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Masters of the Universe Poster

Masters of the Universe

A battle fought in the stars...now comes to Earth.
1987 | 106m | English

(46870 votes)

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Popularity: 2 (history)

Director: Gary Goddard
Writer: David Odell
Staring:
Details

The world of Eternia in the aftermath of Skeletor's war on Castle Grayskull, which he has won after seizing Grayskull and the surrounding city using a cosmic key developed by the locksmith Gwildor. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe that will bestow god-like power upon him.
Release Date: Aug 07, 1987
Director: Gary Goddard
Writer: David Odell
Genres: Fantasy, Adventure, Action, Science Fiction, Thriller
Keywords saving the world, hero, key, skeleton, time travel, wretch, based on toy, super power, aftercreditsstinger, sword and planet, sword and sorcery
Production Companies The Cannon Group, Pressman Film, Golan-Globus Productions
Box Office Revenue: $17,336,370
Budget: $22,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Dolph Lundgren He-Man
Frank Langella Skeletor
Meg Foster Evil-Lyn
Billy Barty Gwildor
Courteney Cox Julie Winston
Robert Duncan McNeill Kevin Corrigan
Jon Cypher Man At Arms
Chelsea Field Teela
James Tolkan Detective Lubic
Christina Pickles Sorceress
Tony Carroll Beast Man
Pons Maar Saurod
Anthony De Longis Blade
Robert Towers Karg
Barry Livingston Charlie
Jessica Nelson Monica
Gwynne Gilford Mrs. Winston
Walter Scott Mr. Winston
Walter Robles Carl the Janitor
Cindi Eyman Gloria
Peter Brooks Narrator (voice)
Richard Szponder Pigboy
Mike Carlucci Warlord (uncredited)
Nicholas Grabowsky Skeletor's Dark Trooper
Name Job
Gary Goddard Director
Hanania Baer Director of Photography
Victoria Thomas Casting
Gary C. Bourgeois Sound Re-Recording Mixer
David Odell Screenplay
Kathe Klopp Set Decoration
Lynn Christopher Assistant Art Director
Joe Griffith Conceptual Design
Adrienne Hamalian-Mangine Script Supervisor
Paula Erickson Music Supervisor
Robert Howland Art Direction
Daniel Gluck Set Decoration
Edward Eyth Conceptual Design
Lawrence Richter Wardrobe Supervisor
Kyle Seidenbaum Title Designer
Dan Elsasser Camera Operator
Rick Davis Dolly Grip
Ron McCausland Rigging Grip
Mauro Maressa Animation
Terry Windell Visual Effects Art Director
Dennis Michelson Visual Effects Editor
Garry Waller Visual Effects Supervisor
Marilyn McCoppen ADR Editor
Mary Jo Devenney Boom Operator
Chris Carpenter Sound Re-Recording Mixer
Robert R. Rutledge Supervising Sound Editor
Zandra Platzek Hairstylist
June Westmore Makeup Artist
Helen Hahn Negative Cutter
Alain Jakubowicz Post Production Supervisor
Stephen Milburn Anderson Location Manager
Frederic B. Blankfein First Assistant Director
Leo Rijn Sculptor
Brian H. Reynolds Key Grip
James D. McGeachy Armorer
Douglas S. Turner Armorer, Costume Coordinator
Mark Buckalew Best Boy Electric
Janet Brady Stunts
Mike Johnson Set Decoration
Mary K. Perko Art Department Coordinator
Claudio Mazzoli Conceptual Design
Wenden K. Baldwin Title Designer
Stephen A. Hope Music Editor
Ken Sax Still Photographer
Michael E. Little First Assistant Camera
Glenn Chaika Animation
Eusebio Torres Animation
Michael Van Himbergen Visual Effects Coordinator
Bill Neil VFX Director of Photography
Paulette Smook Marshall Special Effects Supervisor
Jenny Weyman-Cockle ADR Editor
Mark Goodermote Boom Operator
Stanley B. Gill Sound Recordist
Dean Okrand Sound Re-Recording Mixer
Robert Martel Foley Editor
Lori Benson Hairstylist
Robin Beauchesne Makeup Artist
Michael Alden Post Production Supervisor
Elliot Schick Production Manager
Bart Heimburger Location Manager
Douglas E. Maxwell Leadman
Christopher Cibelli Assistant Editor
John Eyler Second Assistant Director
James Rosenthal Gaffer
Skip Cook Key Grip
Deborah Gaydos Animation
Brent Boates Visual Effects Art Director
Michael Backauskas Visual Effects Editor
Rexford L. Metz VFX Director of Photography
Ellen Kitz Special Effects Supervisor
George Berndt ADR Supervisor
Ed Novick Sound Designer
John A. Larsen Supervising Sound Editor
Angelo Di Biase Hairstylist
Alan Gershenfeld Production Manager
Renee Milliken Casting Assistant
Cynthia R. Woodard Location Manager
Michael Reinhart Construction Foreman
Lillian Glass Dialogue Coach
Bill Conti Original Music Composer
Anne V. Coates Editor
William Stout Production Design
Julie Weiss Costume Design
Anna Behlmer Sound Recordist
Todd McIntosh Makeup Department Head
Michael Westmore Makeup Designer
Walter Scott Stunt Coordinator
Anthony De Longis Stunt Double
Richard Edlund Visual Effects Supervisor
Loren Janes Stunt Coordinator
Tony Brubaker Stunts
Charles Croughwell Stunts
Clint Lilley Stunts
Danny Costa Stunts
Brian Burrows Stunts
Doc D. Charbonneau Stunts
Ben Scott Stunts
John-Clay Scott Stunts
Gregg Smrz Stunts
Brian Smrz Stunts
Bobby Bell Stunts
Brad Bovee Stunts
Name Title
Menahem Golan Producer
Elliot Schick Co-Producer
Michael Flynn Associate Producer
Evzen Kolar Associate Producer
Yoram Globus Producer
Edward R. Pressman Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 34 17
2024 5 25 36 18
2024 6 24 44 15
2024 7 27 52 16
2024 8 28 53 19
2024 9 22 33 15
2024 10 19 27 13
2024 11 19 41 13
2024 12 19 26 13
2025 1 19 38 14
2025 2 15 25 4
2025 3 8 23 1
2025 4 2 3 1
2025 5 2 4 2
2025 6 3 4 1
2025 7 2 3 2
2025 8 2 2 2

