Popularity: 1 (history)
Director: | John Ottman |
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Writer: | Paul Harris Boardman, Scott Derrickson |
Staring: |
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect. | |
Release Date: | Sep 22, 2000 |
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Director: | John Ottman |
Writer: | Paul Harris Boardman, Scott Derrickson |
Genres: | Horror, Mystery, Thriller |
Keywords | movie business, college, snuff, sequel, murder, urban legend, serial killer, slasher, killer, aftercreditsstinger, film school |
Production Companies | Columbia Pictures, Original Film, Phoenix Pictures, Canal+ Droits Audiovisuels |
Box Office |
Revenue: $38,574,362
Budget: $14,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jennifer Morrison | Amy Mayfield |
Matthew Davis | Travis / Trevor |
Hart Bochner | Professor Solomon |
Loretta Devine | Reese |
Joey Lawrence | Graham |
Anson Mount | Toby |
Jessica Cauffiel | Sandra |
Anthony Anderson | Stan |
Michael Bacall | Dirk |
Eva Mendes | Vanessa |
Marco Hofschneider | Schorm "Simon" Jabuscko |
Derek Aasland | P.A. Kevin |
Jacinda Barrett | Lisa |
Peter Millard | Dr. Richard Fain |
Chas Lawther | Dean Patterson |
Chuck Campbell | Geek in Plane |
Yani Gellman | Rob |
Jeannette Sousa | Libby |
Rebecca Gayheart | Brenda Bates |
Bianca Muller | Student Screamer |
Name | Job |
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Damon Intrabartolo | Original Music Composer, Conductor |
Brian Pearson | Director of Photography |
Mark Zuelzke | Production Design |
Irene Kent | Key Makeup Artist |
Henry Ilola | Construction Coordinator |
Colin Jones | Boom Operator |
Rick Mitchell | Foley Editor |
Richard Luke Rothschild | Unit Production Manager |
Harry Kassardjian | Carpenter |
Greg Steele | ADR Mixer |
Terri Douglas | ADR Voice Casting |
John Ottman | Orchestrator, Original Music Composer, Editor, Director |
Silvio Horta | Characters |
Alison Reid | Stunts |
Mickey Giacomazzi | Stunts |
Sarah Norton | Compositor |
Chris Fix | Propmaker |
Larz Anderson | Special Effects |
Tavia Charlton | Visual Effects Coordinator |
Christopher J. Danton | Production Manager |
Ralph Stuart | Assistant Sound Editor |
Randi Hiller | Casting |
Karola Dirnberger | Key Hair Stylist |
Patricia Joyes | Script Supervisor |
Trysha Bakker | Costume Design |
David E. Fluhr | Sound Re-Recording Mixer |
Marie-Sylvie Deveau | Costume Design |
Rob Kobrin | Editor |
Nancey Pankiw | Art Direction |
Carol Lavoie | Set Decoration |
Charles L. Dunlop | Set Designer |
Brian Wade | Props |
Hans-Heinrich Piersig | Leadman |
Ane Christensen | Property Master |
Andrea Lakin | Sound Recordist |
James Christopher | Sound Effects Editor |
Roddy Kosub | Best Boy Electric |
Courtney Gross | Casting Associate |
Susan A. Cabral | Additional Photography |
Jeff Bell | Transportation Captain |
Lux | Lighting Technician |
Jim Holmes | Grip |
Kirk Chiswell | First Assistant Camera |
Robert DaPrato | Key Grip |
Pat Banta | Stunt Coordinator |
Leigh Bianco | Stunts |
Kristine M. Gilbert | Production Coordinator |
Mark Savela | Visual Effects Supervisor |
Brad Hruboska | Steadicam Operator |
Mike Milliken | Color Timer |
Stephanie Keating | Unit Publicist |
John 'Fest' Sandau | Gaffer |
Tony Guerin | Camera Operator |
Jason Leeking | Transportation Co-Captain |
Amanda Goodpaster | Music Editor |
Donna Butt | Set Costumer |
Wilfred Bell | Transportation Coordinator |
Missy Eustermann | Post Production Accountant |
Michael Gibson | Still Photographer |
Gillian Steinhardt | Assistant Costume Designer |
Anne Richardson | Location Manager |
Michael Goosen | Production Accountant |
Dan Lucas | ADR Recordist |
Elizabeth Kenton | ADR Editor |
Chris Lamie | Colorist |
Richard Allen | Chief Lighting Technician |
Andrea Kool | Casting Assistant |
Catherine Harper | Foley Artist |
Joseph Diaz | Production Assistant |
Redd Knight | Assistant Production Coordinator |
Reet Puhm | Key Scenic Artist |
Tyler Delben | Third Assistant Director |
Pete Daprato | Best Boy Grip |
Tim Singh | Second Assistant Director |
Mark Rice | Special Effects Assistant |
Chris Crowell | Digital Compositor |
Heather Callow | Stunt Double |
