Popularity: 1 (history)
| Director: | Olivier Assayas |
|---|---|
| Writer: | Olivier Assayas |
| Staring: |
| A beautiful woman, Sandra, seduces a wealthy businessman, Miles Rennburg. Little does he realise that she has been sent to kill him at the behest of her boyfriend/crime partner, Lester. Controlling all this is Sue, Lester's wife. | |
| Release Date: | Aug 22, 2007 |
|---|---|
| Director: | Olivier Assayas |
| Writer: | Olivier Assayas |
| Genres: | Drama, Thriller |
| Keywords | paris, france, chase, stalker, murder, hong kong, drugs |
| Production Companies | Canal+, Samsa Film, Margo Films, TPS Star, Memento Films International, October Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Asia Argento | Sandra |
| Michael Madsen | Miles Rennberg |
| Kelly Lin Hsi-Lei | Sue Wang |
| Kim Gordon | Kay |
| Carl Ng Ka-Lung | Lester Wang |
| Alex Descas | Andrew |
| Joana Preiss | Lisa |
| Raymond Tsang Chau-Ming | Abacus Boss |
| Chim Bing-Hei | Abacus Worker #1 |
| Lee Kim-Wing | Abacus Worker #2 |
| Boss Mok | Mr. Ho |
| Régis Vidal | DJ at Vega |
| François-Renaud Labarthe | Night Watchman |
| Mustapha Abdellah | Security Guard |
| Samantha Veyne | Miles' Secretary |
| Chin Yiu-Wing | Karaoke Singer |
| Wing Yin Tam | Karaoke Girl Singer #1 |
| Ka Wai Chan | Karaoke Girl Singer #2 |
| Stanley Lai | Karaoke Friend #1 |
| Mario Choi | Karaoke Friend #2 |
| Steven Ng Shing-Tat | Kay's Driver |
| Ricky Wong Chun-Tong |
| Name | Job |
|---|---|
| Sylvie Barthet | Production Manager, Line Producer |
| Severine Marla Levy | Key Hair Stylist |
| Xavier Douin | Second Assistant Director |
| Chen On Chu | Line Producer |
| Madalena Chan | Casting |
| Stanley Chan Wan Sze | Production Assistant |
| Laurent Coppola | Assistant Unit Manager |
| Stéphanie Fortunato | Assistant Art Director |
| Pierre Michel-Estival | Title Designer |
| Luc Barnier | Editor |
| Maya Benamer | Key Makeup Artist |
| Delphine Heude | Third Assistant Director |
| Olivier Seiler | Props |
| Lucie Bories | Digital Compositor |
| Pascal Guégan | Stunts |
| David Camus | Additional Grip |
| Claire Andrieu | Extras Casting |
| Julie Delord | Assistant Editor |
| Lysiane Biagini | Location Scout |
| Olivier Suffert | Driver |
| Guy Pechard | Thanks |
| Davina To | Third Assistant Director |
| Guillaume Leriche | ADR Engineer |
| Bertrand Levallois | Visual Effects Supervisor |
| Audrey Ottaviano | Stunts |
| Cyril Dupont | Electrician |
| Léo Hinstin | Second Assistant Camera |
| Bénédicte Cazauran | Assistant Editor |
| Célia Lafitedupont | Assistant Editor |
| Jean-Marie Modet | Location Manager |
| Tatiana Bouchain | Production Coordinator |
| Stéphane Afchain | Additional Grip |
| Benoît Féréol | Grip |
| Benoît Rizzotti | First Assistant Camera |
| Thomas Colban | Assistant Editor |
| Lionel Berner | Assistant Location Manager |
| Valérie Novel | Location Scout |
| Alex Panagakis | Publicist |
| Crystal Pa | Costume Design |
| Olivier Assayas | Director, Writer |
| Yorick Le Saux | Director of Photography |
| Antoinette Boulat | Casting |
| Anaïs Romand | Costume Designer, Costume Design |
| Luc Bricault | Second Assistant Director |
| Matthew Gledhill | First Assistant Director |
| Daniel Sobrino | Sound |
| Stéphane Germain | Key Grip |
| Name | Title |
|---|---|
| François Margolin | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 25 | 7 |
| 2024 | 5 | 17 | 39 | 7 |
| 2024 | 6 | 12 | 19 | 6 |
| 2024 | 7 | 13 | 21 | 8 |
| 2024 | 8 | 10 | 17 | 7 |
| 2024 | 9 | 11 | 21 | 5 |
| 2024 | 10 | 9 | 17 | 6 |
| 2024 | 11 | 9 | 20 | 6 |
| 2024 | 12 | 9 | 15 | 5 |
| 2025 | 1 | 9 | 14 | 5 |
| 2025 | 2 | 6 | 10 | 3 |
| 2025 | 3 | 5 | 8 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 3 | 2 |
| 2025 | 11 | 2 | 2 | 1 |
Trending Position
Decent enough drama-thriller that could've greatly been tightened up if the two dialogue-heavy scenes between Argento and Madsen were reduced (and were really redundant anyway). But after that, I thought it had its moments and Argento for her part was great. This is the type of movie that could be r ... emade and done better. **3.0/5**