Trending Position


Year Month High Avg
2025 3 274 559
Year Month High Avg
2025 2 927 927

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Reviews

Peter89Spencer
9.0

Somehow, Dolph Lundgren portrayed He-Man brilliantly! This was an epic classic. And it had a young Courtney Cox! ...

Jul 25, 2021
GenerationofSwine
10.0

Masters of the Universe, at least the cartoon and toys, were one of the reasons I am so happy I had a childhood in the 80s... along with GI Joe and Star Wars, they were some of the most defining things of 80s childhood play. And then this came out and we all felt a little cheated that we had a kn ... ock-off Orco, but totally excited that we had a movie we could see on the big screen. And we were young enough to not see how low the budget was. But, man, Frank Langella really sold his role didn't he? He brought his A-Game to this and knocked it out of the park. And Chelsea Field deserved better roles, she's never been bad in any of her films, even this low budget fair. But, watching it as an adult... it's a lot more B-Movie than it was when I was a kid, and the nostalgia and, well, Langella, are all that's really carrying it. But it's still fun. It still entertains, and is still all that matters.

Jan 12, 2023
FilipeManuelNeto
2.0

**The glorious "greasy sci-fi" of the 80s: who doesn't miss the days when a rough rubber mask was a good idea in a movie?** I'm not really a comic connoisseur. It was only when I read about this film that I realized that the characters had been taken from that literary universe and from a line of ... action toys created by the American company Mattel. This is something that helped me to understand the sheer confusion and goofiness of this film, which I think only toy fans will truly appreciate. The best thing about this movie is the cast. There are some very respectable actors here, and their commitment and talent is remarkable, raising the quality of a cheesy movie quite a bit. Frank Langella's involvement is particularly good. He gave life to the great villain, a being called Skeletor, who looks like Darth Vader in the day he decided to go to Halloween dressed as Death. The character himself isn't impressive, he's a huge cliché without any intimidation ability, but Langella is really enjoying and having fun with this work. On the opposite side is Dolph Lundgren, a herculean and apparently invulnerable young man who came out of the world of combat sports, who doesn't know how to play and has the dramatic qualities of an avocado, but who manages to respond to what is asked of the character. Meg Foster, the proud owner of one of the most beautiful pairs of eyes of her time, has a charisma of her own and does a very good work. But let's be honest, is anyone going to see a movie just for the cast? I do not think so. It's a good argument, but it doesn't take anyone to the theatre by itself. Does the movie have anything else? Do you have qualities? Is it really worth it? There are audiences for all types of cinema, including kitsch, trash and B cinema. The proof of this is the success of some films that would never convince a person with the least amount of good taste. Therefore, I believe that lovers of “oily sci-fi” will be delighted with this magnificent piece of cheese with a very characteristic taste of the 80s. We have everything: stilted action scenes, choreographed like a Russian ballet, extraordinarily cheap special effects, “DIY” level, a very poor script, characters reduced to sketches, dialogues more melodramatic than a Mexican soap opera, crude make-up (Langella's mask is particularly bad) and many laser shots, in the golden age of lasers and neon. One last word for the soundtrack, bloated and arrogant like a 16-year-old on steroids.

Jul 06, 2023