Popularity: 4 (history)
Director: | Carter Smith |
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Writer: | Scott B. Smith |
Staring: |
Americans Amy, Stacy, Jeff and Eric look for fun during a sunny holiday in Mexico, but they get much more than that after visiting an archaeological dig in the jungle. | |
Release Date: | Apr 02, 2008 |
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Director: | Carter Smith |
Writer: | Scott B. Smith |
Genres: | Horror |
Keywords | mexico, tourist, cancún, mexico, travel, ruins, american tourist, maya civilization, carnivorous plant, creature, archaeological expedition |
Production Companies | DreamWorks Pictures, Spyglass Entertainment, Red Hour, Internationale Filmproduktion Prometheus |
Box Office |
Revenue: $22,818,256
Budget: $8,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jonathan Tucker | Jeff McIntire |
Jena Malone | Amy |
Shawn Ashmore | Eric |
Laura Ramsey | Stacy |
Joe Anderson | Mathias |
Sergio Calderón | Lead Mayan |
Jesse Ramirez | Mayan Bowman |
Balder Moreno | Mayan Horseman |
Dimitri Baveas | Dimitri |
Patricio Almeida Rodriguez | Taxi Driver |
Mario Jurado | Mayan Archer |
Luis Antonio Ramos | Mayan Rifleman |
Bar Paly | Archeologist |
Jordan Patrick Smith | Heinrich |
Karen Strassman | Additional Vine Vocal (voice) |
Robert Munns | Groundskeeper (uncredited) |
Name | Job |
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Ben Parkinson | Casting |
Jake Rice | Post Production Supervisor |
Darius Khondji | Director of Photography |
Graeme Revell | Original Music Composer |
Angela Demo | Casting Associate |
Michelle McGahey | Art Direction |
Antoinette O'Neill | Script Supervisor |
René Dashiell Kerby | Makeup Artist |
Lizzy Gardiner | Costume Design |
Scott B. Smith | Screenplay |
Dilys Tan | Art Department Coordinator |
Carter Smith | Director |
Dawn Fintor | Foley Artist |
Alicia Stevenson | Foley Artist |
Kami Asgar | Sound Effects Editor |
Patrick Tatopoulos | Creature Design |
Helen Howard | Dialect Coach |
Kristy Brooks | Production Assistant |
Michael Knott | Stand In |
Yvan Lucas | Colorist |
Brian Edmonds | Supervising Art Director |
Shane Thomas | Hair Supervisor |
Graeme Callander | Storyboard Artist |
Paige Badenoch | Makeup & Hair |
Samantha Walker | Set Costumer, Costumer |
Tricia McInally | Art Department Coordinator |
Ashley Alan Geary | Props |
Wendy Asher | Costumer |
Daniel Cairns | Assistant Property Master |
Ronald Wallekers | Head Greensman |
Desiree Vogelsang | Makeup Artist |
Darren Unsgaard | Props |
Kristin Reuter | Props |
Gillian Butler | Set Dresser |
Bruce Olinder | Chief Lighting Technician |
Reg Garside | Chief Lighting Technician |
Robbie Boyd | Electrician |
David Elmes | First Assistant "A" Camera |
Andrew Conder | Camera Operator |
Cameron Morley | Additional First Assistant Camera |
Vince Valitutti | Still Photographer |
Ian Barton | Second Company Grip |
Graeme Dew | Rigging Supervisor |
Klaus Kastberg | Set Designer |
Kerryn Flewell-Smith | Additional Hairstylist |
Jennifer Lamphee | Key Hair Stylist, Makeup Artist |
George Kabot | Graphic Designer |
Tina Symonds | Costumer |
Bob Booker | Property Master |
Paula Whiteway | Set Designer |
Tony Voevodin | Props |
Laura Elkington | Set Dresser |
Ross Clarke | Construction Coordinator |
John Rann | Construction Manager |
Timothy Burgard | Storyboard Artist |
David Williamson | Camera Operator |
Matt Windon | First Assistant "B" Camera |
Billy Harmer | Grip |
Luke Barlow | Additional Second Assistant Camera |
Mark Jefferies | Assistant Chief Lighting Technician |
Jayden York | Libra Head Technician |
Debbie Zoller | Makeup Department Head |
John Wingrove | Art Direction |
Toby Barron | Sculptor |
John Giuliano | Prop Maker |
Laura Kennard | Makeup & Hair |
Christine Spiller | Makeup Artist |
Leigh Mackie | Conceptual Illustrator |
Kerry Thompson | Costume Supervisor |
Darrin Smith | Carpenter |
Phil Shearer | Conceptual Illustrator |
