Popularity: 10 (history)
Director: | Guillermo del Toro |
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Writer: | Guillermo del Toro |
Staring: |
In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy. | |
Release Date: | Oct 11, 2006 |
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Director: | Guillermo del Toro |
Writer: | Guillermo del Toro |
Genres: | Fantasy, Drama, War |
Keywords | resistance, servant, anti hero, fairy tale, franco regime (francoism), army, princess, woods, cruelty, hiding, labyrinth, magic realism, dark fairy tale, children in wartime, post spanish civil war, faun, gloomy |
Production Companies | Telecinco Cinema, Estudios Picasso, Esperanto Filmoj, Tequila Gang |
Box Office |
Revenue: $83,258,226
Budget: $19,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Aug 14, 2024 |
Name | Character |
---|---|
Ivana Baquero | Ofelia |
Sergi López | Capitán Vidal |
Maribel Verdú | Mercedes |
Ariadna Gil | Carmen |
Doug Jones | Fauno / Pale Man |
Álex Angulo | Dr. Ferreiro |
Roger Casamajor | Pedro |
Manolo Solo | Garcés |
César Vea | Serrano |
Ivan Massagué | El Tarta |
Gonzalo Uriarte | Francés |
Eusebio Lázaro | Padre |
Francisco Vidal | Sacerdote |
Juanjo Cucalón | Alcalde |
Lina Mira | Esposa del alcalde |
Mario Zorrilla | Jefe de botiquín |
Sebastián Haro | Capitán Guardia Civil |
Mila Espiga | Esposa del doctor |
Pepa Pedroche | Conchita |
Lalá Gatóo | Jacinta |
Ana Sáez | Paz |
Chani Martín | Trigo |
Milo Taboada | Joven |
Fernando Albizu | Maquinista |
Pedro G. Marzo | Encargado |
José Luis Torrijo | Sargento Bayona |
Íñigo Garcés | Joven Guerrillero |
Fernando Tielve | Joven Guerrillero 2 |
Federico Luppi | Rey |
Chicho Campillo | Anciano |
Pablo Adán | Narrator / Fauno (voice) |
Name | Job |
---|---|
Guillermo del Toro | Director, Screenplay |
Eugenio Caballero | Production Design |
Reyes Abades | Special Effects Coordinator, Special Effects Supervisor |
Blanca Sánchez | Hairstylist |
Cristina Perales | Casting |
Martín Hernández | Supervising Sound Editor, Sound Designer |
Bernat Vilaplana | Editor |
Sara Bilbatúa | Casting |
Lala Huete | Costume Design |
Miguel Ángel Polo | Sound, Sound Designer |
Raúl Monge | Storyboard Artist, Storyboard |
Héctor Gil | Property Master |
Rocío Redondo | Costume Design |
Óscar Abades | Special Effects |
Roland N. Thai | Sound Effects Editor |
Patricia Cuevas | Property Master |
Michael Toji | Post Production Supervisor |
Jesús de la Vega | Thanks |
Carmen Soriano | Script Supervisor |
Fran Amaro | Assistant Editor |
Sally Steele | Publicist |
David Martí | Makeup Effects Designer |
Laura Musso | Set Decoration, On Set Dresser |
Bruce Saintclaire | Camera Operator |
David Domínguez | Camera Operator |
Juan Leiva | First Assistant "A" Camera |
Rodrigo López | First Assistant "C" Camera |
David Lee | Gaffer |
Roberto Campos | Generator Operator |
Edmundo Sanz | Key Grip |
José Luis Torrecilla | Rigging Gaffer |
Jon Elizegui | Second Assistant Camera |
Jaromír Šedina | Steadicam Operator |
Mar Paradela | Assistant Makeup Artist |
Víctor Albarrán | Line Producer, Unit Production Manager |
Jorge Calvo | First Assistant Director (Prep) |
Karin Marzocchini | Third Assistant Director |
Pedro Calderón Muñoz | Painter |
Patricia Cuevas | Property Master |
Alberto Feito | Construction Manager |
Philippe Mayanobe | Assistant Set Decoration |
Sergio Sandoval | Concept Artist |
Marta Monistrol | ADR Recordist |
Carlos Zamorano | Foley Artist |
Raquel Guirro | Special Effects Assistant |
Ryan Bozajian | Rotoscoping Artist |
Steve Dellerson | Visual Effects |
David Ebner | Production Executive |
Josh Heeren | Visual Effects Editor |
Wendy Hulbert | Visual Effects Coordinator |
Grzegorz Jonkajtys | Lead Animator |
Javier Navarrete | Original Music Composer |
Montse Ribé | Makeup Effects Designer |
José Quetglás | Makeup Artist |
