Popularity: 3 (history)
Director: | Barry Levinson |
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Writer: | Bernard Malamud, Roger Towne, Phil Dusenberry |
Staring: |
An unknown middle-aged batter named Roy Hobbs with a mysterious past appears out of nowhere to take a losing 1930s baseball team to the top of the league. | |
Release Date: | May 11, 1984 |
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Director: | Barry Levinson |
Writer: | Bernard Malamud, Roger Towne, Phil Dusenberry |
Genres: | Drama |
Keywords | corruption, baseball, attempted murder, talent, child prodigy, sports, femme fatale, redemption, lightning bolt, hdd |
Production Companies | TriStar Pictures |
Box Office |
Revenue: $48,000,000
Budget: $28,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Robert Redford | Roy Hobbs |
Robert Duvall | Max Mercy |
Glenn Close | Iris Gaines |
Kim Basinger | Memo Paris |
Wilford Brimley | Pop Fisher |
Barbara Hershey | Harriet Bird |
Robert Prosky | The Judge |
Richard Farnsworth | Red Blow |
Joe Don Baker | The Whammer |
Darren McGavin | Gus Sands |
Michael Madsen | Bump Bailey |
John Finnegan | Sam Simpson |
Alan Fudge | Ed Hobbs |
Ken Grassano | Al Fowler |
Mike Starr | Boone |
Mickey Treanor | Doc Dizzy |
Jon Van Ness | John Olsen |
Anthony J. Ferrara | Coach Wilson |
George Wilkosz | Bobby Savoy |
Paul Sullivan Jr | Young Roy |
Rachel Hall | Young Iris |
Sibby Sisti | Pirates Manager |
Ralph Tabakin | Ali's Customer |
Edward Walsh | Newsreel Presenter |
Name | Job |
---|---|
Bernard Malamud | Novel |
Stu Linder | Editor |
Randy Newman | Original Music Composer |
Gregg Bond | Prop Designer |
Bernie Pollack | Costume Design |
Roger Towne | Screenplay |
Phil Dusenberry | Screenplay |
Mel Bourne | Production Design |
Gloria Gresham | Costume Design |
Linda Bond | Special Effects |
Angelo P. Graham | Production Design |
Bruce Weintraub | Set Decoration |
Gary Liddiard | Makeup Artist |
Bill Phillips | Supervising Sound Editor |
Hal Sanders | Sound Effects Editor |
Andrew Patterson | Sound Effects Editor |
Jimmy Ling | Sound Effects Editor |
Barry Bedig | Property Master |
Gary Holt | Gaffer |
Clyde Hart | Key Grip |
Barry Levinson | Director |
Caleb Deschanel | Director of Photography |
Conrad E. Palmisano | Stunt Coordinator |
James J. Murakami | Art Direction |
Speed Hopkins | Art Direction |
Patrick Markey | Production Executive |
Ted Bafaloukos | Creative Consultant |
Robert F. Colesberry | Unit Production Manager |
Chris Soldo | First Assistant Director |
Patrick Crowley | First Assistant Director |
Tom Davies | Second Assistant Director |
Carol Smetana | Second Assistant Director |
Ellen Chenoweth | Casting |
Craig Denault | Camera Operator |
Alan R. Disler | Assistant Camera |
Bobby Brown | Assistant Camera |
Lisa Clarkson | Additional Casting |
Louis Di Giamo | Additional Casting |
Jeff Wexler | Production Sound Mixer |
Chris McLaughlin | Production Sound Mixer |
Jim Stuebe | Production Sound Mixer |
Chris Jenkins | Sound Re-Recording Mixer |
Gary Alexander | Sound Re-Recording Mixer |
Larry Stensvold | Sound Re-Recording Mixer |
Battle Davis | Additional Editor |
Andy Blumenthal | Additional Editor |
Jere Huggins | Additional Editor |
Liz Randol | Assistant Editor |
Jack Hayes | Orchestrator |
Joe Tuley | Music Editor |
Ana Maria Quintana | Script Supervisor |
Tom Hoerber | Makeup Artist |
Bunny Parker | Hairstylist |
Jules Melillo | Costume Supervisor |
John Sweeney | Set Dresser |
Casey Hallenbeck | Set Dresser |
Roger Hansen | Special Effects |
Name | Title |
---|---|
Philip M. Breen | Executive Producer |
Roger Towne | Executive Producer |
Mark Johnson | Producer |
Robert F. Colesberry | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 52 | 18 |
2024 | 5 | 51 | 69 | 40 |
2024 | 6 | 38 | 61 | 23 |
2024 | 7 | 30 | 42 | 16 |
2024 | 8 | 24 | 47 | 17 |
2024 | 9 | 20 | 39 | 13 |
2024 | 10 | 19 | 30 | 10 |
2024 | 11 | 17 | 30 | 11 |
2024 | 12 | 17 | 32 | 9 |
2025 | 1 | 19 | 41 | 11 |
2025 | 2 | 12 | 23 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 2 | 2 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 3 | 7 | 1 |
2025 | 8 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 416 | 576 |
The Wonder of Wonderboy. The Natural is directed by Barry Levinson and adapted to screenplay by Roger Towne & Phil Dusenberry from the novel written by Bernard Malamud. It stars Robert Redford, Robert Duvall, Glenn Close, Kim Basinger, Wilford Brimley, Barbara Hershey, Robert Prosky and Richard F ... arnsworth. Music is by Randy Newman and cinematography by Caleb Deschanel. The Natural is a wistful sports movie, one that asks every person who views it to buy into the whimsy and mythologising on show. If able to do that then it's a film of beguiling beauty, awash with strength of the human spirit and of luscious technical credits. The Arthurian core to Roy Hobbs' (Redford a superb presence yet calmness personified) second chance ensures we always know this is fanciful stuff, but that's just fine, we are in Field of Dreams territory here and fans of such fare are rewarded royally. Period art design, photography and musical score are grade "A", snuggling up nicely with a support cast to Redford that is of high end proportions. If it's in you and you know what sort of film to expect, you may well, come the end, be punching the air whilst having a tear in your eye. Lovely film making. 8.5/10
Many, many years ago when I was a bit of a sports fan, I remember reading stories about scouts who had seen athletes in the olden days like Roy Hobbs. Players who could hit a ball a mile or throw a hundred mile per hour fastball, but who never made it to the big league for some reason. But of course ... , this movie is based on a novel by Bernard Malamud, though there are hints of actual events here and there. It is an entertaining movie, presenting baseball as America’s game and therefore, ultimately, above corruption. It has an old timey feel, perhaps even older than the 1939 setting that is presented. The movie is less gloomy than the book, and I guess the purists don’t like that, but for me, life is gloomy enough and the mood and ending were just fine with me. (And I did read the book.) Since actual events and people from bygone days are cleaned up and mythologized for our history books, why get upset when fictional stories are purified with a rose colored lens?