Popularity: 0.6 (history)
Director: | Jack Cardiff |
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Writer: | Ken Taylor, A.J. Cronin, Kenneth Hyde |
Staring: |
A World War II evacuee returns years later to England and finds his father in prison framed for murder. | |
Release Date: | Apr 28, 1959 |
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Director: | Jack Cardiff |
Writer: | Ken Taylor, A.J. Cronin, Kenneth Hyde |
Genres: | Mystery |
Keywords | liverpool, england, framed for a crime, veteran |
Production Companies | Georgefield Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: May 08, 2024 (Update) Entered: Apr 25, 2024 |
Name | Character |
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Van Johnson | Paul Mathry |
Vera Miles | Lena Anderson |
Emlyn Williams | Enoch Oswald |
Bernard Lee | Patrick Mathry |
Jean Kent | Louise Burt |
Moultrie Kelsall | Chief Inspector Dale |
Leo McKern | McEvoy |
Geoffrey Keen | Prison Governor |
Jameson Clark | James Swann |
Rosalie Crutchley | Ella Mathry |
Oliver Johnston | Albert Prusty |
Vincent Winter | Paul as a Boy |
Anthony Newlands | Robert Dunn |
Eira Heath | Mona Spurling |
Hope Jackman | Landlady |
Ralph Truman | Sir Matthew Sprott |
Joyce Heron | Lady Catherine Sprott |
Vincent Winter | Paul Mathry, Aged 6 |
Henry Oscar | Alderman Sharpe |
John Glyn-Jones | Magistrate |
Thomas Baptiste | Haydock |
Michael Collins | Detective Sergeant Trevor |
Lynda King | Miss Williams |
Danny Green | Roach |
Emma Young | Street Walker |
Frank Atkinson | Night Doorman |
Name | Job |
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Jack Cardiff | Director |
Fred Ryan | Sound Recordist |
Douglas Gamley | Music |
Ernest Walter | Editor |
Joan Smallwood | Hairdresser |
Muir Mathieson | Conductor |
Ken Taylor | Screenplay |
Kay Rawlings | Continuity |
Neville Smallwood | Makeup Artist |
A.J. Cronin | Novel |
Laurie Ridley | Still Photographer |
Peter Thornton | Sound Editor |
Wilkie Cooper | Director of Photography |
Ken Adam | Art Direction |
Charles Poulton | Sound Supervisor |
William Hill | Production Manager |
Kenneth Hyde | Adaptation |
Ronnie Taylor | Camera Operator |
Len Shilton | Sound Recordist |
Frank Ernst | Assistant Director |
Name | Title |
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Maxwell Setton | Producer |
John R. Sloan | Producer |
George Minter | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 4 | 8 | 1 |
2024 | 5 | 4 | 7 | 1 |
2024 | 6 | 2 | 3 | 1 |
2024 | 7 | 4 | 9 | 1 |
2024 | 8 | 3 | 6 | 1 |
2024 | 9 | 3 | 9 | 1 |
2024 | 10 | 2 | 4 | 1 |
2024 | 11 | 1 | 3 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 4 | 1 |
2025 | 2 | 1 | 1 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
I like poodles! Beyond This Place (AKA: Web of Evidence) is directed by Jack Cardiff and adapted to screenplay by Ken Taylor from the A.J. Cronin novel. It stars Van Johnson, Vera Miles, Emlyn Williams, Bernard Lee and Jean Kent. Music is by Douglas Gamley and cinematography by Wilkie Cooper. ... Paul Mathry (Johnson) was evacuated from Liverpool to America during WWII. Twenty years later he is back in Liverpool believing his father had died a hero during the conflict. The reality is that his father, Patrick (Lee), has been serving a prison sentence for the murder of his pregnant mistress. But something doesn't seem right about the trial, so Paul does a little digging... Not a great deal to get excited about here, it's a routine mystery - cum - thriller, that is based in Liverpool (not London as some reviewers elsewhere seem to think) but drafts in two American name actors to supposedly perk things up. It never really gets off the ground for dramatic impact, sending Johnson on a mission of truth and justice without ever really putting him in jeopardy. While his relationship with Miles' troubled Lena Anderson is a subplot of no consequence, as is her back story which is sad but isn't given any dramatic heft. On the plus side is oodles of noirish atmosphere, various camera workings of substance and scene staging that lift proceedings. Night scenes are suitably cloaked with an air of unease, be it blinking pelican lights or spinning shadow lamps, Cardiff and Cooper get the most out of the meagre budget. Other sequences see a shot through distorted glass and one excellent one that has Kent framed in striped surroundings - while she is wearing a leopard skin coat, the contrast of which suits her character perfectly. Value here for noir visualists, but instantly forgettable once the berserker finale has played itself out. 6/10 Tidbid: James Bond fans will note that it sees Lee and Geoffrey Keen together, they both would later feature in a number of Bond movies.