Angie Jones | Animation |
Jordi Casares | Stunt Coordinator |
Marc Blanes Matas | Scoring Mixer |
Teresa Isasi | Still Photographer |
Everett Burrell | Visual Effects Supervisor |
Pablo Perona | Special Effects |
Pilar Revuelta | Set Decoration, Set Designer |
Bruce St. Clair | Camera Operator |
Olaf Guembe | Camera Loader |
Carlos Zaragoza | Assistant Art Director |
Sergio Delgado | First Assistant "B" Camera |
Paco Laso | First Assistant "D" Camera |
Ricardo Rodríguez | Gaffer |
Pavel Proisl | Grip |
Rick Stribling | Key Grip |
Álvaro García | Second Assistant Camera |
Antonio Belón | Second Assistant Camera |
Silvia Alonso | Production Office Assistant |
Aleix Torrecillas | Special Effects Makeup Artist |
Mandy Goldberg | Post Production Supervisor |
Borja Grandío | Second Assistant Director |
Jesús María Antón Rodríguez | Carpenter |
Alicia Castro Chicol | Assistant Art Director |
Pedro Jesús De la Fuente | Construction Coordinator |
Ariel Margolis | Props |
Dana Blanco | Sound Effects Editor |
César Abades | Special Effects Technician |
Ángel Alonso | Special Effects Coordinator |
Jeff Barnes | Production Executive |
Doug Cram | Digital Compositor |
Ron Friedman | Animation Supervisor |
Lindsay M. Hoppe | Rotoscoping Artist |
Edward Irastorza | Visual Effects Producer |
Neil Lim Sang | Senior Animator |
Akira Orikasa | CG Supervisor |
Guiomar Alonso | Stunt Double |
Cristina Perales | Casting Assistant |
Asun Arretxe | Costume Assistant |
Lap Van Luu | Systems Administrators & Support |
Leigh van der Byl | Lighting Technician |
Tommy Williamson | Compositing Supervisor |
Antonio Arnalte | Stunts |
José Luis Aranda | Tailor |
Joe Fineman | Post Production Consulting |
Pedro Lozano | Post Production Coordinator |
Chris Wallace | Digital Intermediate Colorist |
Barbara Allegue | Location Assistant |
Felix Buenache | Driver |
Vivien Quetglas | Production Secretary |
Nick Iannelli | Digital Intermediate Producer |
Dave Muscat | Digital Intermediate Editor |
James Yazbeck | Post Production Assistant |
Brian Howard | Conductor |
George Nicholis | Publicist |
Alejandro Quevedo | Sound Effects Editor |
Alejandro González Iñárritu | Thanks |
Guillermo Navarro | Director of Photography |
Ángel Solo | Stunt Double |
Name | Title |
---|---|
Guillermo del Toro | Producer |
Álvaro Augustin | Producer |
Frida Torresblanco | Producer |
Belén Atienza | Executive Producer |
Elena Manrique | Executive Producer |
David Ebner | Associate Producer |
Edmundo Gil | Co-Executive Producer |
Alfonso Cuarón | Producer |
Bertha Navarro | Producer |
David Ebner | Associate Producer |
O.D. Welch | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Animated Feature | N/A | Nominated |
BAFTA Awards | Best Actress | Ivana Baquero | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 73 | 126 | 51 |
2024 | 5 | 158 | 181 | 108 |
2024 | 6 | 106 | 175 | 51 |
2024 | 7 | 79 | 126 | 57 |
2024 | 8 | 59 | 89 | 47 |
2024 | 9 | 58 | 81 | 42 |
2024 | 10 | 53 | 70 | 38 |
2024 | 11 | 58 | 89 | 43 |
2024 | 12 | 50 | 60 | 40 |
2025 | 1 | 57 | 70 | 44 |
2025 | 2 | 47 | 65 | 10 |
2025 | 3 | 17 | 67 | 3 |
2025 | 4 | 10 | 12 | 8 |
2025 | 5 | 9 | 12 | 7 |
2025 | 6 | 10 | 11 | 8 |
2025 | 7 | 9 | 11 | 8 |
2025 | 8 | 10 | 11 | 10 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 229 | 433 |
Year | Month | High | Avg |
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2025 | 7 | 224 | 701 |
Year | Month | High | Avg |
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2025 | 6 | 319 | 664 |
Year | Month | High | Avg |
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2025 | 5 | 225 | 694 |
Year | Month | High | Avg |
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2025 | 4 | 194 | 652 |
Year | Month | High | Avg |
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2025 | 3 | 202 | 661 |
Year | Month | High | Avg |