Amy Mitchell | Costumer |
Adam Dalli | Costumer |
Pat Carr | Props |
John Lambert | Leadman |
Tom Brkich | Standby Painter |
Trevor Goring | Storyboard Artist |
Jesse Moyes | Electrician |
Mark Bills | Electrician |
Dominic Connor | Lighting Technician |
Bradley Boterhoek | Grip |
Simon Cooke | Dolly Grip |
Tristan Davies | Additional Second Assistant Camera |
Jeff Snyder | Video Assist Operator |
Simon Christidis | Underwater Camera |
Cameron Murchison | Second Assistant "B" Camera |
Gordon Tier | Electrician |
David 'Rusty' Leckonby | Grip |
Gulliver Page | Lighting Technician |
Colin Wyatt | Electrician |
Mitchell Ferm | Visual Effects Producer |
Julian Summers | Special Effects Technician |
Angelique Badenoch | Assistant Production Coordinator |
Tom Stewart | Stand In |
Scott G.G. Haller | Dialogue Editor |
Don Lee | Visual Effects Supervisor |
David Nichols | First Company Grip |
Chris Sposa | Boom Operator |
Narelle Dyer | Production Secretary |
Dorian Cheah | Supervising Sound Effects Editor, Sound Designer |
Charmaine Connelly | Prosthetics |
Kelly Weiler | Production Assistant |
Randal Shore | Visual Effects Producer |
Tara Schellenberg | Visual Effects Coordinator |
Leilani Gushiken | Post Production Coordinator |
Tim Kings-Lynne | Animation |
Jessica Dowdeswell | Stand In |
Jim Passon | Color Timer |
David Betancourt | Foley Mixer |
Michael Shand | Visual Effects Producer |
Tracy Bolt | Sound Mix Technician |
Leo Baker | Visual Effects Supervisor, Animation |
Chris Turner | Stand In |
Tim Tuchrello | Sound Effects Editor |
Karen Garlich | Payroll Accountant |
Beverly Abbott | Visual Effects Coordinator |
Gregory L. McMurry | Visual Effects Supervisor |
Eric Nagy | Sound Effects Editor |
Kevin O'Connell | Sound Re-Recording Mixer |
James Crane | Electrician |
Luke Stone | Dolly Grip |
Karin Eunson-Ross | Visual Effects Production Manager |
Rebecca Thiele | Special Effects Technician |
Bruce Bright | Special Effects Coordinator |
Steven Parker | Prosthetics |
Eryne Prine | Assistant Sound Editor |
David Sanger | Visual Effects Producer |
Greg Oliver | Special Effects Technician |
Matthew Gratzner | Visual Effects Supervisor |
Jeanine Wilson | First Assistant Accountant |
Jeff Gomillion | ADR Mixer |
Katie Brock | Animal Wrangler |
Gary Burritt | Negative Cutter |
Jonathan Klein | Foley |
Rebecca Boyle | Script Supervisor |
Fiona Searson | Unit Publicist |
Jacob Riehle | First Assistant Sound Editor |
Suzanne Evans-Booth | Visual Effects Coordinator |
Philip Rogers | ADR Recordist |
Katie Goodwin | Visual Effects Editor |
Judy Hallin | Production Coordinator |
Curtis Lindersmith | Digital Intermediate Editor |
Benjamin Rayner | Compositor |
Lisa Fiorito | Researcher |
Hailey White | Animation |
Eric Bailey | Production Assistant |
Ryan Verbruggen | Production Assistant |
Dylan Yeo | Animation |
Shane Heldon | Production Assistant |
Rachael Lin Gallaghan | Production Coordinator |
Melinda Jones | Visual Effects Producer |
Billy Coyne | Publicist |
Paul 'Salty' Brincat | Sound Mixer |
Sarah Young | Stand In |
Richard Thwaites | Visual Effects Coordinator |
Jon Turburfield | Senior Animator |
Brendan McHale | Special Effects Technician |
Felicity Handley | Production Assistant |
Natalia de Palma | Stand In |
David Fletcher | Special Effects Supervisor |
John McGonegle | Lighting Technician |
Cameron Ambridge | Utility Stunts |
Nicole La Praik | Production Assistant |
David Weisberg | ADR Mixer |
Ken McGaugh | Visual Effects Supervisor |
Annette Mackie | Prosthetic Designer |
Blake Archer | Location Manager |
Alex Weight | Animation |
Allan Mowbray | Armorer |
Quaid Hutchinson | Stand In |
Erin Oakley | ADR Supervisor |
Marie Mercuri | Production Assistant |
Joshua Winget | Music Editor |
Mallory Yund | Production Assistant |
Angela Nancarrow | Stand In |
Robert E. Phillips | Digital Intermediate |
Les Turner | Animation |
Todd Fulkerson | First Assistant Editor |
Sean McCormack | Supervising Sound Editor |
