Popularity: 2 (history)
| Director: | Stanley Donen |
|---|---|
| Writer: | Leonard Gershe |
| Staring: |
| A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model. | |
| Release Date: | Feb 13, 1957 |
|---|---|
| Director: | Stanley Donen |
| Writer: | Leonard Gershe |
| Genres: | Comedy, Romance, Music |
| Keywords | paris, france, photographer, dance, musical, man woman relationship, intellectual, beatnik, fashion photographer, book store, eiffel tower, paris, fashion show, fashion magazine, high fashion, fashion model, women's fashion |
| Production Companies | Paramount Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Audrey Hepburn | Jo Stockton |
| Fred Astaire | Dick Avery |
| Kay Thompson | Maggie Prescott |
| Michel Auclair | Prof. Emile Flostre |
| Robert Flemyng | Paul Duval |
| Dovima | Marion |
| Suzy Parker | Specialty Dancer (Think Pink Number) |
| Sunny Hartnett | Specialty Dancer (Think Pink Number) |
| Jean Del Val | Hairdresser |
| Virginia Gibson | Babs |
| Sue England | Laura |
| Ruta Lee | Lettie |
| Alex Gerry | Dovitch |
| Bess Flowers | Fashion Show Spectator |
| Iphigenie Castiglioni | Armande |
| Bert Stevens | Guest at Aborted Fashion Show |
| Harold Miller | Guest at Aborted Fashion Show (uncredited) |
| Franklyn Farnum | Guest at Duval's Fashion Show (uncredited) |
| Brandon Beach | Guest at Aborted Fashion Show |
| Carole Eastman | Specialty Dancer (uncredited) |
| Leoda Richards | Fashion Show Spectator |
| Marion Gray | |
| Marilyn White | Receptionist (uncredited) |
| Oliver Cross | Fashion Show Guest (uncredited) |
| Charles Fogel | Fashion Show Guest (uncredited) |
| Sam Harris | Fashion Show Guest (uncredited) |
| Name | Job |
|---|---|
| Adolph Deutsch | Orchestrator, Conductor |
| Stanley Donen | Director |
| Edith Head | Costume Design |
| Sam Comer | Set Decoration |
| Wally Westmore | Makeup Supervisor |
| George Gershwin | Original Music Composer, Songs |
| Ira Gershwin | Lyricist |
| Richard Avedon | Title Designer |
| Ray June | Director of Photography |
| Hubert de Givenchy | Costume Design |
| Van Cleave | Orchestrator |
| Roger Edens | Additional Music |
| George W. Davis | Art Direction |
| Alexander Courage | Orchestrator |
| Leonard Gershe | Writer, Additional Music |
| Conrad Salinger | Orchestrator |
| Skip Martin | Orchestrator |
| Eugene Loring | Choreographer |
| Hal Pereira | Art Direction |
| John P. Fulton | Special Effects |
| Richard Mueller | Other |
| Frank Bracht | Editor |
| Nellie Manley | Hair Supervisor |
| Winston H. Leverett | Sound Recordist |
| Robert McCrellis | Props |
| Farciot Edouart | Special Effects |
| George Leverett | Sound Recordist |
| Carmel Snow | Thanks |
| Charles Sickler | Grip |
| Ray Moyer | Set Decoration |
| William McGarry | Assistant Director |
| Mike Semenario | Grip |
| Fred Astaire | Choreographer |
| Name | Title |
|---|---|
| Roger Edens | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Actress | Audrey Hepburn | Nominated |
| Cannes Film Festival | Best Supporting Actress | Kay Kendall | Won |
| Venice Film Festival | Best Supporting Actress | Kay Kendall | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 29 | 48 | 20 |
| 2024 | 5 | 28 | 43 | 16 |
| 2024 | 6 | 24 | 42 | 12 |
| 2024 | 7 | 50 | 128 | 21 |
| 2024 | 8 | 25 | 56 | 16 |
| 2024 | 9 | 19 | 32 | 11 |
| 2024 | 10 | 17 | 47 | 11 |
| 2024 | 11 | 16 | 31 | 9 |
| 2024 | 12 | 15 | 26 | 8 |
| 2025 | 1 | 19 | 32 | 12 |
| 2025 | 2 | 12 | 21 | 3 |
| 2025 | 3 | 6 | 18 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 2 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 2 | 2 | 2 |
Trending Position
Despite the presence of Audrey Hepburn and Fred Astaire, I think this film actually belongs to Kay Thompson. She plays really well as the 1950s version of Dame Anna Wintour in this amiable, if a little thinly spread, musical comedy. Infuriated by the rather drab quality of her latest "Quality" magaz ... ine, she determines to revamp the whole thing. In pink! A bookshop being used for a photo shoot by "Avery" (Astaire) provides the unlikely source for her new model - "Jo" (Hepburn) who is to the fashion industry what Herod was to babies. "Avery" is clever, though, and he offers a trade off that sees her do a shoot in Paris in return for a meeting with "Prof. Flostre" (Michel Auclair). What now ensues is all fairly predictable, a love triangle with "Jo" in the middle vacillating. George & Ira Gerschwin provided the musical numbers, and though they are very well staged, the film lacks a killer song. That said, Thompson is on super form as the no-nonsense boss, the dance numbers are colourful and energetic and finally, Hepburn has a lovely vivacity and enthusiasm to her performance - she takes to the musical numbers very much like a duck to water. Astaire isn't at his best, and Robert Flemyng's accent isn't the best either - but at the end, the whole thing falls into place with an enjoyable certainty.