Popularity: 2 (history)
Director: | Scott Spiegel |
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Writer: | Scott Spiegel, Duane Whitaker, Boaz Yakin |
Staring: |
A bank-robbing gang of misfits heads to Mexico with the blueprints for the perfect million-dollar heist, but when one of the crooks wanders into the wrong bar, the thieving cohorts develop a thirst for blood. | |
Release Date: | Mar 16, 1999 |
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Director: | Scott Spiegel |
Writer: | Scott Spiegel, Duane Whitaker, Boaz Yakin |
Genres: | Action, Horror, Crime, Thriller |
Keywords | sheriff, vampire, nationalbank, bank robbery, hoodlum |
Production Companies | Miramax, A Band Apart, Dimension Films, Los Hooligans Productions |
Box Office |
Revenue: $6,374
Budget: $5,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Robert Patrick | Buck |
Bo Hopkins | Sheriff Lawson |
Duane Whitaker | Luther |
Muse Watson | C. W. |
Brett Harrelson | Ray Bob |
Raymond Cruz | Jesus |
Tiffani Thiessen | Pam |
Danny Trejo | Razor Eddie |
Stacie Randall | Marcy |
James Parks | Deputy McGraw |
Maria Checa | Lupe |
Joe Virzi | Victor |
Bruce Campbell | Barry |
Terry Norton | Teri Harper |
Lara Bye | Motel Clerk |
Kevin Smith | Carlos |
Scott Spiegel | Porno Director |
Troy Niemans | Male Porno Star |
Liane Coyler | Female Porno Star |
Scott Rogers | Craft Service Boy |
James Ryan | Mexican Police Chief |
Shaun Arnolds | Bank Guard |
Lanon Prigge | SWAT Officer #1 |
Eddie Fiola | SWAT Officer #2 |
Timothy Patrick Quill | Officer Tarciscio |
Joel Jordan | Sal |
Yoyo | SWAT Officer #3 |
Tania Kline | Policewoman |
Name | Job |
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Philip Lee | Director of Photography |
Nelson Ferreira | Sound Supervisor |
Liza Rowland | Art Direction |
Jennie Harris | Set Decoration |
Rory Cunningham | Costume Designer |
Marcia Shulman | Casting Director |
Nickie Grigg | Stunts |
Kerry Gregg | Stunts |
Grant Hulley | Stunts |
Raymond Heneke | Stunts |
Raymond Sammel | Stunts |
Andrew McKenzie | Stunts |
Cecil Carter | Stunts |
Joel Jordan | Stunts |
Dan Bradley | Stunt Coordinator, Second Unit Director |
Mannie Ferreira | First Assistant "B" Camera |
Craig Henighan | Sound Effects Designer |
Lawrence Sher | "B" Camera Operator |
Scott Andrew Ressler | First Assistant "A" Camera |
Felipe Fernández del Paso | Production Design |
Russell D. Markowitz | Line Producer |
Michael Van Briesen | Stunts |
Darryl Werner | Stunts |
Julian Koberman | Stunts |
Anton Voster | Stunts |
Mark van der Velde | Stunts |
Ashley Franz | Stunts |
Juanita Yazbek | Stunts |
Wasief Isaacs | Stunts |
Dave Winfield | Stunts |
George Moolman | Stunts |
Greig Buckle | Production Manager |
Gavin Joubert | First Assistant Director |
Lance Samuels | Second Assistant Director |
H. Daniel Gross | Executive In Charge Of Production |
Paul Siebert | Stunt Coordinator |
Shannon-Lee Nicholls | Production Coordinator |
Paul Lindsay | Production Coordinator |
Steven St. Arnaud | Assistant Production Coordinator |
Sue Mills | Assistant Production Coordinator |
Morag Cameron | Script Supervisor |
Terri Kunz | Second Second Assistant Director |
Cameron Blake | Third Assistant Director |
Benedicte Roumega | Locale Casting Director |
Alison Stuart | Local Casting |
Minnie Desaivre | Extras Casting |
Marina Van Tonder | Additional Casting |
Jonathan Hely-Hutchinson | Set Designer |
Graham MacFarlane | First Assistant Camera |
Gary Bieber | Second Assistant Camera |
Miles Regenass | Second Assistant Camera |
Hans Kühle Jr. | "B" Camera Operator |
Jamie Bowling | Second Assistant "B" Camera |
Melissa van der Heever | Camera Loader |
Rudi Junge | Steadicam Operator |
Paul Hart | First Assistant Editor |
Greg D'Auria | Assistant Editor |
Maggie Cone | Post Production Supervisor |
Andrew Bray | Sound Effects Editor |
Joe Bracciale | Dialogue Editor |
Jill Purdy | ADR Editor |
