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Urban Legends: Final Cut Poster

Urban Legends: Final Cut

Legends Never Die.
2000 | 98m | English

(19763 votes)

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Popularity: 1 (history)

Details

The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect.
Release Date: Sep 22, 2000
Director: John Ottman
Writer: Paul Harris Boardman, Scott Derrickson
Genres: Horror, Mystery, Thriller
Keywords movie business, college, snuff, sequel, murder, urban legend, serial killer, slasher, killer, aftercreditsstinger, film school
Production Companies Columbia Pictures, Original Film, Phoenix Pictures, Canal+ Droits Audiovisuels
Box Office Revenue: $38,574,362
Budget: $14,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Jennifer Morrison Amy Mayfield
Matthew Davis Travis / Trevor
Hart Bochner Professor Solomon
Loretta Devine Reese
Joey Lawrence Graham
Anson Mount Toby
Jessica Cauffiel Sandra
Anthony Anderson Stan
Michael Bacall Dirk
Eva Mendes Vanessa
Marco Hofschneider Schorm "Simon" Jabuscko
Derek Aasland P.A. Kevin
Jacinda Barrett Lisa
Peter Millard Dr. Richard Fain
Chas Lawther Dean Patterson
Chuck Campbell Geek in Plane
Yani Gellman Rob
Jeannette Sousa Libby
Rebecca Gayheart Brenda Bates
Bianca Muller Student Screamer
Name Job
Damon Intrabartolo Original Music Composer, Conductor
Brian Pearson Director of Photography
Mark Zuelzke Production Design
Irene Kent Key Makeup Artist
Henry Ilola Construction Coordinator
Colin Jones Boom Operator
Rick Mitchell Foley Editor
Richard Luke Rothschild Unit Production Manager
Harry Kassardjian Carpenter
Greg Steele ADR Mixer
Terri Douglas ADR Voice Casting
John Ottman Orchestrator, Original Music Composer, Editor, Director
Silvio Horta Characters
Alison Reid Stunts
Mickey Giacomazzi Stunts
Sarah Norton Compositor
Chris Fix Propmaker
Larz Anderson Special Effects
Tavia Charlton Visual Effects Coordinator
Christopher J. Danton Production Manager
Ralph Stuart Assistant Sound Editor
Randi Hiller Casting
Karola Dirnberger Key Hair Stylist
Patricia Joyes Script Supervisor
Trysha Bakker Costume Design
David E. Fluhr Sound Re-Recording Mixer
Marie-Sylvie Deveau Costume Design
Rob Kobrin Editor
Nancey Pankiw Art Direction
Carol Lavoie Set Decoration
Charles L. Dunlop Set Designer
Brian Wade Props
Hans-Heinrich Piersig Leadman
Ane Christensen Property Master
Andrea Lakin Sound Recordist
James Christopher Sound Effects Editor
Roddy Kosub Best Boy Electric
Courtney Gross Casting Associate
Susan A. Cabral Additional Photography
Jeff Bell Transportation Captain
Lux Lighting Technician
Jim Holmes Grip
Kirk Chiswell First Assistant Camera
Robert DaPrato Key Grip
Pat Banta Stunt Coordinator
Leigh Bianco Stunts
Kristine M. Gilbert Production Coordinator
Mark Savela Visual Effects Supervisor
Brad Hruboska Steadicam Operator
Mike Milliken Color Timer
Stephanie Keating Unit Publicist
John 'Fest' Sandau Gaffer
Tony Guerin Camera Operator
Jason Leeking Transportation Co-Captain
Amanda Goodpaster Music Editor
Donna Butt Set Costumer
Wilfred Bell Transportation Coordinator
Missy Eustermann Post Production Accountant
Michael Gibson Still Photographer
Gillian Steinhardt Assistant Costume Designer
Anne Richardson Location Manager
Michael Goosen Production Accountant
Dan Lucas ADR Recordist
Elizabeth Kenton ADR Editor
Chris Lamie Colorist
Richard Allen Chief Lighting Technician
Andrea Kool Casting Assistant
Catherine Harper Foley Artist
Joseph Diaz Production Assistant
Redd Knight Assistant Production Coordinator
Reet Puhm Key Scenic Artist
Tyler Delben Third Assistant Director
Pete Daprato Best Boy Grip
Tim Singh Second Assistant Director
Mark Rice Special Effects Assistant
Chris Crowell Digital Compositor
Heather Callow Stunt Double
Anthony Ellis Second Assistant Camera
Robert Zubia Foley Recordist
Jen Leonard Assistant Location Manager
Brad Larkin Special Effects Technician
Carl Bainbridge Location Production Assistant
Sue Sparling First Assistant Accountant
Janet Ellis Production Secretary
Patrick King Dolly Grip
Helen Hand Assistant Editor
Don Givens Foley Mixer
Vicki Dee Rock Production Executive
François Dagenais Prosthetic Designer
Paul Harris Boardman Screenplay
Scott Derrickson Screenplay
Michael Zenon First Assistant Director
Richard L. Anderson Supervising Sound Editor
Clinton Wayne Special Effects Key Makeup Artist
Name Title
Michael McDonnell Co-Producer
Richard Luke Rothschild Producer
Amanda Goodpaster Associate Producer
Brad Luff Executive Producer
Neal H. Moritz Producer
Nick Osborne Executive Producer
Gina Matthews Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 23 28 16
2024 5 25 35 16
2024 6 23 43 14
2024 7 27 47 13
2024 8 23 34 15
2024 9 15 21 9
2024 10 20 37 11
2024 11 23 52 12
2024 12 16 20 10
2025 1 18 27 10
2025 2 13 19 3
2025 3 6 19 1
2025 4 2 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 1 1 1