Brian Ward | Animation |
Jenny Lynn Burnett | Post Production Accountant |
Daniel Kmet | Animation |
Stacey Parish | Cableman |
Rachel Duxbury | Payroll Accountant |
Rhys Maitland-Jones | Sound Mix Technician |
Shelly Strong | Production Executive |
William Gammon | Compositor |
Zelie Bullen | Animal Wrangler |
Jacob Turner | Stand In |
Brett Robinson | Stand In |
Herwig Maurer | Sound Effects Editor |
Rod Conder | Boom Operator |
Robert Schajer | Visual Effects Producer |
Gab Facchinei | Prosthetics |
Jeremy Piggott | Production Assistant |
Suzie Bruce | Production Accountant |
Mandy Jacobs | First Assistant Editor |
Lisa Thomas | Assistant Production Coordinator |
Renee Bowen | Stunts |
Raelene Chapman | Stunt Double |
Lee Adamson | Stunts |
David C. Bryant | CGI Supervisor |
Debbie Santic | Stand In |
Celeste Cavanagh | Stand In |
Rick Connelly | Prosthetics |
Lachlan Gartshore | Stand In |
Kim Lee | Visual Effects Producer |
Michael Dressel | Foley Editor |
Jonathan Reynolds | 3D Generalist |
Dean Franklin | Special Effects Technician |
Matt Keogh | Special Effects Technician |
Michael Wolstenholme | Assistant Accountant |
Jeff Gribble | Armorer |
Beth Dewey | Digital Intermediate Producer |
Haydn Dalton | Utility Stunts |
Mitch Deans | Stunt Coordinator |
Sam Elia | Stunts |
Nikki Barrett | Casting |
Jennifer Venditti | Casting |
Natalie Ballesteros | Casting Assistant |
Jörg Widmer | Steadicam Operator |
Lisa Pinero | Production Sound Mixer |
Beau Borders | Sound Re-Recording Mixer |
Remi Broadway | Stand In |
Alicia Vela-Bailey | Utility Stunts |
Thomas DeWier | Utility Stunts |
Wally Dalton | Stunts |
Ben Hernandez Bray | Stunt Coordinator |
Jon Wakeham | Sound Effects Editor |
John Peter Bernardo | Associate Editor |
Jeff Betancourt | Editor |
Denise Chamian | Casting |
Grant Major | Production Design |
John Marquis | Supervising Sound Editor |
Malcolm Humphreys | CG Supervisor |
David E. Russo | Music Programmer |
Name | Title |
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Ben Stiller | Executive Producer |
Chris Bender | Producer |
Stuart Cornfeld | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 29 | 51 | 13 |
2024 | 5 | 31 | 62 | 14 |
2024 | 6 | 26 | 37 | 17 |
2024 | 7 | 33 | 50 | 20 |
2024 | 8 | 25 | 39 | 19 |
2024 | 9 | 19 | 28 | 12 |
2024 | 10 | 27 | 49 | 15 |
2024 | 11 | 20 | 50 | 11 |
2024 | 12 | 16 | 23 | 10 |
2025 | 1 | 20 | 37 | 13 |
2025 | 2 | 14 | 21 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 4 | 5 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 594 | 806 |
Year | Month | High | Avg |
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2025 | 6 | 682 | 851 |
Year | Month | High | Avg |
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2025 | 5 | 957 | 957 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 209 | 607 |
***Horror adventure in the Mayan jungle*** RELEASED IN 2008 and directed by Carter Smith based on Scott B. Smith’s novel, "The Ruins" refuses to make the mistake of too many conventional horror flicks by NOT going over-the-top with the situation, the "monster" or the horrific thrills; films that ... do so are usually more goofy than horrifying. Take the ending of "The Ruins,” which is different than the book and, in my opinion, better: In a typical horror movie there would've been a wild (i.e. thrilling but totally unbelievable) vehicle pursuit by the Mayans; not here. It's the BELIEVABILITY of "The Ruins" that makes it effective, which is reinforced by the acting of the five protagonists. Speaking of whom, the main cast consists of Jonathan Tucker as Jeff, Laura Ramsey as Stacy, Jena Malone as Amy, Shawn Ashmore as Eric and Joe Anderson as Mathias, the German. The two girls and Tucker (Jeff) especially stand out. I found these protagonists likable and fairly fleshed-out for a 90-minute horror flick. For one, they're not the typical frat trash you see in so many horror flicks. Secondly, we see signs of character again