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Great Expectations

Prepare for a life of great expectations.
2012 | 128m | English

(14092 votes)

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Popularity: 1 (history)

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Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's Uncle Pumblechook to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, then Pip—a humble orphan—suddenly becomes a gentleman with the help of an unknown benefactor.
Release Date: Nov 30, 2012
Director: Mike Newell
Writer: David Nicholls, Charles Dickens
Genres: Drama, Romance
Keywords based on novel or book, 19th century, secret benefactor, young gentleman
Production Companies BBC Film, Unison Films, Lipsync Productions, Number 9 Films
Box Office Revenue: $6,202,879
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
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Full Credits

Name Character
Jeremy Irvine Philip 'Pip' Pirrip
Helena Bonham Carter Miss Havisham
Ralph Fiennes Abel Magwitch
Holliday Grainger Estella Havisham
Robbie Coltrane Mr. Jaggers
Jason Flemyng Joe Gargery
Ewen Bremner Wemmick
Sally Hawkins Mrs. Joe
David Walliams Mr. Pumblechook
Tamzin Outhwaite Molly
Daniel Weyman Arthur Havisham
Jessie Cave Biddy
Edward Fleming Charles Pocket
Olly Alexander Herbert Pocket
Kate Lock Camilla Pocket
Pooky Quesnel Sarah Pocket
Ben Lloyd-Hughes Bentley Drummle
Sophie Rundle Clara
Richard James Raymond
Roberta Burton Mrs. Raymond
William Ellis Compeyson
Bernice Stegers Mrs. Hubble
Alan Rushton Mr. Hubble
Sheila Simpson Mrs. Wopsle
Tim Freeman Mr. Wopsle
Toby Irvine Young Pip
Helena Barlow Young Estella
Bebe Cave Young Biddy
Charlie Callaghan Young Herbert
Ralph Ineson Sergeant
Nick Bartlett Bailiff Two
Steve Morphew Soldier
Joe Jameson Bullfinch
Zac Mattoon O'Brien Pepper
Peter Greed Porter
Frank Dunne Aged P
Gary Arthurs River Policeman
Malcolm Tierney Judge
Ronnie Fox Bailiff One
Claire Ashton Wemmick's Neighbour (uncredited)
Pablo Bubar Estate Agent's Assistant (uncredited)
Nellie Burroughes Mrs. Compeyson (uncredited)
Jason Daly James Rascal (uncredited)
Leigh Daniels Ballroom Dancer (uncredited)
Filippo Delaunay Ball Guest (uncredited)
Kate Hefferman Tripe Shop Proprietor (uncredited)
Evelyn James Blind Man's Sister (uncredited)
Dale Mercer Ballroom Dancer (uncredited)
Patrick Moorhouse Barrister (uncredited)
Jimmy Pethrus Mr. Jagger's Office Doorman (uncredited)
Charlie Richards Miss Havisham's Footman (uncredited)
David G. Robinson Smithfield Butcher (uncredited)
Jonathan Coy JUDGE MANSELL
Name Job
Eve Swannell Production Coordinator
Dan Whitty Location Manager
Carn Burton Location Scout
Caroline Levy Line Producer
Beatrix Aruna Pasztor Costume Design
Howard Watkins Title Designer
Mike Stallion Art Direction
Polly Duval Post Production Supervisor
Dominic Masters Supervising Art Director
Caroline Smith Set Decoration
Richard Hartley Original Music Composer
Rowena Ladbury Script Supervisor
Jim Clay Production Design
David Taylor Unit Manager
Miranda Howard-Williams Casting Assistant
Alison Banks Production Manager
Karen Elliott Music Supervisor
Julia Hall Title Designer
Darren J. Perry Assistant Editor
Zoe Clare Brown Makeup & Hair
Nathaniel De'Lineadeus Special Effects Makeup Artist
Hannah Edwards Makeup & Hair
Marc Pilcher Makeup & Hair
Jenny Shircore Makeup Designer, Hairstylist
Alex Rouse Wigmaker
Sarah Weatherburn Wigmaker
Ben Cross Foley Mixer
Robert Farr Sound Re-Recording Mixer
Paul Hanks Foley Artist
Alastair Sirkett Sound Effects Editor
Ian Waggott Foley Artist
Ian Wilson Sound Designer
Paul Wrightson Dialogue Editor
Mike Newell Director
David Nicholls Screenplay
Charles Dickens Novel
John Mathieson Director of Photography
Tariq Anwar Editor
Susie Figgis Casting
Nellie Burroughes Stunts
Chris Lyons Special Effects Makeup Artist
Tim Atkins ADR Mixer
Michael Byrch Stunts
Name Title
Laurie Borg Co-Producer
Thorsten Schumacher Executive Producer
Peter Hampden Executive Producer
Arti Modi Executive Producer
Harrison Kordestani Executive Producer
Emanuel Michael Producer
David Faigenblum Producer
Jana Edelbaum Executive Producer
Ed Hart Executive Producer
Norman Merry Executive Producer
C.C. Hang Executive Producer
Elizabeth Karlsen Producer
Cliff Curtis Executive Producer
Zygi Kamasa Executive Producer
Christine Langan Executive Producer
Charlotte Larsen Executive Producer
Mike Newell Executive Producer
Stephen Woolley Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 34 12
2024 5 23 53 14
2024 6 19 31 10
2024 7 19 38 11
2024 8 18 36 9
2024 9 14 22 10
2024 10 17 27 9
2024 11 15 40 9
2024 12 12 20 7
2025 1 12 25 7
2025 2 10 17 3
2025 3 5 14 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 1 1 0
2025 8 1 1 1

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Reviews

Geronimo1967
6.0

Well the Irvine's decided to keep this in the family! The young "Pip" (Toby) is out one night when he encounters the escaping convict "Magwitch" (Joseph Fiennes). Terrified for his life, he feeds the man and returns home to his kindly uncle "Joe" (Jason Flemyng) and his rather domineering wife (Sall ... y Hawkins). Scoot on a few years and now big brother Jeremy takes over the leading role and is introduced to the solicitor "Jaggers" (Robbie Coltrane) who informs the young man that he is now a man of means. The conditions of his mysterious benefaction are that he live in London as a gentleman and that he make no enquiries as to the source of his newfound wealth. Now he, and we, make certain assumptions about the eccentric "Miss Havisham" (Helena Bonham Carter) but he is in London now, befriending old sparring partner "Herbert Pocket" (Olly Alexander) and leading a life of comfortable leisure. In truth, though, he's a bit rudderless and lacking in purpose until he returns home late one evening to be reunited with his former nemesis and told a few home truths that altogether change his agenda. It's not my favourite Dickens story this, but this adaptation does an adequate enough job more in the afternoon tea-time drama vein rather than the grand scale cinematic one. The easy-on-the-ey (elder) Irvine is charismatic enough and Alexander delivers quite cheekily as his pal "Pocket" but I thought Fiennes just over-egged his part - way too theatrical - and HBC doesn't really have the clout to deliver the "Havisham" part in the overbearing yet sad style of, say, Martita Hunt. I always find that colour photography can be an enemy to stories like this. The issues of poverty and privilege that underpin so many of this author's stories always work better in grimy monochrome, and this one is just a bit too well produced. It's perfectly watchable, but not really one to remember.

Apr 29, 2024