Popularity: 0.9 (history)
Director: | Charles Band |
---|---|
Writer: | Marc Marais |
Staring: |
Jealous invalid husband tries to kill sexy blond wife, who uses occult powers and devices to try to kill him. | |
Release Date: | Dec 24, 1976 |
---|---|
Director: | Charles Band |
Writer: | Marc Marais |
Genres: | Horror |
Keywords | black magic, possession, car crash, occult, carsploitation |
Production Companies | Group 1 International Distribution Organization Ltd., BLC Services Inc., Full Moon Features |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 25, 2024 |
Name | Character |
---|---|
José Ferrer | Marc Denne |
Sue Lyon | Kim Denne |
John Ericson | Dr. Gregg Martin |
Leslie Parrish | Kathy Logan |
John Carradine | Dr. Welsey Edwards |
Jerome Guardino | Lt. Pegler |
Richard Band | Contractor |
Gary Baxley | Impound Yard Officer |
Ron Carter | Policeman |
Barry Chase | Policeman |
Rick Deming | Boy in Van |
Paul Dubov | Dr. Cross |
John Hayes | Man Driving Car |
Dwight Krizman | Policeman |
Reggie Nalder | Man at Swap Meet |
Margaret O'Heron | Nagging Wife |
Dawn Orr | Girl in Van |
Lenny Shabes | Policeman |
Speed Stearns | '56 Ford Driver |
John Tilton | Policeman |
Charles Band | Motorist (uncredited) |
Bill Williams | Cop (uncredited) |
Name | Job |
---|---|
Charles Band | Director |
Andrew Davis | Director of Photography |
Richard Band | Production Manager |
Chris George | Props |
Marc Marais | Writer |
Andrew Belling | Original Music Composer |
Harry Keramidas | Editor |
Speed Stearns | Stunt Driver |
Dwight Krizman | Production Assistant |
Bill Williams | Camera Operator, Director of Photography |
Patrick McFadden | Art Direction |
Richard Franchot | First Assistant Director |
Luca Prosseda | Property Master |
Dallas Clarke | Boom Operator |
John Hayes | Sound Mixer |
Harry Woolman | Special Effects |
Gary Baxley | Stunts |
John Huneck | Second Unit Cinematographer |
Don Clark | Second Unit Cinematographer |
Anthony R. Palmieri | Assistant Camera |
Yossi Pesso | Gaffer |
Jed Skillman | Second Unit Cinematographer |
Michael Stone | Assistant Camera |
John Tilton | Grip |
Robert T. Todd | Best Boy Grip |
Stephen Vaughan | Still Photographer |
Gary Wattman | Key Grip |
Mishe Yakobovsky | Gaffer |
Maureen O'Heron | Wardrobe Assistant |
Sterling von Franck | Wardrobe Supervisor |
Paul Dixon | Assistant Editor |
Don Ernst | Music Editor |
Don Perry | Music Supervisor |
Pam Eddy | Script Supervisor |
Kathryn Cunha | Production Secretary |
Linda Flowerday | Production Assistant |
Name | Title |
---|---|
Charles Band | Producer |
Lenny Shabes | Associate Producer |
T.C. Wang | Associate Producer |
Donald Domont | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 11 | 2 |
2024 | 5 | 6 | 10 | 4 |
2024 | 6 | 7 | 18 | 3 |
2024 | 7 | 7 | 16 | 2 |
2024 | 8 | 6 | 13 | 3 |
2024 | 9 | 7 | 13 | 2 |
2024 | 10 | 4 | 8 | 2 |
2024 | 11 | 3 | 7 | 1 |
2024 | 12 | 3 | 7 | 2 |
2025 | 1 | 4 | 10 | 2 |
2025 | 2 | 2 | 4 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
**_The Dukes of Hazzard meets The Exorcist with José Ferrer and Sue Lyon_** A young woman (Lyon) innocently purchases a mysterious idol-trinket that remarkably helps her in dealing with her bitter crippled husband (Ferrer), specifically in the form of a possessed black Camaro. John Ericson plays ... the concerned doctor and Leslie Parrish her nurse. John Carradine has a negligible role. “Crash!” (1976) is the second movie by ‘B’ filmmaker Charles Band (and arguably his first). It’s basically a less competent (and more obscure) version of “The Car” and technically beat that one to release. Both would inspire the superior “Christine” and all were likely influenced by “Killdozer.” While I’m giving this mid-70’s oddity a relatively low grade due to non-sensical storytelling, questionable filmmaking, lousy acting (particularly Ericson) and totally unconvincing vehicle explosions, it has its highlights for those interested. For instance, the red-eyed ‘possession’ scenes are well done and very creepy. So, yeah, it’s a bad movie, but it has its points of interest and is strangely compelling despite its glaring flaws. Lyon is best known as the alluring teen in “Lolita” and “The Night of the Iguana.” Here, she was 30 years-old during shooting and too thin IMHO. As for Parrish, you might remember her from her notable part in the Star Trek episode “Who Mourns of Adonais” from a decade prior. While my title blurb describes this as “The Dukes of Hazzard meets The Exorcist,” the Dukes of Hazzard wouldn’t even debut for another 2.5 years when this was initially released. So, motor-mayhem flicks from the mid-70’s, like “Eat My Dust,” would be more apt. The movie runs 1 hour, 28 minutes, and was shot in Fillmore, California (substituting for San Cecilia), which is roughly 45 miles northwest of Los Angeles. GRADE: C-/C