and again, which I detail below. Critics complain that the antagonists are decidedly un-scary, but that's one of the main points of the movie. Like 1963's "The Birds," it takes something we see every day and are NOT scared of and turns it/them into a source of horror. One memorable scene is when Stacy and Amy are in the dark bowels of the pyramid searching for a cell phone they keep hearing. What they discover is equal parts shocking, surreal and amazing (more on this below). Another memorable sequence is when Jeff & Eric are forced to perform a gruesome operation. The climax is also well-done and suspenseful. While the story takes place on the Yucatán Peninsula, Mexico, it was surprisingly shot at Gold Coast and Tamborine Mountain, Australia, just south of Brisbane, which is on the East coast. In any case, the locations are spectacular. BOTTOM LINE: "The Ruins" surprised me in light of the inexplicable mediocre ratings and incessant panning. It's an adventure story mixed with psychological horror utilizing something common and un-scary as the "monster." It features quality gore, excellent locations & props, quality performances and proficient filmmaking in general. Plus it takes advantage of the presence of Laura Ramsey and eschews the overdone cartoony-ness of too many horror flicks, which are more funny than creepy or horrifying. In other words, "The Ruins" delivers the goods. The theatrical version runs 90 minutes and the unrated version 93 minutes. I viewed the latter. GRADE: B+/A- ***SPOILER ALERT*** (Don't read further unless you've seen the film) The plants that live on the pyramid and what they are able to do spur a fascinating point: The animal kingdom spans the spectrum of worms to human beings. What about plant life? The plants at the Mayan ruins are obviously from the higher-developed end of the plant kingdom – they work as a team to obtain sustenance and are able to mimic sounds, like human voices and the ringtone of a cell phone. I've heard complaints about how the protagonists constantly make the wrong decisions. Answer: The foursome had befriended Mathias and therefore trusted him. They wanted to experience some Mayan history off the beaten track. When the Natives suddenly arrive on the scene and brutally shoot one of their members in the head the only place for them to safely flee is the pyramid. At that point they're stranded because the Natives have the ruins surrounded. How is any of this a wrong decision? Someone complained that the youths never attempt to escape the pyramid until it is basically too late, which supposedly defies logic. Answer: They're only on the pyramid for two nights and were waiting for help to arrive. Their only other recourse was to make a run for the jungle, which was impossible because the pyramid was surrounded by Natives with deadly weapons who already proved they would kill without mercy anyone infected by the plants. As such, the most logical thing to do was to wait for help and only make a run for it (to the jungle) if they absolutely had to, which is what happens. It sounds logical to me. Another criticism is that the protagonists are imbeciles with little character development. I found them likable, as noted above, and there are numerous examples of character: They desire to experience the culture of the area and not just utilize their exotic vacation to party, like the average one-dimensional spring-breakers. Also, they refuse to leave Mathias for dead in the pyramid and the girls risk going down the same dubious rope that resulted in his fall. Moreover, Jeff insists on performing the gruesome task of cutting off Mathias' legs and Eric agrees to help even while the primitive operation causes him to vomit. Lastly, Jeff willingly sacrifices himself so that Amy has a chance to escape and she makes a bold dash for freedom. All this sounds like character to me. Needless to say, the criticisms leveled at the film are mostly invalid or easily explained.