Popularity: 2 (history)
Director: | Gary Goddard |
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Writer: | David Odell |
Staring: |
The world of Eternia in the aftermath of Skeletor's war on Castle Grayskull, which he has won after seizing Grayskull and the surrounding city using a cosmic key developed by the locksmith Gwildor. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe that will bestow god-like power upon him. | |
Release Date: | Aug 07, 1987 |
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Director: | Gary Goddard |
Writer: | David Odell |
Genres: | Fantasy, Adventure, Action, Science Fiction, Thriller |
Keywords | saving the world, hero, key, skeleton, time travel, wretch, based on toy, super power, aftercreditsstinger, sword and planet, sword and sorcery |
Production Companies | The Cannon Group, Pressman Film, Golan-Globus Productions |
Box Office |
Revenue: $17,336,370
Budget: $22,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dolph Lundgren | He-Man |
Frank Langella | Skeletor |
Meg Foster | Evil-Lyn |
Billy Barty | Gwildor |
Courteney Cox | Julie Winston |
Robert Duncan McNeill | Kevin Corrigan |
Jon Cypher | Man At Arms |
Chelsea Field | Teela |
James Tolkan | Detective Lubic |
Christina Pickles | Sorceress |
Tony Carroll | Beast Man |
Pons Maar | Saurod |
Anthony De Longis | Blade |
Robert Towers | Karg |
Barry Livingston | Charlie |
Jessica Nelson | Monica |
Gwynne Gilford | Mrs. Winston |
Walter Scott | Mr. Winston |
Walter Robles | Carl the Janitor |
Cindi Eyman | Gloria |
Peter Brooks | Narrator (voice) |
Richard Szponder | Pigboy |
Mike Carlucci | Warlord (uncredited) |
Nicholas Grabowsky | Skeletor's Dark Trooper |
Name | Job |
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Gary Goddard | Director |
Hanania Baer | Director of Photography |
Victoria Thomas | Casting |
Gary C. Bourgeois | Sound Re-Recording Mixer |
David Odell | Screenplay |
Kathe Klopp | Set Decoration |
Lynn Christopher | Assistant Art Director |
Joe Griffith | Conceptual Design |
Adrienne Hamalian-Mangine | Script Supervisor |
Paula Erickson | Music Supervisor |
Robert Howland | Art Direction |
Daniel Gluck | Set Decoration |
Edward Eyth | Conceptual Design |
Lawrence Richter | Wardrobe Supervisor |
Kyle Seidenbaum | Title Designer |
Dan Elsasser | Camera Operator |
Rick Davis | Dolly Grip |
Ron McCausland | Rigging Grip |
Mauro Maressa | Animation |
Terry Windell | Visual Effects Art Director |
Dennis Michelson | Visual Effects Editor |
Garry Waller | Visual Effects Supervisor |
Marilyn McCoppen | ADR Editor |
Mary Jo Devenney | Boom Operator |
Chris Carpenter | Sound Re-Recording Mixer |
Robert R. Rutledge | Supervising Sound Editor |
Zandra Platzek | Hairstylist |
June Westmore | Makeup Artist |
Helen Hahn | Negative Cutter |
Alain Jakubowicz | Post Production Supervisor |
Stephen Milburn Anderson | Location Manager |
Frederic B. Blankfein | First Assistant Director |
Leo Rijn | Sculptor |
Brian H. Reynolds | Key Grip |
James D. McGeachy | Armorer |
Douglas S. Turner | Armorer, Costume Coordinator |
Mark Buckalew | Best Boy Electric |
Janet Brady | Stunts |
Mike Johnson | Set Decoration |
Mary K. Perko | Art Department Coordinator |
Claudio Mazzoli | Conceptual Design |
Wenden K. Baldwin | Title Designer |
Stephen A. Hope | Music Editor |
Ken Sax | Still Photographer |
Michael E. Little | First Assistant Camera |
Glenn Chaika | Animation |
Eusebio Torres | Animation |
Michael Van Himbergen | Visual Effects Coordinator |
Bill Neil | VFX Director of Photography |
Paulette Smook Marshall | Special Effects Supervisor |
Jenny Weyman-Cockle | ADR Editor |
Mark Goodermote | Boom Operator |
Stanley B. Gill | Sound Recordist |
Dean Okrand | Sound Re-Recording Mixer |
Robert Martel | Foley Editor |
Lori Benson | Hairstylist |
Robin Beauchesne | Makeup Artist |
Michael Alden | Post Production Supervisor |
Elliot Schick | Production Manager |
Bart Heimburger | Location Manager |
Douglas E. Maxwell | Leadman |
Christopher Cibelli | Assistant Editor |
John Eyler | Second Assistant Director |
James Rosenthal | Gaffer |
Skip Cook | Key Grip |
Deborah Gaydos | Animation |
Brent Boates | Visual Effects Art Director |
Michael Backauskas | Visual Effects Editor |
Rexford L. Metz | VFX Director of Photography |
Ellen Kitz | Special Effects Supervisor |
George Berndt | ADR Supervisor |
Ed Novick | Sound Designer |
John A. Larsen | Supervising Sound Editor |
Angelo Di Biase | Hairstylist |
Alan Gershenfeld | Production Manager |
Renee Milliken | Casting Assistant |
Cynthia R. Woodard | Location Manager |
Michael Reinhart | Construction Foreman |
Lillian Glass | Dialogue Coach |
Bill Conti | Original Music Composer |
Anne V. Coates | Editor |
William Stout | Production Design |
Julie Weiss | Costume Design |