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Reviews

slayrrr666
8.0

Attempting to finish film school, a director doing her film about a serial killer killing his victims on urban legends starts to realize that a serial killer is running around behind the scenes killing off the crew, and must stop the madman before killing off everyone on the film. This here was a ... pretty surprising entry. One of the things it does well is that it really features a lot of suspenseful work at times as this makes a hard time of determining if what's being seen is real or just being shot for the movie. It plays the movie-within-a-movie trick to nice effect, since it features enough to make hard to distinguish one from the other including it's wonderful opening sequence that takes a while before realizing after the fact it's been faked, a sequence where the assembled cast watch the dailies only for a strange cut-shot to play where one of the cast is viciously stalked and killed is screened where all but one thinking it to be shot for the film but the other positive that it's real and a later scene where a murder done during the recording of a scream-test loud enough to drown out the victim's own being great scenes. Even going away from that formula, there’s some rather fun stalking here from the bathroom chase featuring the woman trying to escape from the killer out into the alleyway or a thrilling chase through the recording studio and out into the surrounding countryside and pool while an attack at a carnival ride hidden by the darkness and fog comes off rather nice as well. The final confrontation in the movie-set graveyard setting is just fun, being creepy, exciting and all-around a blast with the true revelation and the different twists featured throughout make for a nice time here. The last big feature here is a really nice and healthy mix amongst the kills, which along with the mask worn are the film's rather good parts. This one here only has a few flaws to it. The main one here is that the main explanation for the killing has a lot of ways for how to interpret it, and it feels just too clumsy and unrealistic to be considered as believable. The fact that the violence is toned down from anything that it should have, since, for all the creativity displayed in the kills, it isn't very bloody and with a couple of kills that could've been in here. These are the same thing that really should've fixed by taking more of those and making them more bloody. It would've taken out a mild flaw in the film rather simply. The last flaw in here is the film's maddening ability to switch between the film shoot and the real world. It's fun at times, but there's also the fact that the film tries to be clever with changing around the two and it gets a little harder to defend the longer they go on. These here are the film's flaws. Rated R: Graphic Violence, Graphic Language, Brief Nudity and a sex scene.

Jun 23, 2021