |
Ben Nye | Makeup Artist |
Franz Waxman | Original Music Composer |
Talbot Jennings | Screenplay, Story |
Helga Moray | Novel |
William A. Bacher | Writer |
Frank Fenton | Writer |
Michael Blankfort | Writer |
Leo Tover | Director of Photography |
Helen Turpin | Hairstylist |
Chester L. Bayhi | Set Decoration |
Stephen Papich | Choreographer |
Addison Hehr | Art Direction |
Walter M. Scott | Set Decoration |
Lyle R. Wheeler | Art Direction |
Stanley Hough | Assistant Director |
Name | Title |
---|---|
William A. Bacher | Producer |
Bert E. Friedlob | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 7 | 15 | 4 |
2024 | 5 | 12 | 20 | 4 |
2024 | 6 | 6 | 15 | 2 |
2024 | 7 | 7 | 12 | 3 |
2024 | 8 | 7 | 17 | 3 |
2024 | 9 | 7 | 11 | 3 |
2024 | 10 | 5 | 10 | 2 |
2024 | 11 | 5 | 11 | 2 |
2024 | 12 | 4 | 9 | 2 |
2025 | 1 | 5 | 14 | 2 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
Trending Position
"Katie" (Susan Hayward) and her husband "Shawn" (John Justin) are struggling to make a go of things on their Irish potato farm so hit on the idea of emigrating to the opportunities of Southern Africa. They arrive and soon discover that it's no easier making a living here than it was back home. She a ... lso meets up with old flame "Paul" (an unimpressive Tyrone Power) - a man of Dutch origin determined to fight the Boer cause against the ever encroaching British. Tragedy is never far from "Katie" and the film follows her rather turbulent life and relationships whilst trying to give us a little bit of a "Janet & John" on the political history of the forming of South Africa. What it actually gives us is a rather dreary, meandering, melodrama with Hayward well off her best juggling her men folk - which also includes Richard Egan's "Hout" by the mid-point - like she was spinning plates. There's little to like or admire in any of the characterisations on offer here, and although the cinematography is pretty impressive it cannot really untame this plodding will she/won't she drama that is really only improved by the occassional intervention of Agnes Moorehead's "Aggie" - perhaps the only person here who has a semblance of wits. It's too long and actually inclined to run a short scenario, reset it, then re-run it again - with a slightly different focus. I'm afraid that it's just a bit boring. Sorry.