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2025 | 2 | 309 | 762 |
Year | Month | High | Avg |
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2025 | 1 | 271 | 732 |
Year | Month | High | Avg |
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2024 | 12 | 360 | 720 |
Year | Month | High | Avg |
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2024 | 11 | 346 | 732 |
Year | Month | High | Avg |
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2024 | 10 | 329 | 699 |
Year | Month | High | Avg |
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2024 | 9 | 499 | 744 |
Year | Month | High | Avg |
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2024 | 8 | 575 | 821 |
Beautiful movie from Guillermo del Toro and while I did like the movie and its World War II-era plot, I can't say I was totally in love, feeling this was more style over substance, though the acting from the young Ivana Baquero was really good. **4.0/5** ...
I think this is my favourite film, as yet, from Guillermo del Toro - and it gets better the more you watch it. Set against at backdrop of a Spain still trying to recover from it's civil war, the young "Ofelia" and her pregnant mother "Carmen" are sent to live with the rather brutish "Capt. Vidal". N ... ow he is a singularly nasty piece of work and the girl longs to meet her own real father. It's in the middle of the night that "Ofelia" encounters a sprite who offers her some hope. It knows of a faun in the middle of a maze who might be able to help, and so they set of in search of this ostensibly sagely and benign creature. The meeting offers her far more than a glimmer, she need only complete three tasks and will find herself taking up her inheritance as a princess and reunited with her kingly father. What now ensues is a fairy tale full of dark magic and untrustworthy characters whom the young girl must face if she is to succeed. Given the atrocities being carried out in the real world around her, she seeks more and more solace in this nether world that is probably just as dangerous - it certainly has it's fair share of malevolence and duplicity - but with her father the ultimate goal, she perseveres with wisdom and gritty determination. What makes this work is the delicious permutations of evil it offers. Contrasting the real with the fabled, the human with the fantasy - and the decency the young girl epitomises is by no means certain of success. The visual effects cleverly integrate both of her worlds without dominating the look of the film or the potency of the story - one of love, ambition, fear, trickery. It's creatively exciting and captivating too. This is storytelling at it's best, and on a big screen can be appreciate to it's full - and dazzling - effect.
Pan's Labyrinth is a movie that really gets you thinking. You can see it two ways: either it's a dark fairy tale about a princess escaping to a magical world, or it's about a little girl using her imagination to deal with some really tough stuff. What's cool is that the movie gives you reasons to ... believe both things. Like, Ofelia draws a door with chalk and actually walks through it? And the root she puts under her mom's bed seems to help? That makes you wonder if it's all real. But then, all the monsters and the things she has to do? They seem to match up perfectly with the problems she's facing in real life. Plus, the bad guy can't even see the Faun. The best part is, the movie doesn't tell you which one is right. You want to believe Ofelia gets her happy ending in a magical kingdom. But you also realize that maybe you just want that because you feel so bad for her. Del Toro, is really good at making you care, and then leaving you to figure it out. It's not just a story; it makes you think about what's real and what's not, and how our minds try to protect us when things get rough."