Anthony Ellis | Second Assistant Camera |
Robert Zubia | Foley Recordist |
Jen Leonard | Assistant Location Manager |
Brad Larkin | Special Effects Technician |
Carl Bainbridge | Location Production Assistant |
Sue Sparling | First Assistant Accountant |
Janet Ellis | Production Secretary |
Patrick King | Dolly Grip |
Helen Hand | Assistant Editor |
Don Givens | Foley Mixer |
Vicki Dee Rock | Production Executive |
François Dagenais | Prosthetic Designer |
Paul Harris Boardman | Screenplay |
Scott Derrickson | Screenplay |
Michael Zenon | First Assistant Director |
Richard L. Anderson | Supervising Sound Editor |
Clinton Wayne | Special Effects Key Makeup Artist |
Name | Title |
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Michael McDonnell | Co-Producer |
Richard Luke Rothschild | Producer |
Amanda Goodpaster | Associate Producer |
Brad Luff | Executive Producer |
Neal H. Moritz | Producer |
Nick Osborne | Executive Producer |
Gina Matthews | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 23 | 28 | 16 |
2024 | 5 | 25 | 35 | 16 |
2024 | 6 | 23 | 43 | 14 |
2024 | 7 | 27 | 47 | 13 |
2024 | 8 | 23 | 34 | 15 |
2024 | 9 | 15 | 21 | 9 |
2024 | 10 | 20 | 37 | 11 |
2024 | 11 | 23 | 52 | 12 |
2024 | 12 | 16 | 20 | 10 |
2025 | 1 | 18 | 27 | 10 |
2025 | 2 | 13 | 19 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 1 | 1 |
Trending Position
Attempting to finish film school, a director doing her film about a serial killer killing his victims on urban legends starts to realize that a serial killer is running around behind the scenes killing off the crew, and must stop the madman before killing off everyone on the film. This here was a ... pretty surprising entry. One of the things it does well is that it really features a lot of suspenseful work at times as this makes a hard time of determining if what's being seen is real or just being shot for the movie. It plays the movie-within-a-movie trick to nice effect, since it features enough to make hard to distinguish one from the other including it's wonderful opening sequence that takes a while before realizing after the fact it's been faked, a sequence where the assembled cast watch the dailies only for a strange cut-shot to play where one of the cast is viciously stalked and killed is screened where all but one thinking it to be shot for the film but the other positive that it's real and a later scene where a murder done during the recording of a scream-test loud enough to drown out the victim's own being great scenes. Even going away from that formula, there’s some rather fun stalking here from the bathroom chase featuring the woman trying to escape from the killer out into the alleyway or a thrilling chase through the recording studio and out into the surrounding countryside and pool while an attack at a carnival ride hidden by the darkness and fog comes off rather nice as well. The final confrontation in the movie-set graveyard setting is just fun, being creepy, exciting and all-around a blast with the true revelation and the different twists featured throughout make for a nice time here. The last big feature here is a really nice and healthy mix amongst the kills, which along with the mask worn are the film's rather good parts. This one here only has a few flaws to it. The main one here is that the main explanation for the killing has a lot of ways for how to interpret it, and it feels just too clumsy and unrealistic to be considered as believable. The fact that the violence is toned down from anything that it should have, since, for all the creativity displayed in the kills, it isn't very bloody and with a couple of kills that could've been in here. These are the same thing that really should've fixed by taking more of those and making them more bloody. It would've taken out a mild flaw in the film rather simply. The last flaw in here is the film's maddening ability to switch between the film shoot and the real world. It's fun at times, but there's also the fact that the film tries to be clever with changing around the two and it gets a little harder to defend the longer they go on. These here are the film's flaws. Rated R: Graphic Violence, Graphic Language, Brief Nudity and a sex scene.