Anna Behlmer | Sound Recordist |
Todd McIntosh | Makeup Department Head |
Michael Westmore | Makeup Designer |
Walter Scott | Stunt Coordinator |
Anthony De Longis | Stunt Double |
Richard Edlund | Visual Effects Supervisor |
Loren Janes | Stunt Coordinator |
Tony Brubaker | Stunts |
Charles Croughwell | Stunts |
Clint Lilley | Stunts |
Danny Costa | Stunts |
Brian Burrows | Stunts |
Doc D. Charbonneau | Stunts |
Ben Scott | Stunts |
John-Clay Scott | Stunts |
Gregg Smrz | Stunts |
Brian Smrz | Stunts |
Bobby Bell | Stunts |
Brad Bovee | Stunts |
Name | Title |
---|---|
Menahem Golan | Producer |
Elliot Schick | Co-Producer |
Michael Flynn | Associate Producer |
Evzen Kolar | Associate Producer |
Yoram Globus | Producer |
Edward R. Pressman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 24 | 34 | 17 |
2024 | 5 | 25 | 36 | 18 |
2024 | 6 | 24 | 44 | 15 |
2024 | 7 | 27 | 52 | 16 |
2024 | 8 | 28 | 53 | 19 |
2024 | 9 | 22 | 33 | 15 |
2024 | 10 | 19 | 27 | 13 |
2024 | 11 | 19 | 41 | 13 |
2024 | 12 | 19 | 26 | 13 |
2025 | 1 | 19 | 38 | 14 |
2025 | 2 | 15 | 25 | 4 |
2025 | 3 | 8 | 23 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 4 | 2 |
2025 | 6 | 3 | 4 | 1 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 274 | 559 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 927 | 927 |
Somehow, Dolph Lundgren portrayed He-Man brilliantly! This was an epic classic. And it had a young Courtney Cox! ...
Masters of the Universe, at least the cartoon and toys, were one of the reasons I am so happy I had a childhood in the 80s... along with GI Joe and Star Wars, they were some of the most defining things of 80s childhood play. And then this came out and we all felt a little cheated that we had a kn ... ock-off Orco, but totally excited that we had a movie we could see on the big screen. And we were young enough to not see how low the budget was. But, man, Frank Langella really sold his role didn't he? He brought his A-Game to this and knocked it out of the park. And Chelsea Field deserved better roles, she's never been bad in any of her films, even this low budget fair. But, watching it as an adult... it's a lot more B-Movie than it was when I was a kid, and the nostalgia and, well, Langella, are all that's really carrying it. But it's still fun. It still entertains, and is still all that matters.
**The glorious "greasy sci-fi" of the 80s: who doesn't miss the days when a rough rubber mask was a good idea in a movie?** I'm not really a comic connoisseur. It was only when I read about this film that I realized that the characters had been taken from that literary universe and from a line of ... action toys created by the American company Mattel. This is something that helped me to understand the sheer confusion and goofiness of this film, which I think only toy fans will truly appreciate. The best thing about this movie is the cast. There are some very respectable actors here, and their commitment and talent is remarkable, raising the quality of a cheesy movie quite a bit. Frank Langella's involvement is particularly good. He gave life to the great villain, a being called Skeletor, who looks like Darth Vader in the day he decided to go to Halloween dressed as Death. The character himself isn't impressive, he's a huge cliché without any intimidation ability, but Langella is really enjoying and having fun with this work. On the opposite side is Dolph Lundgren, a herculean and apparently invulnerable young man who came out of the world of combat sports, who doesn't know how to play and has the dramatic qualities of an avocado, but who manages to respond to what is asked of the character. Meg Foster, the proud owner of one of the most beautiful pairs of eyes of her time, has a charisma of her own and does a very good work. But let's be honest, is anyone going to see a movie just for the cast? I do not think so. It's a good argument, but it doesn't take anyone to the theatre by itself. Does the movie have anything else? Do you have qualities? Is it really worth it? There are audiences for all types of cinema, including kitsch, trash and B cinema. The proof of this is the success of some films that would never convince a person with the least amount of good taste. Therefore, I believe that lovers of “oily sci-fi” will be delighted with this magnificent piece of cheese with a very characteristic taste of the 80s. We have everything: stilted action scenes, choreographed like a Russian ballet, extraordinarily cheap special effects, “DIY” level, a very poor script, characters reduced to sketches, dialogues more melodramatic than a Mexican soap opera, crude make-up (Langella's mask is particularly bad) and many laser shots, in the golden age of lasers and neon. One last word for the soundtrack, bloated and arrogant like a 16-year-old on steroids.