Popularity: 0.3 (history)
| Director: | Tanel Toom |
|---|---|
| Writer: | Caroline Bruckner, Tanel Toom |
| Staring: |
| Sam can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic. | |
| Release Date: | Jun 12, 2010 |
|---|---|
| Director: | Tanel Toom |
| Writer: | Caroline Bruckner, Tanel Toom |
| Genres: | Drama, Thriller |
| Keywords | |
| Production Companies | NFTS |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 03, 2025 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Lewis Howlett | Sam |
| Joe Eales | Jacob |
| James Simmons | Priest |
| Emma Atkins | Teacher |
| Peter John Mossford | Farmer Collins |
| Aran Bell | Sam's Father |
| Helen Hull | Sam's Mother |
| Becky Hull | Sam's Sister |
| Corrine Millson-Crane | Woman in Car |
| Sonu Louis | Man in Car |
| Evelyn Millson-Crane | Child in Car |
| Name | Job |
|---|---|
| Caroline Bruckner | Writer |
| Jussi Honka | Sound Director |
| Corrine Millson-Crane | Production Manager, Line Producer |
| Davide Cinzi | Director of Photography |
| James Morrall | Art Direction |
| Lucy Friend | Hairstylist, Makeup Artist |
| Marina Pichugina | Third Assistant Director |
| Lucy Gahagan | Standby Art Director |
| Sarah Howe | Boom Operator |
| Peter Kersey | Special Effects Supervisor |
| Giles Andrews | Gaffer |
| Lucy Jenkins | Casting |
| Tom O'Keefe | Gaffer |
| Caleb Wissun-Bhide | Assistant Camera |
| Ernesto Herrmann | Focus Puller |
| Mauricio D'Orey | Digital Imaging Technician |
| Dean Ewen-Lettman | Visual Effects |
| Belgin Kaplan | Digital Imaging Technician, Visual Effects |
| Juan Pablo Salazar Barney | Digital Colorist |
| Paul Lambert | Music |
| Marianne Kuopanportti | Editor |
| Yann Seabra | Costume Design |
| Howard Arundel | First Assistant Director |
| Thalia Ecclestone | Art Department Assistant |
| Ricky Butt | Foley Artist |
| Jo Vale | Sound Recordist |
| Jim Dowdall | Stunt Coordinator |
| Alex Edyvean | Gaffer |
| Ed Sinclair | Grip |
| Tom O'Keefe | Assistant Camera |
| Felix Milburn-Foster | Grip |
| George Foote | Still Photographer |
| Giacomo Matteucci | Visual Effects Coordinator |
| Allar Kaasik | Visual Effects |
| Dillan Nicholls | Visual Effects |
| Andrew Scattergood | Visual Effects |
| Tanel Toom | Director, Writer |
| Luke Hull | Production Design |
| Sez Niederer | Script Supervisor |
| Giulia Scrimieri | Costume Assistant |
| Christian Johannes Kask | Assistant Camera |
| Name | Title |
|---|---|
| Emily Williams | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 10 | 1 |
| 2024 | 5 | 4 | 6 | 2 |
| 2024 | 6 | 4 | 12 | 1 |
| 2024 | 7 | 4 | 7 | 2 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 2 | 5 | 1 |
| 2024 | 10 | 2 | 9 | 1 |
| 2024 | 11 | 3 | 8 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 1 | 3 | 0 |
| 2025 | 10 | 2 | 3 | 0 |
| 2025 | 11 | 0 | 0 | 0 |
Trending Position
With their first confession looming large, two young lads - "Sam" (Lewis Howlett) and his best pal "Jacob" (Joe Eales) are quite apprehensive. They've no real need to be - it's not like they are axe-murderers or anything, but maybe that's the problem. They have done nothing, not even the slightest n ... aughty thing. Moreover, they don't want to war a frock either... A rehearsal - yep, let's use a bag of crisps as the communion wafer then what might they actually say when it comes down to it? Methinks a prank is in order - otherwise the priest will be bored! Into the farmer's field they go to make some mischief with the scarecrow and his plodding tractor - but yikes, does it all go tragically wrong. As the ramifications of their actions and behaviour dawn on them more, they must make some very tough choices - but will they do what is right? The second part of this drama is much darker, more tautly directed and more potent and it also showcases a pretty strong performance from the young Howlett as his character's conscience becomes increasingly troubled. Maybe just a little on the long side, but it's still quite a compelling short feature to watch, inviting us to take a view on the entire concept of priestly absolution...