Lee de Lang | Assistant Sound Editor |
Rose Gregoris | Assistant Sound Editor |
Susan Fairbairn | Assistant Sound Editor |
Kristian Abell | Assistant Sound Editor |
Scott Purdy | Sound Re-Recording Mixer |
Keith Elliott | Sound Re-Recording Mixer |
Peter Kelly | Sound Re-Recording Mixer, Foley Recordist |
Steve Hammond | Foley Artist |
Allan Gerhardt | Sound Mixer |
Jurgen Human | Boom Operator |
Moira Anne Meyer | Lead Costumer |
Pieter van Koetsveld | Costumer |
Susan McCauley | Costumer |
Rene Elu | Wardrobe Assistant |
Daphne Williams | Key Makeup Artist |
Meg Tanner | Assistant Makeup Artist |
Roseanne Reid | Key Hair Stylist |
Merle Titus | Assistant Hairstylist |
Mark R. Byers | Special Effects Coordinator |
Maarten de Groot | Special Effects Technician |
Eugene Botha | Special Effects Technician |
Justin Roe | Special Effects Technician |
Shaheed Qaasim | First Assistant Director |
Deandre Russell | Second Assistant Director |
Steve Hurson | First Assistant "B" Camera |
Sean Mo | Second Assistant "A" Camera |
Tom Hutchinson | Second Assistant "B" Camera |
Bob Gorelick | Steadicam Operator |
Kimberly Eckhout | Key Makeup Artist |
Shawn Towne | Key Hair Stylist |
Dierdre Salomone | Costumer |
Colette Panah | Script Supervisor |
Yianne Mitropetros | Stand In |
John Huet | Stand In |
David Solis | Stand In |
Robert Backus | Sound Mixer |
Bryant Grizzell | Boom Operator |
Gary Paul | Stunt Coordinator |
Thomas Bartke | Music Editor |
Scott Spiegel | Story, Director, Screenplay |
Duane Whitaker | Screenplay |
Bob Murawski | Editor |
Boaz Yakin | Story |
Joseph Williams | Original Music Composer |
Robert Kurtzman | Special Effects Makeup Artist |
Greg Nicotero | Special Effects Makeup Artist |
Howard Berger | Special Effects Makeup Artist |
Eddie Fiola | Stunts |
Ryan Stuart | Stunts |
Name | Title |
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Gianni Nunnari | Producer |
Paul Raleigh | Co-Producer |
Michael S. Murphey | Producer |
Meir Teper | Producer |
Lawrence Bender | Executive Producer |
Quentin Tarantino | Executive Producer |
Robert Rodriguez | Executive Producer |
Elizabeth Avellan | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 24 | 33 | 17 |
2024 | 5 | 23 | 30 | 11 |
2024 | 6 | 19 | 36 | 13 |
2024 | 7 | 24 | 47 | 15 |
2024 | 8 | 20 | 33 | 12 |
2024 | 9 | 15 | 21 | 12 |
2024 | 10 | 21 | 36 | 12 |
2024 | 11 | 16 | 28 | 10 |
2024 | 12 | 16 | 29 | 11 |
2025 | 1 | 16 | 32 | 11 |
2025 | 2 | 12 | 20 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
From Dusk Till Dawn 2: Texas Blood Money had the deck stacked against it, not only because it is a sequel, but because of the movie to which it is a sequel. What in the original was an unforeseeable surprise becomes expectation here, and we’re left simply waiting for the other shoe to drop. Havi ... ng said that, this film is better than it has any right to be, precisely because it knows how dumb it is. An old band of bank robbers is getting back together for one more score, which they insist on carrying out even after most of them have been turned into vampires; this would only make sense if it were a blood bank. To its credit, Texas Blood Money is not oblivious to the situation’s inherent silliness; when asked "What in the hell are vampires doing robbing a bank?," protagonist Buck Bowers (the always effective Robert Patrick) deadpans: "I suppose vampires need money just like anybody else." Insofar as the movie works, it does so because of the cast, who bring to the script more than it brings them. The filmmakers try too hard to emulate Tarantino and Robert Rodríguez at the peak of their powers, and can’t even reach the low levels to which those have sunk nowadays. As far as horror/fantasy sequels are concerned, From Dusk Till Dawn 2: Texas Blood Money exists in the same limbo as The Crow: Wicked Prayer. This not the best vampire movie ever, but it’s by no means the worst either.